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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5835 it is the complementary color #55A7CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5835 shade: #AF5830, #C06A43, #D17C56, #E28E69 and #F3A07C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5835 shade: #AA5835, #994622, #88340F, #772200 and #661000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5835 shade: #AA5835, #AA3935 and #AA3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5835 shade: #AA5835, #AA7835, #AA9735, #9DAA35 and #7EAA35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5835 shade matches the following richer shades: #AA5835, #BC5123 and #CE4A11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5835 shade: #AA5835, #986048, #86675A, #746E6C and #61757E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5835 shade: #AA3553, #AA3735, #AA5635, #AA7635 and #AA9535

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5835 shade: #6B3822, #8B482B, #AA5835, #C46B45 and #CE8464

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5835 shade: #AA5835, #72AA35 and #3543AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5835 shade: #AA5835, #35AA56 and #5635AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5835 shade: #AA5835, #72AA35, #3589AA and #6E35AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5835 shade: #AA5835, #4FAA35, #3589AA and #9135AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

Complementary color

CMYK 58 / 17 / 0 / 21

HEX #55A7CA

RGB 85 167 202

HSL 197.95, 0.52%, 0.56%

LAB 64.83, -14.82, -25.44

 

CMYK 0 / 50 / 73 / 31

HEX #AF5830

RGB 175 88 48

HSL 18.9, 0.57%, 0.44%

LAB 47.37, 32.44, 38.61

 

CMYK 0 / 45 / 65 / 25

HEX #C06A43

RGB 192 106 67

HSL 18.72, 0.5%, 0.51%

LAB 53.94, 30.84, 36.58

 

CMYK 0 / 41 / 59 / 18

HEX #D17C56

RGB 209 124 86

HSL 18.54, 0.57%, 0.58%

LAB 60.46, 29.41, 34.69

 

CMYK 0 / 37 / 54 / 11

HEX #E28E69

RGB 226 142 105

HSL 18.35, 0.68%, 0.65%

LAB 66.93, 28.13, 32.97

 

CMYK 0 / 34 / 49 / 5

HEX #F3A07C

RGB 243 160 124

HSL 18.15, 0.83%, 0.72%

LAB 73.32, 26.99, 31.4

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 0 / 54 / 78 / 40

HEX #994622

RGB 153 70 34

HSL 18.15, 0.64%, 0.37%

LAB 40.03, 32.35, 37.11

 

CMYK 0 / 62 / 89 / 47

HEX #88340F

RGB 136 52 15

HSL 18.35, 0.8%, 0.3%

LAB 33.4, 34.12, 39.02

 

CMYK 0 / 71 / 100 / 53

HEX #772200

RGB 119 34 0

HSL 17.14, 1%, 0.23%

LAB 26.92, 35.74, 38.6

 

CMYK 0 / 84 / 100 / 60

HEX #661000

RGB 102 16 0

HSL 9.41, 1%, 0.2%

LAB 20.81, 36.64, 31.33

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 0 / 66 / 69 / 33

HEX #AA3935

RGB 170 57 53

HSL 2.05, 0.52%, 0.44%

LAB 40.78, 45.97, 28.01

 

CMYK 0 / 69 / 69 / 33

HEX #AA3535

RGB 170 53 53

HSL 0, 0.52%, 0.44%

LAB 40.16, 47.65, 27.26

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 0 / 29 / 69 / 33

HEX #AA7835

RGB 170 120 53

HSL 34.36, 0.52%, 0.44%

LAB 54.28, 12.83, 43.41

 

CMYK 0 / 11 / 69 / 33

HEX #AA9735

RGB 170 151 53

HSL 50.26, 0.52%, 0.44%

LAB 62.45, -4.34, 52.03

 

CMYK 8 / 0 / 69 / 33

HEX #9DAA35

RGB 157 170 53

HSL 66.67, 0.52%, 0.44%

LAB 66.65, -19.96, 55.95

 

CMYK 26 / 0 / 69 / 33

HEX #7EAA35

RGB 126 170 53

HSL 82.56, 0.52%, 0.44%

LAB 64.52, -32.7, 53.08

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 0 / 57 / 81 / 26

HEX #BC5123

RGB 188 81 35

HSL 18.04, 0.69%, 0.44%

LAB 47.88, 40.63, 46.25

 

CMYK 0 / 64 / 92 / 19

HEX #CE4A11

RGB 206 74 17

HSL 18.1, 0.85%, 0.44%

LAB 49.57, 50.08, 55.9

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 0 / 37 / 53 / 40

HEX #986048

RGB 152 96 72

HSL 18, 0.36%, 0.44%

LAB 46.32, 20.09, 23.13

 

