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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA2DAD it is the complementary color #55D252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA2DAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA2DAD shade: #AF2DA8, #C03FBB, #D151CE, #E263E1 and #F375F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA2DAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA2DAD shade: #AA2DAD, #991B9A, #880987, #770074 and #660061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA2DAD shade: #AB2CAE, #AE2C8E, #AE2C6B, #AE2C48 and #AE2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA2DAD shade: #AB2CAE, #882CAE, #652CAE, #422CAE and #2C2CAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA2DAD shade matches the following richer shades: #AB2CAE, #BC1BC0 and #CD09D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA2DAD shade: #AB2CAE, #9A3E9C, #89508A, #786279 and #677367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA2DAD shade: #652CAE, #872CAE, #AA2CAE, #AE2C90 and #AE2C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA2DAD shade: #6A1C6C, #8B248D, #AB2CAE, #C838CB and #D159D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA2DAD shade: #AA2DAD, #AE422C and #2CAE76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA2DAD shade: #AA2DAD, #AEAA2C and #2CAEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA2DAD shade: #AA2DAD, #AE422C, #31AE2C and #2C98AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA2DAD shade: #AA2DAD, #AE692C, #31AE2C and #2C71AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 74 / 0 / 32

HEX #AA2DAD

RGB 170 45 173

HSL 298.59, 0.59%, 0.43%

LAB 43.42, 64.49, -41.75

 

Complementary color

CMYK 60 / 0 / 61 / 18

HEX #55D252

RGB 85 210 82

HSL 118.59, 0.59%, 0.57%

LAB 75.22, -59.26, 52.01

 

CMYK 0 / 74 / 4 / 31

HEX #AF2DA8

RGB 175 45 168

HSL 303.23, 0.59%, 0.43%

LAB 43.97, 64.77, -37.86

 

CMYK 0 / 67 / 3 / 25

HEX #C03FBB

RGB 192 63 187

HSL 302.33, 0.51%, 0.5%

LAB 49.92, 65.46, -39.45

 

CMYK 0 / 61 / 1 / 18

HEX #D151CE

RGB 209 81 206

HSL 301.41, 0.58%, 0.57%

LAB 55.98, 65.59, -40.65

 

CMYK 0 / 56 / 0 / 11

HEX #E263E1

RGB 226 99 225

HSL 300.47, 0.69%, 0.64%

LAB 62.11, 65.38, -41.59

 

CMYK 0 / 52 / 0 / 4

HEX #F375F4

RGB 243 117 244

HSL 299.53, 0.85%, 0.71%

LAB 68.25, 64.95, -42.33

 

CMYK 2 / 74 / 0 / 32

HEX #AA2DAD

RGB 170 45 173

HSL 298.59, 0.59%, 0.43%

LAB 43.42, 64.49, -41.75

 

CMYK 1 / 82 / 0 / 40

HEX #991B9A

RGB 153 27 154

HSL 299.53, 0.7%, 0.35%

LAB 37.64, 62.98, -39.73

 

CMYK 0 / 93 / 1 / 47

HEX #880987

RGB 136 9 135

HSL 300.47, 0.88%, 0.28%

LAB 32.21, 60.12, -36.91

 

CMYK 0 / 100 / 3 / 53

HEX #770074

RGB 119 0 116

HSL 301.51, 1%, 0.23%

LAB 27.25, 55.46, -33.03

 

CMYK 0 / 100 / 5 / 60

HEX #660061

RGB 102 0 97

HSL 302.94, 1%, 0.2%

LAB 22.61, 49.33, -28.29

 

CMYK 2 / 75 / 0 / 32

HEX #AB2CAE

RGB 171 44 174

HSL 298.62, 0.6%, 0.43%

LAB 43.53, 65.19, -42.16

 

CMYK 0 / 75 / 18 / 32

HEX #AE2C8E

RGB 174 44 142

HSL 314.77, 0.6%, 0.43%

LAB 42.39, 60.98, -24.71

 

