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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF654 it is the complementary color #5309AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF654. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF654 shade: #B1F64F, #C2FF62, #D3FF75, #E4FF88 and #F5FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF654. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF654 shade: #ACF654, #9BE441, #8AD22E, #79C01B and #68AE08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF654 shade: #ACF655, #D8F655, #F6E855, #F6BD55 and #F69255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF654 shade: #ACF655, #81F655, #56F655, #55F680 and #55F6AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF654 shade matches the following richer shades: #ACF655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF654 shade: #ACF655, #ABE763, #AAD972, #A8CA80 and #A7BC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF654 shade: #F6E855, #D8F655, #ADF655, #82F655 and #58F655

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF654 shade: #86EC0C, #99F42E, #ACF655, #BFF87C and #D2FAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF654 shade: #ACF654, #55F6BD and #F655EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF654 shade: #ACF654, #55ADF6 and #F655AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF654 shade: #ACF654, #55F6BD, #9D55F6 and #F6558D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF654 shade: #ACF654, #55F6EE, #9D55F6 and #F6555D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 66 / 4

HEX #ACF654

RGB 172 246 84

HSL 87.41, 0.9%, 0.65%

LAB 89.54, -47.12, 67.89

 

Complementary color

CMYK 51 / 95 / 0 / 33

HEX #5309AB

RGB 83 9 171

HSL 267.41, 0.9%, 0.35%

LAB 26.66, 59.89, -68.37

 

CMYK 28 / 0 / 68 / 4

HEX #B1F64F

RGB 177 246 79

HSL 84.79, 0.9%, 0.64%

LAB 89.78, -45.69, 70.09

 

CMYK 24 / 0 / 62 / 0

HEX #C2FF62

RGB 194 255 98

HSL 83.31, 1%, 0.69%

LAB 93.39, -42.1, 66.85

 

CMYK 17 / 0 / 54 / 0

HEX #D3FF75

RGB 211 255 117

HSL 79.13, 1%, 0.73%

LAB 94.59, -34.29, 60.41

 

CMYK 11 / 0 / 47 / 0

HEX #E4FF88

RGB 228 255 136

HSL 73.61, 1%, 0.77%

LAB 95.91, -26.16, 53.61

 

CMYK 4 / 0 / 39 / 0

HEX #F5FF9B

RGB 245 255 155

HSL 66, 1%, 0.8%

LAB 97.35, -17.8, 46.63

 

CMYK 30 / 0 / 66 / 4

HEX #ACF654

RGB 172 246 84

HSL 87.41, 0.9%, 0.65%

LAB 89.54, -47.12, 67.89

 

CMYK 32 / 0 / 71 / 11

HEX #9BE441

RGB 155 228 65

HSL 86.87, 0.75%, 0.57%

LAB 83.36, -46.77, 68.23

 

CMYK 34 / 0 / 78 / 18

HEX #8AD22E

RGB 138 210 46

HSL 86.34, 0.65%, 0.5%

LAB 77.1, -46.27, 68.02

 

CMYK 37 / 0 / 86 / 25

HEX #79C01B

RGB 121 192 27

HSL 85.82, 0.75%, 0.43%

LAB 70.76, -45.57, 66.91

 

CMYK 40 / 0 / 95 / 32

HEX #68AE08

RGB 104 174 8

HSL 85.3, 0.91%, 0.36%

LAB 64.35, -44.59, 64.41

 

CMYK 30 / 0 / 65 / 4

HEX #ACF655

RGB 172 246 85

HSL 87.58, 0.9%, 0.65%

LAB 89.55, -47.05, 67.51

 

CMYK 12 / 0 / 65 / 4

HEX #D8F655

RGB 216 246 85

HSL 71.18, 0.9%, 0.65%

LAB 92.21, -30.65, 71.11

 

CMYK 0 / 6 / 65 / 4

HEX #F6E855

RGB 246 232 85

HSL 54.78, 0.9%, 0.65%

LAB 90.76, -11.89, 70.32

 

CMYK 0 / 23 / 65 / 4

HEX #F6BD55

RGB 246 189 85

HSL 38.76, 0.9%, 0.65%

LAB 79.98, 10.01, 58.9

 

CMYK 0 / 41 / 65 / 4

HEX #F69255

RGB 246 146 85

HSL 22.73, 0.9%, 0.65%

LAB 70.04, 32.56, 47.79

 

CMYK 30 / 0 / 65 / 4

HEX #ACF655

RGB 172 246 85

HSL 87.58, 0.9%, 0.65%

LAB 89.55, -47.05, 67.51

 

CMYK 48 / 0 / 65 / 4

HEX #81F655

RGB 129 246 85

HSL 103.6, 0.9%, 0.65%

LAB 87.6, -60.79, 64.85

 

CMYK 65 / 0 / 65 / 4

HEX #56F655

RGB 86 246 85

HSL 119.63, 0.9%, 0.65%

LAB 86.28, -71.12, 63.03

 

CMYK 65 / 0 / 48 / 4

HEX #55F680

RGB 85 246 128

HSL 136.02, 0.9%, 0.65%

LAB 86.7, -66.13, 44.55

 

CMYK 65 / 0 / 30 / 4

HEX #55F6AB

RGB 85 246 171

HSL 152.05, 0.9%, 0.65%

LAB 87.38, -58.66, 24.08

 

CMYK 30 / 0 / 65 / 4

HEX #ACF655

RGB 172 246 85

HSL 87.58, 0.9%, 0.65%

LAB 89.55, -47.05, 67.51

 

CMYK 30 / 0 / 65 / 4

HEX #ACF655

RGB 172 246 85

HSL 87.58, 0.9%, 0.65%

LAB 89.55, -47.05, 67.51

 

