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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5DD7 it is the complementary color #55A228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5DD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5DD7 shade: #AF5DD2, #C06FE5, #D181F8, #E293FF and #F3A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5DD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5DD7 shade: #AA5DD7, #994BC4, #8839B1, #77279E and #66158B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5DD7 shade: #A95BD6, #CA5BD6, #D65BC1, #D65BA0 and #D65B7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5DD7 shade: #A95BD6, #885BD6, #675BD6 and #5B5BD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5DD7 shade matches the following richer shades: #A95BD6, #AD4BE6 and #B13AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5DD7 shade: #A95BD6, #A46CC5, #A07CB5, #9C8DA4 and #979D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5DD7 shade: #655BD6, #865BD6, #A75BD6, #C75BD6 and #D65BC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5DD7 shade: #812CB2, #973ACD, #A95BD6, #BA7CDE and #CB9DE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5DD7 shade: #AA5DD7, #D65B72 and #5BD676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5DD7 shade: #AA5DD7, #D6A75B and #5BD6A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5DD7 shade: #AA5DD7, #D65B72, #8AD65B and #5BD6BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5DD7 shade: #AA5DD7, #D66A5B, #8AD65B and #5BC7D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 57 / 0 / 16

HEX #AA5DD7

RGB 170 93 215

HSL 277.87, 0.6%, 0.6%

LAB 53.26, 52.04, -50.43

 

Complementary color

CMYK 48 / 0 / 75 / 36

HEX #55A228

RGB 85 162 40

HSL 97.87, 0.6%, 0.4%

LAB 59.82, -44.83, 52.56

 

CMYK 17 / 56 / 0 / 18

HEX #AF5DD2

RGB 175 93 210

HSL 282.05, 0.57%, 0.59%

LAB 53.6, 52.24, -47.01

 

CMYK 16 / 52 / 0 / 10

HEX #C06FE5

RGB 192 111 229

HSL 281.19, 0.69%, 0.67%

LAB 60.1, 51.51, -47.28

 

CMYK 16 / 48 / 0 / 3

HEX #D181F8

RGB 209 129 248

HSL 280.34, 0.89%, 0.74%

LAB 66.55, 50.74, -47.49

 

CMYK 11 / 42 / 0 / 0

HEX #E293FF

RGB 226 147 255

HSL 283.89, 1%, 0.79%

LAB 72.4, 47.52, -41.99

 

CMYK 5 / 35 / 0 / 0

HEX #F3A5FF

RGB 243 165 255

HSL 292, 1%, 0.82%

LAB 77.98, 43.11, -33.18

 

CMYK 21 / 57 / 0 / 16

HEX #AA5DD7

RGB 170 93 215

HSL 277.87, 0.6%, 0.6%

LAB 53.26, 52.04, -50.43

 

CMYK 22 / 62 / 0 / 23

HEX #994BC4

RGB 153 75 196

HSL 278.68, 0.51%, 0.53%

LAB 46.7, 52.72, -50.13

 

CMYK 23 / 68 / 0 / 31

HEX #8839B1

RGB 136 57 177

HSL 279.5, 0.51%, 0.46%

LAB 40.14, 53.18, -49.66

 

CMYK 25 / 75 / 0 / 38

HEX #77279E

RGB 119 39 158

HSL 280.34, 0.6%, 0.39%

LAB 33.65, 53.18, -48.87

 

CMYK 27 / 85 / 0 / 45

HEX #66158B

RGB 102 21 139

HSL 281.19, 0.74%, 0.31%

LAB 27.37, 52.28, -47.51

 

CMYK 21 / 57 / 0 / 16

HEX #A95BD6

RGB 169 91 214

HSL 278.05, 0.6%, 0.6%

LAB 52.7, 52.59, -50.75

 

CMYK 6 / 57 / 0 / 16

HEX #CA5BD6

RGB 202 91 214

HSL 294.15, 0.6%, 0.6%

LAB 56.97, 60.9, -43.71

 

