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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA088A it is the complementary color #55F775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA088A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA088A shade: #AF0885, #C01A98, #D12CAB, #E23EBE and #F350D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA088A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA088A shade: #AA088A, #990077, #880064, #770051 and #66003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA088A shade: #AA088A, #AA085E, #AA0832 and #AA0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA088A shade: #AA088A, #9E08AA, #7208AA, #4708AA and #1B08AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA088A shade matches the following richer shades: #AA088A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA088A shade: #AA088A, #9C1681, #8D2478, #7F3370 and #704167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA088A shade: #7108AA, #9C08AA, #AA088C, #AA0861 and #AA0836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA088A shade: #5B044A, #83066A, #AA088A, #D109AA and #F311C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA088A shade: #AA088A, #AA4608 and #08AA87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA088A shade: #AA088A, #8CAA08 and #088CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA088A shade: #AA088A, #AA4608, #08AA25 and #086CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA088A shade: #AA088A, #AA7708, #08AA25 and #083BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

Complementary color

CMYK 66 / 0 / 53 / 3

HEX #55F775

RGB 85 247 117

HSL 131.85, 0.91%, 0.65%

LAB 86.87, -68.02, 49.92

 

CMYK 0 / 95 / 24 / 31

HEX #AF0885

RGB 175 8 133

HSL 315.09, 0.91%, 0.36%

LAB 39.55, 67.56, -23.6

 

CMYK 0 / 86 / 21 / 25

HEX #C01A98

RGB 192 26 152

HSL 314.46, 0.76%, 0.43%

LAB 44.54, 70.87, -27.18

 

CMYK 0 / 79 / 18 / 18

HEX #D12CAB

RGB 209 44 171

HSL 313.82, 0.65%, 0.5%

LAB 49.85, 72.97, -29.98

 

CMYK 0 / 73 / 16 / 11

HEX #E23EBE

RGB 226 62 190

HSL 313.17, 0.74%, 0.56%

LAB 55.41, 74.17, -32.18

 

CMYK 0 / 67 / 14 / 5

HEX #F350D1

RGB 243 80 209

HSL 312.52, 0.87%, 0.63%

LAB 61.13, 74.75, -33.93

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 100 / 22 / 40

HEX #990077

RGB 153 0 119

HSL 313.33, 1%, 0.3%

LAB 34.2, 62.36, -23.52

 

CMYK 0 / 100 / 26 / 47

HEX #880064

RGB 136 0 100

HSL 315.88, 1%, 0.27%

LAB 29.8, 56.55, -18.47

 

CMYK 0 / 100 / 32 / 53

HEX #770051

RGB 119 0 81

HSL 319.16, 1%, 0.23%

LAB 25.31, 50.62, -13.16

 

CMYK 0 / 100 / 39 / 60

HEX #66003E

RGB 102 0 62

HSL 323.53, 1%, 0.2%

LAB 20.72, 44.59, -7.51

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 95 / 45 / 33

HEX #AA085E

RGB 170 8 94

HSL 328.15, 0.91%, 0.35%

LAB 36.98, 62.36, -3.04

 

CMYK 0 / 95 / 71 / 33

HEX #AA0832

RGB 170 8 50

HSL 344.44, 0.91%, 0.35%

LAB 35.89, 59.38, 23.89

 

CMYK 0 / 95 / 95 / 33

HEX #AA0808

RGB 170 8 8

HSL 0, 0.91%, 0.35%

LAB 35.47, 58.22, 46.37

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 7 / 95 / 0 / 33

HEX #9E08AA

RGB 158 8 170

HSL 295.56, 0.91%, 0.35%

LAB 38.45, 69.66, -48.02

 

CMYK 33 / 95 / 0 / 33

HEX #7208AA

RGB 114 8 170

HSL 279.26, 0.91%, 0.35%

LAB 31, 63.21, -60.46

 

CMYK 58 / 95 / 0 / 33

HEX #4708AA

RGB 71 8 170

HSL 263.33, 0.91%, 0.35%

LAB 25, 58.85, -70.56

 

CMYK 84 / 95 / 0 / 33

HEX #1B08AA

RGB 27 8 170

HSL 247.04, 0.91%, 0.35%

LAB 21.24, 56.71, -76.92

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 86 / 17 / 39

HEX #9C1681

RGB 156 22 129

HSL 312.09, 0.75%, 0.35%

LAB 36.42, 60.98, -26.28

 

