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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7F81 it is the complementary color #55807E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7F81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7F81 shade: #AF7F7C, #C0918F, #D1A3A2, #E2B5B5 and #F3C7C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7F81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7F81 shade: #AA7F81, #996D6E, #885B5B, #774948 and #663735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7F81 shade: #A97E80 and #A97E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7F81 shade: #A97E80, #A97E8C, #A97E97, #A97EA3 and #A37EA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7F81 shade matches the following richer shades: #A97E80, #BA6D70, #CB5B61, #DD4A51 and #EE3941

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7F81 shade: #A97E80, #978F90, #86A19F, #75B2AF and #64C3BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7F81 shade: #A97E97, #A97E8C, #A97E80, #A9877E and #A9937E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7F81 shade: #7F5557, #986568, #A97E80, #B99798 and #CAAFB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7F81 shade: #AA7F81, #A2A97E and #7E91A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7F81 shade: #AA7F81, #80A97E and #7E80A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7F81 shade: #AA7F81, #A2A97E, #7EA9A7 and #847EA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7F81 shade: #AA7F81, #96A97E, #7EA9A7 and #917EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 24 / 33

HEX #AA7F81

RGB 170 127 129

HSL 357.21, 0.2%, 0.58%

LAB 57.38, 16.93, 5.41

 

Complementary color

CMYK 34 / 0 / 2 / 50

HEX #55807E

RGB 85 128 126

HSL 177.21, 0.2%, 0.42%

LAB 50.54, -15.23, -3.65

 

CMYK 0 / 27 / 29 / 31

HEX #AF7F7C

RGB 175 127 124

HSL 3.53, 0.24%, 0.59%

LAB 57.8, 18.15, 8.97

 

CMYK 0 / 24 / 26 / 25

HEX #C0918F

RGB 192 145 143

HSL 2.45, 0.28%, 0.66%

LAB 64.52, 17.44, 7.96

 

CMYK 0 / 22 / 22 / 18

HEX #D1A3A2

RGB 209 163 162

HSL 1.28, 0.34%, 0.73%

LAB 71.12, 16.81, 7.04

 

CMYK 0 / 20 / 20 / 11

HEX #E2B5B5

RGB 226 181 181

HSL 0, 0.44%, 0.8%

LAB 77.61, 16.24, 6.18

 

CMYK 0 / 18 / 18 / 5

HEX #F3C7C8

RGB 243 199 200

HSL 358.64, 0.65%, 0.87%

LAB 84, 15.73, 5.38

 

CMYK 0 / 25 / 24 / 33

HEX #AA7F81

RGB 170 127 129

HSL 357.21, 0.2%, 0.58%

LAB 57.38, 16.93, 5.41

 

CMYK 0 / 29 / 28 / 40

HEX #996D6E

RGB 153 109 110

HSL 358.64, 0.18%, 0.51%

LAB 50.49, 17.66, 6.41

 

CMYK 0 / 33 / 33 / 47

HEX #885B5B

RGB 136 91 91

HSL 0, 0.2%, 0.45%

LAB 43.47, 18.5, 7.54

 

CMYK 0 / 39 / 39 / 53

HEX #774948

RGB 119 73 72

HSL 1.28, 0.25%, 0.37%

LAB 36.28, 19.49, 8.85

 

CMYK 0 / 46 / 48 / 60

HEX #663735

RGB 102 55 53

HSL 2.45, 0.32%, 0.3%

LAB 28.94, 20.65, 10.47

 

CMYK 0 / 25 / 24 / 34

HEX #A97E80

RGB 169 126 128

HSL 357.21, 0.2%, 0.58%

LAB 56.99, 16.95, 5.42

 

CMYK 0 / 25 / 25 / 34

HEX #A97E7E

RGB 169 126 126

HSL 0, 0.2%, 0.58%

LAB 56.94, 16.65, 6.51

 

