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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA761B it is the complementary color #5589E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA761B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA761B shade: #AF7616, #C08829, #D19A3C, #E2AC4F and #F3BE62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA761B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA761B shade: #AA761B, #996408, #885200, #774000 and #662E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA761B shade: #AC771A, #AC501A, #AC281A and #AC1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA761B shade: #AC771A, #AC9E1A, #92AC1A, #6BAC1A and #44AC1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA761B shade matches the following richer shades: #AC771A and #BC7B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA761B shade: #AC771A, #9B722A, #8B6E3B, #7B6A4B and #6B655B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA761B shade: #AC291A, #AC501A, #AC761A, #AC9D1A and #93AC1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA761B shade: #64450F, #885E15, #AC771A, #CF8F20 and #E0A339

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA761B shade: #AA761B, #33AC1A and #3C1AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA761B shade: #AA761B, #1AAC76 and #761AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA761B shade: #AA761B, #33AC1A, #1A50AC and #931AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA761B shade: #AA761B, #1AAC2E, #1A50AC and #AC1A98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 84 / 33

HEX #AA761B

RGB 170 118 27

HSL 38.18, 0.73%, 0.39%

LAB 53.58, 12.8, 53.61

 

Complementary color

CMYK 63 / 40 / 0 / 11

HEX #5589E4

RGB 85 137 228

HSL 218.18, 0.73%, 0.61%

LAB 57.49, 10.69, -51.41

 

CMYK 0 / 33 / 87 / 31

HEX #AF7616

RGB 175 118 22

HSL 37.65, 0.78%, 0.39%

LAB 54.16, 14.92, 55.9

 

CMYK 0 / 29 / 79 / 25

HEX #C08829

RGB 192 136 41

HSL 37.75, 0.65%, 0.46%

LAB 60.76, 13.1, 55.98

 

CMYK 0 / 26 / 71 / 18

HEX #D19A3C

RGB 209 154 60

HSL 37.85, 0.62%, 0.53%

LAB 67.27, 11.55, 55.25

 

CMYK 0 / 24 / 65 / 11

HEX #E2AC4F

RGB 226 172 79

HSL 37.96, 0.72%, 0.6%

LAB 73.7, 10.22, 54.15

 

CMYK 0 / 22 / 60 / 5

HEX #F3BE62

RGB 243 190 98

HSL 38.07, 0.86%, 0.67%

LAB 80.05, 9.08, 52.91

 

CMYK 0 / 31 / 84 / 33

HEX #AA761B

RGB 170 118 27

HSL 38.18, 0.73%, 0.39%

LAB 53.58, 12.8, 53.61

 

CMYK 0 / 35 / 95 / 40

HEX #996408

RGB 153 100 8

HSL 38.07, 0.9%, 0.32%

LAB 46.85, 14.83, 52.56

 

CMYK 0 / 40 / 100 / 47

HEX #885200

RGB 136 82 0

HSL 36.18, 1%, 0.27%

LAB 40.03, 17.23, 48.86

 

CMYK 0 / 46 / 100 / 53

HEX #774000

RGB 119 64 0

HSL 32.27, 1%, 0.23%

LAB 33.11, 19.87, 43.25

 

CMYK 0 / 55 / 100 / 60

HEX #662E00

RGB 102 46 0

HSL 27.06, 1%, 0.2%

LAB 26.09, 22.57, 36.67

 

CMYK 0 / 31 / 85 / 33

HEX #AC771A

RGB 172 119 26

HSL 38.22, 0.74%, 0.39%

LAB 54.07, 13.12, 54.45

 

CMYK 0 / 53 / 85 / 33

HEX #AC501A

RGB 172 80 26

HSL 22.19, 0.74%, 0.39%

LAB 45.06, 34.56, 46.7

 

CMYK 0 / 77 / 85 / 33

HEX #AC281A

RGB 172 40 26

HSL 5.75, 0.74%, 0.39%

LAB 38.49, 52.06, 40.9

 

CMYK 0 / 85 / 85 / 33

HEX #AC1A1A

RGB 172 26 26

HSL 0, 0.74%, 0.39%

LAB 37.09, 56.01, 39.64

 

CMYK 0 / 31 / 85 / 33

HEX #AC771A

RGB 172 119 26

HSL 38.22, 0.74%, 0.39%

LAB 54.07, 13.12, 54.45

 

CMYK 0 / 8 / 85 / 33

HEX #AC9E1A

RGB 172 158 26

HSL 54.25, 0.74%, 0.39%

LAB 64.4, -8.31, 63.14

 

CMYK 15 / 0 / 85 / 33

HEX #92AC1A

RGB 146 172 26

HSL 70.68, 0.74%, 0.39%

LAB 66.28, -26.83, 63.89

 

CMYK 38 / 0 / 85 / 33

HEX #6BAC1A

RGB 107 172 26

HSL 86.71, 0.74%, 0.39%

LAB 63.92, -42.21, 60.92

 

CMYK 60 / 0 / 85 / 33

HEX #44AC1A

RGB 68 172 26

HSL 102.74, 0.74%, 0.39%

LAB 62.35, -54.21, 58.93

 

CMYK 0 / 31 / 85 / 33

HEX #AC771A

RGB 172 119 26

HSL 38.22, 0.74%, 0.39%

LAB 54.07, 13.12, 54.45

 

CMYK 0 / 35 / 95 / 26

HEX #BC7B0A

RGB 188 123 10

HSL 38.09, 0.9%, 0.39%

LAB 56.96, 17.73, 61.48

 

CMYK 0 / 31 / 85 / 33

HEX #AC771A

RGB 172 119 26

HSL 38.22, 0.74%, 0.39%

LAB 54.07, 13.12, 54.45

 