CMYK 0 / 74 / 15 / 45

HEX #8D2478

RGB 141 36 120

HSL 312, 0.59%, 0.35%

LAB 34.56, 52.3, -23.75

 

CMYK 0 / 60 / 12 / 50

HEX #7F3370

RGB 127 51 112

HSL 311.84, 0.43%, 0.35%

LAB 34.09, 40.81, -19.63

 

CMYK 0 / 42 / 8 / 56

HEX #704167

RGB 112 65 103

HSL 311.49, 0.27%, 0.35%

LAB 34.41, 26.55, -13.64

 

CMYK 34 / 95 / 0 / 33

HEX #7108AA

RGB 113 8 170

HSL 278.89, 0.91%, 0.35%

LAB 30.85, 63.09, -60.72

 

CMYK 8 / 95 / 0 / 33

HEX #9C08AA

RGB 156 8 170

HSL 294.81, 0.91%, 0.35%

LAB 38.1, 69.34, -48.61

 

CMYK 0 / 95 / 18 / 33

HEX #AA088C

RGB 170 8 140

HSL 311.11, 0.91%, 0.35%

LAB 38.92, 67.44, -28.96

 

CMYK 0 / 95 / 43 / 33

HEX #AA0861

RGB 170 8 97

HSL 327.04, 0.91%, 0.35%

LAB 37.08, 62.63, -4.81

 

CMYK 0 / 95 / 68 / 33

HEX #AA0836

RGB 170 8 54

HSL 342.96, 0.91%, 0.35%

LAB 35.96, 59.57, 21.41

 

CMYK 0 / 96 / 19 / 64

HEX #5B044A

RGB 91 4 74

HSL 311.72, 0.92%, 0.19%

LAB 19.25, 42.56, -18.29

 

CMYK 0 / 95 / 19 / 49

HEX #83066A

RGB 131 6 106

HSL 312, 0.91%, 0.27%

LAB 29.4, 55.32, -23.05

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 96 / 19 / 18

HEX #D109AA

RGB 209 9 170

HSL 311.7, 0.92%, 0.43%

LAB 47.82, 78.62, -32.57

 

CMYK 0 / 93 / 18 / 5

HEX #F311C7

RGB 243 17 199

HSL 311.68, 0.9%, 0.51%

LAB 55.66, 87.81, -36.76

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 59 / 95 / 33

HEX #AA4608

RGB 170 70 8

HSL 22.96, 0.91%, 0.35%

LAB 42.68, 38.46, 50.83

 

CMYK 95 / 0 / 21 / 33

HEX #08AA87

RGB 8 170 135

HSL 167.04, 0.91%, 0.35%

LAB 62.13, -45.18, 7.78

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 18 / 0 / 95 / 33

HEX #8CAA08

RGB 140 170 8

HSL 71.11, 0.91%, 0.35%

LAB 65.23, -28.79, 66

 

CMYK 95 / 18 / 0 / 33

HEX #088CAA

RGB 8 140 170

HSL 191.11, 0.91%, 0.35%

LAB 53.72, -20.27, -24.62

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 59 / 95 / 33

HEX #AA4608

RGB 170 70 8

HSL 22.96, 0.91%, 0.35%

LAB 42.68, 38.46, 50.83

 

CMYK 95 / 0 / 78 / 33

HEX #08AA25

RGB 8 170 37

HSL 130.74, 0.91%, 0.35%

LAB 60.72, -61.66, 53.9

 

CMYK 95 / 36 / 0 / 33

HEX #086CAA

RGB 8 108 170

HSL 202.96, 0.91%, 0.35%

LAB 43.77, -1.88, -40.19

 

CMYK 0 / 95 / 19 / 33

HEX #AA088A

RGB 170 8 138

HSL 311.85, 0.91%, 0.35%

LAB 38.82, 67.18, -27.89

 

CMYK 0 / 30 / 95 / 33

HEX #AA7708

RGB 170 119 8

HSL 41.11, 0.91%, 0.35%

LAB 53.77, 11.83, 58.53

 

CMYK 95 / 0 / 78 / 33

HEX #08AA25

RGB 8 170 37

HSL 130.74, 0.91%, 0.35%

LAB 60.72, -61.66, 53.9

 

CMYK 95 / 65 / 0 / 33

HEX #083BAA

RGB 8 59 170

HSL 221.11, 0.91%, 0.35%

LAB 29.62, 30.59, -63.06

 

Description

Color code: HEX #AA088A | qconv.com Color code: HEX #AA088A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 8 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 8 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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