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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA691B it is the complementary color #5596E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA691B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA691B shade: #AF6916, #C07B29, #D18D3C, #E29F4F and #F3B162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA691B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA691B shade: #AA691B, #995708, #884500, #773300 and #662100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA691B shade: #AC6A1A, #AC421A, #AC1B1A and #AC1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA691B shade: #AC6A1A, #AC911A, #9FAC1A, #78AC1A and #51AC1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA691B shade matches the following richer shades: #AC6A1A and #BC6B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA691B shade: #AC6A1A, #9B682A, #8B673B, #7B654B and #6B645B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA691B shade: #AC1A1A, #AC411A, #AC681A, #AC8F1A and #A2AC1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA691B shade: #643E0F, #885415, #AC6A1A, #CF8020 and #E09439

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA691B shade: #AA691B, #41AC1A and #2E1AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA691B shade: #AA691B, #1AAC68 and #681AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA691B shade: #AA691B, #41AC1A, #1A5EAC and #851AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA691B shade: #AA691B, #1AAC1F, #1A5EAC and #AC1AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 84 / 33

HEX #AA691B

RGB 170 105 27

HSL 32.73, 0.73%, 0.39%

LAB 50.37, 20.12, 50.83

 

Complementary color

CMYK 63 / 34 / 0 / 11

HEX #5596E4

RGB 85 150 228

HSL 212.73, 0.73%, 0.61%

LAB 61.09, 3.01, -45.71

 

CMYK 0 / 40 / 87 / 31

HEX #AF6916

RGB 175 105 22

HSL 32.55, 0.78%, 0.39%

LAB 51.01, 22.19, 53.34

 

CMYK 0 / 36 / 79 / 25

HEX #C07B29

RGB 192 123 41

HSL 32.58, 0.65%, 0.46%

LAB 57.59, 20.26, 53.01

 

CMYK 0 / 33 / 71 / 18

HEX #D18D3C

RGB 209 141 60

HSL 32.62, 0.62%, 0.53%

LAB 64.11, 18.6, 51.97

 

CMYK 0 / 30 / 65 / 11

HEX #E29F4F

RGB 226 159 79

HSL 32.65, 0.72%, 0.6%

LAB 70.55, 17.16, 50.65

 

CMYK 0 / 27 / 60 / 5

HEX #F3B162

RGB 243 177 98

HSL 32.69, 0.86%, 0.67%

LAB 76.91, 15.91, 49.26

 

CMYK 0 / 38 / 84 / 33

HEX #AA691B

RGB 170 105 27

HSL 32.73, 0.73%, 0.39%

LAB 50.37, 20.12, 50.83

 

CMYK 0 / 43 / 95 / 40

HEX #995708

RGB 153 87 8

HSL 32.69, 0.9%, 0.32%

LAB 43.66, 22.26, 50.26

 

CMYK 0 / 49 / 100 / 47

HEX #884500

RGB 136 69 0

HSL 30.44, 1%, 0.27%

LAB 36.91, 24.71, 46.91

 

CMYK 0 / 57 / 100 / 53

HEX #773300

RGB 119 51 0

HSL 25.71, 1%, 0.23%

LAB 30.13, 27.28, 41.21

 

CMYK 0 / 68 / 100 / 60

HEX #662100

RGB 102 33 0

HSL 19.41, 1%, 0.2%

LAB 23.38, 29.6, 34.05

 

CMYK 0 / 38 / 85 / 33

HEX #AC6A1A

RGB 172 106 26

HSL 32.88, 0.74%, 0.39%

LAB 50.87, 20.42, 51.72

 

CMYK 0 / 62 / 85 / 33

HEX #AC421A

RGB 172 66 26

HSL 16.44, 0.74%, 0.39%

LAB 42.37, 41.51, 44.35

 

CMYK 0 / 84 / 85 / 33

HEX #AC1B1A

RGB 172 27 26

HSL 0.41, 0.74%, 0.39%

LAB 37.17, 55.77, 39.72

 

CMYK 0 / 85 / 85 / 33

HEX #AC1A1A

RGB 172 26 26

HSL 0, 0.74%, 0.39%

LAB 37.09, 56.01, 39.64

 

CMYK 0 / 38 / 85 / 33

HEX #AC6A1A

RGB 172 106 26

HSL 32.88, 0.74%, 0.39%

LAB 50.87, 20.42, 51.72

 

CMYK 0 / 16 / 85 / 33

HEX #AC911A

RGB 172 145 26

HSL 48.9, 0.74%, 0.39%

LAB 60.87, -1.32, 60.18

 

CMYK 8 / 0 / 85 / 33

HEX #9FAC1A

RGB 159 172 26

HSL 65.34, 0.74%, 0.39%

LAB 67.24, -21.27, 65.08

 

CMYK 30 / 0 / 85 / 33

HEX #78AC1A

RGB 120 172 26

HSL 81.37, 0.74%, 0.39%

LAB 64.62, -37.36, 61.8

 

CMYK 53 / 0 / 85 / 33

HEX #51AC1A

RGB 81 172 26

HSL 97.4, 0.74%, 0.39%

LAB 62.78, -50.7, 59.48

 

CMYK 0 / 38 / 85 / 33

HEX #AC6A1A

RGB 172 106 26

HSL 32.88, 0.74%, 0.39%

LAB 50.87, 20.42, 51.72

 

CMYK 0 / 43 / 95 / 26

HEX #BC6B0A

RGB 188 107 10

HSL 32.7, 0.9%, 0.39%

LAB 53.2, 26.52, 58.82

 

CMYK 0 / 38 / 85 / 33

HEX #AC6A1A

RGB 172 106 26

HSL 32.88, 0.74%, 0.39%

LAB 50.87, 20.42, 51.72

 

