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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA106F it is the complementary color #55EF90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA106F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA106F shade: #AF106A, #C0227D, #D13490, #E246A3 and #F358B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA106F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA106F shade: #AA106F, #99005C, #880049, #770036 and #660023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA106F shade: #A70F6D, #A70F44, #A70F1B and #A70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA106F shade: #A70F6D, #A70F96, #900FA7, #670FA7 and #3E0FA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA106F shade matches the following richer shades: #A70F6D and #B60071

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA106F shade: #A70F6D, #991E6A, #8A2D66, #7B3C63 and #6C4B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA106F shade: #8E0FA7, #A70F98, #A70F70, #A70F47 and #A70F1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA106F shade: #5C083C, #820C54, #A70F6D, #CD1386 and #EA1F9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA106F shade: #AA106F, #A7650F and #0FA7A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA106F shade: #AA106F, #70A70F and #0F70A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA106F shade: #AA106F, #A7650F, #0FA747 and #0F51A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA106F shade: #AA106F, #A7930F, #0FA747 and #0F23A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 35 / 33

HEX #AA106F

RGB 170 16 111

HSL 322.99, 0.83%, 0.36%

LAB 37.96, 62.98, -12.39

 

Complementary color

CMYK 64 / 0 / 40 / 6

HEX #55EF90

RGB 85 239 144

HSL 142.99, 0.83%, 0.64%

LAB 84.83, -61.03, 34.32

 

CMYK 0 / 91 / 39 / 31

HEX #AF106A

RGB 175 16 106

HSL 326.04, 0.83%, 0.37%

LAB 38.77, 63.61, -7.91

 

CMYK 0 / 82 / 35 / 25

HEX #C0227D

RGB 192 34 125

HSL 325.44, 0.7%, 0.44%

LAB 43.99, 66.05, -11.57

 

CMYK 0 / 75 / 31 / 18

HEX #D13490

RGB 209 52 144

HSL 324.84, 0.63%, 0.51%

LAB 49.53, 67.4, -14.43

 

CMYK 0 / 69 / 28 / 11

HEX #E246A3

RGB 226 70 163

HSL 324.23, 0.73%, 0.58%

LAB 55.27, 68.01, -16.7

 

CMYK 0 / 64 / 25 / 5

HEX #F358B6

RGB 243 88 182

HSL 323.61, 0.87%, 0.65%

LAB 61.14, 68.12, -18.53

 

CMYK 0 / 91 / 35 / 33

HEX #AA106F

RGB 170 16 111

HSL 322.99, 0.83%, 0.36%

LAB 37.96, 62.98, -12.39

 

CMYK 0 / 100 / 40 / 40

HEX #99005C

RGB 153 0 92

HSL 323.92, 1%, 0.3%

LAB 33.02, 59.33, -8.03

 

CMYK 0 / 100 / 46 / 47

HEX #880049

RGB 136 0 73

HSL 327.79, 1%, 0.27%

LAB 28.68, 53.67, -2.34

 

CMYK 0 / 100 / 55 / 53

HEX #770036

RGB 119 0 54

HSL 332.77, 1%, 0.23%

LAB 24.28, 47.95, 3.74

 

CMYK 0 / 100 / 66 / 60

HEX #660023

RGB 102 0 35

HSL 339.41, 1%, 0.2%

LAB 19.83, 42.23, 10.32

 

CMYK 0 / 91 / 35 / 35

HEX #A70F6D

RGB 167 15 109

HSL 322.89, 0.84%, 0.36%

LAB 37.23, 62.24, -12.29

 

CMYK 0 / 91 / 59 / 35

HEX #A70F44

RGB 167 15 68

HSL 339.08, 0.84%, 0.36%

LAB 35.94, 58.68, 12.2

 

CMYK 0 / 91 / 84 / 35

HEX #A70F1B

RGB 167 15 27

HSL 355.26, 0.84%, 0.36%

LAB 35.27, 56.81, 37.04

 

CMYK 0 / 91 / 91 / 35

HEX #A70F0F

RGB 167 15 15

HSL 0, 0.84%, 0.36%

LAB 35.19, 56.56, 43.05

 

CMYK 0 / 91 / 35 / 35

HEX #A70F6D

RGB 167 15 109

HSL 322.89, 0.84%, 0.36%

LAB 37.23, 62.24, -12.29

 

CMYK 0 / 91 / 10 / 35

HEX #A70F96

RGB 167 15 150

HSL 306.71, 0.84%, 0.36%

LAB 39.17, 67.37, -34.72

 

CMYK 14 / 91 / 0 / 35

HEX #900FA7

RGB 144 15 167

HSL 290.92, 0.84%, 0.36%

LAB 36.1, 65.96, -50.14

 

CMYK 38 / 91 / 0 / 35

HEX #670FA7

RGB 103 15 167

HSL 274.74, 0.84%, 0.36%

LAB 29.45, 59.97, -61.26

 

CMYK 63 / 91 / 0 / 35

HEX #3E0FA7

RGB 62 15 167

HSL 258.55, 0.84%, 0.36%

LAB 24.18, 55.82, -70.14

 

CMYK 0 / 91 / 35 / 35

HEX #A70F6D

RGB 167 15 109

HSL 322.89, 0.84%, 0.36%

LAB 37.23, 62.24, -12.29

 

CMYK 0 / 100 / 38 / 29

HEX #B60071

RGB 182 0 113

HSL 322.75, 1%, 0.36%

LAB 39.81, 67.69, -10.61

 

CMYK 0 / 91 / 35 / 35

HEX #A70F6D

RGB 167 15 109

HSL 322.89, 0.84%, 0.36%

LAB 37.23, 62.24, -12.29

 

