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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA0879 it is the complementary color #55F786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA0879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA0879 shade: #AF0874, #C01A87, #D12C9A, #E23EAD and #F350C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA0879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA0879 shade: #AA0879, #990066, #880053, #770040 and #66002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA0879 shade: #AA0879, #AA084D, #AA0821 and #AA0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA0879 shade: #AA0879, #AA08A5, #8308AA, #5808AA and #2C08AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA0879 shade matches the following richer shades: #AA0879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA0879 shade: #AA0879, #9C1673, #8D246D, #7F3368 and #704162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA0879 shade: #8408AA, #AA08A5, #AA0879, #AA084E and #AA0823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA0879 shade: #5B0441, #83065D, #AA0879, #D10995 and #F311AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA0879 shade: #AA0879, #AA5908 and #08AA9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA0879 shade: #AA0879, #79AA08 and #0879AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA0879 shade: #AA0879, #AA5908, #08AA38 and #0859AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA0879 shade: #AA0879, #AA8908, #08AA38 and #0828AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

Complementary color

CMYK 66 / 0 / 46 / 3

HEX #55F786

RGB 85 247 134

HSL 138.15, 0.91%, 0.65%

LAB 87.08, -65.58, 42.15

 

CMYK 0 / 95 / 34 / 31

HEX #AF0874

RGB 175 8 116

HSL 321.2, 0.91%, 0.36%

LAB 38.81, 65.63, -14.15

 

CMYK 0 / 86 / 30 / 25

HEX #C01A87

RGB 192 26 135

HSL 320.6, 0.76%, 0.43%

LAB 43.79, 68.84, -18.01

 

CMYK 0 / 79 / 26 / 18

HEX #D12C9A

RGB 209 44 154

HSL 320, 0.65%, 0.5%

LAB 49.12, 70.84, -21.04

 

CMYK 0 / 73 / 23 / 11

HEX #E23EAD

RGB 226 62 173

HSL 319.39, 0.74%, 0.56%

LAB 54.69, 71.95, -23.43

 

CMYK 0 / 67 / 21 / 5

HEX #F350C0

RGB 243 80 192

HSL 318.77, 0.87%, 0.63%

LAB 60.42, 72.44, -25.35

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 100 / 33 / 40

HEX #990066

RGB 153 0 102

HSL 320, 1%, 0.3%

LAB 33.42, 60.37, -13.89

 

CMYK 0 / 100 / 39 / 47

HEX #880053

RGB 136 0 83

HSL 323.38, 1%, 0.27%

LAB 29.05, 54.63, -8.45

 

CMYK 0 / 100 / 46 / 53

HEX #770040

RGB 119 0 64

HSL 327.73, 1%, 0.23%

LAB 24.61, 48.82, -2.67

 

CMYK 0 / 100 / 56 / 60

HEX #66002D

RGB 102 0 45

HSL 333.53, 1%, 0.2%

LAB 20.1, 42.96, 3.56

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 95 / 55 / 33

HEX #AA084D

RGB 170 8 77

HSL 334.44, 0.91%, 0.35%

LAB 36.47, 60.98, 7.2

 

CMYK 0 / 95 / 81 / 33

HEX #AA0821

RGB 170 8 33

HSL 350.74, 0.91%, 0.35%

LAB 35.65, 58.73, 34.17

 

CMYK 0 / 95 / 95 / 33

HEX #AA0808

RGB 170 8 8

HSL 0, 0.91%, 0.35%

LAB 35.47, 58.22, 46.37

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 95 / 3 / 33

HEX #AA08A5

RGB 170 8 165

HSL 301.85, 0.91%, 0.35%

LAB 40.31, 70.93, -41.94

 

CMYK 23 / 95 / 0 / 33

HEX #8308AA

RGB 131 8 170

HSL 285.56, 0.91%, 0.35%

LAB 33.78, 65.51, -55.82

 

CMYK 48 / 95 / 0 / 33

HEX #5808AA

RGB 88 8 170

HSL 269.63, 0.91%, 0.35%

LAB 27.16, 60.31, -66.92

 

CMYK 74 / 95 / 0 / 33

HEX #2C08AA

RGB 44 8 170

HSL 253.33, 0.91%, 0.35%

LAB 22.34, 57.28, -75.05

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 86 / 26 / 39

HEX #9C1673

RGB 156 22 115

HSL 318.36, 0.75%, 0.35%

LAB 35.75, 59.15, -18.54

 

