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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5E5A it is the complementary color #55A1A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5E5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5E5A shade: #AF5E55, #C07068, #D1827B, #E2948E and #F3A6A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5E5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5E5A shade: #AA5E5A, #994C47, #883A34, #772821 and #66160E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5E5A shade: #AA5E5A and #AA5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5E5A shade: #AA5E5A, #AA735A, #AA895A, #AA9E5A and #9FAA5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5E5A shade matches the following richer shades: #AA5E5A, #BE4B45, #D23931, #E6271D and #FA1509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5E5A shade: #AA5E5A, #95706E, #818282, #6D9496 and #59A6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5E5A shade: #AA5A80, #AA5A6B, #AA5E5A, #AA735A and #AA885A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5E5A shade: #753F3C, #904D4A, #AA5E5A, #B87875 and #C69390

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5E5A shade: #AA5E5A, #96AA5A and #5A76AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5E5A shade: #AA5E5A, #5AAA5E and #5E5AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5E5A shade: #AA5E5A, #96AA5A, #5AA6AA and #6E5AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5E5A shade: #AA5E5A, #7EAA5A, #5AA6AA and #865AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

Complementary color

CMYK 48 / 2 / 0 / 35

HEX #55A1A5

RGB 85 161 165

HSL 183, 0.32%, 0.49%

LAB 61.77, -22.38, -9.37

 

CMYK 0 / 46 / 51 / 31

HEX #AF5E55

RGB 175 94 85

HSL 6, 0.36%, 0.51%

LAB 49.22, 31.89, 19.88

 

CMYK 0 / 42 / 46 / 25

HEX #C07068

RGB 192 112 104

HSL 5.45, 0.41%, 0.58%

LAB 55.88, 30.72, 18.16

 

CMYK 0 / 38 / 41 / 18

HEX #D1827B

RGB 209 130 123

HSL 4.88, 0.48%, 0.65%

LAB 62.47, 29.65, 16.66

 

CMYK 0 / 35 / 37 / 11

HEX #E2948E

RGB 226 148 142

HSL 4.29, 0.59%, 0.72%

LAB 68.97, 28.68, 15.34

 

CMYK 0 / 32 / 34 / 5

HEX #F3A6A1

RGB 243 166 161

HSL 3.66, 0.77%, 0.79%

LAB 75.39, 27.8, 14.15

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 0 / 50 / 54 / 40

HEX #994C47

RGB 153 76 71

HSL 3.66, 0.37%, 0.44%

LAB 41.84, 31.62, 17.86

 

CMYK 0 / 57 / 62 / 47

HEX #883A34

RGB 136 58 52

HSL 4.29, 0.45%, 0.37%

LAB 35.02, 32.9, 20.16

 

CMYK 0 / 66 / 72 / 53

HEX #772821

RGB 119 40 33

HSL 4.88, 0.57%, 0.3%

LAB 28.25, 34.11, 23.04

 

CMYK 0 / 78 / 86 / 60

HEX #66160E

RGB 102 22 14

HSL 5.45, 0.76%, 0.23%

LAB 21.69, 34.9, 26.39

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 0 / 47 / 47 / 33

HEX #AA5A5A

RGB 170 90 90

HSL 0, 0.32%, 0.51%

LAB 47.75, 32.59, 14.79

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 0 / 32 / 47 / 33

HEX #AA735A

RGB 170 115 90

HSL 18.75, 0.32%, 0.51%

LAB 53.54, 18.69, 22.6

 

CMYK 0 / 19 / 47 / 33

HEX #AA895A

RGB 170 137 90

HSL 35.25, 0.32%, 0.51%

LAB 59.14, 6.31, 29.88

 

CMYK 0 / 7 / 47 / 33

HEX #AA9E5A

RGB 170 158 90

HSL 51, 0.32%, 0.51%

LAB 64.75, -5.2, 36.94

 

CMYK 6 / 0 / 47 / 33

HEX #9FAA5A

RGB 159 170 90

HSL 68.25, 0.32%, 0.51%

LAB 67.17, -16.11, 39.7

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 0 / 61 / 64 / 25

HEX #BE4B45

RGB 190 75 69

HSL 2.98, 0.48%, 0.51%

LAB 47.51, 45.88, 27.55

 

CMYK 0 / 73 / 77 / 18

HEX #D23931

RGB 210 57 49

HSL 2.98, 0.64%, 0.51%

LAB 48.07, 58.87, 40.55

 

CMYK 0 / 83 / 87 / 10

HEX #E6271D

RGB 230 39 29

HSL 2.99, 0.8%, 0.51%

LAB 49.93, 69.28, 53.7

 