CMYK 0 / 80 / 31 / 40

HEX #991E6A

RGB 153 30 106

HSL 322.93, 0.67%, 0.36%

LAB 35.48, 55.33, -13.3

 

CMYK 0 / 67 / 26 / 46

HEX #8A2D66

RGB 138 45 102

HSL 323.23, 0.51%, 0.36%

LAB 34.48, 45.34, -12.53

 

CMYK 0 / 51 / 20 / 52

HEX #7B3C63

RGB 123 60 99

HSL 322.86, 0.34%, 0.36%

LAB 34.69, 32.6, -10.53

 

CMYK 0 / 31 / 12 / 58

HEX #6C4B5F

RGB 108 75 95

HSL 323.64, 0.18%, 0.36%

LAB 36.07, 17.47, -6.12

 

CMYK 15 / 91 / 0 / 35

HEX #8E0FA7

RGB 142 15 167

HSL 290.13, 0.84%, 0.36%

LAB 35.76, 65.63, -50.72

 

CMYK 0 / 91 / 9 / 35

HEX #A70F98

RGB 167 15 152

HSL 305.92, 0.84%, 0.36%

LAB 39.28, 67.66, -35.76

 

CMYK 0 / 91 / 33 / 35

HEX #A70F70

RGB 167 15 112

HSL 321.71, 0.84%, 0.36%

LAB 37.35, 62.57, -14.01

 

CMYK 0 / 91 / 57 / 35

HEX #A70F47

RGB 167 15 71

HSL 337.89, 0.84%, 0.36%

LAB 36.01, 58.89, 10.35

 

CMYK 0 / 91 / 82 / 35

HEX #A70F1E

RGB 167 15 30

HSL 354.08, 0.84%, 0.36%

LAB 35.3, 56.89, 35.36

 

CMYK 0 / 91 / 35 / 64

HEX #5C083C

RGB 92 8 60

HSL 322.86, 0.84%, 0.2%

LAB 19.12, 39.83, -8.75

 

CMYK 0 / 91 / 35 / 49

HEX #820C54

RGB 130 12 84

HSL 323.39, 0.83%, 0.28%

LAB 28.51, 51.35, -10.06

 

CMYK 0 / 91 / 35 / 35

HEX #A70F6D

RGB 167 15 109

HSL 322.89, 0.84%, 0.36%

LAB 37.23, 62.24, -12.29

 

CMYK 0 / 91 / 35 / 20

HEX #CD1386

RGB 205 19 134

HSL 322.9, 0.83%, 0.44%

LAB 45.86, 72.7, -14.01

 

CMYK 0 / 87 / 33 / 8

HEX #EA1F9C

RGB 234 31 156

HSL 323.05, 0.83%, 0.52%

LAB 52.81, 79.41, -16.18

 

CMYK 0 / 91 / 35 / 33

HEX #AA106F

RGB 170 16 111

HSL 322.99, 0.83%, 0.36%

LAB 37.96, 62.98, -12.39

 

CMYK 0 / 40 / 91 / 35

HEX #A7650F

RGB 167 101 15

HSL 33.95, 0.84%, 0.36%

LAB 48.95, 20.73, 53.3

 

CMYK 91 / 0 / 3 / 35

HEX #0FA7A2

RGB 15 167 162

HSL 178.03, 0.84%, 0.36%

LAB 61.95, -35.97, -7.58

 

CMYK 0 / 91 / 35 / 33

HEX #AA106F

RGB 170 16 111

HSL 322.99, 0.83%, 0.36%

LAB 37.96, 62.98, -12.39

 

CMYK 33 / 0 / 91 / 35

HEX #70A70F

RGB 112 167 15

HSL 81.71, 0.84%, 0.36%

LAB 62.61, -38.54, 62.17

 

CMYK 91 / 33 / 0 / 35

HEX #0F70A7

RGB 15 112 167

HSL 201.71, 0.84%, 0.36%

LAB 44.91, -5.17, -36.61

 

CMYK 0 / 91 / 35 / 33

HEX #AA106F

RGB 170 16 111

HSL 322.99, 0.83%, 0.36%

LAB 37.96, 62.98, -12.39

 

CMYK 0 / 40 / 91 / 35

HEX #A7650F

RGB 167 101 15

HSL 33.95, 0.84%, 0.36%

LAB 48.95, 20.73, 53.3

 

CMYK 91 / 0 / 57 / 35

HEX #0FA747

RGB 15 167 71

HSL 142.11, 0.84%, 0.36%

LAB 60.06, -56.74, 39.13

 

CMYK 91 / 51 / 0 / 35

HEX #0F51A7

RGB 15 81 167

HSL 213.95, 0.84%, 0.36%

LAB 35.55, 14.74, -51.59

 

CMYK 0 / 91 / 35 / 33

HEX #AA106F

RGB 170 16 111

HSL 322.99, 0.83%, 0.36%

LAB 37.96, 62.98, -12.39

 

CMYK 0 / 12 / 91 / 35

HEX #A7930F

RGB 167 147 15

HSL 52.11, 0.84%, 0.36%

LAB 60.89, -4.94, 62.51

 

CMYK 91 / 0 / 57 / 35

HEX #0FA747

RGB 15 167 71

HSL 142.11, 0.84%, 0.36%

LAB 60.06, -56.74, 39.13

 

CMYK 91 / 79 / 0 / 35

HEX #0F23A7

RGB 15 35 167

HSL 232.11, 0.84%, 0.36%

LAB 23.98, 44.71, -70.56

 

Description

Color code: HEX #AA106F | qconv.com Color code: HEX #AA106F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 16 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 16 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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