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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACFE5C it is the complementary color #5301A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACFE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACFE5C shade: #B1FE57, #C2FF6A, #D3FF7D, #E4FF90 and #F5FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACFE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACFE5C shade: #ACFE5C, #9BEC49, #8ADA36, #79C823 and #68B610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACFE5C shade: #ACFE5C, #D7FE5C, #FEF85C, #FECD5C and #FEA15C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACFE5C shade: #ACFE5C, #80FE5C, #5CFE63, #5CFE8F and #5CFEBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACFE5C shade matches the following richer shades: #ACFE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACFE5C shade: #ACFE5C, #ACF069, #ACE377, #ACD684 and #ADC991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACFE5C shade: #FEF85C, #D8FE5C, #ADFE5C, #82FE5C and #5CFE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACFE5C shade: #82FD0A, #97FD33, #ACFE5C, #C1FE85 and #D6FEAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACFE5C shade: #ACFE5C, #5CFECD and #FE5CEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACFE5C shade: #ACFE5C, #5CADFE and #FE5CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACFE5C shade: #ACFE5C, #5CFECD, #AD5CFE and #FE5C8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACFE5C shade: #ACFE5C, #5CFEFE, #AD5CFE and #FE5C5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

Complementary color

CMYK 49 / 99 / 0 / 36

HEX #5301A3

RGB 83 1 163

HSL 270.37, 0.99%, 0.32%

LAB 25.28, 59.61, -65.82

 

CMYK 30 / 0 / 66 / 0

HEX #B1FE57

RGB 177 254 87

HSL 87.66, 0.99%, 0.67%

LAB 92.1, -48.53, 69.51

 

CMYK 24 / 0 / 58 / 0

HEX #C2FF6A

RGB 194 255 106

HSL 84.56, 1%, 0.71%

LAB 93.46, -41.46, 63.61

 

CMYK 17 / 0 / 51 / 0

HEX #D3FF7D

RGB 211 255 125

HSL 80.31, 1%, 0.75%

LAB 94.67, -33.55, 56.92

 

CMYK 11 / 0 / 44 / 0

HEX #E4FF90

RGB 228 255 144

HSL 74.59, 1%, 0.78%

LAB 96.01, -25.34, 49.97

 

CMYK 4 / 0 / 36 / 0

HEX #F5FFA3

RGB 245 255 163

HSL 66.52, 1%, 0.82%

LAB 97.46, -16.92, 42.89

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 34 / 0 / 69 / 7

HEX #9BEC49

RGB 155 236 73

HSL 89.82, 0.81%, 0.61%

LAB 85.73, -49.6, 67.77

 

CMYK 37 / 0 / 75 / 15

HEX #8ADA36

RGB 138 218 54

HSL 89.27, 0.69%, 0.53%

LAB 79.51, -49.17, 67.84

 

CMYK 40 / 0 / 83 / 22

HEX #79C823

RGB 121 200 35

HSL 88.73, 0.7%, 0.46%

LAB 73.22, -48.56, 67.18

 

CMYK 43 / 0 / 91 / 29

HEX #68B610

RGB 104 182 16

HSL 88.19, 0.84%, 0.39%

LAB 66.85, -47.68, 65.35

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 15 / 0 / 64 / 0

HEX #D7FE5C

RGB 215 254 92

HSL 74.44, 0.99%, 0.68%

LAB 94.36, -34.26, 70.65

 

CMYK 0 / 2 / 64 / 0

HEX #FEF85C

RGB 254 248 92

HSL 57.78, 0.99%, 0.68%

LAB 95.57, -16.07, 72.78

 

CMYK 0 / 19 / 64 / 0

HEX #FECD5C

RGB 254 205 92

HSL 41.85, 0.99%, 0.68%

LAB 84.74, 5.45, 61.23

 

CMYK 0 / 37 / 64 / 0

HEX #FEA15C

RGB 254 161 92

HSL 25.56, 0.99%, 0.68%

LAB 74.4, 28.37, 49.6

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 50 / 0 / 64 / 0

HEX #80FE5C

RGB 128 254 92

HSL 106.67, 0.99%, 0.68%

LAB 89.97, -63.44, 64.64

 

CMYK 64 / 0 / 61 / 0

HEX #5CFE63

RGB 92 254 99

HSL 122.59, 0.99%, 0.68%

LAB 88.95, -71.21, 60.34

 

CMYK 64 / 0 / 44 / 0

HEX #5CFE8F

RGB 92 254 143

HSL 138.89, 0.99%, 0.68%

LAB 89.46, -65.41, 40.86

 

CMYK 64 / 0 / 26 / 0

HEX #5CFEBB

RGB 92 254 187

HSL 155.19, 0.99%, 0.68%

LAB 90.2, -57.34, 19.83

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 28 / 0 / 56 / 6

HEX #ACF069

RGB 172 240 105

HSL 90.22, 0.82%, 0.68%

LAB 88.02, -42.81, 57.52

 

