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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4556 it is the complementary color #55BAA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4556. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4556 shade: #AF4551, #C05764, #D16977, #E27B8A and #F38D9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4556. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4556 shade: #AA4556, #993343, #882130, #770F1D and #66000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4556 shade: #AA4556 and #AA4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4556 shade: #AA4556, #AA4571, #AA458C, #AA45A7 and #9145AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4556 shade matches the following richer shades: #AA4556, #BD3249, #D01E3C and #E40B2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4556 shade: #AA4556, #965863, #836C70, #707F7D and #5C9389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4556 shade: #AA458D, #AA4572, #AA4557, #AA4D45 and #AA6845

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4556 shade: #6F2D38, #8C3947, #AA4556, #BC5C6C and #C87986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4556 shade: #AA4556, #A8AA45 and #4580AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4556 shade: #AA4556, #57AA45 and #4557AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4556 shade: #AA4556, #A8AA45, #45AA97 and #4745AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4556 shade: #AA4556, #8AAA45, #45AA97 and #6545AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

Complementary color

CMYK 54 / 0 / 9 / 27

HEX #55BAA9

RGB 85 186 169

HSL 169.9, 0.42%, 0.53%

LAB 69.41, -33.61, -0.32

 

CMYK 0 / 61 / 54 / 31

HEX #AF4551

RGB 175 69 81

HSL 353.21, 0.43%, 0.48%

LAB 44.18, 44.26, 15.5

 

CMYK 0 / 55 / 48 / 25

HEX #C05764

RGB 192 87 100

HSL 352.57, 0.45%, 0.55%

LAB 50.62, 43.33, 13.28

 

CMYK 0 / 50 / 43 / 18

HEX #D16977

RGB 209 105 119

HSL 351.92, 0.53%, 0.62%

LAB 57.07, 42.33, 11.44

 

CMYK 0 / 46 / 39 / 11

HEX #E27B8A

RGB 226 123 138

HSL 351.26, 0.64%, 0.68%

LAB 63.48, 41.34, 9.88

 

CMYK 0 / 42 / 35 / 5

HEX #F38D9D

RGB 243 141 157

HSL 350.59, 0.81%, 0.75%

LAB 69.85, 40.39, 8.51

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 0 / 67 / 56 / 40

HEX #993343

RGB 153 51 67

HSL 350.59, 0.5%, 0.4%

LAB 37.01, 43.68, 13.87

 

CMYK 0 / 76 / 65 / 47

HEX #882130

RGB 136 33 48

HSL 351.26, 0.61%, 0.33%

LAB 30.72, 43.95, 17.18

 

CMYK 0 / 87 / 76 / 53

HEX #770F1D

RGB 119 15 29

HSL 351.92, 0.78%, 0.26%

LAB 24.8, 43.25, 21.56

 

CMYK 0 / 100 / 90 / 60

HEX #66000A

RGB 102 0 10

HSL 354.12, 1%, 0.2%

LAB 19.42, 41.13, 25.69

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 0 / 59 / 34 / 33

HEX #AA4571

RGB 170 69 113

HSL 333.86, 0.42%, 0.47%

LAB 44.23, 45.94, -4.24

 

CMYK 0 / 59 / 18 / 33

HEX #AA458C

RGB 170 69 140

HSL 317.82, 0.42%, 0.47%

LAB 45.21, 49.69, -19.19

 

CMYK 0 / 59 / 2 / 33

HEX #AA45A7

RGB 170 69 167

HSL 301.78, 0.42%, 0.47%

LAB 46.44, 54.12, -33.43

 

CMYK 15 / 59 / 0 / 33

HEX #9145AA

RGB 145 69 170

HSL 285.15, 0.42%, 0.47%

LAB 43.03, 48.12, -40.82

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 0 / 74 / 61 / 26

HEX #BD3249

RGB 189 50 73

HSL 350.07, 0.58%, 0.47%

LAB 43.63, 56.05, 20.11

 

CMYK 0 / 86 / 71 / 18

HEX #D01E3C

RGB 208 30 60

HSL 349.89, 0.75%, 0.47%

LAB 45.17, 66.2, 30.8

 

CMYK 0 / 95 / 79 / 11

HEX #E40B2F

RGB 228 11 47

HSL 350.05, 0.91%, 0.47%

LAB 48.18, 73.45, 42.87

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 0 / 41 / 34 / 41

HEX #965863

RGB 150 88 99

HSL 349.35, 0.26%, 0.47%

LAB 44.75, 26.96, 4.74

 

