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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3A5B it is the complementary color #55C5A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3A5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3A5B shade: #AF3A56, #C04C69, #D15E7C, #E2708F and #F382A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3A5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3A5B shade: #AA3A5B, #992848, #881635, #770422 and #66000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3A5B shade: #AA3A5B, #AA3A3D and #AA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3A5B shade: #AA3A5B, #AA3A79, #AA3A98, #9F3AAA and #803AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3A5B shade matches the following richer shades: #AA3A5B, #BD2754, #D0154C and #E20244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3A5B shade: #AA3A5B, #984D63, #855F6A, #737272 and #60847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3A5B shade: #AA3A98, #AA3A7A, #AA3A5C, #AA3A3E and #AA543A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3A5B shade: #6D253A, #8C304B, #AA3A5B, #C14C6F and #CC6B88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3A5B shade: #AA3A5B, #AA9F3A and #3A89AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3A5B shade: #AA3A5B, #5CAA3A and #3A5CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3A5B shade: #AA3A5B, #AA9F3A, #3AAA89 and #3A45AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3A5B shade: #AA3A5B, #94AA3A, #3AAA89 and #513AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

Complementary color

CMYK 57 / 0 / 17 / 23

HEX #55C5A4

RGB 85 197 164

HSL 162.32, 0.49%, 0.55%

LAB 72.59, -39.87, 7.02

 

CMYK 0 / 67 / 51 / 31

HEX #AF3A56

RGB 175 58 86

HSL 345.64, 0.5%, 0.46%

LAB 42.48, 49.59, 10.06

 

CMYK 0 / 60 / 45 / 25

HEX #C04C69

RGB 192 76 105

HSL 345, 0.48%, 0.53%

LAB 48.75, 49.05, 7.65

 

CMYK 0 / 55 / 41 / 18

HEX #D15E7C

RGB 209 94 124

HSL 344.35, 0.56%, 0.59%

LAB 55.09, 48.29, 5.7

 

CMYK 0 / 50 / 37 / 11

HEX #E2708F

RGB 226 112 143

HSL 343.68, 0.66%, 0.66%

LAB 61.43, 47.44, 4.07

 

CMYK 0 / 47 / 33 / 5

HEX #F382A2

RGB 243 130 162

HSL 343.01, 0.82%, 0.73%

LAB 67.75, 46.56, 2.68

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 74 / 53 / 40

HEX #992848

RGB 153 40 72

HSL 343.01, 0.59%, 0.38%

LAB 35.51, 48.55, 8.59

 

CMYK 0 / 84 / 61 / 47

HEX #881635

RGB 136 22 53

HSL 343.68, 0.72%, 0.31%

LAB 29.58, 47.82, 12.35

 

CMYK 0 / 97 / 71 / 53

HEX #770422

RGB 119 4 34

HSL 344.35, 0.93%, 0.24%

LAB 24.08, 45.82, 17.31

 

CMYK 0 / 100 / 85 / 60

HEX #66000F

RGB 102 0 15

HSL 351.18, 1%, 0.2%

LAB 19.47, 41.27, 23.41

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 66 / 64 / 33

HEX #AA3A3D

RGB 170 58 61

HSL 358.39, 0.49%, 0.45%

LAB 41.07, 46.01, 23.51

 

CMYK 0 / 66 / 66 / 33

HEX #AA3A3A

RGB 170 58 58

HSL 0, 0.49%, 0.45%

LAB 41.02, 45.82, 25.28

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 66 / 29 / 33

HEX #AA3A79

RGB 170 58 121

HSL 326.25, 0.49%, 0.45%

LAB 42.69, 51.87, -11.45

 

CMYK 0 / 66 / 11 / 33

HEX #AA3A98

RGB 170 58 152

HSL 309.64, 0.49%, 0.45%

LAB 44, 56.34, -28.3

 

CMYK 6 / 66 / 0 / 33

HEX #9F3AAA

RGB 159 58 170

HSL 294.11, 0.49%, 0.45%

LAB 43.21, 56.66, -40.41

 

CMYK 25 / 66 / 0 / 33

HEX #803AAA

RGB 128 58 170

HSL 277.5, 0.49%, 0.45%

LAB 38.76, 49.35, -47.79

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 79 / 56 / 26

HEX #BD2754

RGB 189 39 84

HSL 342, 0.66%, 0.45%

LAB 42.63, 60.28, 11.91

 

CMYK 0 / 90 / 63 / 18

HEX #D0154C

RGB 208 21 76

HSL 342.35, 0.82%, 0.45%

LAB 44.9, 68.55, 20.62

 

