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Color name
HEX #AAA6FB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA6FB it is the complementary color #555904. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA6FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA6FB shade: #AFA6F6, #C0B8FF, #D1CAFF, #E2DCFF and #F3EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA6FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA6FB shade: #AAA6FB, #9994E8, #8882D5, #7770C2 and #665EAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA6FB shade: #ABA7FA, #C1A7FA, #D8A7FA, #EEA7FA and #FAA7F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA6FB shade: #ABA7FA and #A7A7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA6FB shade matches the following richer shades: #ABA7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA6FB shade: #ABA7FA, #B1AEF3, #B8B6EC, #BFBDE4 and #C6C5DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA6FB shade: #A7D1FA, #A7BAFA, #AAA7FA, #C0A7FA and #D6A7FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA6FB shade: #5F58F7, #857FF9, #ABA7FA, #D0CEFC and #F6F6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA6FB shade: #AAA6FB, #FAA7E7 and #C5FAA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA6FB shade: #AAA6FB, #FAAAA7 and #A7FAAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA6FB shade: #AAA6FB, #FAA7E7, #F8FAA7 and #A7FABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA6FB shade: #AAA6FB, #FAA7CE, #F8FAA7 and #A7FAD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 34 / 0 / 2

HEX #AAA6FB

RGB 170 166 251

HSL 242.82, 0.91%, 0.82%

LAB 71.41, 20.38, -41.75

 

Complementary color

CMYK 4 / 0 / 96 / 65

HEX #555904

RGB 85 89 4

HSL 62.82, 0.91%, 0.18%

LAB 36.15, -11.84, 42.16

 

CMYK 29 / 33 / 0 / 4

HEX #AFA6F6

RGB 175 166 246

HSL 246.75, 0.82%, 0.81%

LAB 71.58, 20.52, -38.73

 

CMYK 25 / 28 / 0 / 0

HEX #C0B8FF

RGB 192 184 255

HSL 246.76, 1%, 0.86%

LAB 77.7, 17.58, -34

 

CMYK 18 / 21 / 0 / 0

HEX #D1CAFF

RGB 209 202 255

HSL 247.92, 1%, 0.9%

LAB 83.45, 12.9, -25.07

 

CMYK 11 / 14 / 0 / 0

HEX #E2DCFF

RGB 226 220 255

HSL 250.29, 1%, 0.93%

LAB 89.19, 8.63, -16.26

 

CMYK 5 / 7 / 0 / 0

HEX #F3EEFF

RGB 243 238 255

HSL 257.65, 1%, 0.97%

LAB 94.92, 4.73, -7.59

 

CMYK 32 / 34 / 0 / 2

HEX #AAA6FB

RGB 170 166 251

HSL 242.82, 0.91%, 0.82%

LAB 71.41, 20.38, -41.75

 

CMYK 34 / 36 / 0 / 9

HEX #9994E8

RGB 153 148 232

HSL 243.57, 0.65%, 0.75%

LAB 64.79, 21.07, -41.82

 

CMYK 36 / 39 / 0 / 16

HEX #8882D5

RGB 136 130 213

HSL 244.34, 0.5%, 0.67%

LAB 58.04, 21.84, -41.93

 

CMYK 39 / 42 / 0 / 24

HEX #7770C2

RGB 119 112 194

HSL 245.12, 0.4%, 0.6%

LAB 51.16, 22.73, -42.09

 

CMYK 42 / 46 / 0 / 31

HEX #665EAF

RGB 102 94 175

HSL 245.93, 0.34%, 0.53%

LAB 44.13, 23.76, -42.31

 

CMYK 32 / 33 / 0 / 2

HEX #ABA7FA

RGB 171 167 250

HSL 242.89, 0.89%, 0.82%

LAB 71.69, 19.84, -40.76

 

CMYK 23 / 33 / 0 / 2

HEX #C1A7FA

RGB 193 167 250

HSL 258.8, 0.89%, 0.82%

LAB 73.47, 26.09, -37.86

 

CMYK 14 / 33 / 0 / 2

HEX #D8A7FA

RGB 216 167 250

HSL 275.42, 0.89%, 0.82%

LAB 75.54, 32.91, -34.48

 

CMYK 5 / 33 / 0 / 2

HEX #EEA7FA

RGB 238 167 250

HSL 291.33, 0.89%, 0.82%

LAB 77.71, 39.6, -30.96

 

CMYK 0 / 33 / 4 / 2

HEX #FAA7F0

RGB 250 167 240

HSL 307.23, 0.89%, 0.82%

LAB 78.61, 41.51, -24.07

 

CMYK 32 / 33 / 0 / 2

HEX #ABA7FA

RGB 171 167 250

HSL 242.89, 0.89%, 0.82%

LAB 71.69, 19.84, -40.76

 

CMYK 33 / 33 / 0 / 2

HEX #A7A7FA

RGB 167 167 250

HSL 240, 0.89%, 0.82%

LAB 71.39, 18.74, -41.25

 

CMYK 32 / 33 / 0 / 2

HEX #ABA7FA

RGB 171 167 250

HSL 242.89, 0.89%, 0.82%

LAB 71.69, 19.84, -40.76

 

CMYK 32 / 33 / 0 / 2

HEX #ABA7FA

RGB 171 167 250

HSL 242.89, 0.89%, 0.82%

LAB 71.69, 19.84, -40.76

 

CMYK 27 / 28 / 0 / 5

HEX #B1AEF3

RGB 177 174 243

HSL 242.61, 0.74%, 0.82%

LAB 73.6, 15.9, -33.96

 

