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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF532 it is the complementary color #530ACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF532 shade: #B1F52D, #C2FF40, #D3FF53, #E4FF66 and #F5FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF532 shade: #ACF532, #9BE31F, #8AD10C, #79BF00 and #68AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF532 shade: #ACF532, #E0F532, #F5D532, #F5A032 and #F56C32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF532 shade: #ACF532, #77F532, #43F532, #32F556 and #32F58A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF532 shade matches the following richer shades: #ACF532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF532 shade: #ACF532, #A8E443, #A3D255, #9FC166 and #9AB077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF532 shade: #F5D432, #E1F532, #ADF532, #79F532 and #45F532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF532 shade: #83CB09, #9CF30B, #ACF532, #BCF759 and #CCF981

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF532 shade: #ACF532, #32F5A0 and #EE32F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF532 shade: #ACF532, #32ADF5 and #F532AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF532 shade: #ACF532, #32F5A0, #7932F5 and #F53286

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF532 shade: #ACF532, #32F5DB, #7932F5 and #F5324C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

Complementary color

CMYK 60 / 95 / 0 / 20

HEX #530ACD

RGB 83 10 205

HSL 262.46, 0.91%, 0.42%

LAB 30.55, 67.7, -82.08

 

CMYK 28 / 0 / 82 / 4

HEX #B1F52D

RGB 177 245 45

HSL 80.4, 0.91%, 0.57%

LAB 89.32, -46.98, 80.1

 

CMYK 24 / 0 / 75 / 0

HEX #C2FF40

RGB 194 255 64

HSL 79.16, 1%, 0.63%

LAB 93.17, -44.21, 78.8

 

CMYK 17 / 0 / 67 / 0

HEX #D3FF53

RGB 211 255 83

HSL 75.35, 1%, 0.66%

LAB 94.31, -36.8, 73.91

 

CMYK 11 / 0 / 60 / 0

HEX #E4FF66

RGB 228 255 102

HSL 70.59, 1%, 0.7%

LAB 95.57, -29.04, 68.21

 

CMYK 4 / 0 / 53 / 0

HEX #F5FF79

RGB 245 255 121

HSL 64.48, 1%, 0.74%

LAB 96.95, -21, 61.97

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 32 / 0 / 86 / 11

HEX #9BE31F

RGB 155 227 31

HSL 82.04, 0.78%, 0.51%

LAB 82.92, -47.86, 77.14

 

CMYK 34 / 0 / 94 / 18

HEX #8AD10C

RGB 138 209 12

HSL 81.62, 0.89%, 0.43%

LAB 76.7, -46.91, 74.55

 

CMYK 37 / 0 / 100 / 25

HEX #79BF00

RGB 121 191 0

HSL 81.99, 1%, 0.37%

LAB 70.4, -45.72, 70.49

 

CMYK 40 / 0 / 100 / 32

HEX #68AD00

RGB 104 173 0

HSL 83.93, 1%, 0.34%

LAB 64.02, -44.33, 65.18

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 9 / 0 / 80 / 4

HEX #E0F532

RGB 224 245 50

HSL 66.46, 0.91%, 0.58%

LAB 92.3, -28.64, 82.63

 

CMYK 0 / 13 / 80 / 4

HEX #F5D532

RGB 245 213 50

HSL 50.15, 0.91%, 0.58%

LAB 85.62, -4.33, 77.42

 

CMYK 0 / 35 / 80 / 4

HEX #F5A032

RGB 245 160 50

HSL 33.85, 0.91%, 0.58%

LAB 72.75, 23.23, 65.95

 

CMYK 0 / 56 / 80 / 4

HEX #F56C32

RGB 245 108 50

HSL 17.85, 0.91%, 0.58%

LAB 61.97, 49.52, 55.94

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 51 / 0 / 80 / 4

HEX #77F532

RGB 119 245 50

HSL 98.77, 0.91%, 0.58%

LAB 86.73, -65.51, 75.53

 

CMYK 73 / 0 / 80 / 4

HEX #43F532

RGB 67 245 50

HSL 114.77, 0.91%, 0.58%

LAB 85.37, -76.7, 73.77

 

CMYK 80 / 0 / 65 / 4

HEX #32F556

RGB 50 245 86

HSL 131.08, 0.91%, 0.58%

LAB 85.33, -76.19, 61.41

 

CMYK 80 / 0 / 44 / 4

HEX #32F58A

RGB 50 245 138

HSL 147.08, 0.91%, 0.58%

LAB 85.92, -69.16, 38.58

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 26 / 0 / 71 / 11

HEX #A8E443

RGB 168 228 67

HSL 82.36, 0.75%, 0.58%

LAB 84.08, -41.95, 68.48

 

