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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA32B9 it is the complementary color #55CD46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA32B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA32B9 shade: #AF32B4, #C044C7, #D156DA, #E268ED and #F37AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA32B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA32B9 shade: #AA32B9, #9920A6, #880E93, #770080 and #66006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA32B9 shade: #A932B8, #B832A2, #B8327E, #B8325A and #B83236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA32B9 shade: #A932B8, #8532B8, #6132B8, #3D32B8 and #3232B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA32B9 shade matches the following richer shades: #A932B8, #B81FCB and #C60CDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA32B9 shade: #A932B8, #9A45A5, #8B5892, #7D6B7F and #6E7E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA32B9 shade: #6132B8, #8432B8, #A832B8, #B832A4 and #B83280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA32B9 shade: #6D2077, #8B2997, #A932B8, #BD47CC and #C967D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA32B9 shade: #AA32B9, #B83D32 and #32B873

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA32B9 shade: #AA32B9, #B8A832 and #32B8A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA32B9 shade: #AA32B9, #B83D32, #42B832 and #32ADB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA32B9 shade: #AA32B9, #B86532, #42B832 and #3284B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 73 / 0 / 27

HEX #AA32B9

RGB 170 50 185

HSL 293.33, 0.57%, 0.46%

LAB 44.7, 64.89, -46.78

 

Complementary color

CMYK 59 / 0 / 66 / 20

HEX #55CD46

RGB 85 205 70

HSL 113.33, 0.57%, 0.54%

LAB 73.57, -58.68, 55.26

 

CMYK 3 / 72 / 0 / 29

HEX #AF32B4

RGB 175 50 180

HSL 297.69, 0.57%, 0.45%

LAB 45.21, 65.09, -42.99

 

CMYK 4 / 66 / 0 / 22

HEX #C044C7

RGB 192 68 199

HSL 296.79, 0.54%, 0.52%

LAB 51.23, 65.57, -44.33

 

CMYK 4 / 61 / 0 / 15

HEX #D156DA

RGB 209 86 218

HSL 295.91, 0.64%, 0.6%

LAB 57.34, 65.55, -45.32

 

CMYK 5 / 56 / 0 / 7

HEX #E268ED

RGB 226 104 237

HSL 295.04, 0.79%, 0.67%

LAB 63.49, 65.24, -46.09

 

CMYK 5 / 52 / 0 / 0

HEX #F37AFF

RGB 243 122 255

HSL 294.59, 1%, 0.74%

LAB 69.61, 64.57, -46.22

 

CMYK 8 / 73 / 0 / 27

HEX #AA32B9

RGB 170 50 185

HSL 293.33, 0.57%, 0.46%

LAB 44.7, 64.89, -46.78

 

CMYK 8 / 81 / 0 / 35

HEX #9920A6

RGB 153 32 166

HSL 294.18, 0.68%, 0.39%

LAB 38.83, 63.71, -45.08

 

CMYK 7 / 90 / 0 / 42

HEX #880E93

RGB 136 14 147

HSL 295.04, 0.83%, 0.32%

LAB 33.25, 61.32, -42.66

 

CMYK 7 / 100 / 0 / 50

HEX #770080

RGB 119 0 128

HSL 295.78, 1%, 0.25%

LAB 28.06, 57.41, -39.35

 

CMYK 6 / 100 / 0 / 57

HEX #66006D

RGB 102 0 109

HSL 296.15, 1%, 0.21%

LAB 23.44, 51.31, -34.82

 

CMYK 8 / 73 / 0 / 28

HEX #A932B8

RGB 169 50 184

HSL 293.28, 0.57%, 0.46%

LAB 44.49, 64.5, -46.55

 

CMYK 0 / 73 / 12 / 28

HEX #B832A2

RGB 184 50 162

HSL 309.85, 0.57%, 0.46%

LAB 45.74, 64.28, -31.39

 

CMYK 0 / 73 / 32 / 28

HEX #B8327E

RGB 184 50 126

HSL 325.97, 0.57%, 0.46%

LAB 44.2, 59.47, -12.01

 

