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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF596 it is the complementary color #530A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF596 shade: #B1F591, #C2FFA4, #D3FFB7, #E4FFCA and #F5FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF596 shade: #ACF596, #9BE383, #8AD170, #79BF5D and #68AD4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF596 shade: #AAF593, #C4F593, #DEF593, #F5F193 and #F5D693

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF596 shade: #AAF593, #93F597, #93F5B1, #93F5CB and #93F5E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF596 shade matches the following richer shades: #AAF593 and #A5FE8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF596 shade: #AAF593, #AFEB9D, #B4E2A6, #B9D8B0 and #BECFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF596 shade: #DEF593, #C4F593, #AAF593, #93F596 and #93F5B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF596 shade: #6EEE48, #8CF16D, #AAF593, #C8F8B9 and #E5FCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF596 shade: #ACF596, #93F5F1 and #F593D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF596 shade: #ACF596, #93AAF5 and #F593AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF596 shade: #ACF596, #93F5F1, #DE93F5 and #F59396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF596 shade: #ACF596, #93DBF5, #DE93F5 and #F5AD93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 39 / 4

HEX #ACF596

RGB 172 245 150

HSL 106.11, 0.83%, 0.77%

LAB 89.99, -39.76, 38.7

 

Complementary color

CMYK 21 / 90 / 0 / 59

HEX #530A69

RGB 83 10 105

HSL 286.11, 0.83%, 0.23%

LAB 20.35, 44.89, -37.38

 

CMYK 28 / 0 / 41 / 4

HEX #B1F591

RGB 177 245 145

HSL 100.8, 0.83%, 0.76%

LAB 90.18, -38.78, 41.47

 

CMYK 24 / 0 / 36 / 0

HEX #C2FFA4

RGB 194 255 164

HSL 100.22, 1%, 0.82%

LAB 94.17, -35.02, 37.47

 

CMYK 17 / 0 / 28 / 0

HEX #D3FFB7

RGB 211 255 183

HSL 96.67, 1%, 0.86%

LAB 95.49, -26.53, 29.93

 

CMYK 11 / 0 / 21 / 0

HEX #E4FFCA

RGB 228 255 202

HSL 90.57, 1%, 0.9%

LAB 96.93, -17.84, 22.47

 

CMYK 4 / 0 / 13 / 0

HEX #F5FFDD

RGB 245 255 221

HSL 77.65, 1%, 0.93%

LAB 98.49, -9.03, 15.14

 

CMYK 30 / 0 / 39 / 4

HEX #ACF596

RGB 172 245 150

HSL 106.11, 0.83%, 0.77%

LAB 89.99, -39.76, 38.7

 

CMYK 32 / 0 / 42 / 11

HEX #9BE383

RGB 155 227 131

HSL 105, 0.63%, 0.7%

LAB 83.73, -39.93, 39.86

 

CMYK 34 / 0 / 46 / 18

HEX #8AD170

RGB 138 209 112

HSL 103.92, 0.51%, 0.63%

LAB 77.38, -40.07, 41.05

 

CMYK 37 / 0 / 51 / 25

HEX #79BF5D

RGB 121 191 93

HSL 102.86, 0.43%, 0.56%

LAB 70.95, -40.16, 42.26

 

CMYK 40 / 0 / 57 / 32

HEX #68AD4A

RGB 104 173 74

HSL 101.82, 0.4%, 0.48%

LAB 64.42, -40.17, 43.42

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 20 / 0 / 40 / 4

HEX #C4F593

RGB 196 245 147

HSL 90, 0.83%, 0.77%

LAB 91.3, -31.96, 42.14

 

CMYK 9 / 0 / 40 / 4

HEX #DEF593

RGB 222 245 147

HSL 74.08, 0.83%, 0.77%

LAB 92.99, -22.49, 44.64

 

CMYK 0 / 2 / 40 / 4

HEX #F5F193

RGB 245 241 147

HSL 57.55, 0.83%, 0.77%

LAB 93.64, -11.82, 45.81

 

CMYK 0 / 13 / 40 / 4

HEX #F5D693

RGB 245 214 147

HSL 41.02, 0.83%, 0.77%

LAB 86.81, 1.79, 37.05

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 40 / 0 / 38 / 4

HEX #93F597

RGB 147 245 151

HSL 122.45, 0.83%, 0.77%

LAB 88.8, -47.37, 36.43

 

CMYK 40 / 0 / 28 / 4

HEX #93F5B1

RGB 147 245 177

HSL 138.37, 0.83%, 0.77%

LAB 89.24, -43.08, 23.89

 

CMYK 40 / 0 / 17 / 4

HEX #93F5CB

RGB 147 245 203

HSL 154.29, 0.83%, 0.77%

LAB 89.78, -38.1, 11.24

 

CMYK 40 / 0 / 6 / 4

HEX #93F5E6

RGB 147 245 230

HSL 170.82, 0.83%, 0.77%

LAB 90.42, -32.28, -1.86

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 35 / 0 / 46 / 0

HEX #A5FE8A

RGB 165 254 138

HSL 106.03, 0.98%, 0.77%

LAB 92.01, -47.51, 47.03

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 26 / 0 / 33 / 8

HEX #AFEB9D

RGB 175 235 157

HSL 106.15, 0.66%, 0.77%

LAB 87.47, -33.22, 31.91

 

