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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA69D9 it is the complementary color #559626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA69D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA69D9 shade: #AF69D4, #C07BE7, #D18DFA, #E29FFF and #F3B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA69D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA69D9 shade: #AA69D9, #9957C6, #8845B3, #7733A0 and #66218D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA69D9 shade: #A968D9, #C868D9, #D968CB, #D968AD and #D9688E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA69D9 shade: #A968D9, #8B68D9, #6C68D9 and #6868D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA69D9 shade matches the following richer shades: #A968D9, #AC58E8 and #AE49F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA69D9 shade: #A968D9, #A777C9, #A486BA, #A295AB and #9FA59C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA69D9 shade: #6B68D9, #8A68D9, #A868D9, #C668D9 and #D968CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA69D9 shade: #822FBF, #9747D1, #A968D9, #BC89E1 and #CFAAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA69D9 shade: #AA69D9, #D96882 and #68D97A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA69D9 shade: #AA69D9, #D9A868 and #68D9A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA69D9 shade: #AA69D9, #D96882, #99D968 and #68D9BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA69D9 shade: #AA69D9, #D96F68, #99D968 and #68D1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 52 / 0 / 15

HEX #AA69D9

RGB 170 105 217

HSL 274.82, 0.6%, 0.63%

LAB 55.74, 46.23, -47.6

 

Complementary color

CMYK 43 / 0 / 75 / 41

HEX #559626

RGB 85 150 38

HSL 94.82, 0.6%, 0.37%

LAB 55.97, -40.01, 49.48

 

CMYK 17 / 50 / 0 / 17

HEX #AF69D4

RGB 175 105 212

HSL 279.25, 0.55%, 0.62%

LAB 56.06, 46.47, -44.24

 

CMYK 17 / 47 / 0 / 9

HEX #C07BE7

RGB 192 123 231

HSL 278.33, 0.69%, 0.69%

LAB 62.63, 45.65, -44.4

 

CMYK 16 / 44 / 0 / 2

HEX #D18DFA

RGB 209 141 250

HSL 277.43, 0.92%, 0.77%

LAB 69.12, 44.85, -44.54

 

CMYK 11 / 38 / 0 / 0

HEX #E29FFF

RGB 226 159 255

HSL 281.88, 1%, 0.81%

LAB 74.94, 41.2, -38.03

 

CMYK 5 / 31 / 0 / 0

HEX #F3B1FF

RGB 243 177 255

HSL 290.77, 1%, 0.85%

LAB 80.58, 36.8, -29.19

 

CMYK 22 / 52 / 0 / 15

HEX #AA69D9

RGB 170 105 217

HSL 274.82, 0.6%, 0.63%

LAB 55.74, 46.23, -47.6

 

CMYK 23 / 56 / 0 / 22

HEX #9957C6

RGB 153 87 198

HSL 275.68, 0.49%, 0.56%

LAB 49.09, 47.06, -47.47

 

CMYK 24 / 61 / 0 / 30

HEX #8845B3

RGB 136 69 179

HSL 276.55, 0.44%, 0.49%

LAB 42.38, 47.83, -47.25

 

CMYK 26 / 68 / 0 / 37

HEX #7733A0

RGB 119 51 160

HSL 277.43, 0.52%, 0.41%

LAB 35.65, 48.39, -46.85

 

CMYK 28 / 77 / 0 / 45

HEX #66218D

RGB 102 33 141

HSL 278.33, 0.62%, 0.34%

LAB 28.99, 48.47, -46.11

 

CMYK 22 / 52 / 0 / 15

HEX #A968D9

RGB 169 104 217

HSL 274.51, 0.6%, 0.63%

LAB 55.43, 46.5, -48.11

 

CMYK 8 / 52 / 0 / 15

HEX #C868D9

RGB 200 104 217

HSL 290.97, 0.6%, 0.63%

LAB 59.15, 54.77, -41.98

 

