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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8768 it is the complementary color #557897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8768 shade: #AF8763, #C09976, #D1AB89, #E2BD9C and #F3CFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8768 shade: #AA8768, #997555, #886342, #77512F and #663F1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8768 shade: #AA8768, #AA7568 and #AA6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8768 shade: #AA8768, #AA9968, #A9AA68, #98AA68 and #86AA68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8768 shade matches the following richer shades: #AA8768, #BD8655, #D08542, #E3842F and #F6831C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8768 shade: #AA8768, #97887B, #848A8E, #718BA1 and #5E8CB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8768 shade: #AA686D, #AA7568, #AA8768, #AA9968 and #AAAA68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8768 shade: #7B5E45, #957354, #AA8768, #B99C83 and #C8B19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8768 shade: #AA8768, #7EAA68 and #6D68AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8768 shade: #AA8768, #68AA87 and #8768AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8768 shade: #AA8768, #7EAA68, #688BAA and #9468AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8768 shade: #AA8768, #6BAA68, #688BAA and #A868AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

Complementary color

CMYK 44 / 21 / 0 / 41

HEX #557897

RGB 85 120 151

HSL 208.18, 0.28%, 0.46%

LAB 49.01, -3.84, -20.66

 

CMYK 0 / 23 / 43 / 31

HEX #AF8763

RGB 175 135 99

HSL 28.42, 0.32%, 0.54%

LAB 59.29, 10.51, 25.21

 

CMYK 0 / 20 / 39 / 25

HEX #C09976

RGB 192 153 118

HSL 28.38, 0.37%, 0.61%

LAB 65.98, 9.74, 23.92

 

CMYK 0 / 18 / 34 / 18

HEX #D1AB89

RGB 209 171 137

HSL 28.33, 0.44%, 0.68%

LAB 72.55, 9.08, 22.73

 

CMYK 0 / 16 / 31 / 11

HEX #E2BD9C

RGB 226 189 156

HSL 28.29, 0.55%, 0.75%

LAB 79.02, 8.5, 21.63

 

CMYK 0 / 15 / 28 / 5

HEX #F3CFAF

RGB 243 207 175

HSL 28.24, 0.74%, 0.82%

LAB 85.39, 7.99, 20.6

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 0 / 24 / 44 / 40

HEX #997555

RGB 153 117 85

HSL 28.24, 0.29%, 0.47%

LAB 52.01, 9.8, 23.07

 

CMYK 0 / 27 / 51 / 47

HEX #886342

RGB 136 99 66

HSL 28.29, 0.35%, 0.4%

LAB 45.01, 10.76, 24.54

 

CMYK 0 / 32 / 61 / 53

HEX #77512F

RGB 119 81 47

HSL 28.33, 0.43%, 0.33%

LAB 37.86, 11.96, 26.17

 

CMYK 0 / 38 / 73 / 60

HEX #663F1C

RGB 102 63 28

HSL 28.38, 0.57%, 0.25%

LAB 30.55, 13.48, 27.91

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 0 / 31 / 39 / 33

HEX #AA7568

RGB 170 117 104

HSL 11.82, 0.28%, 0.54%

LAB 54.31, 19.16, 15.57

 

CMYK 0 / 39 / 39 / 33

HEX #AA6868

RGB 170 104 104

HSL 0, 0.28%, 0.54%

LAB 51.21, 26.47, 11.25

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 0 / 10 / 39 / 33

HEX #AA9968

RGB 170 153 104

HSL 44.55, 0.28%, 0.54%

LAB 63.61, -0.97, 28.05

 

CMYK 1 / 0 / 39 / 33

HEX #A9AA68

RGB 169 170 104

HSL 60.91, 0.28%, 0.54%

LAB 68.16, -10.49, 33.9

 

CMYK 11 / 0 / 39 / 33

HEX #98AA68

RGB 152 170 104

HSL 76.36, 0.28%, 0.54%

LAB 66.84, -17.32, 31.95

 

CMYK 21 / 0 / 39 / 33

HEX #86AA68

RGB 134 170 104

HSL 92.73, 0.28%, 0.54%

LAB 65.61, -24.27, 30.11

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 0 / 29 / 55 / 26

HEX #BD8655

RGB 189 134 85

HSL 28.27, 0.44%, 0.54%

LAB 60.36, 15.59, 34.56

 

CMYK 0 / 36 / 68 / 18

HEX #D08542

RGB 208 133 66

HSL 28.31, 0.6%, 0.54%

LAB 62.15, 22.83, 47.01

 

