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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA28E5 it is the complementary color #55D71A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA28E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA28E5 shade: #AF28E0, #C03AF3, #D14CFF, #E25EFF and #F370FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA28E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA28E5 shade: #AA28E5, #9916D2, #8804BF, #7700AC and #660099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA28E5 shade: #AA29E4, #DC29E4, #E429BA, #E42987 and #E42955

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA28E5 shade: #AA29E4, #7729E4, #4529E4 and #2929E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA28E5 shade matches the following richer shades: #AA29E4 and #B116F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA28E5 shade: #AA29E4, #A23DD1, #9B50BD, #9463AA and #8D7797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA28E5 shade: #4529E4, #7729E4, #A929E4, #DB29E4 and #E429BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA28E5 shade: #7914A7, #9419CB, #AA29E4, #B84EE9 and #C773ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA28E5 shade: #AA28E5, #E4293F and #29E45E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA28E5 shade: #AA28E5, #E4A929 and #29E4A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA28E5 shade: #AA28E5, #E4293F, #64E429 and #29E4CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA28E5 shade: #AA28E5, #E44B29, #64E429 and #29C2E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 83 / 0 / 10

HEX #AA28E5

RGB 170 40 229

HSL 281.27, 0.78%, 0.53%

LAB 46.61, 76.08, -69.08

 

Complementary color

CMYK 60 / 0 / 88 / 16

HEX #55D71A

RGB 85 215 26

HSL 101.27, 0.78%, 0.47%

LAB 76.44, -64.84, 71.44

 

CMYK 22 / 82 / 0 / 12

HEX #AF28E0

RGB 175 40 224

HSL 284.02, 0.75%, 0.52%

LAB 46.99, 75.93, -65.58

 

CMYK 21 / 76 / 0 / 5

HEX #C03AF3

RGB 192 58 243

HSL 283.46, 0.89%, 0.59%

LAB 52.62, 77.11, -67.07

 

CMYK 18 / 70 / 0 / 0

HEX #D14CFF

RGB 209 76 255

HSL 284.58, 1%, 0.65%

LAB 57.98, 76.29, -64.98

 

CMYK 11 / 63 / 0 / 0

HEX #E25EFF

RGB 226 94 255

HSL 289.19, 1%, 0.68%

LAB 62.84, 72.8, -57.07

 

CMYK 5 / 56 / 0 / 0

HEX #F370FF

RGB 243 112 255

HSL 294.97, 1%, 0.72%

LAB 67.92, 69.11, -48.88

 

CMYK 26 / 83 / 0 / 10

HEX #AA28E5

RGB 170 40 229

HSL 281.27, 0.78%, 0.53%

LAB 46.61, 76.08, -69.08

 

CMYK 27 / 90 / 0 / 18

HEX #9916D2

RGB 153 22 210

HSL 281.81, 0.81%, 0.45%

LAB 41.21, 73.98, -67.1

 

CMYK 29 / 98 / 0 / 25

HEX #8804BF

RGB 136 4 191

HSL 282.35, 0.96%, 0.38%

LAB 36.14, 70.65, -64.41

 

CMYK 31 / 100 / 0 / 33

HEX #7700AC

RGB 119 0 172

HSL 281.51, 1%, 0.34%

LAB 31.58, 65.44, -60.69

 

CMYK 33 / 100 / 0 / 40

HEX #660099

RGB 102 0 153

HSL 280, 1%, 0.3%

LAB 27.09, 59.62, -56.62

 

CMYK 25 / 82 / 0 / 11

HEX #AA29E4

RGB 170 41 228

HSL 281.39, 0.78%, 0.53%

LAB 46.62, 75.63, -68.49

 

CMYK 4 / 82 / 0 / 11

HEX #DC29E4

RGB 220 41 228

HSL 297.43, 0.78%, 0.53%

LAB 54.45, 84.03, -55.46

 

CMYK 0 / 82 / 18 / 11

HEX #E429BA

RGB 228 41 186

HSL 313.48, 0.78%, 0.53%

LAB 53.63, 79.66, -32.63

 

CMYK 0 / 82 / 41 / 11

HEX #E42987

RGB 228 41 135

HSL 329.84, 0.78%, 0.53%

LAB 51.64, 74.04, -5.5

 

CMYK 0 / 82 / 63 / 11

HEX #E42955

RGB 228 41 85

HSL 345.88, 0.78%, 0.53%

LAB 50.38, 70.31, 23.03

 

CMYK 25 / 82 / 0 / 11

HEX #AA29E4

RGB 170 41 228

HSL 281.39, 0.78%, 0.53%

LAB 46.62, 75.63, -68.49

 

CMYK 48 / 82 / 0 / 11

HEX #7729E4

RGB 119 41 228

HSL 265.03, 0.78%, 0.53%

LAB 39.76, 68.5, -79.98

 

CMYK 70 / 82 / 0 / 11

HEX #4529E4

RGB 69 41 228

HSL 248.98, 0.78%, 0.53%

LAB 34.91, 63.66, -88.16

 

CMYK 82 / 82 / 0 / 11

HEX #2929E4

RGB 41 41 228

HSL 240, 0.78%, 0.53%

LAB 33.26, 62.07, -90.95

 

CMYK 25 / 82 / 0 / 11

HEX #AA29E4

RGB 170 41 228

HSL 281.39, 0.78%, 0.53%

LAB 46.62, 75.63, -68.49

 

CMYK 29 / 91 / 0 / 3

HEX #B116F8

RGB 177 22 248

HSL 281.15, 0.94%, 0.53%

LAB 47.88, 84.28, -77.68

 

CMYK 25 / 82 / 0 / 11

HEX #AA29E4

RGB 170 41 228

HSL 281.39, 0.78%, 0.53%

LAB 46.62, 75.63, -68.49

 

