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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACFC3B it is the complementary color #5303C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACFC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACFC3B shade: #B1FC36, #C2FF49, #D3FF5C, #E4FF6F and #F5FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACFC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACFC3B shade: #ACFC3B, #9BEA28, #8AD815, #79C602 and #68B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACFC3B shade: #ACFC3B, #E0FC3B, #FCE33B, #FCAF3B and #FC7B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACFC3B shade: #ACFC3B, #78FC3B, #43FC3B, #3BFC66 and #3BFC9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACFC3B shade matches the following richer shades: #ACFC3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACFC3B shade: #ACFC3B, #A9EB4B, #A6DB5B, #A3CB6B and #A1BB7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACFC3B shade: #FCE23B, #E2FC3B, #AEFC3B, #7BFC3B and #47FC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACFC3B shade: #85E103, #9AFB12, #ACFC3B, #BDFC63 and #CEFD8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACFC3B shade: #ACFC3B, #3BFCAE and #FC3BFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACFC3B shade: #ACFC3B, #3BAEFC and #FC3BAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACFC3B shade: #ACFC3B, #3BFCAE, #883BFC and #FC3B88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACFC3B shade: #ACFC3B, #3BFCE8, #883BFC and #FC3B4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

Complementary color

CMYK 58 / 98 / 0 / 23

HEX #5303C4

RGB 83 3 196

HSL 264.87, 0.97%, 0.39%

LAB 29.13, 66.75, -79.16

 

CMYK 30 / 0 / 79 / 1

HEX #B1FC36

RGB 177 252 54

HSL 82.73, 0.97%, 0.6%

LAB 91.34, -49.56, 79.62

 

CMYK 24 / 0 / 71 / 0

HEX #C2FF49

RGB 194 255 73

HSL 80.11, 1%, 0.64%

LAB 93.22, -43.75, 75.97

 

CMYK 17 / 0 / 64 / 0

HEX #D3FF5C

RGB 211 255 92

HSL 76.2, 1%, 0.68%

LAB 94.37, -36.24, 70.59

 

CMYK 11 / 0 / 56 / 0

HEX #E4FF6F

RGB 228 255 111

HSL 71.25, 1%, 0.72%

LAB 95.65, -28.37, 64.52

 

CMYK 4 / 0 / 49 / 0

HEX #F5FF82

RGB 245 255 130

HSL 64.8, 1%, 0.75%

LAB 97.04, -20.25, 58.03

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 34 / 0 / 83 / 8

HEX #9BEA28

RGB 155 234 40

HSL 84.43, 0.82%, 0.54%

LAB 84.98, -50.46, 77.01

 

CMYK 36 / 0 / 90 / 15

HEX #8AD815

RGB 138 216 21

HSL 84, 0.82%, 0.46%

LAB 78.79, -49.62, 75.08

 

CMYK 39 / 0 / 99 / 22

HEX #79C602

RGB 121 198 2

HSL 83.57, 0.98%, 0.39%

LAB 72.53, -48.56, 71.92

 

CMYK 42 / 0 / 100 / 29

HEX #68B400

RGB 104 180 0

HSL 85.33, 1%, 0.35%

LAB 66.2, -47.18, 66.88

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 11 / 0 / 77 / 1

HEX #E0FC3B

RGB 224 252 59

HSL 68.7, 0.97%, 0.61%

LAB 94.22, -31.56, 81.92

 

CMYK 0 / 10 / 77 / 1

HEX #FCE33B

RGB 252 227 59

HSL 52.23, 0.97%, 0.61%

LAB 89.84, -8.11, 78.74

 

CMYK 0 / 31 / 77 / 1

HEX #FCAF3B

RGB 252 175 59

HSL 36.06, 0.97%, 0.61%

LAB 77.08, 18.6, 66.93

 

CMYK 0 / 51 / 77 / 1

HEX #FC7B3B

RGB 252 123 59

HSL 19.9, 0.97%, 0.61%

LAB 65.89, 45.26, 56.05

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 52 / 0 / 77 / 1

HEX #78FC3B

RGB 120 252 59

HSL 101.04, 0.97%, 0.61%

LAB 88.89, -67.25, 75.03

 

CMYK 73 / 0 / 77 / 1

HEX #43FC3B

RGB 67 252 59

HSL 117.51, 0.97%, 0.61%

LAB 87.55, -78.26, 73.28

 

CMYK 77 / 0 / 60 / 1

HEX #3BFC66

RGB 59 252 102

HSL 133.37, 0.97%, 0.61%

LAB 87.73, -75.54, 57.51

 

CMYK 77 / 0 / 39 / 1

HEX #3BFC9A

RGB 59 252 154

HSL 149.53, 0.97%, 0.61%

LAB 88.39, -67.78, 33.93

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 28 / 0 / 68 / 8

HEX #A9EB4B

RGB 169 235 75

HSL 84.75, 0.8%, 0.61%

LAB 86.19, -44.12, 67.74

 

