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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3F1C it is the complementary color #55C0E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3F1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3F1C shade: #AF3F17, #C0512A, #D1633D, #E27550 and #F38763

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3F1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3F1C shade: #AA3F1C, #992D09, #881B00, #770900 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3F1C shade: #AB3F1B and #AB1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3F1C shade: #AB3F1B, #AB651B, #AB8C1B, #A3AB1B and #7CAB1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3F1C shade matches the following richer shades: #AB3F1B and #BB360B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3F1C shade: #AB3F1B, #9A472B, #8A4F3C, #7A574C and #6A5F5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3F1C shade: #AB1B46, #AB1B20, #AB3D1B, #AB631B and #AB891B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3F1C shade: #642410, #873216, #AB3F1B, #CE4C21 and #DE623A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3F1C shade: #AA3F1C, #6CAB1B and #1B33AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3F1C shade: #AA3F1C, #1BAB3D and #3D1BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3F1C shade: #AA3F1C, #6CAB1B, #1B89AB and #591BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3F1C shade: #AA3F1C, #42AB1B, #1B89AB and #841BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 84 / 33

HEX #AA3F1C

RGB 170 63 28

HSL 14.79, 0.72%, 0.39%

LAB 41.51, 42.22, 42.52

 

Complementary color

CMYK 63 / 15 / 0 / 11

HEX #55C0E3

RGB 85 192 227

HSL 194.79, 0.72%, 0.61%

LAB 73.01, -20.35, -26.61

 

CMYK 0 / 64 / 87 / 31

HEX #AF3F17

RGB 175 63 23

HSL 15.79, 0.77%, 0.39%

LAB 42.35, 43.93, 45.86

 

CMYK 0 / 58 / 78 / 25

HEX #C0512A

RGB 192 81 42

HSL 15.6, 0.64%, 0.46%

LAB 48.58, 42.4, 43.78

 

CMYK 0 / 53 / 71 / 18

HEX #D1633D

RGB 209 99 61

HSL 15.41, 0.62%, 0.53%

LAB 54.88, 40.85, 41.51

 

CMYK 0 / 48 / 65 / 11

HEX #E27550

RGB 226 117 80

HSL 15.21, 0.72%, 0.6%

LAB 61.19, 39.36, 39.35

 

CMYK 0 / 44 / 59 / 5

HEX #F38763

RGB 243 135 99

HSL 15, 0.86%, 0.67%

LAB 67.49, 37.97, 37.37

 

CMYK 0 / 63 / 84 / 33

HEX #AA3F1C

RGB 170 63 28

HSL 14.79, 0.72%, 0.39%

LAB 41.51, 42.22, 42.52

 

CMYK 0 / 71 / 94 / 40

HEX #992D09

RGB 153 45 9

HSL 15, 0.89%, 0.32%

LAB 35.34, 43.55, 44.17

 

CMYK 0 / 80 / 100 / 47

HEX #881B00

RGB 136 27 0

HSL 11.91, 1%, 0.27%

LAB 29.46, 44.32, 42.12

 

CMYK 0 / 92 / 100 / 53

HEX #770900

RGB 119 9 0

HSL 4.54, 1%, 0.23%

LAB 24.06, 43.75, 35.92

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 63 / 84 / 33

HEX #AB3F1B

RGB 171 63 27

HSL 15, 0.73%, 0.39%

LAB 41.68, 42.56, 43.21

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 63 / 84 / 33

HEX #AB3F1B

RGB 171 63 27

HSL 15, 0.73%, 0.39%

LAB 41.68, 42.56, 43.21

 

CMYK 0 / 41 / 84 / 33

HEX #AB651B

RGB 171 101 27

HSL 30.83, 0.73%, 0.39%

LAB 49.55, 22.8, 50.17

 

CMYK 0 / 18 / 84 / 33

HEX #AB8C1B

RGB 171 140 27

HSL 47.08, 0.73%, 0.39%

LAB 59.43, 0.99, 58.65

 

CMYK 5 / 0 / 84 / 33

HEX #A3AB1B

RGB 163 171 27

HSL 63.33, 0.73%, 0.39%

LAB 67.27, -19, 64.99

 

CMYK 27 / 0 / 84 / 33

HEX #7CAB1B

RGB 124 171 27

HSL 79.58, 0.73%, 0.39%

LAB 64.56, -35.32, 61.6

 

CMYK 0 / 63 / 84 / 33

HEX #AB3F1B

RGB 171 63 27

HSL 15, 0.73%, 0.39%

LAB 41.68, 42.56, 43.21

 

CMYK 0 / 71 / 94 / 27

HEX #BB360B

RGB 187 54 11

HSL 14.66, 0.89%, 0.39%

LAB 43.1, 51.65, 51.75

 

CMYK 0 / 63 / 84 / 33

HEX #AB3F1B

RGB 171 63 27

HSL 15, 0.73%, 0.39%

LAB 41.68, 42.56, 43.21

 

CMYK 0 / 54 / 72 / 40

HEX #9A472B

RGB 154 71 43

HSL 15.14, 0.56%, 0.39%

LAB 40.49, 32.66, 32.79

 

CMYK 0 / 43 / 57 / 46

HEX #8A4F3C

RGB 138 79 60

HSL 14.62, 0.39%, 0.39%

LAB 40.12, 22.76, 21.86

 