CMYK 20 / 0 / 27 / 11

HEX #B4E2A6

RGB 180 226 166

HSL 106, 0.51%, 0.77%

LAB 85.43, -25.9, 24.6

 

CMYK 14 / 0 / 19 / 15

HEX #B9D8B0

RGB 185 216 176

HSL 106.5, 0.34%, 0.77%

LAB 83.21, -17.65, 16.35

 

CMYK 8 / 0 / 11 / 19

HEX #BECFB9

RGB 190 207 185

HSL 106.36, 0.19%, 0.77%

LAB 81.33, -9.8, 8.98

 

CMYK 9 / 0 / 40 / 4

HEX #DEF593

RGB 222 245 147

HSL 74.08, 0.83%, 0.77%

LAB 92.99, -22.49, 44.64

 

CMYK 20 / 0 / 40 / 4

HEX #C4F593

RGB 196 245 147

HSL 90, 0.83%, 0.77%

LAB 91.3, -31.96, 42.14

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 40 / 0 / 39 / 4

HEX #93F596

RGB 147 245 150

HSL 121.84, 0.83%, 0.77%

LAB 88.79, -47.52, 36.91

 

CMYK 40 / 0 / 28 / 4

HEX #93F5B0

RGB 147 245 176

HSL 137.76, 0.83%, 0.77%

LAB 89.23, -43.26, 24.38

 

CMYK 54 / 0 / 70 / 7

HEX #6EEE48

RGB 110 238 72

HSL 106.27, 0.83%, 0.61%

LAB 84.45, -64.06, 66.23

 

CMYK 42 / 0 / 55 / 5

HEX #8CF16D

RGB 140 241 109

HSL 105.91, 0.83%, 0.69%

LAB 86.8, -53.3, 53.91

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 19 / 0 / 25 / 3

HEX #C8F8B9

RGB 200 248 185

HSL 105.71, 0.82%, 0.85%

LAB 92.98, -26.65, 25.38

 

CMYK 9 / 0 / 12 / 1

HEX #E5FCDF

RGB 229 252 223

HSL 107.59, 0.83%, 0.93%

LAB 96.66, -12.65, 11.35

 

CMYK 30 / 0 / 39 / 4

HEX #ACF596

RGB 172 245 150

HSL 106.11, 0.83%, 0.77%

LAB 89.99, -39.76, 38.7

 

CMYK 40 / 0 / 2 / 4

HEX #93F5F1

RGB 147 245 241

HSL 177.55, 0.83%, 0.77%

LAB 90.72, -29.73, -7.16

 

CMYK 0 / 40 / 15 / 4

HEX #F593D1

RGB 245 147 209

HSL 322.04, 0.83%, 0.77%

LAB 72.82, 45.14, -16

 

CMYK 30 / 0 / 39 / 4

HEX #ACF596

RGB 172 245 150

HSL 106.11, 0.83%, 0.77%

LAB 89.99, -39.76, 38.7

 

CMYK 40 / 31 / 0 / 4

HEX #93AAF5

RGB 147 170 245

HSL 225.92, 0.83%, 0.77%

LAB 70.56, 10.42, -39.94

 

CMYK 0 / 40 / 31 / 4

HEX #F593AA

RGB 245 147 170

HSL 345.92, 0.83%, 0.77%

LAB 71.68, 39.6, 3.93

 

CMYK 30 / 0 / 39 / 4

HEX #ACF596

RGB 172 245 150

HSL 106.11, 0.83%, 0.77%

LAB 89.99, -39.76, 38.7

 

CMYK 40 / 0 / 2 / 4

HEX #93F5F1

RGB 147 245 241

HSL 177.55, 0.83%, 0.77%

LAB 90.72, -29.73, -7.16

 

CMYK 9 / 40 / 0 / 4

HEX #DE93F5

RGB 222 147 245

HSL 285.92, 0.83%, 0.77%

LAB 71.55, 44.38, -37.91

 

CMYK 0 / 40 / 39 / 4

HEX #F59396

RGB 245 147 150

HSL 358.16, 0.83%, 0.77%

LAB 71.2, 37.21, 14.36

 

CMYK 30 / 0 / 39 / 4

HEX #ACF596

RGB 172 245 150

HSL 106.11, 0.83%, 0.77%

LAB 89.99, -39.76, 38.7

 

CMYK 40 / 11 / 0 / 4

HEX #93DBF5

RGB 147 219 245

HSL 195.92, 0.83%, 0.77%

LAB 83.68, -15.95, -19.78

 

CMYK 9 / 40 / 0 / 4

HEX #DE93F5

RGB 222 147 245

HSL 285.92, 0.83%, 0.77%

LAB 71.55, 44.38, -37.91

 

CMYK 0 / 29 / 40 / 4

HEX #F5AD93

RGB 245 173 147

HSL 15.92, 0.83%, 0.77%

LAB 76.92, 23.24, 23.9

 

Description

Color code: HEX #ACF596 | qconv.com Color code: HEX #ACF596 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 245 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 245 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 39 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 39% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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