CMYK 0 / 26 / 73 / 39

HEX #9B722A

RGB 155 114 42

HSL 38.23, 0.57%, 0.39%

LAB 50.89, 8.86, 44.48

 

CMYK 0 / 21 / 58 / 45

HEX #8B6E3B

RGB 139 110 59

HSL 38.25, 0.4%, 0.39%

LAB 48.21, 5.04, 32.48

 

CMYK 0 / 14 / 39 / 52

HEX #7B6A4B

RGB 123 106 75

HSL 38.75, 0.24%, 0.39%

LAB 45.67, 1.91, 19.9

 

CMYK 0 / 6 / 15 / 58

HEX #6B655B

RGB 107 101 91

HSL 37.5, 0.08%, 0.39%

LAB 43.05, 0.47, 6.51

 

CMYK 0 / 76 / 85 / 33

HEX #AC291A

RGB 172 41 26

HSL 6.16, 0.74%, 0.39%

LAB 38.61, 51.73, 41.01

 

CMYK 0 / 53 / 85 / 33

HEX #AC501A

RGB 172 80 26

HSL 22.19, 0.74%, 0.39%

LAB 45.06, 34.56, 46.7

 

CMYK 0 / 31 / 85 / 33

HEX #AC761A

RGB 172 118 26

HSL 37.81, 0.74%, 0.39%

LAB 53.82, 13.68, 54.24

 

CMYK 0 / 9 / 85 / 33

HEX #AC9D1A

RGB 172 157 26

HSL 53.84, 0.74%, 0.39%

LAB 64.13, -7.78, 62.91

 

CMYK 15 / 0 / 85 / 33

HEX #93AC1A

RGB 147 172 26

HSL 70.27, 0.74%, 0.39%

LAB 66.35, -26.4, 63.97

 

CMYK 0 / 31 / 85 / 61

HEX #64450F

RGB 100 69 15

HSL 38.12, 0.74%, 0.23%

LAB 31.81, 8.11, 35.47

 

CMYK 0 / 31 / 85 / 47

HEX #885E15

RGB 136 94 21

HSL 38.09, 0.73%, 0.31%

LAB 43.2, 10.69, 45.06

 

CMYK 0 / 31 / 85 / 33

HEX #AC771A

RGB 172 119 26

HSL 38.22, 0.74%, 0.39%

LAB 54.07, 13.12, 54.45

 

CMYK 0 / 31 / 85 / 19

HEX #CF8F20

RGB 207 143 32

HSL 38.06, 0.73%, 0.47%

LAB 64.17, 15.57, 62.76

 

CMYK 0 / 27 / 75 / 12

HEX #E0A339

RGB 224 163 57

HSL 38.08, 0.73%, 0.55%

LAB 71.1, 13.03, 60.87

 

CMYK 0 / 31 / 84 / 33

HEX #AA761B

RGB 170 118 27

HSL 38.18, 0.73%, 0.39%

LAB 53.58, 12.8, 53.61

 

CMYK 70 / 0 / 85 / 33

HEX #33AC1A

RGB 51 172 26

HSL 109.73, 0.74%, 0.39%

LAB 61.9, -57.95, 58.36

 

CMYK 65 / 85 / 0 / 33

HEX #3C1AAC

RGB 60 26 172

HSL 253.97, 0.74%, 0.39%

LAB 25.8, 53.33, -70.48

 

CMYK 0 / 31 / 84 / 33

HEX #AA761B

RGB 170 118 27

HSL 38.18, 0.73%, 0.39%

LAB 53.58, 12.8, 53.61

 

CMYK 85 / 0 / 31 / 33

HEX #1AAC76

RGB 26 172 118

HSL 157.81, 0.74%, 0.39%

LAB 62.54, -49.02, 17.77

 

CMYK 31 / 85 / 0 / 33

HEX #761AAC

RGB 118 26 172

HSL 277.81, 0.74%, 0.39%

LAB 33.07, 60.41, -58.26

 

CMYK 0 / 31 / 84 / 33

HEX #AA761B

RGB 170 118 27

HSL 38.18, 0.73%, 0.39%

LAB 53.58, 12.8, 53.61

 

CMYK 70 / 0 / 85 / 33

HEX #33AC1A

RGB 51 172 26

HSL 109.73, 0.74%, 0.39%

LAB 61.9, -57.95, 58.36

 

CMYK 85 / 53 / 0 / 33

HEX #1A50AC

RGB 26 80 172

HSL 217.81, 0.74%, 0.39%

LAB 35.86, 18.2, -54.05

 

CMYK 15 / 85 / 0 / 33

HEX #931AAC

RGB 147 26 172

HSL 289.73, 0.74%, 0.39%

LAB 37.7, 65.18, -50.53

 

CMYK 0 / 31 / 84 / 33

HEX #AA761B

RGB 170 118 27

HSL 38.18, 0.73%, 0.39%

LAB 53.58, 12.8, 53.61

 

CMYK 85 / 0 / 73 / 33

HEX #1AAC2E

RGB 26 172 46

HSL 128.22, 0.74%, 0.39%

LAB 61.59, -60.25, 51.66

 

CMYK 85 / 53 / 0 / 33

HEX #1A50AC

RGB 26 80 172

HSL 217.81, 0.74%, 0.39%

LAB 35.86, 18.2, -54.05

 

CMYK 0 / 85 / 12 / 33

HEX #AC1A98

RGB 172 26 152

HSL 308.22, 0.74%, 0.39%

LAB 40.86, 66.72, -33.21

 

Description

Color code: HEX #AA761B | qconv.com Color code: HEX #AA761B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 118 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 118 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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