CMYK 0 / 52 / 6 / 15

HEX #D968CB

RGB 217 104 203

HSL 307.43, 0.6%, 0.63%

LAB 60.75, 56.98, -31.42

 

CMYK 0 / 52 / 20 / 15

HEX #D968AD

RGB 217 104 173

HSL 323.36, 0.6%, 0.63%

LAB 59.59, 52.31, -16.08

 

CMYK 0 / 52 / 35 / 15

HEX #D9688E

RGB 217 104 142

HSL 339.82, 0.6%, 0.63%

LAB 58.61, 48.2, 0.4

 

CMYK 22 / 52 / 0 / 15

HEX #A968D9

RGB 169 104 217

HSL 274.51, 0.6%, 0.63%

LAB 55.43, 46.5, -48.11

 

CMYK 36 / 52 / 0 / 15

HEX #8B68D9

RGB 139 104 217

HSL 258.58, 0.6%, 0.63%

LAB 52.29, 38.84, -53.3

 

CMYK 50 / 52 / 0 / 15

HEX #6C68D9

RGB 108 104 217

HSL 242.12, 0.6%, 0.63%

LAB 49.62, 31.7, -57.73

 

CMYK 52 / 52 / 0 / 15

HEX #6868D9

RGB 104 104 217

HSL 240, 0.6%, 0.63%

LAB 49.32, 30.86, -58.23

 

CMYK 22 / 52 / 0 / 15

HEX #A968D9

RGB 169 104 217

HSL 274.51, 0.6%, 0.63%

LAB 55.43, 46.5, -48.11

 

CMYK 26 / 62 / 0 / 9

HEX #AC58E8

RGB 172 88 232

HSL 275, 0.76%, 0.63%

LAB 53.57, 58.73, -59.5

 

CMYK 30 / 70 / 0 / 3

HEX #AE49F7

RGB 174 73 247

HSL 274.83, 0.92%, 0.63%

LAB 52.37, 69.13, -69.82

 

CMYK 22 / 52 / 0 / 15

HEX #A968D9

RGB 169 104 217

HSL 274.51, 0.6%, 0.63%

LAB 55.43, 46.5, -48.11

 

CMYK 17 / 41 / 0 / 21

HEX #A777C9

RGB 167 119 201

HSL 275.12, 0.43%, 0.63%

LAB 57.68, 34.1, -35.52

 

CMYK 12 / 28 / 0 / 27

HEX #A486BA

RGB 164 134 186

HSL 274.62, 0.27%, 0.63%

LAB 60.33, 21.35, -22.94

 

CMYK 5 / 13 / 0 / 33

HEX #A295AB

RGB 162 149 171

HSL 275.45, 0.12%, 0.63%

LAB 63.44, 9.01, -9.76

 

CMYK 4 / 0 / 5 / 35

HEX #9FA59C

RGB 159 165 156

HSL 100, 0.05%, 0.63%

LAB 67.04, -3.84, 3.91

 

CMYK 51 / 52 / 0 / 15

HEX #6B68D9

RGB 107 104 217

HSL 241.59, 0.6%, 0.63%

LAB 49.54, 31.49, -57.86

 

CMYK 36 / 52 / 0 / 15

HEX #8A68D9

RGB 138 104 217

HSL 258.05, 0.6%, 0.63%

LAB 52.19, 38.6, -53.46

 

CMYK 23 / 52 / 0 / 15

HEX #A868D9

RGB 168 104 217

HSL 273.98, 0.6%, 0.63%

LAB 55.31, 46.23, -48.3

 

CMYK 9 / 52 / 0 / 15

HEX #C668D9

RGB 198 104 217

HSL 289.91, 0.6%, 0.63%

LAB 58.9, 54.23, -42.4

 

CMYK 0 / 52 / 6 / 15

HEX #D968CD

RGB 217 104 205

HSL 306.37, 0.6%, 0.63%

LAB 60.83, 57.31, -32.42

 