CMYK 0 / 25 / 24 / 34

HEX #A97E80

RGB 169 126 128

HSL 357.21, 0.2%, 0.58%

LAB 56.99, 16.95, 5.42

 

CMYK 0 / 25 / 17 / 34

HEX #A97E8C

RGB 169 126 140

HSL 340.47, 0.2%, 0.58%

LAB 57.32, 18.86, -1.04

 

CMYK 0 / 25 / 11 / 34

HEX #A97E97

RGB 169 126 151

HSL 325.12, 0.2%, 0.58%

LAB 57.65, 20.74, -6.91

 

CMYK 0 / 25 / 4 / 34

HEX #A97EA3

RGB 169 126 163

HSL 308.37, 0.2%, 0.58%

LAB 58.04, 22.94, -13.24

 

CMYK 4 / 25 / 0 / 34

HEX #A37EA9

RGB 163 126 169

HSL 291.63, 0.2%, 0.58%

LAB 57.63, 22.03, -17.37

 

CMYK 0 / 25 / 24 / 34

HEX #A97E80

RGB 169 126 128

HSL 357.21, 0.2%, 0.58%

LAB 56.99, 16.95, 5.42

 

CMYK 0 / 41 / 40 / 27

HEX #BA6D70

RGB 186 109 112

HSL 357.66, 0.36%, 0.58%

LAB 54.6, 30.9, 11.61

 

CMYK 0 / 55 / 52 / 20

HEX #CB5B61

RGB 203 91 97

HSL 356.79, 0.52%, 0.58%

LAB 53, 45.02, 18.59

 

CMYK 0 / 67 / 63 / 13

HEX #DD4A51

RGB 221 74 81

HSL 357.14, 0.68%, 0.58%

LAB 52.8, 57.52, 28.29

 

CMYK 0 / 76 / 73 / 7

HEX #EE3941

RGB 238 57 65

HSL 357.35, 0.84%, 0.58%

LAB 53.48, 67.83, 39.05

 

CMYK 0 / 25 / 24 / 34

HEX #A97E80

RGB 169 126 128

HSL 357.21, 0.2%, 0.58%

LAB 56.99, 16.95, 5.42

 

CMYK 0 / 5 / 5 / 41

HEX #978F90

RGB 151 143 144

HSL 352.5, 0.04%, 0.58%

LAB 60.1, 3.15, 0.52

 

CMYK 17 / 0 / 1 / 37

HEX #86A19F

RGB 134 161 159

HSL 175.56, 0.13%, 0.58%

LAB 64.21, -9.77, -2.1

 

CMYK 34 / 0 / 2 / 30

HEX #75B2AF

RGB 117 178 175

HSL 177.05, 0.28%, 0.58%

LAB 68.55, -20.27, -4.73

 

CMYK 49 / 0 / 2 / 24

HEX #64C3BF

RGB 100 195 191

HSL 177.47, 0.44%, 0.58%

LAB 73.22, -29.03, -6.67

 

CMYK 0 / 25 / 11 / 34

HEX #A97E97

RGB 169 126 151

HSL 325.12, 0.2%, 0.58%

LAB 57.65, 20.74, -6.91

 

CMYK 0 / 25 / 17 / 34

HEX #A97E8C

RGB 169 126 140

HSL 340.47, 0.2%, 0.58%

LAB 57.32, 18.86, -1.04

 

CMYK 0 / 25 / 24 / 34

HEX #A97E80

RGB 169 126 128

HSL 357.21, 0.2%, 0.58%

LAB 56.99, 16.95, 5.42

 

CMYK 0 / 20 / 25 / 34

HEX #A9877E

RGB 169 135 126

HSL 12.56, 0.2%, 0.58%

LAB 59.22, 11.56, 9.75

 

CMYK 0 / 13 / 25 / 34

HEX #A9937E

RGB 169 147 126

HSL 29.3, 0.2%, 0.58%

LAB 62.35, 4.85, 14.14

 

