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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8526 it is the complementary color #557AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8526 shade: #AF8521, #C09734, #D1A947, #E2BB5A and #F3CD6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8526 shade: #AA8526, #997313, #886100, #774F00 and #663D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8526 shade: #AA8526, #AA6126, #AA3E26 and #AA2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8526 shade: #AA8526, #AAA926, #88AA26, #64AA26 and #41AA26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8526 shade matches the following richer shades: #AA8526, #BB8C15 and #CC9404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8526 shade: #AA8526, #997E37, #887648, #776F59 and #66676A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8526 shade: #AA3E26, #AA6126, #AA8526, #AAA826 and #89AA26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8526 shade: #675017, #886B1F, #AA8526, #CC9F2E and #D6B04D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8526 shade: #AA8526, #31AA26 and #5026AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8526 shade: #AA8526, #26AA85 and #8526AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8526 shade: #AA8526, #31AA26, #264CAA and #9F26AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8526 shade: #AA8526, #26AA43, #264CAA and #AA268D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

Complementary color

CMYK 61 / 44 / 0 / 15

HEX #557AD9

RGB 85 122 217

HSL 223.18, 0.63%, 0.59%

LAB 52.8, 16.08, -52.71

 

CMYK 0 / 24 / 81 / 31

HEX #AF8521

RGB 175 133 33

HSL 42.25, 0.68%, 0.41%

LAB 58.04, 6.87, 55.7

 

CMYK 0 / 21 / 73 / 25

HEX #C09734

RGB 192 151 52

HSL 42.43, 0.57%, 0.48%

LAB 64.63, 5.36, 55.36

 

CMYK 0 / 19 / 66 / 18

HEX #D1A947

RGB 209 169 71

HSL 42.61, 0.6%, 0.55%

LAB 71.14, 4.1, 54.48

 

CMYK 0 / 17 / 60 / 11

HEX #E2BB5A

RGB 226 187 90

HSL 42.79, 0.7%, 0.62%

LAB 77.55, 3.02, 53.36

 

CMYK 0 / 16 / 55 / 5

HEX #F3CD6D

RGB 243 205 109

HSL 42.99, 0.85%, 0.69%

LAB 83.87, 2.1, 52.15

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 25 / 88 / 40

HEX #997313

RGB 153 115 19

HSL 42.99, 0.78%, 0.34%

LAB 50.78, 6.46, 52.93

 

CMYK 0 / 29 / 100 / 47

HEX #886100

RGB 136 97 0

HSL 42.79, 1%, 0.27%

LAB 43.92, 8.44, 51.44

 

CMYK 0 / 34 / 100 / 53

HEX #774F00

RGB 119 79 0

HSL 39.83, 1%, 0.23%

LAB 36.96, 10.92, 45.73

 

CMYK 0 / 40 / 100 / 60

HEX #663D00

RGB 102 61 0

HSL 35.88, 1%, 0.2%

LAB 29.82, 13.56, 39.79

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 43 / 78 / 33

HEX #AA6126

RGB 170 97 38

HSL 26.82, 0.63%, 0.41%

LAB 48.56, 24.98, 44.58

 

CMYK 0 / 64 / 78 / 33

HEX #AA3E26

RGB 170 62 38

HSL 10.91, 0.63%, 0.41%

LAB 41.42, 43.03, 37.34

 

CMYK 0 / 78 / 78 / 33

HEX #AA2626

RGB 170 38 38

HSL 0, 0.63%, 0.41%

LAB 37.97, 52.46, 33.68

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 1 / 78 / 33

HEX #AAA926

RGB 170 169 38

HSL 59.55, 0.63%, 0.41%

LAB 67.32, -14.55, 62.24

 

CMYK 20 / 0 / 78 / 33

HEX #88AA26

RGB 136 170 38

HSL 75.45, 0.63%, 0.41%

LAB 65.06, -29.56, 59.23

 

CMYK 41 / 0 / 78 / 33

HEX #64AA26

RGB 100 170 38

HSL 91.82, 0.63%, 0.41%

LAB 63.01, -43.26, 56.56

 

CMYK 62 / 0 / 78 / 33

HEX #41AA26

RGB 65 170 38

HSL 107.73, 0.63%, 0.41%

LAB 61.67, -53.58, 54.81

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 25 / 89 / 27

HEX #BB8C15

RGB 187 140 21

HSL 43.01, 0.8%, 0.41%

LAB 61.11, 8.08, 62.31

 