CMYK 26 / 0 / 57 / 9

HEX #ABE763

RGB 171 231 99

HSL 87.27, 0.73%, 0.65%

LAB 85.36, -39.76, 57.09

 

CMYK 22 / 0 / 47 / 15

HEX #AAD972

RGB 170 217 114

HSL 87.38, 0.58%, 0.65%

LAB 81.5, -32.24, 45.58

 

CMYK 17 / 0 / 37 / 21

HEX #A8CA80

RGB 168 202 128

HSL 87.57, 0.41%, 0.65%

LAB 77.36, -24.09, 33.3

 

CMYK 11 / 0 / 24 / 26

HEX #A7BC8F

RGB 167 188 143

HSL 88, 0.25%, 0.65%

LAB 73.65, -15.28, 20.44

 

CMYK 0 / 6 / 65 / 4

HEX #F6E855

RGB 246 232 85

HSL 54.78, 0.9%, 0.65%

LAB 90.76, -11.89, 70.32

 

CMYK 12 / 0 / 65 / 4

HEX #D8F655

RGB 216 246 85

HSL 71.18, 0.9%, 0.65%

LAB 92.21, -30.65, 71.11

 

CMYK 30 / 0 / 65 / 4

HEX #ADF655

RGB 173 246 85

HSL 87.2, 0.9%, 0.65%

LAB 89.6, -46.7, 67.58

 

CMYK 47 / 0 / 65 / 4

HEX #82F655

RGB 130 246 85

HSL 103.23, 0.9%, 0.65%

LAB 87.64, -60.5, 64.9

 

CMYK 64 / 0 / 65 / 4

HEX #58F655

RGB 88 246 85

HSL 118.88, 0.9%, 0.65%

LAB 86.33, -70.73, 63.1

 

CMYK 43 / 0 / 95 / 7

HEX #86EC0C

RGB 134 236 12

HSL 87.32, 0.9%, 0.49%

LAB 84.53, -58.95, 80.72

 

CMYK 37 / 0 / 81 / 4

HEX #99F42E

RGB 153 244 46

HSL 87.58, 0.9%, 0.57%

LAB 87.81, -54.95, 78.05

 

CMYK 30 / 0 / 65 / 4

HEX #ACF655

RGB 172 246 85

HSL 87.58, 0.9%, 0.65%

LAB 89.55, -47.05, 67.51

 

CMYK 23 / 0 / 50 / 3

HEX #BFF87C

RGB 191 248 124

HSL 87.58, 0.9%, 0.73%

LAB 91.53, -37.74, 53.34

 

CMYK 16 / 0 / 35 / 2

HEX #D2FAA3

RGB 210 250 163

HSL 87.59, 0.9%, 0.81%

LAB 93.76, -27.29, 37.61

 

CMYK 30 / 0 / 66 / 4

HEX #ACF654

RGB 172 246 84

HSL 87.41, 0.9%, 0.65%

LAB 89.54, -47.12, 67.89

 

CMYK 65 / 0 / 23 / 4

HEX #55F6BD

RGB 85 246 189

HSL 158.76, 0.9%, 0.65%

LAB 87.74, -54.89, 15.32

 

CMYK 0 / 65 / 3 / 4

HEX #F655EE

RGB 246 85 238

HSL 302.98, 0.9%, 0.65%

LAB 63.56, 77.94, -46.35

 

CMYK 30 / 0 / 66 / 4

HEX #ACF654

RGB 172 246 84

HSL 87.41, 0.9%, 0.65%

LAB 89.54, -47.12, 67.89

 

CMYK 65 / 30 / 0 / 4

HEX #55ADF6

RGB 85 173 246

HSL 207.2, 0.9%, 0.65%

LAB 68.37, -4.17, -44.13

 

CMYK 0 / 65 / 30 / 4

HEX #F655AD

RGB 246 85 173

HSL 327.2, 0.9%, 0.65%

LAB 60.88, 69, -13.71

 

CMYK 30 / 0 / 66 / 4

HEX #ACF654

RGB 172 246 84

HSL 87.41, 0.9%, 0.65%

LAB 89.54, -47.12, 67.89

 

CMYK 65 / 0 / 23 / 4

HEX #55F6BD

RGB 85 246 189

HSL 158.76, 0.9%, 0.65%

LAB 87.74, -54.89, 15.32

 

CMYK 36 / 65 / 0 / 4

HEX #9D55F6

RGB 157 85 246

HSL 266.83, 0.9%, 0.65%

LAB 52.2, 60.25, -69.65

 

CMYK 0 / 65 / 43 / 4

HEX #F6558D

RGB 246 85 141

HSL 339.13, 0.9%, 0.65%

LAB 59.9, 65.58, 3.41

 

CMYK 30 / 0 / 66 / 4

HEX #ACF654

RGB 172 246 84

HSL 87.41, 0.9%, 0.65%

LAB 89.54, -47.12, 67.89

 

CMYK 65 / 0 / 3 / 4

HEX #55F6EE

RGB 85 246 238

HSL 177.02, 0.9%, 0.65%

LAB 88.93, -42.99, -8.46

 

CMYK 36 / 65 / 0 / 4

HEX #9D55F6

RGB 157 85 246

HSL 266.83, 0.9%, 0.65%

LAB 52.2, 60.25, -69.65

 

CMYK 0 / 65 / 62 / 4

HEX #F6555D

RGB 246 85 93

HSL 357.02, 0.9%, 0.65%

LAB 58.86, 61.83, 29.93

 

Description

Color code: HEX #ACF654 | qconv.com Color code: HEX #ACF654 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 246 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 246 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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