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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3CD1 it is the complementary color #55C32E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3CD1 shade: #AF3CCC, #C04EDF, #D160F2, #E272FF and #F384FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3CD1 shade: #AA3CD1, #992ABE, #8818AB, #770698 and #660085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3CD1 shade: #AA3CD1, #D13CD0, #D13CA8, #D13C80 and #D13C58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3CD1 shade: #AA3CD1, #823CD1, #5A3CD1 and #3C3CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3CD1 shade matches the following richer shades: #AA3CD1, #B329E4 and #BD16F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3CD1 shade: #AA3CD1, #A150BE, #9863AA, #8E7797 and #858A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3CD1 shade: #5A3CD1, #823CD1, #A93CD1, #D13CD1 and #D13CA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3CD1 shade: #792398, #942BB9, #AA3CD1, #B95ED9 and #C77FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3CD1 shade: #AA3CD1, #D13C46 and #3CD16E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3CD1 shade: #AA3CD1, #D1A93C and #3CD1A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3CD1 shade: #AA3CD1, #D13C46, #64D13C and #3CD1C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3CD1 shade: #AA3CD1, #D15F3C, #64D13C and #3CAED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

Complementary color

CMYK 56 / 0 / 76 / 24

HEX #55C32E

RGB 85 195 46

HSL 104.3, 0.62%, 0.47%

LAB 70.29, -56.98, 60.76

 

CMYK 14 / 71 / 0 / 20

HEX #AF3CCC

RGB 175 60 204

HSL 287.92, 0.59%, 0.52%

LAB 47.89, 65.79, -52.68

 

CMYK 14 / 65 / 0 / 13

HEX #C04EDF

RGB 192 78 223

HSL 287.17, 0.69%, 0.59%

LAB 54.01, 65.87, -53.59

 

CMYK 14 / 60 / 0 / 5

HEX #D160F2

RGB 209 96 242

HSL 286.44, 0.85%, 0.66%

LAB 60.19, 65.6, -54.25

 

CMYK 11 / 55 / 0 / 0

HEX #E272FF

RGB 226 114 255

HSL 287.66, 1%, 0.72%

LAB 66.08, 63.96, -51.93

 

CMYK 5 / 48 / 0 / 0

HEX #F384FF

RGB 243 132 255

HSL 294.15, 1%, 0.76%

LAB 71.4, 59.82, -43.41

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 19 / 78 / 0 / 25

HEX #992ABE

RGB 153 42 190

HSL 285, 0.64%, 0.45%

LAB 41.45, 65.13, -55.08

 

CMYK 20 / 86 / 0 / 33

HEX #8818AB

RGB 136 24 171

HSL 285.71, 0.75%, 0.38%

LAB 35.65, 63.6, -53.34

 

CMYK 22 / 96 / 0 / 40

HEX #770698

RGB 119 6 152

HSL 286.44, 0.92%, 0.31%

LAB 30.2, 60.69, -50.8

 

CMYK 23 / 100 / 0 / 48

HEX #660085

RGB 102 0 133

HSL 286.02, 1%, 0.26%

LAB 25.32, 55.68, -47.1

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 0 / 71 / 0 / 18

HEX #D13CD0

RGB 209 60 208

HSL 300.4, 0.62%, 0.53%

LAB 53.32, 73.69, -46

 

CMYK 0 / 71 / 20 / 18

HEX #D13CA8

RGB 209 60 168

HSL 316.51, 0.62%, 0.53%

LAB 51.4, 67.8, -25.82

 

CMYK 0 / 71 / 39 / 18

HEX #D13C80

RGB 209 60 128

HSL 332.62, 0.62%, 0.53%

LAB 49.91, 63.03, -4.22

 

CMYK 0 / 71 / 58 / 18

HEX #D13C58

RGB 209 60 88

HSL 348.72, 0.62%, 0.53%

LAB 48.87, 59.56, 18.58

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 38 / 71 / 0 / 18

HEX #823CD1

RGB 130 60 209

HSL 268.19, 0.62%, 0.53%

LAB 42.12, 57.99, -65.17

 

CMYK 57 / 71 / 0 / 18

HEX #5A3CD1

RGB 90 60 209

HSL 252.08, 0.62%, 0.53%

LAB 37.86, 51.44, -72.32

 

CMYK 71 / 71 / 0 / 18

HEX #3C3CD1

RGB 60 60 209

HSL 240, 0.62%, 0.53%

LAB 35.59, 47.77, -76.14

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 21 / 82 / 0 / 11

HEX #B329E4

RGB 179 41 228

HSL 284.28, 0.78%, 0.53%

LAB 47.97, 77.06, -66.24

 

