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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA5BE it is the complementary color #555A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA5BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA5BE shade: #AFA5B9, #C0B7CC, #D1C9DF, #E2DBF2 and #F3EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA5BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA5BE shade: #AAA5BE, #9993AB, #888198, #776F85 and #665D72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA5BE shade: #ABA6BE, #B1A6BE, #B8A6BE, #BEA6BE and #BEA6B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA5BE shade: #ABA6BE and #A6A6BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA5BE shade matches the following richer shades: #ABA6BE, #A399CB, #9C8DD7, #9481E3 and #8D74F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA5BE shade: #ABA6BE, #B2B2B2, #BABFA5, #C1CB99 and #C8D78D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA5BE shade: #A6AEBE, #A6A7BE, #ABA6BE, #B1A6BE and #B8A6BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA5BE shade: #7D769C, #948EAD, #ABA6BE, #C1BED0 and #D8D6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA5BE shade: #AAA5BE, #BEA6B4 and #ABBEA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA5BE shade: #AAA5BE, #BEABA6 and #A6BEAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA5BE shade: #AAA5BE, #BEA6B4, #B9BEA6 and #A6BEB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA5BE shade: #AAA5BE, #BEA6AD, #B9BEA6 and #A6BEB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 13 / 0 / 25

HEX #AAA5BE

RGB 170 165 190

HSL 252, 0.16%, 0.7%

LAB 68.88, 6.73, -12.17

 

Complementary color

CMYK 6 / 0 / 28 / 65

HEX #555A41

RGB 85 90 65

HSL 72, 0.16%, 0.3%

LAB 37.16, -6.81, 13.82

 

CMYK 5 / 11 / 0 / 27

HEX #AFA5B9

RGB 175 165 185

HSL 270, 0.13%, 0.69%

LAB 69.13, 7.41, -8.98

 

CMYK 6 / 10 / 0 / 20

HEX #C0B7CC

RGB 192 183 204

HSL 265.71, 0.17%, 0.76%

LAB 75.72, 7.12, -9.44

 

CMYK 6 / 10 / 0 / 13

HEX #D1C9DF

RGB 209 201 223

HSL 261.82, 0.26%, 0.83%

LAB 82.19, 6.86, -9.91

 

CMYK 7 / 10 / 0 / 5

HEX #E2DBF2

RGB 226 219 242

HSL 258.26, 0.47%, 0.9%

LAB 88.56, 6.61, -10.36

 

CMYK 5 / 7 / 0 / 0

HEX #F3EDFF

RGB 243 237 255

HSL 260, 1%, 0.96%

LAB 94.67, 5.25, -7.95

 

CMYK 11 / 13 / 0 / 25

HEX #AAA5BE

RGB 170 165 190

HSL 252, 0.16%, 0.7%

LAB 68.88, 6.73, -12.17

 

CMYK 11 / 14 / 0 / 33

HEX #9993AB

RGB 153 147 171

HSL 255, 0.13%, 0.62%

LAB 62.15, 7.02, -11.76

 

CMYK 11 / 15 / 0 / 40

HEX #888198

RGB 136 129 152

HSL 258.26, 0.1%, 0.55%

LAB 55.28, 7.34, -11.36

 

CMYK 11 / 17 / 0 / 48

HEX #776F85

RGB 119 111 133

HSL 261.82, 0.09%, 0.48%

LAB 48.24, 7.69, -10.96

 

CMYK 11 / 18 / 0 / 55

HEX #665D72

RGB 102 93 114

HSL 265.71, 0.1%, 0.41%

LAB 41.01, 8.08, -10.57

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BE

RGB 171 166 190

HSL 252.5, 0.16%, 0.7%

LAB 69.22, 6.51, -11.65

 

CMYK 7 / 13 / 0 / 25

HEX #B1A6BE

RGB 177 166 190

HSL 267.5, 0.16%, 0.7%

LAB 69.71, 8.55, -10.86

 

CMYK 3 / 13 / 0 / 25

HEX #B8A6BE

RGB 184 166 190

HSL 285, 0.16%, 0.7%

LAB 70.3, 10.94, -9.92

 

CMYK 0 / 13 / 0 / 25

HEX #BEA6BE

RGB 190 166 190

HSL 300, 0.16%, 0.7%

LAB 70.83, 13.02, -9.08

 

CMYK 0 / 13 / 4 / 25

HEX #BEA6B7

RGB 190 166 183

HSL 317.5, 0.16%, 0.7%

LAB 70.62, 11.71, -5.52

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BE

RGB 171 166 190

HSL 252.5, 0.16%, 0.7%

LAB 69.22, 6.51, -11.65

 

CMYK 13 / 13 / 0 / 25

HEX #A6A6BE

RGB 166 166 190

HSL 240, 0.16%, 0.7%

LAB 68.82, 4.84, -12.28

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BE

RGB 171 166 190

HSL 252.5, 0.16%, 0.7%

LAB 69.22, 6.51, -11.65

 

CMYK 20 / 25 / 0 / 20

HEX #A399CB

RGB 163 153 203

HSL 252, 0.32%, 0.7%

LAB 65.66, 14.02, -24.33

 

CMYK 27 / 34 / 0 / 16

HEX #9C8DD7

RGB 156 141 215

HSL 252.16, 0.48%, 0.7%

LAB 62.53, 21.6, -35.9

 

CMYK 35 / 43 / 0 / 11

HEX #9481E3

RGB 148 129 227

HSL 251.63, 0.64%, 0.7%

LAB 59.47, 29.37, -47.44

 