CMYK 0 / 33 / 73 / 39

HEX #9B682A

RGB 155 104 42

HSL 32.92, 0.57%, 0.39%

LAB 48.31, 14.59, 41.81

 

CMYK 0 / 26 / 58 / 45

HEX #8B673B

RGB 139 103 59

HSL 33, 0.4%, 0.39%

LAB 46.32, 9.1, 30.21

 

CMYK 0 / 18 / 39 / 52

HEX #7B654B

RGB 123 101 75

HSL 32.5, 0.24%, 0.39%

LAB 44.27, 4.85, 18.03

 

CMYK 0 / 7 / 15 / 58

HEX #6B645B

RGB 107 100 91

HSL 33.75, 0.08%, 0.39%

LAB 42.76, 1.07, 6.09

HEX #6B645B

CMYK 0 / 85 / 85 / 33

HEX #AC1A1A

RGB 172 26 26

HSL 0, 0.74%, 0.39%

LAB 37.09, 56.01, 39.64

 

CMYK 0 / 62 / 85 / 33

HEX #AC411A

RGB 172 65 26

HSL 16.03, 0.74%, 0.39%

LAB 42.19, 41.98, 44.19

 

CMYK 0 / 40 / 85 / 33

HEX #AC681A

RGB 172 104 26

HSL 32.05, 0.74%, 0.39%

LAB 50.39, 21.53, 51.31

 

CMYK 0 / 17 / 85 / 33

HEX #AC8F1A

RGB 172 143 26

HSL 48.08, 0.74%, 0.39%

LAB 60.33, -0.23, 59.73

 

CMYK 6 / 0 / 85 / 33

HEX #A2AC1A

RGB 162 172 26

HSL 64.11, 0.74%, 0.39%

LAB 67.47, -19.97, 65.37

 

CMYK 0 / 38 / 85 / 61

HEX #643E0F

RGB 100 62 15

HSL 33.18, 0.74%, 0.23%

LAB 29.88, 12.45, 33.7

 

CMYK 0 / 38 / 85 / 47

HEX #885415

RGB 136 84 21

HSL 32.87, 0.73%, 0.31%

LAB 40.62, 16.56, 42.78

 

CMYK 0 / 38 / 85 / 33

HEX #AC6A1A

RGB 172 106 26

HSL 32.88, 0.74%, 0.39%

LAB 50.87, 20.42, 51.72

 

CMYK 0 / 38 / 85 / 19

HEX #CF8020

RGB 207 128 32

HSL 32.91, 0.73%, 0.47%

LAB 60.61, 23.71, 59.76

 

CMYK 0 / 34 / 75 / 12

HEX #E09439

RGB 224 148 57

HSL 32.69, 0.73%, 0.55%

LAB 67.52, 21.05, 57.34

 

CMYK 0 / 38 / 84 / 33

HEX #AA691B

RGB 170 105 27

HSL 32.73, 0.73%, 0.39%

LAB 50.37, 20.12, 50.83

 

CMYK 62 / 0 / 85 / 33

HEX #41AC1A

RGB 65 172 26

HSL 103.97, 0.74%, 0.39%

LAB 62.26, -54.94, 58.81

 

CMYK 73 / 85 / 0 / 33

HEX #2E1AAC

RGB 46 26 172

HSL 248.22, 0.74%, 0.39%

LAB 24.63, 52.27, -72.45

 

CMYK 0 / 38 / 84 / 33

HEX #AA691B

RGB 170 105 27

HSL 32.73, 0.73%, 0.39%

LAB 50.37, 20.12, 50.83

 

CMYK 85 / 0 / 40 / 33

HEX #1AAC68

RGB 26 172 104

HSL 152.05, 0.74%, 0.39%

LAB 62.27, -51.98, 25

 

CMYK 40 / 85 / 0 / 33

HEX #681AAC

RGB 104 26 172

HSL 272.05, 0.74%, 0.39%

LAB 31.02, 58.36, -61.69

 

CMYK 0 / 38 / 84 / 33

HEX #AA691B

RGB 170 105 27

HSL 32.73, 0.73%, 0.39%

LAB 50.37, 20.12, 50.83

 

CMYK 62 / 0 / 85 / 33

HEX #41AC1A

RGB 65 172 26

HSL 103.97, 0.74%, 0.39%

LAB 62.26, -54.94, 58.81

 

CMYK 85 / 45 / 0 / 33

HEX #1A5EAC

RGB 26 94 172

HSL 212.05, 0.74%, 0.39%

LAB 39.92, 8.92, -47.5

 

CMYK 23 / 85 / 0 / 33

HEX #851AAC

RGB 133 26 172

HSL 283.97, 0.74%, 0.39%

LAB 35.41, 62.8, -54.35

 

CMYK 0 / 38 / 84 / 33

HEX #AA691B

RGB 170 105 27

HSL 32.73, 0.73%, 0.39%

LAB 50.37, 20.12, 50.83

 

CMYK 85 / 0 / 82 / 33

HEX #1AAC1F

RGB 26 172 31

HSL 122.05, 0.74%, 0.39%

LAB 61.5, -61.32, 56.52

 

CMYK 85 / 45 / 0 / 33

HEX #1A5EAC

RGB 26 94 172

HSL 212.05, 0.74%, 0.39%

LAB 39.92, 8.92, -47.5

 

CMYK 0 / 85 / 3 / 33

HEX #AC1AA7

RGB 172 26 167

HSL 302.05, 0.74%, 0.39%

LAB 41.69, 68.94, -40.91

 

Description

Color code: HEX #AA691B | qconv.com Color code: HEX #AA691B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 105 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 105 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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