CMYK 24 / 91 / 0 / 3

HEX #BD16F8

RGB 189 22 248

HSL 284.34, 0.94%, 0.53%

LAB 49.7, 85.84, -74.63

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 15 / 58 / 0 / 25

HEX #A150BE

RGB 161 80 190

HSL 284.18, 0.46%, 0.53%

LAB 48.3, 50.96, -44.04

 

CMYK 11 / 42 / 0 / 33

HEX #9863AA

RGB 152 99 170

HSL 284.79, 0.29%, 0.53%

LAB 50.1, 34.02, -29.64

 

CMYK 6 / 21 / 0 / 41

HEX #8E7797

RGB 142 119 151

HSL 283.13, 0.13%, 0.53%

LAB 53.14, 15.06, -13.95

 

CMYK 4 / 0 / 5 / 46

HEX #858A83

RGB 133 138 131

HSL 102.86, 0.03%, 0.53%

LAB 56.88, -3.21, 3.1

 

CMYK 57 / 71 / 0 / 18

HEX #5A3CD1

RGB 90 60 209

HSL 252.08, 0.62%, 0.53%

LAB 37.86, 51.44, -72.32

 

CMYK 38 / 71 / 0 / 18

HEX #823CD1

RGB 130 60 209

HSL 268.19, 0.62%, 0.53%

LAB 42.12, 57.99, -65.17

 

CMYK 19 / 71 / 0 / 18

HEX #A93CD1

RGB 169 60 209

HSL 283.89, 0.62%, 0.53%

LAB 47.33, 65.52, -56.5

 

CMYK 0 / 71 / 0 / 18

HEX #D13CD1

RGB 209 60 209

HSL 300, 0.62%, 0.53%

LAB 53.37, 73.84, -46.49

 

CMYK 0 / 71 / 19 / 18

HEX #D13CA9

RGB 209 60 169

HSL 316.11, 0.62%, 0.53%

LAB 51.44, 67.93, -26.34

 

CMYK 20 / 77 / 0 / 40

HEX #792398

RGB 121 35 152

HSL 284.1, 0.63%, 0.37%

LAB 32.99, 53.84, -46.27

 

CMYK 20 / 77 / 0 / 27

HEX #942BB9

RGB 148 43 185

HSL 284.37, 0.62%, 0.45%

LAB 40.45, 62.89, -53.79

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 15 / 57 / 0 / 15

HEX #B95ED9

RGB 185 94 217

HSL 284.39, 0.62%, 0.61%

LAB 55.41, 55.74, -48.02

 

CMYK 12 / 44 / 0 / 12

HEX #C77FE1

RGB 199 127 225

HSL 284.08, 0.62%, 0.69%

LAB 63.96, 44.25, -38.92

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 0 / 71 / 67 / 18

HEX #D13C46

RGB 209 60 70

HSL 355.97, 0.62%, 0.53%

LAB 48.55, 58.45, 28.98

 

CMYK 71 / 0 / 47 / 18

HEX #3CD16E

RGB 60 209 110

HSL 140.13, 0.62%, 0.53%

LAB 74.63, -60.02, 38

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 0 / 19 / 71 / 18

HEX #D1A93C

RGB 209 169 60

HSL 43.89, 0.62%, 0.53%

LAB 71.05, 3.5, 59.09

 

CMYK 71 / 0 / 19 / 18

HEX #3CD1A9

RGB 60 209 169

HSL 163.89, 0.62%, 0.53%

LAB 75.72, -48.12, 8.72

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 0 / 71 / 67 / 18

HEX #D13C46

RGB 209 60 70

HSL 355.97, 0.62%, 0.53%

LAB 48.55, 58.45, 28.98

 

CMYK 52 / 0 / 71 / 18

HEX #64D13C

RGB 100 209 60

HSL 103.89, 0.62%, 0.53%

LAB 75.22, -57.1, 61.02

 

CMYK 71 / 0 / 5 / 18

HEX #3CD1C7

RGB 60 209 199

HSL 175.97, 0.62%, 0.53%

LAB 76.49, -40.37, -6.28

 

CMYK 19 / 71 / 0 / 18

HEX #AA3CD1

RGB 170 60 209

HSL 284.3, 0.62%, 0.53%

LAB 47.47, 65.72, -56.27

 

CMYK 0 / 55 / 71 / 18

HEX #D15F3C

RGB 209 95 60

HSL 14.09, 0.62%, 0.53%

LAB 54.1, 42.78, 41.16

 

CMYK 52 / 0 / 71 / 18

HEX #64D13C

RGB 100 209 60

HSL 103.89, 0.62%, 0.53%

LAB 75.22, -57.1, 61.02

 

CMYK 71 / 17 / 0 / 18

HEX #3CAED1

RGB 60 174 209

HSL 194.09, 0.62%, 0.53%

LAB 66.39, -20.46, -26.98

 

Description

Color code: HEX #AA3CD1 | qconv.com Color code: HEX #AA3CD1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 60 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 60 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 71 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 71% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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