CMYK 0 / 57 / 10 / 16

HEX #D65BC1

RGB 214 91 193

HSL 310.24, 0.6%, 0.6%

LAB 57.68, 60.49, -30.52

 

CMYK 0 / 57 / 25 / 16

HEX #D65BA0

RGB 214 91 160

HSL 326.34, 0.6%, 0.6%

LAB 56.4, 55.67, -13.41

 

CMYK 0 / 57 / 41 / 16

HEX #D65B7F

RGB 214 91 127

HSL 342.44, 0.6%, 0.6%

LAB 55.39, 51.7, 4.47

 

CMYK 21 / 57 / 0 / 16

HEX #A95BD6

RGB 169 91 214

HSL 278.05, 0.6%, 0.6%

LAB 52.7, 52.59, -50.75

 

CMYK 36 / 57 / 0 / 16

HEX #885BD6

RGB 136 91 214

HSL 261.95, 0.6%, 0.6%

LAB 48.97, 44.66, -56.93

 

CMYK 52 / 57 / 0 / 16

HEX #675BD6

RGB 103 91 214

HSL 245.85, 0.6%, 0.6%

LAB 45.94, 37.56, -61.98

 

CMYK 57 / 57 / 0 / 16

HEX #5B5BD6

RGB 91 91 214

HSL 240, 0.6%, 0.6%

LAB 45.03, 35.3, -63.5

 

CMYK 21 / 57 / 0 / 16

HEX #A95BD6

RGB 169 91 214

HSL 278.05, 0.6%, 0.6%

LAB 52.7, 52.59, -50.75

 

CMYK 25 / 67 / 0 / 10

HEX #AD4BE6

RGB 173 75 230

HSL 277.94, 0.76%, 0.6%

LAB 51.42, 64.46, -61.84

 

CMYK 28 / 77 / 0 / 3

HEX #B13AF7

RGB 177 58 247

HSL 277.78, 0.92%, 0.6%

LAB 50.79, 75.32, -72.37

 

CMYK 21 / 57 / 0 / 16

HEX #A95BD6

RGB 169 91 214

HSL 278.05, 0.6%, 0.6%

LAB 52.7, 52.59, -50.75

 

CMYK 17 / 45 / 0 / 23

HEX #A46CC5

RGB 164 108 197

HSL 277.75, 0.43%, 0.6%

LAB 54.71, 38.47, -37.92

 

CMYK 12 / 31 / 0 / 29

HEX #A07CB5

RGB 160 124 181

HSL 277.89, 0.28%, 0.6%

LAB 57.29, 24.68, -24.78

 

CMYK 5 / 14 / 0 / 36

HEX #9C8DA4

RGB 156 141 164

HSL 279.13, 0.11%, 0.6%

LAB 60.6, 10.01, -10.09

 

CMYK 4 / 0 / 6 / 38

HEX #979D94

RGB 151 157 148

HSL 100, 0.04%, 0.6%

LAB 64.02, -3.88, 3.95

 

CMYK 53 / 57 / 0 / 16

HEX #655BD6

RGB 101 91 214

HSL 244.88, 0.6%, 0.6%

LAB 45.78, 37.17, -62.25

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 22 / 57 / 0 / 16

HEX #A75BD6

RGB 167 91 214

HSL 277.07, 0.6%, 0.6%

LAB 52.46, 52.09, -51.15

 

CMYK 7 / 57 / 0 / 16

HEX #C75BD6

RGB 199 91 214

HSL 292.68, 0.6%, 0.6%

LAB 56.56, 60.13, -44.38

 

CMYK 0 / 57 / 9 / 16

HEX #D65BC3

RGB 214 91 195

HSL 309.27, 0.6%, 0.6%

LAB 57.77, 60.81, -31.53

 