CMYK 41 / 52 / 0 / 6

HEX #8D74F0

RGB 141 116 240

HSL 252.1, 0.81%, 0.7%

LAB 56.53, 38.64, -59.4

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BE

RGB 171 166 190

HSL 252.5, 0.16%, 0.7%

LAB 69.22, 6.51, -11.65

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 3 / 0 / 14 / 25

HEX #BABFA5

RGB 186 191 165

HSL 71.54, 0.17%, 0.7%

LAB 76.32, -6.32, 12.54

 

CMYK 5 / 0 / 25 / 20

HEX #C1CB99

RGB 193 203 153

HSL 72, 0.32%, 0.7%

LAB 79.81, -11.8, 23.86

 

CMYK 7 / 0 / 34 / 16

HEX #C8D78D

RGB 200 215 141

HSL 72.16, 0.48%, 0.7%

LAB 83.34, -16.83, 34.88

 

CMYK 13 / 8 / 0 / 25

HEX #A6AEBE

RGB 166 174 190

HSL 220, 0.16%, 0.7%

LAB 70.94, 0.45, -9.12

 

CMYK 13 / 12 / 0 / 25

HEX #A6A7BE

RGB 166 167 190

HSL 237.5, 0.16%, 0.7%

LAB 69.08, 4.29, -11.89

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BE

RGB 171 166 190

HSL 252.5, 0.16%, 0.7%

LAB 69.22, 6.51, -11.65

 

CMYK 7 / 13 / 0 / 25

HEX #B1A6BE

RGB 177 166 190

HSL 267.5, 0.16%, 0.7%

LAB 69.71, 8.55, -10.86

 

CMYK 3 / 13 / 0 / 25

HEX #B8A6BE

RGB 184 166 190

HSL 285, 0.16%, 0.7%

LAB 70.3, 10.94, -9.92

 

CMYK 20 / 24 / 0 / 39

HEX #7D769C

RGB 125 118 156

HSL 251.05, 0.16%, 0.54%

LAB 51.52, 10.95, -19.49

 

CMYK 14 / 18 / 0 / 32

HEX #948EAD

RGB 148 142 173

HSL 251.61, 0.16%, 0.62%

LAB 60.48, 8.6, -15.46

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BE

RGB 171 166 190

HSL 252.5, 0.16%, 0.7%

LAB 69.22, 6.51, -11.65

 

CMYK 7 / 9 / 0 / 18

HEX #C1BED0

RGB 193 190 208

HSL 250, 0.16%, 0.78%

LAB 77.71, 4.47, -8.65

 

CMYK 4 / 5 / 0 / 12

HEX #D8D6E1

RGB 216 214 225

HSL 250.91, 0.15%, 0.86%

LAB 86.07, 2.71, -5.17

 

CMYK 11 / 13 / 0 / 25

HEX #AAA5BE

RGB 170 165 190

HSL 252, 0.16%, 0.7%

LAB 68.88, 6.73, -12.17

 

CMYK 0 / 13 / 5 / 25

HEX #BEA6B4

RGB 190 166 180

HSL 325, 0.16%, 0.7%

LAB 70.54, 11.17, -3.98

 

CMYK 10 / 0 / 13 / 25

HEX #ABBEA6

RGB 171 190 166

HSL 107.5, 0.16%, 0.7%

LAB 74.97, -11.02, 9.93

 

CMYK 11 / 13 / 0 / 25

HEX #AAA5BE

RGB 170 165 190

HSL 252, 0.16%, 0.7%

LAB 68.88, 6.73, -12.17

 

CMYK 0 / 10 / 13 / 25

HEX #BEABA6

RGB 190 171 166

HSL 12.5, 0.16%, 0.7%

LAB 71.44, 6, 5.06

 

CMYK 13 / 0 / 10 / 25

HEX #A6BEAB

RGB 166 190 171

HSL 132.5, 0.16%, 0.7%

LAB 74.75, -11.85, 6.84

 

CMYK 11 / 13 / 0 / 25

HEX #AAA5BE

RGB 170 165 190

HSL 252, 0.16%, 0.7%

LAB 68.88, 6.73, -12.17

 

CMYK 0 / 13 / 5 / 25

HEX #BEA6B4

RGB 190 166 180

HSL 325, 0.16%, 0.7%

LAB 70.54, 11.17, -3.98

 

CMYK 3 / 0 / 13 / 25

HEX #B9BEA6

RGB 185 190 166

HSL 72.5, 0.16%, 0.7%

LAB 76, -6, 11.53

 

CMYK 13 / 0 / 7 / 25

HEX #A6BEB0

RGB 166 190 176

HSL 145, 0.16%, 0.7%

LAB 74.87, -10.91, 4.31

 

CMYK 11 / 13 / 0 / 25

HEX #AAA5BE

RGB 170 165 190

HSL 252, 0.16%, 0.7%

LAB 68.88, 6.73, -12.17

 

CMYK 0 / 13 / 9 / 25

HEX #BEA6AD

RGB 190 166 173

HSL 342.5, 0.16%, 0.7%

LAB 70.34, 9.92, -0.4

 

CMYK 3 / 0 / 13 / 25

HEX #B9BEA6

RGB 185 190 166

HSL 72.5, 0.16%, 0.7%

LAB 76, -6, 11.53

 

CMYK 13 / 0 / 4 / 25

HEX #A6BEB7

RGB 166 190 183

HSL 162.5, 0.16%, 0.7%

LAB 75.05, -9.54, 0.76

 

Description

Color code: HEX #AAA5BE | qconv.com Color code: HEX #AAA5BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 165 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 165 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 13 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 13% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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