CMYK 0 / 74 / 23 / 45

HEX #8D246D

RGB 141 36 109

HSL 318.29, 0.59%, 0.35%

LAB 34.04, 50.7, -17.61

 

CMYK 0 / 60 / 18 / 50

HEX #7F3368

RGB 127 51 104

HSL 318.16, 0.43%, 0.35%

LAB 33.73, 39.47, -15.11

 

CMYK 0 / 42 / 13 / 56

HEX #704162

RGB 112 65 98

HSL 317.87, 0.27%, 0.35%

LAB 34.21, 25.6, -10.78

 

CMYK 22 / 95 / 0 / 33

HEX #8408AA

RGB 132 8 170

HSL 285.93, 0.91%, 0.35%

LAB 33.94, 65.65, -55.54

 

CMYK 0 / 95 / 3 / 33

HEX #AA08A5

RGB 170 8 165

HSL 301.85, 0.91%, 0.35%

LAB 40.31, 70.93, -41.94

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 95 / 54 / 33

HEX #AA084E

RGB 170 8 78

HSL 334.07, 0.91%, 0.35%

LAB 36.5, 61.05, 6.59

 

CMYK 0 / 95 / 79 / 33

HEX #AA0823

RGB 170 8 35

HSL 350, 0.91%, 0.35%

LAB 35.68, 58.79, 33

 

CMYK 0 / 96 / 29 / 64

HEX #5B0441

RGB 91 4 65

HSL 317.93, 0.92%, 0.19%

LAB 18.77, 41.3, -12.81

 

CMYK 0 / 95 / 29 / 49

HEX #83065D

RGB 131 6 93

HSL 318.24, 0.91%, 0.27%

LAB 28.76, 53.65, -15.59

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 96 / 29 / 18

HEX #D10995

RGB 209 9 149

HSL 318, 0.92%, 0.43%

LAB 46.87, 76.18, -21.5

 

CMYK 0 / 93 / 28 / 5

HEX #F311AF

RGB 243 17 175

HSL 318.05, 0.9%, 0.51%

LAB 54.61, 85.07, -24.48

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 48 / 95 / 33

HEX #AA5908

RGB 170 89 8

HSL 30, 0.91%, 0.35%

LAB 46.59, 28.57, 53.46

 

CMYK 95 / 0 / 9 / 33

HEX #08AA9A

RGB 8 170 154

HSL 174.07, 0.91%, 0.35%

LAB 62.62, -39.97, -2.11

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 29 / 0 / 95 / 33

HEX #79AA08

RGB 121 170 8

HSL 78.15, 0.91%, 0.35%

LAB 64.02, -36.53, 64.53

 

CMYK 95 / 29 / 0 / 33

HEX #0879AA

RGB 8 121 170

HSL 198.15, 0.91%, 0.35%

LAB 47.79, -9.68, -33.84

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 48 / 95 / 33

HEX #AA5908

RGB 170 89 8

HSL 30, 0.91%, 0.35%

LAB 46.59, 28.57, 53.46

 

CMYK 95 / 0 / 67 / 33

HEX #08AA38

RGB 8 170 56

HSL 137.78, 0.91%, 0.35%

LAB 60.86, -59.95, 46.85

 

CMYK 95 / 48 / 0 / 33

HEX #0859AA

RGB 8 89 170

HSL 210, 0.91%, 0.35%

LAB 38.02, 10.29, -49.39

 

CMYK 0 / 95 / 29 / 33

HEX #AA0879

RGB 170 8 121

HSL 318.15, 0.91%, 0.35%

LAB 38.02, 65.12, -18.58

 

CMYK 0 / 19 / 95 / 33

HEX #AA8908

RGB 170 137 8

HSL 47.78, 0.91%, 0.35%

LAB 58.47, 1.79, 61.97

 

CMYK 95 / 0 / 67 / 33

HEX #08AA38

RGB 8 170 56

HSL 137.78, 0.91%, 0.35%

LAB 60.86, -59.95, 46.85

 

CMYK 95 / 76 / 0 / 33

HEX #0828AA

RGB 8 40 170

HSL 228.15, 0.91%, 0.35%

LAB 25.17, 42.7, -70.4

 

Description

Color code: HEX #AA0879 | qconv.com Color code: HEX #AA0879 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 8 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 8 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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