CMYK 0 / 92 / 96 / 2

HEX #FA1509

RGB 250 21 9

HSL 2.99, 0.96%, 0.51%

LAB 52.82, 77.26, 64.23

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 0 / 25 / 26 / 42

HEX #95706E

RGB 149 112 110

HSL 3.08, 0.16%, 0.51%

LAB 50.81, 14.32, 6.8

 

CMYK 1 / 0 / 0 / 49

HEX #818282

RGB 129 130 130

HSL 180, 0%, 0.51%

LAB 54.29, -0.37, -0.14

 

CMYK 27 / 1 / 0 / 41

HEX #6D9496

RGB 109 148 150

HSL 182.93, 0.16%, 0.51%

LAB 58.63, -12.84, -5.41

 

CMYK 48 / 2 / 0 / 33

HEX #59A6AA

RGB 89 166 170

HSL 182.96, 0.32%, 0.51%

LAB 63.59, -22.65, -9.45

 

CMYK 0 / 47 / 25 / 33

HEX #AA5A80

RGB 170 90 128

HSL 331.5, 0.32%, 0.51%

LAB 48.78, 37.37, -6.57

 

CMYK 0 / 47 / 37 / 33

HEX #AA5A6B

RGB 170 90 107

HSL 347.25, 0.32%, 0.51%

LAB 48.16, 34.52, 5.15

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 0 / 32 / 47 / 33

HEX #AA735A

RGB 170 115 90

HSL 18.75, 0.32%, 0.51%

LAB 53.54, 18.69, 22.6

 

CMYK 0 / 20 / 47 / 33

HEX #AA885A

RGB 170 136 90

HSL 34.5, 0.32%, 0.51%

LAB 58.87, 6.87, 29.54

 

CMYK 0 / 46 / 49 / 54

HEX #753F3C

RGB 117 63 60

HSL 3.16, 0.32%, 0.35%

LAB 33.27, 23.11, 12.25

 

CMYK 0 / 47 / 49 / 44

HEX #904D4A

RGB 144 77 74

HSL 2.57, 0.32%, 0.43%

LAB 40.79, 27.76, 14.38

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 0 / 35 / 36 / 28

HEX #B87875

RGB 184 120 117

HSL 2.69, 0.32%, 0.59%

LAB 56.99, 24.68, 12.01

 

CMYK 0 / 26 / 27 / 22

HEX #C69390

RGB 198 147 144

HSL 3.33, 0.32%, 0.67%

LAB 65.66, 18.79, 9.11

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 12 / 0 / 47 / 33

HEX #96AA5A

RGB 150 170 90

HSL 75, 0.32%, 0.51%

LAB 66.5, -19.77, 38.72

 

CMYK 47 / 31 / 0 / 33

HEX #5A76AA

RGB 90 118 170

HSL 219, 0.32%, 0.51%

LAB 49.54, 4.39, -30.92

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 47 / 0 / 45 / 33

HEX #5AAA5E

RGB 90 170 94

HSL 123, 0.32%, 0.51%

LAB 63.12, -40.64, 31.7

 

CMYK 45 / 47 / 0 / 33

HEX #5E5AAA

RGB 94 90 170

HSL 243, 0.32%, 0.51%

LAB 42.15, 22.71, -42.56

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 12 / 0 / 47 / 33

HEX #96AA5A

RGB 150 170 90

HSL 75, 0.32%, 0.51%

LAB 66.5, -19.77, 38.72

 

CMYK 47 / 2 / 0 / 33

HEX #5AA6AA

RGB 90 166 170

HSL 183, 0.32%, 0.51%

LAB 63.63, -22.41, -9.39

 

CMYK 35 / 47 / 0 / 33

HEX #6E5AAA

RGB 110 90 170

HSL 255, 0.32%, 0.51%

LAB 43.55, 26.91, -40.24

 

CMYK 0 / 45 / 47 / 33

HEX #AA5E5A

RGB 170 94 90

HSL 3, 0.32%, 0.51%

LAB 48.62, 30.42, 15.99

 

CMYK 26 / 0 / 47 / 33

HEX #7EAA5A

RGB 126 170 90

HSL 93, 0.32%, 0.51%

LAB 64.9, -29.11, 36.39

 

CMYK 47 / 2 / 0 / 33

HEX #5AA6AA

RGB 90 166 170

HSL 183, 0.32%, 0.51%

LAB 63.63, -22.41, -9.39

 

CMYK 21 / 47 / 0 / 33

HEX #865AAA

RGB 134 90 170

HSL 273, 0.32%, 0.51%

LAB 46.02, 33.71, -36.17

 

Description

Color code: HEX #AA5E5A | qconv.com Color code: HEX #AA5E5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 94 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 94 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 47 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 47% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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