CMYK 0 / 18 / 15 / 49

HEX #836C70

RGB 131 108 112

HSL 349.57, 0.1%, 0.47%

LAB 47.91, 9.79, 1.18

 

CMYK 12 / 0 / 2 / 50

HEX #707F7D

RGB 112 127 125

HSL 172, 0.06%, 0.47%

LAB 51.95, -5.92, -0.79

 

CMYK 37 / 0 / 7 / 42

HEX #5C9389

RGB 92 147 137

HSL 169.09, 0.23%, 0.47%

LAB 57.03, -20.56, -0.46

 

CMYK 0 / 59 / 17 / 33

HEX #AA458D

RGB 170 69 141

HSL 317.23, 0.42%, 0.47%

LAB 45.26, 49.85, -19.73

 

CMYK 0 / 59 / 33 / 33

HEX #AA4572

RGB 170 69 114

HSL 333.27, 0.42%, 0.47%

LAB 44.26, 46.06, -4.8

 

CMYK 0 / 59 / 49 / 33

HEX #AA4557

RGB 170 69 87

HSL 349.31, 0.42%, 0.47%

LAB 43.49, 43.06, 10.73

 

CMYK 0 / 55 / 59 / 33

HEX #AA4D45

RGB 170 77 69

HSL 4.75, 0.42%, 0.47%

LAB 44.64, 37.54, 23.23

 

CMYK 0 / 39 / 59 / 33

HEX #AA6845

RGB 170 104 69

HSL 20.79, 0.42%, 0.47%

LAB 50.54, 22.95, 30.67

 

CMYK 0 / 59 / 50 / 56

HEX #6F2D38

RGB 111 45 56

HSL 350, 0.42%, 0.31%

LAB 28.23, 30.37, 7.73

 

CMYK 0 / 59 / 49 / 45

HEX #8C3947

RGB 140 57 71

HSL 349.88, 0.42%, 0.39%

LAB 35.9, 36.62, 9.43

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 0 / 51 / 43 / 26

HEX #BC5C6C

RGB 188 92 108

HSL 350, 0.42%, 0.55%

LAB 51.18, 40.2, 9.21

 

CMYK 0 / 40 / 33 / 22

HEX #C87986

RGB 200 121 134

HSL 350.13, 0.42%, 0.63%

LAB 59.59, 32.41, 6.17

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 1 / 0 / 59 / 33

HEX #A8AA45

RGB 168 170 69

HSL 61.19, 0.42%, 0.47%

LAB 67.65, -14.2, 50.51

 

CMYK 59 / 25 / 0 / 33

HEX #4580AA

RGB 69 128 170

HSL 204.95, 0.42%, 0.47%

LAB 51.39, -6.4, -28.11

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 49 / 0 / 59 / 33

HEX #57AA45

RGB 87 170 69

HSL 109.31, 0.42%, 0.47%

LAB 62.68, -44.85, 43.56

 

CMYK 59 / 49 / 0 / 33

HEX #4557AA

RGB 69 87 170

HSL 229.31, 0.42%, 0.47%

LAB 39.55, 18.94, -46.81

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 1 / 0 / 59 / 33

HEX #A8AA45

RGB 168 170 69

HSL 61.19, 0.42%, 0.47%

LAB 67.65, -14.2, 50.51

 

CMYK 59 / 0 / 11 / 33

HEX #45AA97

RGB 69 170 151

HSL 168.71, 0.42%, 0.47%

LAB 63.55, -33.97, 1.04

 

CMYK 58 / 59 / 0 / 33

HEX #4745AA

RGB 71 69 170

HSL 241.19, 0.42%, 0.47%

LAB 35, 30.88, -54.15

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 19 / 0 / 59 / 33

HEX #8AAA45

RGB 138 170 69

HSL 79.01, 0.42%, 0.47%

LAB 65.42, -26.67, 47.41

 

CMYK 59 / 0 / 11 / 33

HEX #45AA97

RGB 69 170 151

HSL 168.71, 0.42%, 0.47%

LAB 63.55, -33.97, 1.04

 

CMYK 41 / 59 / 0 / 33

HEX #6545AA

RGB 101 69 170

HSL 259.01, 0.42%, 0.47%

LAB 37.71, 37.2, -49.64

 

Description

Color code: HEX #AA4556 | qconv.com Color code: HEX #AA4556 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 69 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 69 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 49 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 49% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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