CMYK 22 / 0 / 60 / 18

HEX #A3D255

RGB 163 210 85

HSL 82.56, 0.58%, 0.58%

LAB 78.77, -34.47, 55.66

 

CMYK 18 / 0 / 47 / 24

HEX #9FC166

RGB 159 193 102

HSL 82.42, 0.42%, 0.58%

LAB 73.85, -26.3, 41.88

 

CMYK 13 / 0 / 32 / 31

HEX #9AB077

RGB 154 176 119

HSL 83.16, 0.27%, 0.58%

LAB 68.93, -17.6, 26.75

 

CMYK 0 / 13 / 80 / 4

HEX #F5D432

RGB 245 212 50

HSL 49.85, 0.91%, 0.58%

LAB 85.37, -3.82, 77.2

 

CMYK 8 / 0 / 80 / 4

HEX #E1F532

RGB 225 245 50

HSL 66.15, 0.91%, 0.58%

LAB 92.37, -28.24, 82.72

 

CMYK 29 / 0 / 80 / 4

HEX #ADF532

RGB 173 245 50

HSL 82.15, 0.91%, 0.58%

LAB 89.12, -48.24, 78.59

 

CMYK 51 / 0 / 80 / 4

HEX #79F532

RGB 121 245 50

HSL 98.15, 0.91%, 0.58%

LAB 86.8, -64.97, 75.62

 

CMYK 72 / 0 / 80 / 4

HEX #45F532

RGB 69 245 50

HSL 114.15, 0.91%, 0.58%

LAB 85.4, -76.39, 73.81

 

CMYK 35 / 0 / 96 / 20

HEX #83CB09

RGB 131 203 9

HSL 82.27, 0.92%, 0.42%

LAB 74.54, -46.98, 72.99

 

CMYK 36 / 0 / 95 / 5

HEX #9CF30B

RGB 156 243 11

HSL 82.5, 0.91%, 0.5%

LAB 87.58, -54.41, 83.65

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 24 / 0 / 64 / 3

HEX #BCF759

RGB 188 247 89

HSL 82.41, 0.91%, 0.66%

LAB 90.75, -41.45, 67.49

 

CMYK 18 / 0 / 48 / 2

HEX #CCF981

RGB 204 249 129

HSL 82.5, 0.91%, 0.74%

LAB 92.65, -32.98, 52.55

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 80 / 0 / 35 / 4

HEX #32F5A0

RGB 50 245 160

HSL 153.85, 0.91%, 0.58%

LAB 86.27, -65.13, 28.06

 

CMYK 3 / 80 / 0 / 4

HEX #EE32F5

RGB 238 50 245

HSL 297.85, 0.91%, 0.58%

LAB 59.02, 87.87, -57.53

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 80 / 29 / 0 / 4

HEX #32ADF5

RGB 50 173 245

HSL 202.15, 0.91%, 0.58%

LAB 67.4, -8.96, -45.18

 

CMYK 0 / 80 / 29 / 4

HEX #F532AD

RGB 245 50 173

HSL 322.15, 0.91%, 0.58%

LAB 56.79, 79.77, -19.92

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 80 / 0 / 35 / 4

HEX #32F5A0

RGB 50 245 160

HSL 153.85, 0.91%, 0.58%

LAB 86.27, -65.13, 28.06

 

CMYK 51 / 80 / 0 / 4

HEX #7932F5

RGB 121 50 245

HSL 261.85, 0.91%, 0.58%

LAB 42.67, 69.62, -84.81

 

CMYK 0 / 80 / 45 / 4

HEX #F53286

RGB 245 50 134

HSL 334.15, 0.91%, 0.58%

LAB 55.5, 75.96, 1.13

 

CMYK 30 / 0 / 80 / 4

HEX #ACF532

RGB 172 245 50

HSL 82.46, 0.91%, 0.58%

LAB 89.07, -48.6, 78.52

 

CMYK 80 / 0 / 11 / 4

HEX #32F5DB

RGB 50 245 219

HSL 172, 0.91%, 0.58%

LAB 87.53, -51.56, -0.66

 

CMYK 51 / 80 / 0 / 4

HEX #7932F5

RGB 121 50 245

HSL 261.85, 0.91%, 0.58%

LAB 42.67, 69.62, -84.81

 

CMYK 0 / 80 / 69 / 4

HEX #F5324C

RGB 245 50 76

HSL 352, 0.91%, 0.58%

LAB 54.25, 72.19, 33.97

 

Description

Color code: HEX #ACF532 | qconv.com Color code: HEX #ACF532 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 245 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 245 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 80 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 80% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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