CMYK 0 / 23 / 33 / 47

HEX #86675A

RGB 134 103 90

HSL 17.73, 0.2%, 0.44%

LAB 46.32, 10.45, 12.11

 

CMYK 0 / 5 / 7 / 55

HEX #746E6C

RGB 116 110 108

HSL 15, 0.04%, 0.44%

LAB 46.91, 1.94, 1.94

 

CMYK 23 / 7 / 0 / 51

HEX #61757E

RGB 97 117 126

HSL 198.62, 0.13%, 0.44%

LAB 47.97, -5.19, -7.39

 

CMYK 0 / 69 / 51 / 33

HEX #AA3553

RGB 170 53 83

HSL 344.62, 0.52%, 0.44%

LAB 40.76, 49.79, 9.4

 

CMYK 0 / 68 / 69 / 33

HEX #AA3735

RGB 170 55 53

HSL 1.03, 0.52%, 0.44%

LAB 40.47, 46.82, 27.63

 

CMYK 0 / 49 / 69 / 33

HEX #AA5635

RGB 170 86 53

HSL 16.92, 0.52%, 0.44%

LAB 46.26, 31.74, 34.46

 

CMYK 0 / 31 / 69 / 33

HEX #AA7635

RGB 170 118 53

HSL 33.33, 0.52%, 0.44%

LAB 53.77, 13.96, 42.86

 

CMYK 0 / 12 / 69 / 33

HEX #AA9535

RGB 170 149 53

HSL 49.23, 0.52%, 0.44%

LAB 61.91, -3.26, 51.47

 

CMYK 0 / 48 / 68 / 58

HEX #6B3822

RGB 107 56 34

HSL 18.08, 0.52%, 0.28%

LAB 29.59, 20.47, 23.51

 

CMYK 0 / 48 / 69 / 45

HEX #8B482B

RGB 139 72 43

HSL 18.13, 0.53%, 0.36%

LAB 38.37, 25.87, 29.75

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 0 / 45 / 65 / 23

HEX #C46B45

RGB 196 107 69

HSL 17.95, 0.52%, 0.52%

LAB 54.74, 32.06, 36.58

 

CMYK 0 / 36 / 51 / 19

HEX #CE8464

RGB 206 132 100

HSL 18.11, 0.52%, 0.6%

LAB 62.12, 25.05, 29.03

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 33 / 0 / 69 / 33

HEX #72AA35

RGB 114 170 53

HSL 88.72, 0.52%, 0.44%

LAB 63.82, -37.27, 52.15

 

CMYK 69 / 61 / 0 / 33

HEX #3543AA

RGB 53 67 170

HSL 232.82, 0.52%, 0.44%

LAB 33.29, 29.19, -56.98

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 69 / 0 / 49 / 33

HEX #35AA56

RGB 53 170 86

HSL 136.92, 0.52%, 0.44%

LAB 61.81, -50.81, 33.92

 

CMYK 49 / 69 / 0 / 33

HEX #5635AA

RGB 86 53 170

HSL 256.92, 0.52%, 0.44%

LAB 32.76, 43.19, -57.74

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 33 / 0 / 69 / 33

HEX #72AA35

RGB 114 170 53

HSL 88.72, 0.52%, 0.44%

LAB 63.82, -37.27, 52.15

 

CMYK 69 / 19 / 0 / 33

HEX #3589AA

RGB 53 137 170

HSL 196.92, 0.52%, 0.44%

LAB 53.55, -14.41, -24.82

 

CMYK 35 / 69 / 0 / 33

HEX #6E35AA

RGB 110 53 170

HSL 269.23, 0.52%, 0.44%

LAB 35.52, 47.87, -53.12

 

CMYK 0 / 48 / 69 / 33

HEX #AA5835

RGB 170 88 53

HSL 17.95, 0.52%, 0.44%

LAB 46.69, 30.67, 34.95

 

CMYK 54 / 0 / 69 / 33

HEX #4FAA35

RGB 79 170 53

HSL 106.67, 0.52%, 0.44%

LAB 62.23, -48.77, 49.98

 

CMYK 69 / 19 / 0 / 33

HEX #3589AA

RGB 53 137 170

HSL 196.92, 0.52%, 0.44%

LAB 53.55, -14.41, -24.82

 

CMYK 15 / 69 / 0 / 33

HEX #9135AA

RGB 145 53 170

HSL 287.18, 0.52%, 0.44%

LAB 40.36, 55.49, -45.08

 

Description

Color code: HEX #AA5835 | qconv.com Color code: HEX #AA5835 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 88 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 88 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 69 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 69% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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