CMYK 0 / 33 / 31 / 50

HEX #7F5557

RGB 127 85 87

HSL 357.14, 0.2%, 0.42%

LAB 40.73, 17.76, 5.95

 

CMYK 0 / 34 / 32 / 40

HEX #986568

RGB 152 101 104

HSL 356.47, 0.2%, 0.5%

LAB 48.24, 21.01, 6.74

 

CMYK 0 / 25 / 24 / 34

HEX #A97E80

RGB 169 126 128

HSL 357.21, 0.2%, 0.58%

LAB 56.99, 16.95, 5.42

 

CMYK 0 / 18 / 18 / 27

HEX #B99798

RGB 185 151 152

HSL 358.24, 0.2%, 0.66%

LAB 65.53, 12.83, 4.25

 

CMYK 0 / 13 / 12 / 21

HEX #CAAFB1

RGB 202 175 177

HSL 355.56, 0.2%, 0.74%

LAB 73.8, 10.06, 2.57

 

CMYK 0 / 25 / 24 / 33

HEX #AA7F81

RGB 170 127 129

HSL 357.21, 0.2%, 0.58%

LAB 57.38, 16.93, 5.41

 

CMYK 4 / 0 / 25 / 34

HEX #A2A97E

RGB 162 169 126

HSL 69.77, 0.2%, 0.58%

LAB 67.7, -9.86, 21.42

 

CMYK 25 / 14 / 0 / 34

HEX #7E91A9

RGB 126 145 169

HSL 213.49, 0.2%, 0.58%

LAB 59.48, -1.23, -14.86

 

CMYK 0 / 25 / 24 / 33

HEX #AA7F81

RGB 170 127 129

HSL 357.21, 0.2%, 0.58%

LAB 57.38, 16.93, 5.41

 

CMYK 24 / 0 / 25 / 34

HEX #80A97E

RGB 128 169 126

HSL 117.21, 0.2%, 0.58%

LAB 65.34, -22.48, 17.8

 

CMYK 25 / 24 / 0 / 34

HEX #7E80A9

RGB 126 128 169

HSL 237.21, 0.2%, 0.58%

LAB 54.8, 8.57, -21.98

 

CMYK 0 / 25 / 24 / 33

HEX #AA7F81

RGB 170 127 129

HSL 357.21, 0.2%, 0.58%

LAB 57.38, 16.93, 5.41

 

CMYK 4 / 0 / 25 / 34

HEX #A2A97E

RGB 162 169 126

HSL 69.77, 0.2%, 0.58%

LAB 67.7, -9.86, 21.42

 

CMYK 25 / 0 / 1 / 34

HEX #7EA9A7

RGB 126 169 167

HSL 177.21, 0.2%, 0.58%

LAB 66.21, -14.82, -3.68

 

CMYK 22 / 25 / 0 / 34

HEX #847EA9

RGB 132 126 169

HSL 248.37, 0.2%, 0.58%

LAB 54.75, 11.66, -22.02

 

CMYK 0 / 25 / 24 / 33

HEX #AA7F81

RGB 170 127 129

HSL 357.21, 0.2%, 0.58%

LAB 57.38, 16.93, 5.41

 

CMYK 11 / 0 / 25 / 34

HEX #96A97E

RGB 150 169 126

HSL 86.51, 0.2%, 0.58%

LAB 66.8, -14.46, 20.05

 

CMYK 25 / 0 / 1 / 34

HEX #7EA9A7

RGB 126 169 167

HSL 177.21, 0.2%, 0.58%

LAB 66.21, -14.82, -3.68

 

CMYK 14 / 25 / 0 / 34

HEX #917EA9

RGB 145 126 169

HSL 266.51, 0.2%, 0.58%

LAB 55.89, 15.93, -20.17

 

Description

Color code: HEX #AA7F81 | qconv.com Color code: HEX #AA7F81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 127 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 127 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 24% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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