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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7F44 it is the complementary color #5580BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7F44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7F44 shade: #AF7F3F, #C09152, #D1A365, #E2B578 and #F3C78B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7F44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7F44 shade: #AA7F44, #996D31, #885B1E, #77490B and #663700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7F44 shade: #AB7F44, #AB6444, #AB4844 and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7F44 shade: #AB7F44, #AB9B44, #9FAB44, #83AB44 and #67AB44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7F44 shade matches the following richer shades: #AB7F44, #BE8230, #D2861D and #E5890A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7F44 shade: #AB7F44, #977C57, #84796B, #71767E and #5D7391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7F44 shade: #AB4744, #AB6344, #AB7E44, #AB9A44 and #A1AB44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7F44 shade: #70532C, #8D6938, #AB7F44, #BD945B and #C9A778

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7F44 shade: #AA7F44, #5CAB44 and #5544AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7F44 shade: #AA7F44, #44AB7E and #7E44AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7F44 shade: #AA7F44, #5CAB44, #4470AB and #9344AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7F44 shade: #AA7F44, #44AB4B, #4470AB and #AB44A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 60 / 33

HEX #AA7F44

RGB 170 127 68

HSL 34.71, 0.43%, 0.47%

LAB 56.23, 9.92, 38.06

 

Complementary color

CMYK 55 / 32 / 0 / 27

HEX #5580BB

RGB 85 128 187

HSL 214.71, 0.43%, 0.53%

LAB 52.9, 2.54, -35.48

 

CMYK 0 / 27 / 64 / 31

HEX #AF7F3F

RGB 175 127 63

HSL 34.29, 0.47%, 0.47%

LAB 56.73, 11.75, 41.35

 

CMYK 0 / 24 / 57 / 25

HEX #C09152

RGB 192 145 82

HSL 34.36, 0.47%, 0.54%

LAB 63.4, 10.56, 39.92

 

CMYK 0 / 22 / 52 / 18

HEX #D1A365

RGB 209 163 101

HSL 34.44, 0.54%, 0.61%

LAB 69.96, 9.55, 38.51

 

CMYK 0 / 20 / 47 / 11

HEX #E2B578

RGB 226 181 120

HSL 34.53, 0.65%, 0.68%

LAB 76.42, 8.68, 37.16

 

CMYK 0 / 18 / 43 / 5

HEX #F3C78B

RGB 243 199 139

HSL 34.62, 0.81%, 0.75%

LAB 82.79, 7.93, 35.88

 

CMYK 0 / 25 / 60 / 33

HEX #AA7F44

RGB 170 127 68

HSL 34.71, 0.43%, 0.47%

LAB 56.23, 9.92, 38.06

 

CMYK 0 / 29 / 68 / 40

HEX #996D31

RGB 153 109 49

HSL 34.62, 0.51%, 0.4%

LAB 49.41, 11.22, 39.5

 

CMYK 0 / 33 / 78 / 47

HEX #885B1E

RGB 136 91 30

HSL 34.53, 0.64%, 0.33%

LAB 42.48, 12.81, 40.71

 

CMYK 0 / 39 / 91 / 53

HEX #77490B

RGB 119 73 11

HSL 34.44, 0.83%, 0.25%

LAB 35.42, 14.79, 41.05

 

CMYK 0 / 46 / 100 / 60

HEX #663700

RGB 102 55 0

HSL 32.35, 1%, 0.2%

LAB 28.27, 17.23, 38.55

 

CMYK 0 / 26 / 60 / 33

HEX #AB7F44

RGB 171 127 68

HSL 34.37, 0.43%, 0.47%

LAB 56.34, 10.36, 38.22

 

CMYK 0 / 42 / 60 / 33

HEX #AB6444

RGB 171 100 68

HSL 18.64, 0.43%, 0.47%

LAB 49.73, 25.52, 30.26

 