CMYK 0 / 42 / 79 / 11

HEX #E3842F

RGB 227 132 47

HSL 28.33, 0.76%, 0.54%

LAB 64.19, 30.42, 58.39

 

CMYK 0 / 47 / 89 / 4

HEX #F6831C

RGB 246 131 28

HSL 28.35, 0.92%, 0.54%

LAB 66.45, 38.12, 67.83

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 0 / 10 / 19 / 41

HEX #97887B

RGB 151 136 123

HSL 27.86, 0.12%, 0.54%

LAB 57.67, 3.41, 9.03

 

CMYK 7 / 3 / 0 / 44

HEX #848A8E

RGB 132 138 142

HSL 204, 0.04%, 0.54%

LAB 57.11, -1.37, -2.9

 

CMYK 30 / 14 / 0 / 37

HEX #718BA1

RGB 113 139 161

HSL 207.5, 0.2%, 0.54%

LAB 56.63, -3.88, -14.68

 

CMYK 48 / 22 / 0 / 29

HEX #5E8CB4

RGB 94 140 180

HSL 207.91, 0.36%, 0.54%

LAB 56.52, -4.5, -25.82

 

CMYK 0 / 39 / 36 / 33

HEX #AA686D

RGB 170 104 109

HSL 355.45, 0.28%, 0.54%

LAB 51.33, 27.09, 8.47

 

CMYK 0 / 31 / 39 / 33

HEX #AA7568

RGB 170 117 104

HSL 11.82, 0.28%, 0.54%

LAB 54.31, 19.16, 15.57

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 0 / 10 / 39 / 33

HEX #AA9968

RGB 170 153 104

HSL 44.55, 0.28%, 0.54%

LAB 63.61, -0.97, 28.05

 

CMYK 0 / 0 / 39 / 33

HEX #AAAA68

RGB 170 170 104

HSL 60, 0.28%, 0.54%

LAB 68.24, -10.08, 34.02

 

CMYK 0 / 24 / 44 / 52

HEX #7B5E45

RGB 123 94 69

HSL 27.78, 0.28%, 0.38%

LAB 42.22, 8.26, 18.87

 

CMYK 0 / 23 / 44 / 42

HEX #957354

RGB 149 115 84

HSL 28.62, 0.28%, 0.46%

LAB 51.03, 9.11, 22.27

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 0 / 16 / 29 / 27

HEX #B99C83

RGB 185 156 131

HSL 27.78, 0.28%, 0.62%

LAB 66.31, 6.94, 17.09

 

CMYK 0 / 12 / 22 / 22

HEX #C8B19D

RGB 200 177 157

HSL 27.91, 0.28%, 0.7%

LAB 73.65, 5.09, 13.26

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 26 / 0 / 39 / 33

HEX #7EAA68

RGB 126 170 104

HSL 100, 0.28%, 0.54%

LAB 65.11, -27.22, 29.37

 

CMYK 36 / 39 / 0 / 33

HEX #6D68AA

RGB 109 104 170

HSL 244.55, 0.28%, 0.54%

LAB 47.05, 18.09, -34.72

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 39 / 0 / 21 / 33

HEX #68AA87

RGB 104 170 135

HSL 148.18, 0.28%, 0.54%

LAB 64.52, -29.03, 11.51

 

CMYK 21 / 39 / 0 / 33

HEX #8768AA

RGB 135 104 170

HSL 268.18, 0.28%, 0.54%

LAB 49.44, 25.84, -30.8

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 26 / 0 / 39 / 33

HEX #7EAA68

RGB 126 170 104

HSL 100, 0.28%, 0.54%

LAB 65.11, -27.22, 29.37

 

CMYK 39 / 18 / 0 / 33

HEX #688BAA

RGB 104 139 170

HSL 208.18, 0.28%, 0.54%

LAB 56.4, -4.15, -20.25

 

CMYK 13 / 39 / 0 / 33

HEX #9468AA

RGB 148 104 170

HSL 280, 0.28%, 0.54%

LAB 50.8, 29.91, -28.57

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 37 / 0 / 39 / 33

HEX #6BAA68

RGB 107 170 104

HSL 117.27, 0.28%, 0.54%

LAB 64.06, -33.79, 27.8

 

CMYK 39 / 18 / 0 / 33

HEX #688BAA

RGB 104 139 170

HSL 208.18, 0.28%, 0.54%

LAB 56.4, -4.15, -20.25

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

Description

Color code: HEX #AA8768 | qconv.com Color code: HEX #AA8768 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 135 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 135 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 39 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 39% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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