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Color name
HEX #AA2E21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA2E21 it is the complementary color #55D1DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA2E21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA2E21 shade: #AF2E1C, #C0402F, #D15242, #E26455 and #F37668

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA2E21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA2E21 shade: #AA2E21, #991C0E, #880A00, #770000 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA2E21 shade: #AA2E21 and #AA2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA2E21 shade: #AA2E21, #AA5321, #AA7821, #AA9D21 and #92AA21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA2E21 shade matches the following richer shades: #AA2E21, #BA2111 and #CB1300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA2E21 shade: #AA2E21, #993B32, #894942, #785653 and #686463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA2E21 shade: #AA215F, #AA213A, #AA2D21, #AA5121 and #AA7521

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA2E21 shade: #651B14, #87251A, #AA2E21, #CC3828 and #DA5244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA2E21 shade: #AA2E21, #83AA21 and #214CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA2E21 shade: #AA2E21, #21AA2D and #2D21AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA2E21 shade: #AA2E21, #83AA21, #219EAA and #4821AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA2E21 shade: #AA2E21, #5AAA21, #219EAA and #7121AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

Complementary color

CMYK 62 / 6 / 0 / 13

HEX #55D1DE

RGB 85 209 222

HSL 185.69, 0.67%, 0.6%

LAB 77.76, -30.29, -16.69

 

CMYK 0 / 74 / 84 / 31

HEX #AF2E1C

RGB 175 46 28

HSL 7.35, 0.72%, 0.4%

LAB 39.83, 51, 41.33

 

CMYK 0 / 67 / 76 / 25

HEX #C0402F

RGB 192 64 47

HSL 7.03, 0.61%, 0.47%

LAB 45.74, 50.27, 38.18

 

CMYK 0 / 61 / 68 / 18

HEX #D15242

RGB 209 82 66

HSL 6.71, 0.61%, 0.54%

LAB 51.82, 49.23, 35.26

 

CMYK 0 / 56 / 62 / 11

HEX #E26455

RGB 226 100 85

HSL 6.38, 0.71%, 0.61%

LAB 57.98, 48.04, 32.68

 

CMYK 0 / 51 / 57 / 5

HEX #F37668

RGB 243 118 104

HSL 6.04, 0.85%, 0.68%

LAB 64.17, 46.83, 30.43

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 0 / 82 / 91 / 40

HEX #991C0E

RGB 153 28 14

HSL 6.04, 0.83%, 0.33%

LAB 33.21, 49.61, 40.7

 

CMYK 0 / 93 / 100 / 47

HEX #880A00

RGB 136 10 0

HSL 4.41, 1%, 0.27%

LAB 27.98, 48.5, 40.93

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 0 / 81 / 81 / 33

HEX #AA2121

RGB 170 33 33

HSL 0, 0.67%, 0.4%

LAB 37.38, 53.8, 35.93

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 0 / 51 / 81 / 33

HEX #AA5321

RGB 170 83 33

HSL 21.9, 0.67%, 0.4%

LAB 45.42, 32.39, 43.84

 

CMYK 0 / 29 / 81 / 33

HEX #AA7821

RGB 170 120 33

HSL 38.1, 0.67%, 0.4%

LAB 54.12, 11.88, 51.95

 

CMYK 0 / 8 / 81 / 33

HEX #AA9D21

RGB 170 157 33

HSL 54.31, 0.67%, 0.4%

LAB 63.97, -8.46, 60.78

 

CMYK 14 / 0 / 81 / 33

HEX #92AA21

RGB 146 170 33

HSL 70.51, 0.67%, 0.4%

LAB 65.73, -25.61, 61.59

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 0 / 82 / 91 / 27

HEX #BA2111

RGB 186 33 17

HSL 5.68, 0.83%, 0.4%

LAB 40.52, 58.14, 47.84

 

CMYK 0 / 91 / 100 / 20

HEX #CB1300

RGB 203 19 0

HSL 5.62, 1%, 0.4%

LAB 43.01, 65.43, 56.86

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 0 / 61 / 67 / 40

HEX #993B32

RGB 153 59 50

HSL 5.24, 0.51%, 0.4%

LAB 38.08, 38.77, 25.83

 

CMYK 0 / 47 / 52 / 46

HEX #894942

RGB 137 73 66

HSL 5.92, 0.35%, 0.4%

LAB 38.68, 26.34, 16.3

 