CMYK 0 / 99 / 70 / 11

HEX #E20244

RGB 226 2 68

HSL 342.32, 0.98%, 0.45%

LAB 47.79, 74.43, 29.98

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 49 / 35 / 40

HEX #984D63

RGB 152 77 99

HSL 342.4, 0.33%, 0.45%

LAB 42.59, 33.82, 1.66

 

CMYK 0 / 29 / 20 / 48

HEX #855F6A

RGB 133 95 106

HSL 342.63, 0.17%, 0.45%

LAB 44.53, 17.24, -0.09

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 0 / 8 / 48

HEX #60847A

RGB 96 132 122

HSL 163.33, 0.16%, 0.45%

LAB 52.28, -14.89, 1.31

 

CMYK 0 / 66 / 11 / 33

HEX #AA3A98

RGB 170 58 152

HSL 309.64, 0.49%, 0.45%

LAB 44, 56.34, -28.3

 

CMYK 0 / 66 / 28 / 33

HEX #AA3A7A

RGB 170 58 122

HSL 325.71, 0.49%, 0.45%

LAB 42.73, 52, -12.01

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5C

RGB 170 58 92

HSL 341.79, 0.49%, 0.45%

LAB 41.76, 48.54, 5.18

 

CMYK 0 / 66 / 64 / 33

HEX #AA3A3E

RGB 170 58 62

HSL 357.86, 0.49%, 0.45%

LAB 41.09, 46.08, 22.92

 

CMYK 0 / 51 / 66 / 33

HEX #AA543A

RGB 170 84 58

HSL 13.93, 0.49%, 0.45%

LAB 45.9, 33.12, 31.23

 

CMYK 0 / 66 / 47 / 57

HEX #6D253A

RGB 109 37 58

HSL 342.5, 0.49%, 0.29%

LAB 26.39, 33.93, 3.75

 

CMYK 0 / 66 / 46 / 45

HEX #8C304B

RGB 140 48 75

HSL 342.39, 0.49%, 0.37%

LAB 34.39, 41.35, 4.73

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 61 / 42 / 24

HEX #C14C6F

RGB 193 76 111

HSL 342.05, 0.49%, 0.53%

LAB 49.07, 49.99, 4.5

 

CMYK 0 / 48 / 33 / 20

HEX #CC6B88

RGB 204 107 136

HSL 342.06, 0.49%, 0.61%

LAB 57.2, 41.5, 1.62

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 6 / 66 / 33

HEX #AA9F3A

RGB 170 159 58

HSL 54.11, 0.49%, 0.45%

LAB 64.68, -8.32, 52.21

 

CMYK 66 / 19 / 0 / 33

HEX #3A89AA

RGB 58 137 170

HSL 197.68, 0.49%, 0.45%

LAB 53.7, -13.58, -24.57

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 46 / 0 / 66 / 33

HEX #5CAA3A

RGB 92 170 58

HSL 101.79, 0.49%, 0.45%

LAB 62.79, -44.43, 48.65

 

CMYK 66 / 46 / 0 / 33

HEX #3A5CAA

RGB 58 92 170

HSL 221.79, 0.49%, 0.45%

LAB 40.34, 13.64, -45.58

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 0 / 6 / 66 / 33

HEX #AA9F3A

RGB 170 159 58

HSL 54.11, 0.49%, 0.45%

LAB 64.68, -8.32, 52.21

 

CMYK 66 / 0 / 19 / 33

HEX #3AAA89

RGB 58 170 137

HSL 162.32, 0.49%, 0.45%

LAB 62.89, -39.53, 7.86

 

CMYK 66 / 59 / 0 / 33

HEX #3A45AA

RGB 58 69 170

HSL 234.11, 0.49%, 0.45%

LAB 34.1, 28.65, -55.65

 

CMYK 0 / 66 / 46 / 33

HEX #AA3A5B

RGB 170 58 91

HSL 342.32, 0.49%, 0.45%

LAB 41.73, 48.45, 5.76

 

CMYK 13 / 0 / 66 / 33

HEX #94AA3A

RGB 148 170 58

HSL 71.79, 0.49%, 0.45%

LAB 66.02, -23.44, 53.07

 

CMYK 66 / 0 / 19 / 33

HEX #3AAA89

RGB 58 170 137

HSL 162.32, 0.49%, 0.45%

LAB 62.89, -39.53, 7.86

 

CMYK 52 / 66 / 0 / 33

HEX #513AAA

RGB 81 58 170

HSL 252.32, 0.49%, 0.45%

LAB 33.3, 39.45, -56.88

 

Description

Color code: HEX #AA3A5B | qconv.com Color code: HEX #AA3A5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 58 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 58 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 46 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 46% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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