CMYK 0 / 58 / 60 / 33

HEX #AB4844

RGB 171 72 68

HSL 2.33, 0.43%, 0.47%

LAB 43.81, 40.34, 22.81

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 26 / 60 / 33

HEX #AB7F44

RGB 171 127 68

HSL 34.37, 0.43%, 0.47%

LAB 56.34, 10.36, 38.22

 

CMYK 0 / 9 / 60 / 33

HEX #AB9B44

RGB 171 155 68

HSL 50.68, 0.43%, 0.47%

LAB 63.77, -5.07, 46.74

 

CMYK 7 / 0 / 60 / 33

HEX #9FAB44

RGB 159 171 68

HSL 66.99, 0.43%, 0.47%

LAB 67.21, -18.6, 50.27

 

CMYK 23 / 0 / 60 / 33

HEX #83AB44

RGB 131 171 68

HSL 83.3, 0.43%, 0.47%

LAB 65.25, -30.02, 47.55

 

CMYK 40 / 0 / 60 / 33

HEX #67AB44

RGB 103 171 68

HSL 99.61, 0.43%, 0.47%

LAB 63.69, -40.28, 45.37

 

CMYK 0 / 26 / 60 / 33

HEX #AB7F44

RGB 171 127 68

HSL 34.37, 0.43%, 0.47%

LAB 56.34, 10.36, 38.22

 

CMYK 0 / 32 / 75 / 25

HEX #BE8230

RGB 190 130 48

HSL 34.65, 0.6%, 0.47%

LAB 59.09, 15.82, 51.45

 

CMYK 0 / 36 / 86 / 18

HEX #D2861D

RGB 210 134 29

HSL 34.81, 0.76%, 0.47%

LAB 62.37, 21.68, 62.32

 

CMYK 0 / 40 / 96 / 10

HEX #E5890A

RGB 229 137 10

HSL 34.79, 0.92%, 0.47%

LAB 65.41, 27.83, 69.8

 

CMYK 0 / 26 / 60 / 33

HEX #AB7F44

RGB 171 127 68

HSL 34.37, 0.43%, 0.47%

LAB 56.34, 10.36, 38.22

 

CMYK 0 / 18 / 42 / 41

HEX #977C57

RGB 151 124 87

HSL 34.69, 0.27%, 0.47%

LAB 53.69, 5.17, 24.11

 

CMYK 0 / 8 / 19 / 48

HEX #84796B

RGB 132 121 107

HSL 33.6, 0.1%, 0.47%

LAB 51.43, 1.74, 9.2

 

CMYK 10 / 6 / 0 / 51

HEX #71767E

RGB 113 118 126

HSL 216.92, 0.05%, 0.47%

LAB 49.46, -0.16, -5.04

 

CMYK 36 / 21 / 0 / 43

HEX #5D7391

RGB 93 115 145

HSL 214.62, 0.22%, 0.47%

LAB 47.79, -0.31, -18.94

 

CMYK 0 / 58 / 60 / 33

HEX #AB4744

RGB 171 71 68

HSL 1.75, 0.43%, 0.47%

LAB 43.63, 40.83, 22.57

 

CMYK 0 / 42 / 60 / 33

HEX #AB6344

RGB 171 99 68

HSL 18.06, 0.43%, 0.47%

LAB 49.49, 26.08, 29.97

 

CMYK 0 / 26 / 60 / 33

HEX #AB7E44

RGB 171 126 68

HSL 33.79, 0.43%, 0.47%

LAB 56.08, 10.92, 37.92

 

CMYK 0 / 10 / 60 / 33

HEX #AB9A44

RGB 171 154 68

HSL 50.1, 0.43%, 0.47%

LAB 63.5, -4.54, 46.43

 

CMYK 6 / 0 / 60 / 33

HEX #A1AB44

RGB 161 171 68

HSL 65.83, 0.43%, 0.47%

LAB 67.37, -17.76, 50.49

 