CMYK 0 / 28 / 31 / 53

HEX #785653

RGB 120 86 83

HSL 4.86, 0.18%, 0.4%

LAB 40.04, 13.64, 7.31

 

CMYK 0 / 4 / 5 / 59

HEX #686463

RGB 104 100 99

HSL 12, 0.02%, 0.4%

LAB 42.7, 1.37, 1.12

 

CMYK 0 / 81 / 44 / 33

HEX #AA215F

RGB 170 33 95

HSL 332.85, 0.67%, 0.4%

LAB 38.66, 57.72, -1.21

 

CMYK 0 / 81 / 66 / 33

HEX #AA213A

RGB 170 33 58

HSL 349.05, 0.67%, 0.4%

LAB 37.73, 54.91, 21.12

 

CMYK 0 / 74 / 81 / 33

HEX #AA2D21

RGB 170 45 33

HSL 5.26, 0.67%, 0.4%

LAB 38.78, 49.88, 37.35

 

CMYK 0 / 52 / 81 / 33

HEX #AA5121

RGB 170 81 33

HSL 21.02, 0.67%, 0.4%

LAB 45, 33.45, 43.44

 

CMYK 0 / 31 / 81 / 33

HEX #AA7521

RGB 170 117 33

HSL 36.79, 0.67%, 0.4%

LAB 53.36, 13.57, 51.26

 

CMYK 0 / 73 / 80 / 60

HEX #651B14

RGB 101 27 20

HSL 5.19, 0.67%, 0.24%

LAB 22.31, 32.69, 23.52

 

CMYK 0 / 73 / 81 / 47

HEX #87251A

RGB 135 37 26

HSL 6.06, 0.68%, 0.32%

LAB 30.76, 40.94, 30.92

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 0 / 73 / 80 / 20

HEX #CC3828

RGB 204 56 40

HSL 5.85, 0.67%, 0.48%

LAB 46.74, 57.04, 43.66

 

CMYK 0 / 62 / 69 / 15

HEX #DA5244

RGB 218 82 68

HSL 5.6, 0.67%, 0.56%

LAB 53.34, 52.46, 36.3

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 23 / 0 / 81 / 33

HEX #83AA21

RGB 131 170 33

HSL 77.08, 0.67%, 0.4%

LAB 64.71, -31.82, 60.3

 

CMYK 81 / 55 / 0 / 33

HEX #214CAA

RGB 33 76 170

HSL 221.17, 0.67%, 0.4%

LAB 34.79, 20.74, -54.58

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 81 / 0 / 74 / 33

HEX #21AA2D

RGB 33 170 45

HSL 125.26, 0.67%, 0.4%

LAB 61.01, -58.92, 51.47

 

CMYK 74 / 81 / 0 / 33

HEX #2D21AA

RGB 45 33 170

HSL 245.26, 0.67%, 0.4%

LAB 25.41, 48.42, -69.96

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 23 / 0 / 81 / 33

HEX #83AA21

RGB 131 170 33

HSL 77.08, 0.67%, 0.4%

LAB 64.71, -31.82, 60.3

 

CMYK 81 / 7 / 0 / 33

HEX #219EAA

RGB 33 158 170

HSL 185.26, 0.67%, 0.4%

LAB 59.6, -27.91, -15.61

 

CMYK 58 / 81 / 0 / 33

HEX #4821AA

RGB 72 33 170

HSL 257.08, 0.67%, 0.4%

LAB 27.76, 51.09, -66

 

CMYK 0 / 73 / 81 / 33

HEX #AA2E21

RGB 170 46 33

HSL 5.69, 0.67%, 0.4%

LAB 38.92, 49.52, 37.48

 

CMYK 47 / 0 / 81 / 33

HEX #5AAA21

RGB 90 170 33

HSL 95.04, 0.67%, 0.4%

LAB 62.54, -46.85, 57.5

 

CMYK 81 / 7 / 0 / 33

HEX #219EAA

RGB 33 158 170

HSL 185.26, 0.67%, 0.4%

LAB 59.6, -27.91, -15.61

 

CMYK 34 / 81 / 0 / 33

HEX #7121AA

RGB 113 33 170

HSL 275.04, 0.67%, 0.4%

LAB 32.92, 56.97, -57.33

 

Description

Color code: HEX #AA2E21 | qconv.com Color code: HEX #AA2E21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 46 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 46 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 81% 33% C M Y K

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Provide designers and agencies with accurate color values.

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