CMYK 0 / 73 / 51 / 28

HEX #B8325A

RGB 184 50 90

HSL 342.09, 0.57%, 0.46%

LAB 43.08, 55.81, 8.64

 

CMYK 0 / 73 / 71 / 28

HEX #B83236

RGB 184 50 54

HSL 358.21, 0.57%, 0.46%

LAB 42.37, 53.42, 29.92

 

CMYK 8 / 73 / 0 / 28

HEX #A932B8

RGB 169 50 184

HSL 293.28, 0.57%, 0.46%

LAB 44.49, 64.5, -46.55

 

CMYK 28 / 73 / 0 / 28

HEX #8532B8

RGB 133 50 184

HSL 277.16, 0.57%, 0.46%

LAB 39.12, 57.14, -55.46

 

CMYK 47 / 73 / 0 / 28

HEX #6132B8

RGB 97 50 184

HSL 261.04, 0.57%, 0.46%

LAB 34.57, 50.57, -63.07

 

CMYK 67 / 73 / 0 / 28

HEX #3D32B8

RGB 61 50 184

HSL 244.93, 0.57%, 0.46%

LAB 31.19, 45.42, -68.73

 

CMYK 73 / 73 / 0 / 28

HEX #3232B8

RGB 50 50 184

HSL 240, 0.57%, 0.46%

LAB 30.45, 44.25, -69.99

 

CMYK 8 / 73 / 0 / 28

HEX #A932B8

RGB 169 50 184

HSL 293.28, 0.57%, 0.46%

LAB 44.49, 64.5, -46.55

 

CMYK 9 / 85 / 0 / 20

HEX #B81FCB

RGB 184 31 203

HSL 293.37, 0.74%, 0.46%

LAB 46.29, 75.83, -54.6

 

CMYK 11 / 95 / 0 / 13

HEX #C60CDE

RGB 198 12 222

HSL 293.14, 0.9%, 0.46%

LAB 48.94, 83.88, -61.12

 

CMYK 8 / 73 / 0 / 28

HEX #A932B8

RGB 169 50 184

HSL 293.28, 0.57%, 0.46%

LAB 44.49, 64.5, -46.55

 

CMYK 7 / 58 / 0 / 35

HEX #9A45A5

RGB 154 69 165

HSL 293.13, 0.41%, 0.46%

LAB 44.01, 49.49, -36.23

 

CMYK 5 / 40 / 0 / 43

HEX #8B5892

RGB 139 88 146

HSL 292.76, 0.25%, 0.46%

LAB 45, 31.07, -23.48

 

CMYK 2 / 16 / 0 / 50

HEX #7D6B7F

RGB 125 107 127

HSL 294, 0.09%, 0.46%

LAB 47.5, 10.97, -8.44

 

CMYK 13 / 0 / 14 / 51

HEX #6E7E6C

RGB 110 126 108

HSL 113.33, 0.08%, 0.46%

LAB 51.06, -9.57, 7.84

 

CMYK 47 / 73 / 0 / 28

HEX #6132B8

RGB 97 50 184

HSL 261.04, 0.57%, 0.46%

LAB 34.57, 50.57, -63.07

 

CMYK 28 / 73 / 0 / 28

HEX #8432B8

RGB 132 50 184

HSL 276.72, 0.57%, 0.46%

LAB 38.98, 56.94, -55.69

 

CMYK 9 / 73 / 0 / 28

HEX #A832B8

RGB 168 50 184

HSL 292.84, 0.57%, 0.46%

LAB 44.33, 64.29, -46.81

 

CMYK 0 / 73 / 11 / 28

HEX #B832A4

RGB 184 50 164

HSL 308.96, 0.57%, 0.46%

LAB 45.84, 64.58, -32.43

 

CMYK 0 / 73 / 30 / 28

HEX #B83280

RGB 184 50 128

HSL 325.07, 0.57%, 0.46%

LAB 44.28, 59.71, -13.12

 

