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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4A4A it is the complementary color #55B5B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4A4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4A4A shade: #AF4A45, #C05C58, #D16E6B, #E2807E and #F39291

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4A4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4A4A shade: #AA4A4A, #993837, #882624, #771411 and #660200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4A4A shade: #AA4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4A4A shade: #AA4A4A, #AA644A, #AA7E4A, #AA974A and #A2AA4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4A4A shade matches the following richer shades: #AA4A4A, #BD3636, #D12323 and #E50F0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4A4A shade: #AA4A4A, #965E5E, #827272, #6E8686 and #5A9999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4A4A shade: #AA4A7D, #AA4A64, #AA4A4A, #AA644A and #AA7D4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4A4A shade: #703131, #8D3E3E, #AA4A4A, #BA6363 and #C78080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4A4A shade: #AA4A4A, #97AA4A and #4A70AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4A4A shade: #AA4A4A, #4AAA4A and #4A4AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4A4A shade: #AA4A4A, #97AA4A, #4AAAAA and #5D4AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4A4A shade: #AA4A4A, #7AAA4A, #4AAAAA and #7A4AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

Complementary color

CMYK 53 / 0 / 0 / 29

HEX #55B5B5

RGB 85 181 181

HSL 180, 0.39%, 0.52%

LAB 68.25, -28.06, -8.63

 

CMYK 0 / 58 / 61 / 31

HEX #AF4A45

RGB 175 74 69

HSL 2.83, 0.43%, 0.48%

LAB 44.86, 40.91, 23.68

 

CMYK 0 / 52 / 54 / 25

HEX #C05C58

RGB 192 92 88

HSL 2.31, 0.45%, 0.55%

LAB 51.34, 39.74, 21.38

 

CMYK 0 / 47 / 49 / 18

HEX #D16E6B

RGB 209 110 107

HSL 1.76, 0.53%, 0.62%

LAB 57.82, 38.58, 19.44

 

CMYK 0 / 43 / 44 / 11

HEX #E2807E

RGB 226 128 126

HSL 1.2, 0.63%, 0.69%

LAB 64.25, 37.47, 17.77

 

CMYK 0 / 40 / 40 / 5

HEX #F39291

RGB 243 146 145

HSL 0.61, 0.8%, 0.76%

LAB 70.63, 36.44, 16.3

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 63 / 64 / 40

HEX #993837

RGB 153 56 55

HSL 0.61, 0.47%, 0.41%

LAB 37.62, 40.52, 22.2

 

CMYK 0 / 72 / 74 / 47

HEX #882624

RGB 136 38 36

HSL 1.2, 0.58%, 0.34%

LAB 31.23, 41.31, 25.48

 

CMYK 0 / 83 / 86 / 53

HEX #771411

RGB 119 20 17

HSL 1.76, 0.75%, 0.27%

LAB 25.15, 41.4, 29.45

 

CMYK 0 / 98 / 100 / 60

HEX #660200

RGB 102 2 0

HSL 1.18, 1%, 0.2%

LAB 19.51, 40.36, 29.86

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 41 / 56 / 33

HEX #AA644A

RGB 170 100 74

HSL 16.25, 0.39%, 0.48%

LAB 49.68, 25.59, 26.76

 

CMYK 0 / 26 / 56 / 33

HEX #AA7E4A

RGB 170 126 74

HSL 32.5, 0.39%, 0.48%

LAB 56.05, 10.97, 34.68

 

CMYK 0 / 11 / 56 / 33

HEX #AA974A

RGB 170 151 74

HSL 48.13, 0.39%, 0.48%

LAB 62.65, -2.88, 42.54

 

CMYK 5 / 0 / 56 / 33

HEX #A2AA4A

RGB 162 170 74

HSL 65, 0.39%, 0.48%

LAB 67.22, -16.36, 47.6

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 71 / 71 / 26

HEX #BD3636

RGB 189 54 54

HSL 0, 0.56%, 0.48%

LAB 43.83, 53.54, 31.89

 

CMYK 0 / 83 / 83 / 18

HEX #D12323

RGB 209 35 35

HSL 0, 0.71%, 0.48%

LAB 45.47, 64.54, 45.38

 