CMYK 32 / 75 / 0 / 25

HEX #822FBF

RGB 130 47 191

HSL 274.58, 0.61%, 0.47%

LAB 38.8, 59.34, -60.12

 

CMYK 28 / 66 / 0 / 18

HEX #9747D1

RGB 151 71 209

HSL 274.78, 0.6%, 0.55%

LAB 46.56, 57.07, -57.86

 

CMYK 22 / 52 / 0 / 15

HEX #A968D9

RGB 169 104 217

HSL 274.51, 0.6%, 0.63%

LAB 55.43, 46.5, -48.11

 

CMYK 16 / 39 / 0 / 12

HEX #BC89E1

RGB 188 137 225

HSL 274.77, 0.59%, 0.71%

LAB 64.98, 35.61, -37.42

 

CMYK 11 / 27 / 0 / 9

HEX #CFAAE9

RGB 207 170 233

HSL 275.24, 0.59%, 0.79%

LAB 74.76, 24.98, -26.54

 

CMYK 22 / 52 / 0 / 15

HEX #AA69D9

RGB 170 105 217

HSL 274.82, 0.6%, 0.63%

LAB 55.74, 46.23, -47.6

 

CMYK 0 / 52 / 40 / 15

HEX #D96882

RGB 217 104 130

HSL 346.19, 0.6%, 0.63%

LAB 58.29, 46.83, 6.92

 

CMYK 52 / 0 / 44 / 15

HEX #68D97A

RGB 104 217 122

HSL 129.56, 0.6%, 0.63%

LAB 78.45, -52.04, 37.13

 

CMYK 22 / 52 / 0 / 15

HEX #AA69D9

RGB 170 105 217

HSL 274.82, 0.6%, 0.63%

LAB 55.74, 46.23, -47.6

 

CMYK 0 / 23 / 52 / 15

HEX #D9A868

RGB 217 168 104

HSL 33.98, 0.6%, 0.63%

LAB 72.07, 10.44, 39.75

 

CMYK 52 / 0 / 23 / 15

HEX #68D9A8

RGB 104 217 168

HSL 153.98, 0.6%, 0.63%

LAB 79.27, -43.63, 14.45

 

CMYK 22 / 52 / 0 / 15

HEX #AA69D9

RGB 170 105 217

HSL 274.82, 0.6%, 0.63%

LAB 55.74, 46.23, -47.6

 

CMYK 0 / 52 / 40 / 15

HEX #D96882

RGB 217 104 130

HSL 346.19, 0.6%, 0.63%

LAB 58.29, 46.83, 6.92

 

CMYK 29 / 0 / 52 / 15

HEX #99D968

RGB 153 217 104

HSL 93.98, 0.6%, 0.63%

LAB 80.4, -39.44, 48.77

 

CMYK 52 / 0 / 12 / 15

HEX #68D9BE

RGB 104 217 190

HSL 165.66, 0.6%, 0.63%

LAB 79.78, -38.71, 3.49

 

CMYK 22 / 52 / 0 / 15

HEX #AA69D9

RGB 170 105 217

HSL 274.82, 0.6%, 0.63%

LAB 55.74, 46.23, -47.6

 

CMYK 0 / 49 / 52 / 15

HEX #D96F68

RGB 217 111 104

HSL 3.72, 0.6%, 0.63%

LAB 59.09, 40.77, 23.06

 

CMYK 29 / 0 / 52 / 15

HEX #99D968

RGB 153 217 104

HSL 93.98, 0.6%, 0.63%

LAB 80.4, -39.44, 48.77

 

CMYK 52 / 4 / 0 / 15

HEX #68D1D9

RGB 104 209 217

HSL 184.25, 0.6%, 0.63%

LAB 78.2, -28.14, -13.28

 

Description

Color code: HEX #AA69D9 | qconv.com Color code: HEX #AA69D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 105 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 105 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 52 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 52% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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