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Color name
HEX #AA2B16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA2B16 it is the complementary color #55D4E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA2B16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA2B16 shade: #AF2B11, #C03D24, #D14F37, #E2614A and #F3735D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA2B16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA2B16 shade: #AA2B16, #991903, #880700, #770000 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA2B16 shade: #AB2B16 and #AB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA2B16 shade: #AB2B16, #AB5316, #AB7B16, #ABA416 and #8AAB16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA2B16 shade matches the following richer shades: #AB2B16 and #BB2006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA2B16 shade: #AB2B16, #9B3625, #8C4135, #7C4D45 and #6C5855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA2B16 shade: #AB1651, #AB162A, #AB2A16, #AB5116 and #AB7916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA2B16 shade: #62180C, #862211, #AB2B16, #D0341B and #E44930

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA2B16 shade: #AA2B16, #79AB16 and #163EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA2B16 shade: #AA2B16, #16AB2A and #2A16AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA2B16 shade: #AA2B16, #79AB16, #1697AB and #4816AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA2B16 shade: #AA2B16, #4DAB16, #1697AB and #7416AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 87 / 33

HEX #AA2B16

RGB 170 43 22

HSL 8.51, 0.77%, 0.38%

LAB 38.43, 50.3, 42.65

 

Complementary color

CMYK 64 / 9 / 0 / 9

HEX #55D4E9

RGB 85 212 233

HSL 188.51, 0.77%, 0.62%

LAB 78.98, -28.58, -20.73

 

CMYK 0 / 75 / 90 / 31

HEX #AF2B11

RGB 175 43 17

HSL 9.87, 0.82%, 0.38%

LAB 39.38, 51.8, 46.01

 

CMYK 0 / 68 / 81 / 25

HEX #C03D24

RGB 192 61 36

HSL 9.62, 0.68%, 0.45%

LAB 45.18, 51.11, 43.44

 

CMYK 0 / 62 / 74 / 18

HEX #D14F37

RGB 209 79 55

HSL 9.35, 0.63%, 0.52%

LAB 51.18, 50.04, 40.6

 

CMYK 0 / 57 / 67 / 11

HEX #E2614A

RGB 226 97 74

HSL 9.08, 0.72%, 0.59%

LAB 57.28, 48.8, 37.95

 

CMYK 0 / 53 / 62 / 5

HEX #F3735D

RGB 243 115 93

HSL 8.8, 0.86%, 0.66%

LAB 63.43, 47.52, 35.58

 

CMYK 0 / 75 / 87 / 33

HEX #AA2B16

RGB 170 43 22

HSL 8.51, 0.77%, 0.38%

LAB 38.43, 50.3, 42.65

 

CMYK 0 / 84 / 98 / 40

HEX #991903

RGB 153 25 3

HSL 8.8, 0.96%, 0.31%

LAB 32.86, 50.27, 44.97

 

CMYK 0 / 95 / 100 / 47

HEX #880700

RGB 136 7 0

HSL 3.09, 1%, 0.27%

LAB 27.81, 49.01, 40.79

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 75 / 87 / 33

HEX #AB2B16

RGB 171 43 22

HSL 8.46, 0.77%, 0.38%

LAB 38.63, 50.62, 42.89

 

CMYK 0 / 87 / 87 / 33

HEX #AB1616

RGB 171 22 22

HSL 0, 0.77%, 0.38%

LAB 36.54, 56.51, 41.15

 

CMYK 0 / 75 / 87 / 33

HEX #AB2B16

RGB 171 43 22

HSL 8.46, 0.77%, 0.38%

LAB 38.63, 50.62, 42.89

 

CMYK 0 / 51 / 87 / 33

HEX #AB5316

RGB 171 83 22

HSL 24.56, 0.77%, 0.38%

LAB 45.5, 32.47, 48.59

 

CMYK 0 / 28 / 87 / 33

HEX #AB7B16

RGB 171 123 22

HSL 40.67, 0.77%, 0.38%

LAB 54.95, 10.31, 56.35

 

CMYK 0 / 4 / 87 / 33

HEX #ABA416

RGB 171 164 22

HSL 57.18, 0.77%, 0.38%

LAB 65.96, -12.01, 65.31

 

CMYK 19 / 0 / 87 / 33

HEX #8AAB16

RGB 138 171 22

HSL 73.29, 0.77%, 0.38%

LAB 65.43, -29.81, 63.83

 

CMYK 0 / 75 / 87 / 33

HEX #AB2B16

RGB 171 43 22

HSL 8.46, 0.77%, 0.38%

LAB 38.63, 50.62, 42.89

 

CMYK 0 / 83 / 97 / 27

HEX #BB2006

RGB 187 32 6

HSL 8.62, 0.94%, 0.38%

LAB 40.59, 58.55, 51.81

 

CMYK 0 / 75 / 87 / 33

HEX #AB2B16

RGB 171 43 22

HSL 8.46, 0.77%, 0.38%

LAB 38.63, 50.62, 42.89

 

CMYK 0 / 65 / 76 / 39

HEX #9B3625

RGB 155 54 37

HSL 8.64, 0.61%, 0.38%

LAB 37.37, 41.17, 32.77

 

CMYK 0 / 54 / 62 / 45

HEX #8C4135

RGB 140 65 53

HSL 8.28, 0.45%, 0.38%

LAB 37.14, 30.85, 22.37

 