CMYK 8 / 73 / 0 / 53

HEX #6D2077

RGB 109 32 119

HSL 293.1, 0.58%, 0.3%

LAB 28.42, 45.76, -33.18

HEX #6D2077

CMYK 8 / 73 / 0 / 41

HEX #8B2997

RGB 139 41 151

HSL 293.45, 0.57%, 0.38%

LAB 36.57, 55.25, -39.76

HEX #8B2997

CMYK 8 / 73 / 0 / 28

HEX #A932B8

RGB 169 50 184

HSL 293.28, 0.57%, 0.46%

LAB 44.49, 64.5, -46.55

HEX #A932B8

CMYK 7 / 65 / 0 / 20

HEX #BD47CC

RGB 189 71 204

HSL 293.23, 0.57%, 0.54%

LAB 51.48, 64.56, -46.83

HEX #BD47CC

CMYK 6 / 52 / 0 / 16

HEX #C967D5

RGB 201 103 213

HSL 293.45, 0.57%, 0.62%

LAB 58.9, 54.78, -40.11

HEX #C967D5

CMYK 8 / 73 / 0 / 27

HEX #AA32B9

RGB 170 50 185

HSL 293.33, 0.57%, 0.46%

LAB 44.7, 64.89, -46.78

 

CMYK 0 / 67 / 73 / 28

HEX #B83D32

RGB 184 61 50

HSL 4.93, 0.57%, 0.46%

LAB 43.88, 48.93, 34.03

 

CMYK 73 / 0 / 38 / 28

HEX #32B873

RGB 50 184 115

HSL 149.1, 0.57%, 0.46%

LAB 66.67, -51.45, 25.05

 

CMYK 8 / 73 / 0 / 27

HEX #AA32B9

RGB 170 50 185

HSL 293.33, 0.57%, 0.46%

LAB 44.7, 64.89, -46.78

 

CMYK 0 / 9 / 73 / 28

HEX #B8A832

RGB 184 168 50

HSL 52.84, 0.57%, 0.46%

LAB 68.33, -7.37, 59.51

 

CMYK 73 / 0 / 9 / 28

HEX #32B8A8

RGB 50 184 168

HSL 172.84, 0.57%, 0.46%

LAB 67.86, -38.9, -2.14

 

CMYK 8 / 73 / 0 / 27

HEX #AA32B9

RGB 170 50 185

HSL 293.33, 0.57%, 0.46%

LAB 44.7, 64.89, -46.78

 

CMYK 0 / 67 / 73 / 28

HEX #B83D32

RGB 184 61 50

HSL 4.93, 0.57%, 0.46%

LAB 43.88, 48.93, 34.03

 

CMYK 64 / 0 / 73 / 28

HEX #42B832

RGB 66 184 50

HSL 112.84, 0.57%, 0.46%

LAB 66.27, -57.39, 55.2

 

CMYK 73 / 6 / 0 / 28

HEX #32ADB8

RGB 50 173 184

HSL 184.93, 0.57%, 0.46%

LAB 64.98, -29.09, -15.29

 

CMYK 8 / 73 / 0 / 27

HEX #AA32B9

RGB 170 50 185

HSL 293.33, 0.57%, 0.46%

LAB 44.7, 64.89, -46.78

 

CMYK 0 / 45 / 73 / 28

HEX #B86532

RGB 184 101 50

HSL 22.84, 0.57%, 0.46%

LAB 51.53, 29.27, 42.46

 

CMYK 64 / 0 / 73 / 28

HEX #42B832

RGB 66 184 50

HSL 112.84, 0.57%, 0.46%

LAB 66.27, -57.39, 55.2

 

CMYK 73 / 28 / 0 / 28

HEX #3284B8

RGB 50 132 184

HSL 203.28, 0.57%, 0.46%

LAB 52.55, -7.21, -34.41

 

Description

Color code: HEX #AA32B9 | qconv.com Color code: HEX #AA32B9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 50 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 50 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 73 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 73% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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