CMYK 0 / 29 / 38 / 52

HEX #7A574C

RGB 122 87 76

HSL 14.35, 0.23%, 0.39%

LAB 40.37, 12.9, 12.11

 

CMYK 0 / 10 / 13 / 58

HEX #6A5F5C

RGB 106 95 92

HSL 12.86, 0.07%, 0.39%

LAB 41.25, 3.84, 3.31

 

CMYK 0 / 84 / 59 / 33

HEX #AB1B46

RGB 171 27 70

HSL 342.08, 0.73%, 0.39%

LAB 37.63, 57.5, 13.36

 

CMYK 0 / 84 / 81 / 33

HEX #AB1B20

RGB 171 27 32

HSL 357.92, 0.73%, 0.39%

LAB 37.02, 55.65, 36.2

 

CMYK 0 / 64 / 84 / 33

HEX #AB3D1B

RGB 171 61 27

HSL 14.17, 0.73%, 0.39%

LAB 41.33, 43.47, 42.9

 

CMYK 0 / 42 / 84 / 33

HEX #AB631B

RGB 171 99 27

HSL 30, 0.73%, 0.39%

LAB 49.08, 23.91, 49.76

 

CMYK 0 / 20 / 84 / 33

HEX #AB891B

RGB 171 137 27

HSL 45.83, 0.73%, 0.39%

LAB 58.63, 2.64, 57.97

 

CMYK 0 / 64 / 84 / 61

HEX #642410

RGB 100 36 16

HSL 14.29, 0.72%, 0.23%

LAB 23.7, 27.75, 27.29

 

CMYK 0 / 63 / 84 / 47

HEX #873216

RGB 135 50 22

HSL 14.87, 0.72%, 0.31%

LAB 32.9, 34.93, 35.21

 

CMYK 0 / 63 / 84 / 33

HEX #AB3F1B

RGB 171 63 27

HSL 15, 0.73%, 0.39%

LAB 41.68, 42.56, 43.21

 

CMYK 0 / 63 / 84 / 19

HEX #CE4C21

RGB 206 76 33

HSL 14.91, 0.72%, 0.47%

LAB 49.98, 49.54, 50.17

 

CMYK 0 / 56 / 74 / 13

HEX #DE623A

RGB 222 98 58

HSL 14.63, 0.71%, 0.55%

LAB 56.65, 46.09, 45.58

 

CMYK 0 / 63 / 84 / 33

HEX #AA3F1C

RGB 170 63 28

HSL 14.79, 0.72%, 0.39%

LAB 41.51, 42.22, 42.52

 

CMYK 37 / 0 / 84 / 33

HEX #6CAB1B

RGB 108 171 27

HSL 86.25, 0.73%, 0.39%

LAB 63.67, -41.38, 60.47

 

CMYK 84 / 70 / 0 / 33

HEX #1B33AB

RGB 27 51 171

HSL 230, 0.73%, 0.39%

LAB 28.22, 37.16, -65.94

 

CMYK 0 / 63 / 84 / 33

HEX #AA3F1C

RGB 170 63 28

HSL 14.79, 0.72%, 0.39%

LAB 41.51, 42.22, 42.52

 

CMYK 84 / 0 / 64 / 33

HEX #1BAB3D

RGB 27 171 61

HSL 134.17, 0.73%, 0.39%

LAB 61.39, -58.33, 45.32

 

CMYK 64 / 84 / 0 / 33

HEX #3D1BAB

RGB 61 27 171

HSL 254.17, 0.73%, 0.39%

LAB 25.91, 52.74, -69.69

 

CMYK 0 / 63 / 84 / 33

HEX #AA3F1C

RGB 170 63 28

HSL 14.79, 0.72%, 0.39%

LAB 41.51, 42.22, 42.52

 

CMYK 37 / 0 / 84 / 33

HEX #6CAB1B

RGB 108 171 27

HSL 86.25, 0.73%, 0.39%

LAB 63.67, -41.38, 60.47

 

CMYK 84 / 20 / 0 / 33

HEX #1B89AB

RGB 27 137 171

HSL 194.17, 0.73%, 0.39%

LAB 53.02, -17.18, -26.25

 

CMYK 48 / 84 / 0 / 33

HEX #591BAB

RGB 89 27 171

HSL 265.83, 0.73%, 0.39%

LAB 29.03, 55.79, -64.44

 

CMYK 0 / 63 / 84 / 33

HEX #AA3F1C

RGB 170 63 28

HSL 14.79, 0.72%, 0.39%

LAB 41.51, 42.22, 42.52

 

CMYK 61 / 0 / 84 / 33

HEX #42AB1B

RGB 66 171 27

HSL 103.75, 0.73%, 0.39%

LAB 61.97, -54.31, 58.31

 

CMYK 84 / 20 / 0 / 33

HEX #1B89AB

RGB 27 137 171

HSL 194.17, 0.73%, 0.39%

LAB 53.02, -17.18, -26.25

 

CMYK 23 / 84 / 0 / 33

HEX #841BAB

RGB 132 27 171

HSL 283.75, 0.73%, 0.39%

LAB 35.26, 62.18, -54

 

Description

Color code: HEX #AA3F1C | qconv.com Color code: HEX #AA3F1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 63 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 63 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 84% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Glasses & Contac...
Link: http://cagleeyecenter.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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