CMYK 22 / 23 / 0 / 7

HEX #B8B6EC

RGB 184 182 236

HSL 242.22, 0.59%, 0.82%

LAB 75.89, 11.92, -26.61

 

CMYK 16 / 17 / 0 / 11

HEX #BFBDE4

RGB 191 189 228

HSL 243.08, 0.42%, 0.82%

LAB 77.92, 8.49, -19.15

 

CMYK 10 / 11 / 0 / 13

HEX #C6C5DD

RGB 198 197 221

HSL 242.5, 0.26%, 0.82%

LAB 80.27, 4.98, -11.8

 

CMYK 33 / 16 / 0 / 2

HEX #A7D1FA

RGB 167 209 250

HSL 209.64, 0.89%, 0.82%

LAB 82.23, -4.25, -24.54

 

CMYK 33 / 26 / 0 / 2

HEX #A7BAFA

RGB 167 186 250

HSL 226.27, 0.89%, 0.82%

LAB 76.21, 8.16, -33.76

 

CMYK 32 / 33 / 0 / 2

HEX #AAA7FA

RGB 170 167 250

HSL 242.17, 0.89%, 0.82%

LAB 71.61, 19.56, -40.89

 

CMYK 23 / 33 / 0 / 2

HEX #C0A7FA

RGB 192 167 250

HSL 258.07, 0.89%, 0.82%

LAB 73.38, 25.8, -38

 

CMYK 14 / 33 / 0 / 2

HEX #D6A7FA

RGB 214 167 250

HSL 273.98, 0.89%, 0.82%

LAB 75.35, 32.31, -34.79

 

CMYK 62 / 64 / 0 / 3

HEX #5F58F7

RGB 95 88 247

HSL 242.64, 0.91%, 0.66%

LAB 47.14, 48.19, -78.69

 

CMYK 47 / 49 / 0 / 2

HEX #857FF9

RGB 133 127 249

HSL 242.95, 0.91%, 0.74%

LAB 58.98, 33, -60.5

 

CMYK 32 / 33 / 0 / 2

HEX #ABA7FA

RGB 171 167 250

HSL 242.89, 0.89%, 0.82%

LAB 71.69, 19.84, -40.76

 

CMYK 17 / 18 / 0 / 1

HEX #D0CEFC

RGB 208 206 252

HSL 242.61, 0.88%, 0.9%

LAB 84.27, 9.8, -22.24

 

CMYK 3 / 3 / 0 / 0

HEX #F6F6FE

RGB 246 246 254

HSL 240, 0.8%, 0.98%

LAB 97.09, 1.44, -3.84

 

CMYK 32 / 34 / 0 / 2

HEX #AAA6FB

RGB 170 166 251

HSL 242.82, 0.91%, 0.82%

LAB 71.41, 20.38, -41.75

 

CMYK 0 / 33 / 8 / 2

HEX #FAA7E7

RGB 250 167 231

HSL 313.73, 0.89%, 0.82%

LAB 78.3, 39.97, -19.67

 

CMYK 21 / 0 / 33 / 2

HEX #C5FAA7

RGB 197 250 167

HSL 98.31, 0.89%, 0.82%

LAB 93.03, -31.28, 34.5

 

CMYK 32 / 34 / 0 / 2

HEX #AAA6FB

RGB 170 166 251

HSL 242.82, 0.91%, 0.82%

LAB 71.41, 20.38, -41.75

 

CMYK 0 / 32 / 33 / 2

HEX #FAAAA7

RGB 250 170 167

HSL 2.17, 0.89%, 0.82%

LAB 77.2, 29.03, 13.54

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAA

RGB 167 250 170

HSL 122.17, 0.89%, 0.82%

LAB 91.46, -40.59, 30.61

 

CMYK 32 / 34 / 0 / 2

HEX #AAA6FB

RGB 170 166 251

HSL 242.82, 0.91%, 0.82%

LAB 71.41, 20.38, -41.75

 

CMYK 0 / 33 / 8 / 2

HEX #FAA7E7

RGB 250 167 231

HSL 313.73, 0.89%, 0.82%

LAB 78.3, 39.97, -19.67

 

CMYK 1 / 0 / 33 / 2

HEX #F8FAA7

RGB 248 250 167

HSL 61.45, 0.89%, 0.82%

LAB 96.46, -12.9, 39.66

 

CMYK 33 / 0 / 26 / 2

HEX #A7FABA

RGB 167 250 186

HSL 133.73, 0.89%, 0.82%

LAB 91.74, -37.93, 22.89

 

CMYK 32 / 34 / 0 / 2

HEX #AAA6FB

RGB 170 166 251

HSL 242.82, 0.91%, 0.82%

LAB 71.41, 20.38, -41.75

 

CMYK 0 / 33 / 18 / 2

HEX #FAA7CE

RGB 250 167 206

HSL 331.81, 0.89%, 0.82%

LAB 77.53, 35.97, -7.24

 

CMYK 1 / 0 / 33 / 2

HEX #F8FAA7

RGB 248 250 167

HSL 61.45, 0.89%, 0.82%

LAB 96.46, -12.9, 39.66

 

CMYK 33 / 0 / 16 / 2

HEX #A7FAD3

RGB 167 250 211

HSL 151.81, 0.89%, 0.82%

LAB 92.26, -33.29, 10.77

 

Description

Color code: HEX #AAA6FB | qconv.com Color code: HEX #AAA6FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 166 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 166 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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