CMYK 0 / 38 / 44 / 51

HEX #7C4D45

RGB 124 77 69

HSL 8.73, 0.28%, 0.38%

LAB 37.88, 18.86, 13.05

 

CMYK 0 / 19 / 21 / 58

HEX #6C5855

RGB 108 88 85

HSL 7.83, 0.12%, 0.38%

LAB 39.28, 7.67, 4.82

 

CMYK 0 / 87 / 53 / 33

HEX #AB1651

RGB 171 22 81

HSL 336.24, 0.77%, 0.38%

LAB 37.53, 59.39, 6.14

 

CMYK 0 / 87 / 75 / 33

HEX #AB162A

RGB 171 22 42

HSL 351.95, 0.77%, 0.38%

LAB 36.74, 57.11, 29.98

 

CMYK 0 / 75 / 87 / 33

HEX #AB2A16

RGB 171 42 22

HSL 8.05, 0.77%, 0.38%

LAB 38.5, 50.97, 42.79

 

CMYK 0 / 53 / 87 / 33

HEX #AB5116

RGB 171 81 22

HSL 23.76, 0.77%, 0.38%

LAB 45.08, 33.52, 48.25

 

CMYK 0 / 29 / 87 / 33

HEX #AB7916

RGB 171 121 22

HSL 39.87, 0.77%, 0.38%

LAB 54.44, 11.43, 55.93

 

CMYK 0 / 76 / 88 / 62

HEX #62180C

RGB 98 24 12

HSL 8.37, 0.78%, 0.22%

LAB 21.12, 32.58, 26.48

 

CMYK 0 / 75 / 87 / 47

HEX #862211

RGB 134 34 17

HSL 8.72, 0.77%, 0.3%

LAB 30.04, 41.49, 35.08

 

CMYK 0 / 75 / 87 / 33

HEX #AB2B16

RGB 171 43 22

HSL 8.46, 0.77%, 0.38%

LAB 38.63, 50.62, 42.89

 

CMYK 0 / 75 / 87 / 18

HEX #D0341B

RGB 208 52 27

HSL 8.29, 0.77%, 0.46%

LAB 46.9, 59.32, 50.36

 

CMYK 0 / 68 / 79 / 11

HEX #E44930

RGB 228 73 48

HSL 8.33, 0.77%, 0.54%

LAB 53.46, 58.67, 47.66

 

CMYK 0 / 75 / 87 / 33

HEX #AA2B16

RGB 170 43 22

HSL 8.51, 0.77%, 0.38%

LAB 38.43, 50.3, 42.65

 

CMYK 29 / 0 / 87 / 33

HEX #79AB16

RGB 121 171 22

HSL 80.13, 0.77%, 0.38%

LAB 64.36, -36.66, 62.51

 

CMYK 87 / 64 / 0 / 33

HEX #163EAB

RGB 22 62 171

HSL 223.89, 0.77%, 0.38%

LAB 30.77, 29.65, -61.75

 

CMYK 0 / 75 / 87 / 33

HEX #AA2B16

RGB 170 43 22

HSL 8.51, 0.77%, 0.38%

LAB 38.43, 50.3, 42.65

 

CMYK 87 / 0 / 75 / 33

HEX #16AB2A

RGB 22 171 42

HSL 128.05, 0.77%, 0.38%

LAB 61.19, -60.65, 52.7

 

CMYK 75 / 87 / 0 / 33

HEX #2A16AB

RGB 42 22 171

HSL 248.05, 0.77%, 0.38%

LAB 23.69, 53.32, -73.42

 

CMYK 0 / 75 / 87 / 33

HEX #AA2B16

RGB 170 43 22

HSL 8.51, 0.77%, 0.38%

LAB 38.43, 50.3, 42.65

 

CMYK 29 / 0 / 87 / 33

HEX #79AB16

RGB 121 171 22

HSL 80.13, 0.77%, 0.38%

LAB 64.36, -36.66, 62.51

 

CMYK 87 / 12 / 0 / 33

HEX #1697AB

RGB 22 151 171

HSL 188.05, 0.77%, 0.38%

LAB 57.31, -24.95, -19.66

 

CMYK 58 / 87 / 0 / 33

HEX #4816AB

RGB 72 22 171

HSL 260.13, 0.77%, 0.38%

LAB 26.42, 55.59, -68.8

 

CMYK 0 / 75 / 87 / 33

HEX #AA2B16

RGB 170 43 22

HSL 8.51, 0.77%, 0.38%

LAB 38.43, 50.3, 42.65

 

CMYK 55 / 0 / 87 / 33

HEX #4DAB16

RGB 77 171 22

HSL 97.85, 0.77%, 0.38%

LAB 62.31, -51.63, 59.93

 

CMYK 87 / 12 / 0 / 33

HEX #1697AB

RGB 22 151 171

HSL 188.05, 0.77%, 0.38%

LAB 57.31, -24.95, -19.66

 

CMYK 32 / 87 / 0 / 33

HEX #7416AB

RGB 116 22 171

HSL 277.85, 0.77%, 0.38%

LAB 32.32, 60.97, -58.9

 

Description

Color code: HEX #AA2B16 | qconv.com Color code: HEX #AA2B16 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 43 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 43 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 87 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 87% 33% C M Y K

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Provide designers and agencies with accurate color values.

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