CMYK 0 / 75 / 39 / 32

HEX #AE2C6B

RGB 174 44 107

HSL 330.92, 0.6%, 0.43%

LAB 41, 56.65, -5.24

 

CMYK 0 / 75 / 59 / 32

HEX #AE2C48

RGB 174 44 72

HSL 347.08, 0.6%, 0.43%

LAB 40.03, 53.53, 15.44

 

CMYK 0 / 75 / 75 / 32

HEX #AE2C2C

RGB 174 44 44

HSL 0, 0.6%, 0.43%

LAB 39.55, 51.94, 32.12

 

CMYK 2 / 75 / 0 / 32

HEX #AB2CAE

RGB 171 44 174

HSL 298.62, 0.6%, 0.43%

LAB 43.53, 65.19, -42.16

 

CMYK 22 / 75 / 0 / 32

HEX #882CAE

RGB 136 44 174

HSL 282.46, 0.6%, 0.43%

LAB 38.01, 57.99, -51.32

 

CMYK 42 / 75 / 0 / 32

HEX #652CAE

RGB 101 44 174

HSL 266.31, 0.6%, 0.43%

LAB 33.19, 51.46, -59.36

 

CMYK 62 / 75 / 0 / 32

HEX #422CAE

RGB 66 44 174

HSL 250.15, 0.6%, 0.43%

LAB 29.45, 46.17, -65.63

 

CMYK 75 / 75 / 0 / 32

HEX #2C2CAE

RGB 44 44 174

HSL 240, 0.6%, 0.43%

LAB 27.83, 43.78, -68.37

 

CMYK 2 / 75 / 0 / 32

HEX #AB2CAE

RGB 171 44 174

HSL 298.62, 0.6%, 0.43%

LAB 43.53, 65.19, -42.16

 

CMYK 2 / 86 / 0 / 25

HEX #BC1BC0

RGB 188 27 192

HSL 298.55, 0.75%, 0.43%

LAB 46.02, 75.54, -48.6

 

CMYK 2 / 96 / 0 / 18

HEX #CD09D1

RGB 205 9 209

HSL 298.8, 0.92%, 0.43%

LAB 49.23, 83.22, -53.15

 

CMYK 2 / 75 / 0 / 32

HEX #AB2CAE

RGB 171 44 174

HSL 298.62, 0.6%, 0.43%

LAB 43.53, 65.19, -42.16

 

CMYK 1 / 60 / 0 / 39

HEX #9A3E9C

RGB 154 62 156

HSL 298.72, 0.43%, 0.43%

LAB 42.33, 51.08, -33.5

 

CMYK 1 / 42 / 0 / 46

HEX #89508A

RGB 137 80 138

HSL 298.97, 0.27%, 0.43%

LAB 42.6, 33.34, -22.4

 

CMYK 1 / 19 / 0 / 53

HEX #786279

RGB 120 98 121

HSL 297.39, 0.11%, 0.43%

LAB 44.39, 13.25, -9.56

 

CMYK 10 / 0 / 10 / 55

HEX #677367

RGB 103 115 103

HSL 120, 0.06%, 0.43%

LAB 47.14, -7, 5.11

 

CMYK 42 / 75 / 0 / 32

HEX #652CAE

RGB 101 44 174

HSL 266.31, 0.6%, 0.43%

LAB 33.19, 51.46, -59.36

 

CMYK 22 / 75 / 0 / 32

HEX #872CAE

RGB 135 44 174

HSL 282, 0.6%, 0.43%

LAB 37.86, 57.79, -51.57

 

CMYK 2 / 75 / 0 / 32

HEX #AA2CAE

RGB 170 44 174

HSL 298.15, 0.6%, 0.43%

LAB 43.36, 64.98, -42.43

 

CMYK 0 / 75 / 17 / 32

HEX #AE2C90

RGB 174 44 144

HSL 313.85, 0.6%, 0.43%

LAB 42.48, 61.26, -25.78

 

CMYK 0 / 75 / 37 / 32

HEX #AE2C6D

RGB 174 44 109

HSL 330, 0.6%, 0.43%

LAB 41.06, 56.87, -6.39

 

