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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA0387 it is the complementary color #55FC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA0387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA0387 shade: #AF0382, #C01595, #D127A8, #E239BB and #F34BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA0387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA0387 shade: #AA0387, #990074, #880061, #77004E and #66003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA0387 shade: #AA0287, #AA025A, #AA022C and #AA0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA0387 shade: #AA0287, #A002AA, #7302AA, #4502AA and #1802AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA0387 shade matches the following richer shades: #AA0287

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA0387 shade: #AA0287, #9C107F, #8E1E77, #802C6F and #723A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA0387 shade: #7202AA, #9F02AA, #AA0289, #AA025C and #AA022F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA0387 shade: #590147, #820167, #AA0287, #D303A7 and #FB04C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA0387 shade: #AA0387, #AA4502 and #02AA89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA0387 shade: #AA0387, #89AA02 and #0289AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA0387 shade: #AA0387, #AA4502, #02AA24 and #0267AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA0387 shade: #AA0387, #AA7802, #02AA24 and #0235AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 21 / 33

HEX #AA0387

RGB 170 3 135

HSL 312.57, 0.97%, 0.34%

LAB 38.48, 67.36, -26.57

 

Complementary color

CMYK 66 / 0 / 52 / 1

HEX #55FC78

RGB 85 252 120

HSL 132.57, 0.97%, 0.66%

LAB 88.4, -69.34, 50.4

 

CMYK 0 / 98 / 26 / 31

HEX #AF0382

RGB 175 3 130

HSL 315.7, 0.97%, 0.35%

LAB 39.23, 67.74, -22.24

 

CMYK 0 / 89 / 22 / 25

HEX #C01595

RGB 192 21 149

HSL 315.09, 0.8%, 0.42%

LAB 44.11, 71.34, -26.03

 

CMYK 0 / 81 / 20 / 18

HEX #D127A8

RGB 209 39 168

HSL 314.47, 0.69%, 0.49%

LAB 49.29, 73.8, -29.09

 

CMYK 0 / 75 / 17 / 11

HEX #E239BB

RGB 226 57 187

HSL 313.85, 0.74%, 0.55%

LAB 54.74, 75.29, -31.49

 

CMYK 0 / 69 / 15 / 5

HEX #F34BCE

RGB 243 75 206

HSL 313.21, 0.88%, 0.62%

LAB 60.38, 76.08, -33.4

 

CMYK 0 / 98 / 21 / 33

HEX #AA0387

RGB 170 3 135

HSL 312.57, 0.97%, 0.34%

LAB 38.48, 67.36, -26.57

 

CMYK 0 / 100 / 24 / 40

HEX #990074

RGB 153 0 116

HSL 314.51, 1%, 0.3%

LAB 34.05, 61.99, -21.85

 

CMYK 0 / 100 / 29 / 47

HEX #880061

RGB 136 0 97

HSL 317.21, 1%, 0.27%

LAB 29.66, 56.19, -16.74

 

CMYK 0 / 100 / 34 / 53

HEX #77004E

RGB 119 0 78

HSL 320.67, 1%, 0.23%

LAB 25.17, 50.28, -11.35

 

CMYK 0 / 100 / 42 / 60

HEX #66003B

RGB 102 0 59

HSL 325.29, 1%, 0.2%

LAB 20.6, 44.27, -5.6

 

CMYK 0 / 99 / 21 / 33

HEX #AA0287

RGB 170 2 135

HSL 312.5, 0.98%, 0.34%

LAB 38.44, 67.47, -26.63

 

CMYK 0 / 99 / 47 / 33

HEX #AA025A

RGB 170 2 90

HSL 328.57, 0.98%, 0.34%

LAB 36.61, 62.72, -1.02

 

CMYK 0 / 99 / 74 / 33

HEX #AA022C

RGB 170 2 44

HSL 345, 0.98%, 0.34%

LAB 35.54, 59.85, 27.29

 

CMYK 0 / 99 / 99 / 33

HEX #AA0202

RGB 170 2 2

HSL 0, 0.98%, 0.34%

LAB 35.19, 58.9, 48.65

 

CMYK 0 / 99 / 21 / 33

HEX #AA0287

RGB 170 2 135

HSL 312.5, 0.98%, 0.34%

LAB 38.44, 67.47, -26.63

 

CMYK 6 / 99 / 0 / 33

HEX #A002AA

RGB 160 2 170

HSL 296.43, 0.98%, 0.34%

LAB 38.58, 70.66, -47.8

 

CMYK 32 / 99 / 0 / 33

HEX #7302AA

RGB 115 2 170

HSL 280.36, 0.98%, 0.34%

LAB 30.86, 64.26, -60.7

 

CMYK 59 / 99 / 0 / 33

HEX #4502AA

RGB 69 2 170

HSL 263.93, 0.98%, 0.34%

LAB 24.36, 59.96, -71.64

 

CMYK 86 / 99 / 0 / 33

HEX #1802AA

RGB 24 2 170

HSL 247.86, 0.98%, 0.34%

LAB 20.6, 58.18, -78

 

CMYK 0 / 99 / 21 / 33

HEX #AA0287

RGB 170 2 135

HSL 312.5, 0.98%, 0.34%

LAB 38.44, 67.47, -26.63

 

CMYK 0 / 99 / 21 / 33

HEX #AA0287

RGB 170 2 135

HSL 312.5, 0.98%, 0.34%

LAB 38.44, 67.47, -26.63

 