CMYK 28 / 75 / 0 / 30

HEX #812CB2

RGB 129 44 178

HSL 278.06, 0.6%, 0.44%

LAB 37.27, 57.48, -54.94

 

CMYK 26 / 72 / 0 / 20

HEX #973ACD

RGB 151 58 205

HSL 277.96, 0.6%, 0.52%

LAB 44.25, 61.91, -59.29

 

CMYK 21 / 57 / 0 / 16

HEX #A95BD6

RGB 169 91 214

HSL 278.05, 0.6%, 0.6%

LAB 52.7, 52.59, -50.75

 

CMYK 16 / 44 / 0 / 13

HEX #BA7CDE

RGB 186 124 222

HSL 277.96, 0.6%, 0.68%

LAB 61.76, 41.5, -40.79

 

CMYK 12 / 32 / 0 / 10

HEX #CB9DE6

RGB 203 157 230

HSL 277.81, 0.59%, 0.76%

LAB 71.23, 30.22, -30.36

 

CMYK 21 / 57 / 0 / 16

HEX #AA5DD7

RGB 170 93 215

HSL 277.87, 0.6%, 0.6%

LAB 53.26, 52.04, -50.43

 

CMYK 0 / 57 / 47 / 16

HEX #D65B72

RGB 214 91 114

HSL 348.78, 0.6%, 0.6%

LAB 55.07, 50.39, 11.68

 

CMYK 57 / 0 / 45 / 16

HEX #5BD676

RGB 91 214 118

HSL 133.17, 0.6%, 0.6%

LAB 77.06, -54.61, 37.26

 

CMYK 21 / 57 / 0 / 16

HEX #AA5DD7

RGB 170 93 215

HSL 277.87, 0.6%, 0.6%

LAB 53.26, 52.04, -50.43

 

CMYK 0 / 22 / 57 / 16

HEX #D6A75B

RGB 214 167 91

HSL 37.07, 0.6%, 0.6%

LAB 71.34, 8.66, 45.39

 

CMYK 57 / 0 / 22 / 16

HEX #5BD6A7

RGB 91 214 167

HSL 157.07, 0.6%, 0.6%

LAB 77.94, -45.38, 13.05

 

CMYK 21 / 57 / 0 / 16

HEX #AA5DD7

RGB 170 93 215

HSL 277.87, 0.6%, 0.6%

LAB 53.26, 52.04, -50.43

 

CMYK 0 / 57 / 47 / 16

HEX #D65B72

RGB 214 91 114

HSL 348.78, 0.6%, 0.6%

LAB 55.07, 50.39, 11.68

 

CMYK 36 / 0 / 57 / 16

HEX #8AD65B

RGB 138 214 91

HSL 97.07, 0.6%, 0.6%

LAB 78.61, -44.64, 52.44

 

CMYK 57 / 0 / 11 / 16

HEX #5BD6BF

RGB 91 214 191

HSL 168.78, 0.6%, 0.6%

LAB 78.51, -39.78, 1.06

 

CMYK 21 / 57 / 0 / 16

HEX #AA5DD7

RGB 170 93 215

HSL 277.87, 0.6%, 0.6%

LAB 53.26, 52.04, -50.43

 

CMYK 0 / 50 / 57 / 16

HEX #D66A5B

RGB 214 106 91

HSL 7.32, 0.6%, 0.6%

LAB 57.42, 41.13, 28.21

 

CMYK 36 / 0 / 57 / 16

HEX #8AD65B

RGB 138 214 91

HSL 97.07, 0.6%, 0.6%

LAB 78.61, -44.64, 52.44

 

CMYK 57 / 7 / 0 / 16

HEX #5BC7D6

RGB 91 199 214

HSL 187.32, 0.6%, 0.6%

LAB 74.78, -26.61, -16.86

 

Description

Color code: HEX #AA5DD7 | qconv.com Color code: HEX #AA5DD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 93 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 93 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 57 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 57% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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