CMYK 24 / 0 / 58 / 14

HEX #A6DB5B

RGB 166 219 91

HSL 84.84, 0.64%, 0.61%

LAB 81.58, -36.93, 56.24

 

CMYK 20 / 0 / 47 / 20

HEX #A3CB6B

RGB 163 203 107

HSL 85, 0.48%, 0.61%

LAB 77.02, -29.03, 43.37

 

CMYK 14 / 0 / 34 / 27

HEX #A1BB7B

RGB 161 187 123

HSL 84.38, 0.32%, 0.61%

LAB 72.59, -19.96, 29.57

 

CMYK 0 / 10 / 77 / 1

HEX #FCE23B

RGB 252 226 59

HSL 51.92, 0.97%, 0.61%

LAB 89.58, -7.62, 78.51

 

CMYK 10 / 0 / 77 / 1

HEX #E2FC3B

RGB 226 252 59

HSL 68.08, 0.97%, 0.61%

LAB 94.36, -30.77, 82.1

 

CMYK 31 / 0 / 77 / 1

HEX #AEFC3B

RGB 174 252 59

HSL 84.25, 0.97%, 0.61%

LAB 91.2, -50.4, 78.04

 

CMYK 51 / 0 / 77 / 1

HEX #7BFC3B

RGB 123 252 59

HSL 100.1, 0.97%, 0.61%

LAB 88.99, -66.44, 75.17

 

CMYK 72 / 0 / 77 / 1

HEX #47FC3B

RGB 71 252 59

HSL 116.27, 0.97%, 0.61%

LAB 87.62, -77.65, 73.37

 

CMYK 41 / 0 / 99 / 12

HEX #85E103

RGB 133 225 3

HSL 84.86, 0.97%, 0.45%

LAB 81.21, -55.18, 78.85

 

CMYK 39 / 0 / 93 / 2

HEX #9AFB12

RGB 154 251 18

HSL 84.98, 0.97%, 0.53%

LAB 89.82, -58.12, 84.73

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 25 / 0 / 61 / 1

HEX #BDFC63

RGB 189 252 99

HSL 84.71, 0.96%, 0.69%

LAB 92.28, -42.52, 65.14

 

CMYK 19 / 0 / 45 / 1

HEX #CEFD8C

RGB 206 253 140

HSL 84.96, 0.97%, 0.77%

LAB 94, -32.91, 49.05

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 77 / 0 / 31 / 1

HEX #3BFCAE

RGB 59 252 174

HSL 155.75, 0.97%, 0.61%

LAB 88.74, -63.92, 24.33

 

CMYK 0 / 77 / 0 / 1

HEX #FC3BFC

RGB 252 59 252

HSL 300, 0.97%, 0.61%

LAB 62.38, 89.34, -55.92

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 77 / 31 / 0 / 1

HEX #3BAEFC

RGB 59 174 252

HSL 204.25, 0.97%, 0.61%

LAB 68.19, -6.18, -47.72

 

CMYK 0 / 77 / 31 / 1

HEX #FC3BAE

RGB 252 59 174

HSL 324.25, 0.97%, 0.61%

LAB 58.86, 79.18, -17.24

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 77 / 0 / 31 / 1

HEX #3BFCAE

RGB 59 252 174

HSL 155.75, 0.97%, 0.61%

LAB 88.74, -63.92, 24.33

 

CMYK 46 / 77 / 0 / 1

HEX #883BFC

RGB 136 59 252

HSL 263.94, 0.97%, 0.61%

LAB 46.16, 69.77, -82.93

 

CMYK 0 / 77 / 46 / 1

HEX #FC3B88

RGB 252 59 136

HSL 336.06, 0.97%, 0.61%

LAB 57.66, 75.51, 3.23

 

CMYK 32 / 0 / 77 / 1

HEX #ACFC3B

RGB 172 252 59

HSL 84.87, 0.97%, 0.61%

LAB 91.1, -51.11, 77.91

 

CMYK 77 / 0 / 8 / 1

HEX #3BFCE8

RGB 59 252 232

HSL 173.78, 0.97%, 0.61%

LAB 90.03, -50.27, -3.75

 

CMYK 46 / 77 / 0 / 1

HEX #883BFC

RGB 136 59 252

HSL 263.94, 0.97%, 0.61%

LAB 46.16, 69.77, -82.93

 

CMYK 0 / 77 / 69 / 1

HEX #FC3B4E

RGB 252 59 78

HSL 354.09, 0.97%, 0.61%

LAB 56.46, 71.76, 35.79

 

Description

Color code: HEX #ACFC3B | qconv.com Color code: HEX #ACFC3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 252 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 252 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 77% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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