CMYK 0 / 90 / 19 / 39

HEX #9C107F

RGB 156 16 127

HSL 312.43, 0.81%, 0.34%

LAB 35.93, 61.84, -25.79

 

CMYK 0 / 79 / 16 / 44

HEX #8E1E77

RGB 142 30 119

HSL 312.32, 0.65%, 0.34%

LAB 34.01, 54.35, -23.98

 

CMYK 0 / 66 / 13 / 50

HEX #802C6F

RGB 128 44 111

HSL 312.14, 0.49%, 0.34%

LAB 33, 44.21, -20.67

 

CMYK 0 / 49 / 11 / 55

HEX #723A66

RGB 114 58 102

HSL 312.86, 0.33%, 0.34%

LAB 33.06, 31.11, -15.05

 

CMYK 33 / 99 / 0 / 33

HEX #7202AA

RGB 114 2 170

HSL 280, 0.98%, 0.34%

LAB 30.7, 64.14, -60.97

 

CMYK 6 / 99 / 0 / 33

HEX #9F02AA

RGB 159 2 170

HSL 296.07, 0.98%, 0.34%

LAB 38.4, 70.5, -48.09

 

CMYK 0 / 99 / 19 / 33

HEX #AA0289

RGB 170 2 137

HSL 311.79, 0.98%, 0.34%

LAB 38.54, 67.72, -27.71

 

CMYK 0 / 99 / 46 / 33

HEX #AA025C

RGB 170 2 92

HSL 327.86, 0.98%, 0.34%

LAB 36.67, 62.89, -2.21

 

CMYK 0 / 99 / 72 / 33

HEX #AA022F

RGB 170 2 47

HSL 343.93, 0.98%, 0.34%

LAB 35.59, 59.98, 25.44

 

CMYK 0 / 99 / 20 / 65

HEX #590147

RGB 89 1 71

HSL 312.27, 0.98%, 0.18%

LAB 18.37, 42.5, -17.63

 

CMYK 0 / 99 / 21 / 49

HEX #820167

RGB 130 1 103

HSL 312.56, 0.98%, 0.26%

LAB 28.76, 55.53, -22.12

 

CMYK 0 / 99 / 21 / 33

HEX #AA0287

RGB 170 2 135

HSL 312.5, 0.98%, 0.34%

LAB 38.44, 67.47, -26.63

 

CMYK 0 / 99 / 21 / 17

HEX #D303A7

RGB 211 3 167

HSL 312.69, 0.97%, 0.42%

LAB 47.88, 79.12, -30.66

 

CMYK 0 / 98 / 21 / 2

HEX #FB04C7

RGB 251 4 199

HSL 312.63, 0.97%, 0.5%

LAB 56.8, 90.19, -34.88

 

CMYK 0 / 98 / 21 / 33

HEX #AA0387

RGB 170 3 135

HSL 312.57, 0.97%, 0.34%

LAB 38.48, 67.36, -26.57

 

CMYK 0 / 59 / 99 / 33

HEX #AA4502

RGB 170 69 2

HSL 23.93, 0.98%, 0.34%

LAB 42.47, 38.86, 52.41

 

CMYK 99 / 0 / 19 / 33

HEX #02AA89

RGB 2 170 137

HSL 168.21, 0.98%, 0.34%

LAB 62.14, -44.9, 6.69

 

CMYK 0 / 98 / 21 / 33

HEX #AA0387

RGB 170 3 135

HSL 312.57, 0.97%, 0.34%

LAB 38.48, 67.36, -26.57

 

CMYK 19 / 0 / 99 / 33

HEX #89AA02

RGB 137 170 2

HSL 71.79, 0.98%, 0.34%

LAB 65.02, -30.14, 66.52

 

CMYK 99 / 19 / 0 / 33

HEX #0289AA

RGB 2 137 170

HSL 191.79, 0.98%, 0.34%

LAB 52.74, -18.91, -26.14

 

CMYK 0 / 98 / 21 / 33

HEX #AA0387

RGB 170 3 135

HSL 312.57, 0.97%, 0.34%

LAB 38.48, 67.36, -26.57

 

CMYK 0 / 59 / 99 / 33

HEX #AA4502

RGB 170 69 2

HSL 23.93, 0.98%, 0.34%

LAB 42.47, 38.86, 52.41

 

CMYK 99 / 0 / 79 / 33

HEX #02AA24

RGB 2 170 36

HSL 132.14, 0.98%, 0.34%

LAB 60.68, -62.04, 54.17

 

CMYK 99 / 39 / 0 / 33

HEX #0267AA

RGB 2 103 170

HSL 203.93, 0.98%, 0.34%

LAB 42.18, 0.97, -42.72

 

CMYK 0 / 98 / 21 / 33

HEX #AA0387

RGB 170 3 135

HSL 312.57, 0.97%, 0.34%

LAB 38.48, 67.36, -26.57

 

CMYK 0 / 29 / 99 / 33

HEX #AA7802

RGB 170 120 2

HSL 42.14, 0.98%, 0.34%

LAB 54.01, 11.18, 59.82

 

CMYK 99 / 0 / 79 / 33

HEX #02AA24

RGB 2 170 36

HSL 132.14, 0.98%, 0.34%

LAB 60.68, -62.04, 54.17

 

CMYK 99 / 69 / 0 / 33

HEX #0235AA

RGB 2 53 170

HSL 221.79, 0.98%, 0.34%

LAB 28.01, 34.37, -65.71

 

Description

Color code: HEX #AA0387 | qconv.com Color code: HEX #AA0387 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 3 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 3 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 21 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 21% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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