CMYK 0 / 27 / 98 / 20

HEX #CC9404

RGB 204 148 4

HSL 43.2, 0.96%, 0.41%

LAB 64.98, 11.06, 68.92

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 18 / 64 / 40

HEX #997E37

RGB 153 126 55

HSL 43.47, 0.47%, 0.41%

LAB 53.99, 1.94, 41.59

 

CMYK 0 / 13 / 47 / 47

HEX #887648

RGB 136 118 72

HSL 43.13, 0.31%, 0.41%

LAB 50.29, 0.36, 27.83

 

CMYK 0 / 7 / 25 / 53

HEX #776F59

RGB 119 111 89

HSL 44, 0.14%, 0.41%

LAB 46.99, -0.74, 13.4

 

CMYK 4 / 3 / 0 / 58

HEX #66676A

RGB 102 103 106

HSL 225, 0.02%, 0.41%

LAB 43.6, 0.25, -1.83

 

CMYK 0 / 64 / 78 / 33

HEX #AA3E26

RGB 170 62 38

HSL 10.91, 0.63%, 0.41%

LAB 41.42, 43.03, 37.34

 

CMYK 0 / 43 / 78 / 33

HEX #AA6126

RGB 170 97 38

HSL 26.82, 0.63%, 0.41%

LAB 48.56, 24.98, 44.58

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 1 / 78 / 33

HEX #AAA826

RGB 170 168 38

HSL 59.09, 0.63%, 0.41%

LAB 67.04, -14.04, 61.98

 

CMYK 19 / 0 / 78 / 33

HEX #89AA26

RGB 137 170 38

HSL 75, 0.63%, 0.41%

LAB 65.13, -29.15, 59.31

 

CMYK 0 / 22 / 78 / 60

HEX #675017

RGB 103 80 23

HSL 42.75, 0.63%, 0.25%

LAB 35.37, 3.21, 35.51

 

CMYK 0 / 21 / 77 / 47

HEX #886B1F

RGB 136 107 31

HSL 43.43, 0.63%, 0.33%

LAB 46.78, 3.52, 44.46

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 22 / 77 / 20

HEX #CC9F2E

RGB 204 159 46

HSL 42.91, 0.63%, 0.49%

LAB 67.9, 6.05, 61.25

 

CMYK 0 / 18 / 64 / 16

HEX #D6B04D

RGB 214 176 77

HSL 43.36, 0.63%, 0.57%

LAB 73.47, 2.89, 54.46

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 71 / 0 / 78 / 33

HEX #31AA26

RGB 49 170 38

HSL 115, 0.63%, 0.41%

LAB 61.26, -56.98, 54.27

 

CMYK 53 / 78 / 0 / 33

HEX #5026AA

RGB 80 38 170

HSL 259.09, 0.63%, 0.41%

LAB 29.4, 49.87, -63.27

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 78 / 0 / 22 / 33

HEX #26AA85

RGB 38 170 133

HSL 163.18, 0.63%, 0.41%

LAB 62.39, -43.44, 9.31

 

CMYK 22 / 78 / 0 / 33

HEX #8526AA

RGB 133 38 170

HSL 283.18, 0.63%, 0.41%

LAB 36.51, 58.78, -51.37

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 71 / 0 / 78 / 33

HEX #31AA26

RGB 49 170 38

HSL 115, 0.63%, 0.41%

LAB 61.26, -56.98, 54.27

 

CMYK 78 / 55 / 0 / 33

HEX #264CAA

RGB 38 76 170

HSL 222.73, 0.63%, 0.41%

LAB 34.97, 21.27, -54.29

 

CMYK 6 / 78 / 0 / 33

HEX #9F26AA

RGB 159 38 170

HSL 295, 0.63%, 0.41%

LAB 40.67, 63.87, -44.46

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 78 / 0 / 61 / 33

HEX #26AA43

RGB 38 170 67

HSL 133.18, 0.63%, 0.41%

LAB 61.28, -55.95, 42.51

 

CMYK 78 / 55 / 0 / 33

HEX #264CAA

RGB 38 76 170

HSL 222.73, 0.63%, 0.41%

LAB 34.97, 21.27, -54.29

 

CMYK 0 / 78 / 17 / 33

HEX #AA268D

RGB 170 38 141

HSL 313.18, 0.63%, 0.41%

LAB 40.99, 61.73, -26.34

 

Description

Color code: HEX #AA8526 | qconv.com Color code: HEX #AA8526 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 133 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 133 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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