CMYK 24 / 0 / 48 / 11

HEX #ACE377

RGB 172 227 119

HSL 90.56, 0.66%, 0.68%

LAB 84.5, -35.56, 46.88

 

CMYK 20 / 0 / 38 / 16

HEX #ACD684

RGB 172 214 132

HSL 90.73, 0.5%, 0.68%

LAB 81.03, -27.9, 36.09

 

CMYK 14 / 0 / 28 / 21

HEX #ADC991

RGB 173 201 145

HSL 90, 0.34%, 0.68%

LAB 77.7, -19.35, 24.96

 

CMYK 0 / 2 / 64 / 0

HEX #FEF85C

RGB 254 248 92

HSL 57.78, 0.99%, 0.68%

LAB 95.57, -16.07, 72.78

 

CMYK 15 / 0 / 64 / 0

HEX #D8FE5C

RGB 216 254 92

HSL 74.07, 0.99%, 0.68%

LAB 94.42, -33.88, 70.73

 

CMYK 32 / 0 / 64 / 0

HEX #ADFE5C

RGB 173 254 92

HSL 90, 0.99%, 0.68%

LAB 91.93, -49.54, 67.33

 

CMYK 49 / 0 / 64 / 0

HEX #82FE5C

RGB 130 254 92

HSL 105.93, 0.99%, 0.68%

LAB 90.05, -62.89, 64.74

 

CMYK 64 / 0 / 61 / 0

HEX #5CFE62

RGB 92 254 98

HSL 122.22, 0.99%, 0.68%

LAB 88.94, -71.32, 60.75

 

CMYK 49 / 0 / 96 / 1

HEX #82FD0A

RGB 130 253 10

HSL 90.37, 0.98%, 0.52%

LAB 89.4, -66.4, 84.71

 

CMYK 40 / 0 / 80 / 1

HEX #97FD33

RGB 151 253 51

HSL 90.3, 0.98%, 0.6%

LAB 90.35, -58.91, 79.05

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 24 / 0 / 48 / 0

HEX #C1FE85

RGB 193 254 133

HSL 90.25, 0.98%, 0.76%

LAB 93.41, -38.75, 51.46

 

CMYK 16 / 0 / 31 / 0

HEX #D6FEAE

RGB 214 254 174

HSL 90, 0.98%, 0.84%

LAB 95.26, -26.29, 34.16

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 64 / 0 / 19 / 0

HEX #5CFECD

RGB 92 254 205

HSL 161.85, 0.99%, 0.68%

LAB 90.58, -53.44, 11.11

 

CMYK 0 / 64 / 6 / 0

HEX #FE5CEE

RGB 254 92 238

HSL 305.93, 0.99%, 0.68%

LAB 65.67, 77.21, -42.95

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 64 / 32 / 0 / 0

HEX #5CADFE

RGB 92 173 254

HSL 210, 0.99%, 0.68%

LAB 68.98, -0.41, -47.49

 

CMYK 0 / 64 / 32 / 0

HEX #FE5CAD

RGB 254 92 173

HSL 330, 0.99%, 0.68%

LAB 63.13, 68.5, -10.2

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 64 / 0 / 19 / 0

HEX #5CFECD

RGB 92 254 205

HSL 161.85, 0.99%, 0.68%

LAB 90.58, -53.44, 11.11

 

CMYK 32 / 64 / 0 / 0

HEX #AD5CFE

RGB 173 92 254

HSL 270, 0.99%, 0.68%

LAB 55.78, 61.99, -68.21

 

CMYK 0 / 64 / 44 / 0

HEX #FE5C8D

RGB 254 92 141

HSL 341.85, 0.99%, 0.68%

LAB 62.21, 65.19, 6.9

 

CMYK 32 / 0 / 64 / 0

HEX #ACFE5C

RGB 172 254 92

HSL 90.37, 0.99%, 0.68%

LAB 91.88, -49.88, 67.26

 

CMYK 64 / 0 / 0 / 0

HEX #5CFEFE

RGB 92 254 254

HSL 180, 0.99%, 0.68%

LAB 91.83, -41.29, -12.45

 

CMYK 32 / 64 / 0 / 0

HEX #AD5CFE

RGB 173 92 254

HSL 270, 0.99%, 0.68%

LAB 55.78, 61.99, -68.21

 

CMYK 0 / 64 / 64 / 0

HEX #FE5C5C

RGB 254 92 92

HSL 0, 0.99%, 0.68%

LAB 61.22, 61.51, 33.75

 

Description

Color code: HEX #ACFE5C | qconv.com Color code: HEX #ACFE5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 254 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 254 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 64% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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