CMYK 0 / 26 / 61 / 56

HEX #70532C

RGB 112 83 44

HSL 34.41, 0.44%, 0.31%

LAB 37.5, 7.21, 27.25

 

CMYK 0 / 26 / 60 / 45

HEX #8D6938

RGB 141 105 56

HSL 34.59, 0.43%, 0.39%

LAB 47.04, 8.59, 32.77

 

CMYK 0 / 26 / 60 / 33

HEX #AB7F44

RGB 171 127 68

HSL 34.37, 0.43%, 0.47%

LAB 56.34, 10.36, 38.22

 

CMYK 0 / 22 / 52 / 26

HEX #BD945B

RGB 189 148 91

HSL 34.9, 0.43%, 0.55%

LAB 63.96, 8.4, 35.83

 

CMYK 0 / 17 / 40 / 21

HEX #C9A778

RGB 201 167 120

HSL 34.81, 0.43%, 0.63%

LAB 70.46, 6.01, 28.96

 

CMYK 0 / 25 / 60 / 33

HEX #AA7F44

RGB 170 127 68

HSL 34.71, 0.43%, 0.47%

LAB 56.23, 9.92, 38.06

 

CMYK 46 / 0 / 60 / 33

HEX #5CAB44

RGB 92 171 68

HSL 106.02, 0.43%, 0.47%

LAB 63.19, -43.85, 44.66

 

CMYK 50 / 60 / 0 / 33

HEX #5544AB

RGB 85 68 171

HSL 249.9, 0.43%, 0.47%

LAB 36, 34.58, -53.08

 

CMYK 0 / 25 / 60 / 33

HEX #AA7F44

RGB 170 127 68

HSL 34.71, 0.43%, 0.47%

LAB 56.23, 9.92, 38.06

 

CMYK 60 / 0 / 26 / 33

HEX #44AB7E

RGB 68 171 126

HSL 153.79, 0.43%, 0.47%

LAB 63.23, -40.61, 14.46

 

CMYK 26 / 60 / 0 / 33

HEX #7E44AB

RGB 126 68 171

HSL 273.79, 0.43%, 0.47%

LAB 40.43, 44.03, -45.71

 

CMYK 0 / 25 / 60 / 33

HEX #AA7F44

RGB 170 127 68

HSL 34.71, 0.43%, 0.47%

LAB 56.23, 9.92, 38.06

 

CMYK 46 / 0 / 60 / 33

HEX #5CAB44

RGB 92 171 68

HSL 106.02, 0.43%, 0.47%

LAB 63.19, -43.85, 44.66

 

CMYK 60 / 35 / 0 / 33

HEX #4470AB

RGB 68 112 171

HSL 214.37, 0.43%, 0.47%

LAB 46.65, 3.28, -36.11

 

CMYK 14 / 60 / 0 / 33

HEX #9344AB

RGB 147 68 171

HSL 286.02, 0.43%, 0.47%

LAB 43.18, 49.34, -41.16

 

CMYK 0 / 25 / 60 / 33

HEX #AA7F44

RGB 170 127 68

HSL 34.71, 0.43%, 0.47%

LAB 56.23, 9.92, 38.06

 

CMYK 60 / 0 / 56 / 33

HEX #44AB4B

RGB 68 171 75

HSL 124.08, 0.43%, 0.47%

LAB 62.39, -49.61, 40.2

 

CMYK 60 / 35 / 0 / 33

HEX #4470AB

RGB 68 112 171

HSL 214.37, 0.43%, 0.47%

LAB 46.65, 3.28, -36.11

 

CMYK 0 / 60 / 4 / 33

HEX #AB44A4

RGB 171 68 164

HSL 304.08, 0.43%, 0.47%

LAB 46.27, 54.32, -31.89

 

Description

Color code: HEX #AA7F44 | qconv.com Color code: HEX #AA7F44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 127 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 127 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 60 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 60% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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