CMYK 0 / 93 / 93 / 10

HEX #E50F0F

RGB 229 15 15

HSL 0, 0.88%, 0.48%

LAB 48.3, 72.72, 57.89

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 37 / 37 / 41

HEX #965E5E

RGB 150 94 94

HSL 0, 0.23%, 0.48%

LAB 46.04, 22.88, 9.6

 

CMYK 0 / 12 / 12 / 49

HEX #827272

RGB 130 114 114

HSL 0, 0.07%, 0.48%

LAB 49.49, 6.22, 2.28

 

CMYK 18 / 0 / 0 / 47

HEX #6E8686

RGB 110 134 134

HSL 180, 0.1%, 0.48%

LAB 54.12, -8.56, -2.87

 

CMYK 41 / 0 / 0 / 40

HEX #5A9999

RGB 90 153 153

HSL 180, 0.26%, 0.48%

LAB 59.21, -20.21, -6.37

 

CMYK 0 / 56 / 26 / 33

HEX #AA4A7D

RGB 170 74 125

HSL 328.13, 0.39%, 0.48%

LAB 45.53, 45.13, -9.62

 

CMYK 0 / 56 / 41 / 33

HEX #AA4A64

RGB 170 74 100

HSL 343.75, 0.39%, 0.48%

LAB 44.75, 41.98, 4.51

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 41 / 56 / 33

HEX #AA644A

RGB 170 100 74

HSL 16.25, 0.39%, 0.48%

LAB 49.68, 25.59, 26.76

 

CMYK 0 / 26 / 56 / 33

HEX #AA7D4A

RGB 170 125 74

HSL 31.88, 0.39%, 0.48%

LAB 55.79, 11.53, 34.37

 

CMYK 0 / 56 / 56 / 56

HEX #703131

RGB 112 49 49

HSL 0, 0.39%, 0.32%

LAB 29.06, 27.89, 13.52

 

CMYK 0 / 56 / 56 / 45

HEX #8D3E3E

RGB 141 62 62

HSL 0, 0.39%, 0.4%

LAB 36.85, 33.58, 16.44

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 47 / 47 / 27

HEX #BA6363

RGB 186 99 99

HSL 0, 0.39%, 0.56%

LAB 52.13, 34.86, 15.82

 

CMYK 0 / 36 / 36 / 22

HEX #C78080

RGB 199 128 128

HSL 0, 0.39%, 0.64%

LAB 60.9, 27.47, 11.46

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 11 / 0 / 56 / 33

HEX #97AA4A

RGB 151 170 74

HSL 71.88, 0.39%, 0.48%

LAB 66.38, -20.94, 46.43

 

CMYK 56 / 34 / 0 / 33

HEX #4A70AA

RGB 74 112 170

HSL 216.25, 0.39%, 0.48%

LAB 46.9, 4.21, -35.11

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 56 / 0 / 56 / 33

HEX #4AAA4A

RGB 74 170 74

HSL 120, 0.39%, 0.48%

LAB 62.25, -47.87, 40.57

 

CMYK 56 / 56 / 0 / 33

HEX #4A4AAA

RGB 74 74 170

HSL 240, 0.39%, 0.48%

LAB 36.47, 28.29, -51.76

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 11 / 0 / 56 / 33

HEX #97AA4A

RGB 151 170 74

HSL 71.88, 0.39%, 0.48%

LAB 66.38, -20.94, 46.43

 

CMYK 56 / 0 / 0 / 33

HEX #4AAAAA

RGB 74 170 170

HSL 180, 0.39%, 0.48%

LAB 64.25, -27.88, -8.53

 

CMYK 45 / 56 / 0 / 33

HEX #5D4AAA

RGB 93 74 170

HSL 251.88, 0.39%, 0.48%

LAB 38.07, 32.37, -49.1

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 28 / 0 / 56 / 33

HEX #7AAA4A

RGB 122 170 74

HSL 90, 0.39%, 0.48%

LAB 64.47, -32.42, 43.72

 

CMYK 56 / 0 / 0 / 33

HEX #4AAAAA

RGB 74 170 170

HSL 180, 0.39%, 0.48%

LAB 64.25, -27.88, -8.53

 

CMYK 28 / 56 / 0 / 33

HEX #7A4AAA

RGB 122 74 170

HSL 270, 0.39%, 0.48%

LAB 41.12, 39.5, -44.04

 

Description

Color code: HEX #AA4A4A | qconv.com Color code: HEX #AA4A4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 74 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 74 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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