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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8C78 it is the complementary color #557387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8C78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8C78 shade: #AF8C73, #C09E86, #D1B099, #E2C2AC and #F3D4BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8C78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8C78 shade: #AA8C78, #997A65, #886852, #77563F and #66442C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8C78 shade: #AA8C78, #AA7E78 and #AA7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8C78 shade: #AA8C78, #AA9978, #AAA778, #A0AA78 and #92AA78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8C78 shade matches the following richer shades: #AA8C78, #BC8866, #CE8554, #DF8142 and #F17E31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8C78 shade: #AA8C78, #988F89, #87939B, #7596AD and #639ABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8C78 shade: #AA787E, #AA7E78, #AA8C78, #AA9978 and #AAA778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8C78 shade: #806350, #997660, #AA8C78, #BAA191 and #CAB7AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8C78 shade: #AA8C78, #8CAA78 and #7878AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8C78 shade: #AA8C78, #78AA8C and #8C78AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8C78 shade: #AA8C78, #8CAA78, #7896AA and #9678AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8C78 shade: #AA8C78, #7DAA78, #7896AA and #A578AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

Complementary color

CMYK 37 / 15 / 0 / 47

HEX #557387

RGB 85 115 135

HSL 204, 0.23%, 0.43%

LAB 46.9, -5.49, -14.43

 

CMYK 0 / 20 / 34 / 31

HEX #AF8C73

RGB 175 140 115

HSL 25, 0.27%, 0.57%

LAB 60.88, 9.64, 18.39

 

CMYK 0 / 18 / 30 / 25

HEX #C09E86

RGB 192 158 134

HSL 24.83, 0.32%, 0.64%

LAB 67.56, 9.02, 17.27

 

CMYK 0 / 16 / 27 / 18

HEX #D1B099

RGB 209 176 153

HSL 24.64, 0.38%, 0.71%

LAB 74.13, 8.49, 16.23

 

CMYK 0 / 14 / 24 / 11

HEX #E2C2AC

RGB 226 194 172

HSL 24.44, 0.48%, 0.78%

LAB 80.59, 8.02, 15.26

 

CMYK 0 / 13 / 21 / 5

HEX #F3D4BF

RGB 243 212 191

HSL 24.23, 0.68%, 0.85%

LAB 86.95, 7.59, 14.36

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 0 / 20 / 34 / 40

HEX #997A65

RGB 153 122 101

HSL 24.23, 0.2%, 0.5%

LAB 53.63, 8.91, 16.07

 

CMYK 0 / 24 / 40 / 47

HEX #886852

RGB 136 104 82

HSL 24.44, 0.25%, 0.43%

LAB 46.64, 9.65, 17.32

 

CMYK 0 / 28 / 47 / 53

HEX #77563F

RGB 119 86 63

HSL 24.64, 0.31%, 0.36%

LAB 39.47, 10.55, 18.74

 

CMYK 0 / 33 / 57 / 60

HEX #66442C

RGB 102 68 44

HSL 24.83, 0.4%, 0.29%

LAB 32.13, 11.7, 20.37

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 0 / 26 / 29 / 33

HEX #AA7E78

RGB 170 126 120

HSL 7.2, 0.23%, 0.57%

LAB 56.9, 16.18, 9.93

 

CMYK 0 / 29 / 29 / 33

HEX #AA7878

RGB 170 120 120

HSL 0, 0.23%, 0.57%

LAB 55.42, 19.57, 7.82

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 0 / 10 / 29 / 33

HEX #AA9978

RGB 170 153 120

HSL 39.6, 0.23%, 0.57%

LAB 63.9, 1.08, 19.66

 

CMYK 0 / 2 / 29 / 33

HEX #AAA778

RGB 170 167 120

HSL 56.4, 0.23%, 0.57%

LAB 67.68, -6.5, 24.76

 

CMYK 6 / 0 / 29 / 33

HEX #A0AA78

RGB 160 170 120

HSL 72, 0.23%, 0.57%

LAB 67.71, -12.03, 24.66

 

CMYK 14 / 0 / 29 / 33

HEX #92AA78

RGB 146 170 120

HSL 88.8, 0.23%, 0.57%

LAB 66.69, -17.42, 23.11

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 0 / 28 / 46 / 26

HEX #BC8866

RGB 188 136 102

HSL 23.72, 0.39%, 0.57%

LAB 61.01, 15.69, 26.07

 

CMYK 0 / 35 / 59 / 19

HEX #CE8554

RGB 206 133 84

HSL 24.1, 0.55%, 0.57%

LAB 62.11, 23.18, 37.7

 