CMYK 2 / 74 / 0 / 58

HEX #6A1C6C

RGB 106 28 108

HSL 298.5, 0.59%, 0.27%

LAB 26.67, 44.53, -28.96

 

CMYK 1 / 74 / 0 / 45

HEX #8B248D

RGB 139 36 141

HSL 298.86, 0.59%, 0.35%

LAB 35.35, 55.24, -35.59

 

CMYK 2 / 75 / 0 / 32

HEX #AB2CAE

RGB 171 44 174

HSL 298.62, 0.6%, 0.43%

LAB 43.53, 65.19, -42.16

 

CMYK 1 / 72 / 0 / 20

HEX #C838CB

RGB 200 56 203

HSL 298.78, 0.59%, 0.51%

LAB 51.17, 72.26, -46.63

 

CMYK 1 / 58 / 0 / 17

HEX #D159D4

RGB 209 89 212

HSL 298.54, 0.59%, 0.59%

LAB 57.51, 63.21, -41.65

 

CMYK 2 / 74 / 0 / 32

HEX #AA2DAD

RGB 170 45 173

HSL 298.59, 0.59%, 0.43%

LAB 43.42, 64.49, -41.75

 

CMYK 0 / 62 / 75 / 32

HEX #AE422C

RGB 174 66 44

HSL 10.15, 0.6%, 0.43%

LAB 42.88, 42.9, 35.81

 

CMYK 75 / 0 / 32 / 32

HEX #2CAE76

RGB 44 174 118

HSL 154.15, 0.6%, 0.43%

LAB 63.44, -47.79, 19.05

 

CMYK 2 / 74 / 0 / 32

HEX #AA2DAD

RGB 170 45 173

HSL 298.59, 0.59%, 0.43%

LAB 43.42, 64.49, -41.75

 

CMYK 0 / 2 / 75 / 32

HEX #AEAA2C

RGB 174 170 44

HSL 58.15, 0.6%, 0.43%

LAB 67.97, -13.07, 61

 

CMYK 75 / 0 / 2 / 32

HEX #2CAEAA

RGB 44 174 170

HSL 178.15, 0.6%, 0.43%

LAB 64.73, -34.47, -7.88

 

CMYK 2 / 74 / 0 / 32

HEX #AA2DAD

RGB 170 45 173

HSL 298.59, 0.59%, 0.43%

LAB 43.42, 64.49, -41.75

 

CMYK 0 / 62 / 75 / 32

HEX #AE422C

RGB 174 66 44

HSL 10.15, 0.6%, 0.43%

LAB 42.88, 42.9, 35.81

 

CMYK 72 / 0 / 75 / 32

HEX #31AE2C

RGB 49 174 44

HSL 117.69, 0.6%, 0.43%

LAB 62.6, -57.86, 53.53

 

CMYK 75 / 13 / 0 / 32

HEX #2C98AE

RGB 44 152 174

HSL 190.15, 0.6%, 0.43%

LAB 58.08, -22.39, -20.16

 

CMYK 2 / 74 / 0 / 32

HEX #AA2DAD

RGB 170 45 173

HSL 298.59, 0.59%, 0.43%

LAB 43.42, 64.49, -41.75

 

CMYK 0 / 40 / 75 / 32

HEX #AE692C

RGB 174 105 44

HSL 28.15, 0.6%, 0.43%

LAB 51.02, 22.54, 44.43

 

CMYK 72 / 0 / 75 / 32

HEX #31AE2C

RGB 49 174 44

HSL 117.69, 0.6%, 0.43%

LAB 62.6, -57.86, 53.53

 

CMYK 75 / 35 / 0 / 32

HEX #2C71AE

RGB 44 113 174

HSL 208.15, 0.6%, 0.43%

LAB 46.18, -0.34, -38.67

 

Description

Color code: HEX #AA2DAD | qconv.com Color code: HEX #AA2DAD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 45 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 45 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 74 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 74% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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