CMYK 22 / 71 / 0 / 18

HEX #A23DD1

RGB 162 61 209

HSL 280.95, 0.62%, 0.53%

LAB 46.48, 63.71, -57.93

 

CMYK 18 / 58 / 0 / 26

HEX #9B50BD

RGB 155 80 189

HSL 281.28, 0.45%, 0.53%

LAB 47.47, 49.21, -44.83

 

CMYK 13 / 42 / 0 / 33

HEX #9463AA

RGB 148 99 170

HSL 281.41, 0.29%, 0.53%

LAB 49.64, 32.78, -30.38

 

CMYK 7 / 21 / 0 / 41

HEX #8D7797

RGB 141 119 151

HSL 281.25, 0.13%, 0.53%

LAB 53.05, 14.71, -14.1

 

CMYK 70 / 82 / 0 / 11

HEX #4529E4

RGB 69 41 228

HSL 248.98, 0.78%, 0.53%

LAB 34.91, 63.66, -88.16

 

CMYK 48 / 82 / 0 / 11

HEX #7729E4

RGB 119 41 228

HSL 265.03, 0.78%, 0.53%

LAB 39.76, 68.5, -79.98

 

CMYK 26 / 82 / 0 / 11

HEX #A929E4

RGB 169 41 228

HSL 281.07, 0.78%, 0.53%

LAB 46.48, 75.47, -68.73

 

CMYK 4 / 82 / 0 / 11

HEX #DB29E4

RGB 219 41 228

HSL 297.11, 0.78%, 0.53%

LAB 54.29, 83.85, -55.74

 

CMYK 0 / 82 / 18 / 11

HEX #E429BC

RGB 228 41 188

HSL 312.83, 0.78%, 0.53%

LAB 53.72, 79.92, -33.64

 

CMYK 28 / 88 / 0 / 35

HEX #7914A7

RGB 121 20 167

HSL 281.22, 0.79%, 0.37%

LAB 32.6, 61.37, -56

 

CMYK 27 / 88 / 0 / 20

HEX #9419CB

RGB 148 25 203

HSL 281.46, 0.78%, 0.45%

LAB 40.09, 71.35, -64.91

 

CMYK 25 / 82 / 0 / 11

HEX #AA29E4

RGB 170 41 228

HSL 281.39, 0.78%, 0.53%

LAB 46.62, 75.63, -68.49

 

CMYK 21 / 67 / 0 / 9

HEX #B84EE9

RGB 184 78 233

HSL 281.03, 0.78%, 0.61%

LAB 53.52, 66.1, -60.07

 

CMYK 16 / 51 / 0 / 7

HEX #C773ED

RGB 199 115 237

HSL 281.31, 0.77%, 0.69%

LAB 62.1, 52.98, -48.52

 

CMYK 26 / 83 / 0 / 10

HEX #AA28E5

RGB 170 40 229

HSL 281.27, 0.78%, 0.53%

LAB 46.61, 76.08, -69.08

 

CMYK 0 / 82 / 72 / 11

HEX #E4293F

RGB 228 41 63

HSL 352.94, 0.78%, 0.53%

LAB 50.02, 69.25, 35.72

 

CMYK 82 / 0 / 59 / 11

HEX #29E45E

RGB 41 228 94

HSL 137.01, 0.78%, 0.53%

LAB 80.05, -71.02, 52.04

 

CMYK 26 / 83 / 0 / 10

HEX #AA28E5

RGB 170 40 229

HSL 281.27, 0.78%, 0.53%

LAB 46.61, 76.08, -69.08

 

CMYK 0 / 26 / 82 / 11

HEX #E4A929

RGB 228 169 41

HSL 41.07, 0.78%, 0.53%

LAB 72.91, 10.98, 68.38

 

CMYK 82 / 0 / 26 / 11

HEX #29E4A9

RGB 41 228 169

HSL 161.07, 0.78%, 0.53%

LAB 81.19, -57.78, 16.42

 

CMYK 26 / 83 / 0 / 10

HEX #AA28E5

RGB 170 40 229

HSL 281.27, 0.78%, 0.53%

LAB 46.61, 76.08, -69.08

 

CMYK 0 / 82 / 72 / 11

HEX #E4293F

RGB 228 41 63

HSL 352.94, 0.78%, 0.53%

LAB 50.02, 69.25, 35.72

 

CMYK 56 / 0 / 82 / 11

HEX #64E429

RGB 100 228 41

HSL 101.07, 0.78%, 0.53%

LAB 80.94, -65, 72.32

 

CMYK 82 / 0 / 10 / 11

HEX #29E4CE

RGB 41 228 206

HSL 172.94, 0.78%, 0.53%

LAB 82.06, -48.62, -1.84

 

CMYK 26 / 83 / 0 / 10

HEX #AA28E5

RGB 170 40 229

HSL 281.27, 0.78%, 0.53%

LAB 46.61, 76.08, -69.08

 

CMYK 0 / 67 / 82 / 11

HEX #E44B29

RGB 228 75 41

HSL 10.91, 0.78%, 0.53%

LAB 53.69, 57.68, 51.3

 

CMYK 56 / 0 / 82 / 11

HEX #64E429

RGB 100 228 41

HSL 101.07, 0.78%, 0.53%

LAB 80.94, -65, 72.32

 

CMYK 82 / 15 / 0 / 11

HEX #29C2E4

RGB 41 194 228

HSL 190.91, 0.78%, 0.53%

LAB 72.67, -26.51, -27.76

 

Description

Color code: HEX #AA28E5 | qconv.com Color code: HEX #AA28E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 40 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 40 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 83 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 83% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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