CMYK 0 / 42 / 70 / 13

HEX #DF8142

RGB 223 129 66

HSL 24.08, 0.71%, 0.57%

LAB 63.16, 31.17, 48.66

 

CMYK 0 / 48 / 80 / 5

HEX #F17E31

RGB 241 126 49

HSL 24.06, 0.87%, 0.57%

LAB 64.84, 39.2, 58.86

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 0 / 6 / 10 / 40

HEX #988F89

RGB 152 143 137

HSL 24, 0.07%, 0.57%

LAB 60, 2.24, 4.38

 

CMYK 13 / 5 / 0 / 39

HEX #87939B

RGB 135 147 155

HSL 204, 0.09%, 0.57%

LAB 60.23, -2.61, -5.7

 

CMYK 32 / 13 / 0 / 32

HEX #7596AD

RGB 117 150 173

HSL 204.64, 0.25%, 0.57%

LAB 60.44, -5.79, -15.74

 

CMYK 48 / 19 / 0 / 25

HEX #639ABF

RGB 99 154 191

HSL 204.13, 0.42%, 0.57%

LAB 61.24, -7.93, -24.75

 

CMYK 0 / 29 / 26 / 33

HEX #AA787E

RGB 170 120 126

HSL 352.8, 0.23%, 0.57%

LAB 55.57, 20.44, 4.55

 

CMYK 0 / 26 / 29 / 33

HEX #AA7E78

RGB 170 126 120

HSL 7.2, 0.23%, 0.57%

LAB 56.9, 16.18, 9.93

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 0 / 10 / 29 / 33

HEX #AA9978

RGB 170 153 120

HSL 39.6, 0.23%, 0.57%

LAB 63.9, 1.08, 19.66

 

CMYK 0 / 2 / 29 / 33

HEX #AAA778

RGB 170 167 120

HSL 56.4, 0.23%, 0.57%

LAB 67.68, -6.5, 24.76

 

CMYK 0 / 23 / 38 / 50

HEX #806350

RGB 128 99 80

HSL 23.75, 0.23%, 0.41%

LAB 44.36, 8.87, 15.28

 

CMYK 0 / 23 / 37 / 40

HEX #997660

RGB 153 118 96

HSL 23.16, 0.23%, 0.49%

LAB 52.48, 10.55, 17.38

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 0 / 9 / 16 / 21

HEX #CAB7AA

RGB 202 183 170

HSL 24.38, 0.23%, 0.73%

LAB 75.65, 4.62, 9.06

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 18 / 0 / 29 / 33

HEX #8CAA78

RGB 140 170 120

HSL 96, 0.23%, 0.57%

LAB 66.28, -19.66, 22.48

 

CMYK 29 / 29 / 0 / 33

HEX #7878AA

RGB 120 120 170

HSL 240, 0.23%, 0.57%

LAB 52.21, 11.68, -26.6

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 29 / 0 / 18 / 33

HEX #78AA8C

RGB 120 170 140

HSL 144, 0.23%, 0.57%

LAB 65.46, -23.05, 10.2

 

CMYK 18 / 29 / 0 / 33

HEX #8C78AA

RGB 140 120 170

HSL 264, 0.23%, 0.57%

LAB 53.93, 18.02, -23.8

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 18 / 0 / 29 / 33

HEX #8CAA78

RGB 140 170 120

HSL 96, 0.23%, 0.57%

LAB 66.28, -19.66, 22.48

 

CMYK 29 / 12 / 0 / 33

HEX #7896AA

RGB 120 150 170

HSL 204, 0.23%, 0.57%

LAB 60.52, -5.65, -13.89

 

CMYK 12 / 29 / 0 / 33

HEX #9678AA

RGB 150 120 170

HSL 276, 0.23%, 0.57%

LAB 54.89, 21.31, -22.25

 

CMYK 0 / 18 / 29 / 33

HEX #AA8C78

RGB 170 140 120

HSL 24, 0.23%, 0.57%

LAB 60.48, 8.29, 14.94

 

CMYK 26 / 0 / 29 / 33

HEX #7DAA78

RGB 125 170 120

HSL 114, 0.23%, 0.57%

LAB 65.33, -25.06, 21.05

 

CMYK 29 / 12 / 0 / 33

HEX #7896AA

RGB 120 150 170

HSL 204, 0.23%, 0.57%

LAB 60.52, -5.65, -13.89

 

CMYK 3 / 29 / 0 / 33

HEX #A578AA

RGB 165 120 170

HSL 294, 0.23%, 0.57%

LAB 56.42, 26.33, -19.76

 

Description

Color code: HEX #AA8C78 | qconv.com Color code: HEX #AA8C78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 140 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 140 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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