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Color name
HEX #ACF438

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF438 it is the complementary color #530BC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF438 shade: #B1F433, #C2FF46, #D3FF59, #E4FF6C and #F5FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF438 shade: #ACF438, #9BE225, #8AD012, #79BE00 and #68AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF438 shade: #ACF438, #DFF438, #F4D738, #F4A438 and #F47138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF438 shade: #ACF438, #79F438, #46F438, #38F45C and #38F48F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF438 shade matches the following richer shades: #ACF438

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF438 shade: #ACF438, #A8E349, #A4D25A, #A0C16B and #9CB07C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF438 shade: #F4D538, #E1F438, #AFF438, #7DF438 and #4BF438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF438 shade: #84CF0A, #9CF211, #ACF438, #BCF65F and #CDF886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF438 shade: #ACF438, #38F4A2 and #EE38F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF438 shade: #ACF438, #38AFF4 and #F438AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF438 shade: #ACF438, #38F4A2, #7D38F4 and #F43889

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF438 shade: #ACF438, #38F4DB, #7D38F4 and #F43851

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

Complementary color

CMYK 58 / 94 / 0 / 22

HEX #530BC7

RGB 83 11 199

HSL 262.98, 0.9%, 0.41%

LAB 29.92, 66.12, -79.62

 

CMYK 27 / 0 / 79 / 4

HEX #B1F433

RGB 177 244 51

HSL 80.83, 0.9%, 0.58%

LAB 89.06, -46.33, 78.35

 

CMYK 24 / 0 / 73 / 0

HEX #C2FF46

RGB 194 255 70

HSL 79.78, 1%, 0.64%

LAB 93.2, -43.91, 76.95

 

CMYK 17 / 0 / 65 / 0

HEX #D3FF59

RGB 211 255 89

HSL 75.9, 1%, 0.67%

LAB 94.35, -36.43, 71.72

 

CMYK 11 / 0 / 58 / 0

HEX #E4FF6C

RGB 228 255 108

HSL 71.02, 1%, 0.71%

LAB 95.62, -28.6, 65.77

 

CMYK 4 / 0 / 50 / 0

HEX #F5FF7F

RGB 245 255 127

HSL 64.69, 1%, 0.75%

LAB 97.01, -20.51, 59.35

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 31 / 0 / 84 / 11

HEX #9BE225

RGB 155 226 37

HSL 82.54, 0.77%, 0.52%

LAB 82.64, -47.25, 75.66

 

CMYK 34 / 0 / 91 / 18

HEX #8AD012

RGB 138 208 18

HSL 82.11, 0.84%, 0.44%

LAB 76.41, -46.38, 73.57

 

CMYK 36 / 0 / 100 / 25

HEX #79BE00

RGB 121 190 0

HSL 81.79, 1%, 0.37%

LAB 70.1, -45.31, 70.26

 

CMYK 40 / 0 / 100 / 33

HEX #68AC00

RGB 104 172 0

HSL 83.72, 1%, 0.34%

LAB 63.71, -43.92, 64.94

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 9 / 0 / 77 / 4

HEX #DFF438

RGB 223 244 56

HSL 66.7, 0.9%, 0.59%

LAB 91.99, -28.37, 80.72

 

CMYK 0 / 12 / 77 / 4

HEX #F4D738

RGB 244 215 56

HSL 50.74, 0.9%, 0.59%

LAB 86.07, -5.56, 75.99

 

CMYK 0 / 33 / 77 / 4

HEX #F4A438

RGB 244 164 56

HSL 34.47, 0.9%, 0.59%

LAB 73.59, 20.92, 64.44

 

CMYK 0 / 54 / 77 / 4

HEX #F47138

RGB 244 113 56

HSL 18.19, 0.9%, 0.59%

LAB 62.78, 46.99, 53.95

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 50 / 0 / 77 / 4

HEX #79F438

RGB 121 244 56

HSL 99.26, 0.9%, 0.59%

LAB 86.53, -64.3, 73.69

 

CMYK 71 / 0 / 77 / 4

HEX #46F438

RGB 70 244 56

HSL 115.53, 0.9%, 0.59%

LAB 85.14, -75.58, 71.88

 

CMYK 77 / 0 / 62 / 4

HEX #38F45C

RGB 56 244 92

HSL 131.49, 0.9%, 0.59%

LAB 85.16, -74.55, 58.8

 

CMYK 77 / 0 / 41 / 4

HEX #38F48F

RGB 56 244 143

HSL 147.77, 0.9%, 0.59%

LAB 85.77, -67.3, 35.94

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 26 / 0 / 68 / 11

HEX #A8E349

RGB 168 227 73

HSL 82.99, 0.73%, 0.59%

LAB 83.83, -41.13, 66.05

 

CMYK 22 / 0 / 57 / 18

HEX #A4D25A

RGB 164 210 90

HSL 83, 0.57%, 0.59%

LAB 78.88, -33.65, 53.59

 

CMYK 17 / 0 / 45 / 24

HEX #A0C16B

RGB 160 193 107

HSL 83.02, 0.41%, 0.59%

LAB 73.98, -25.35, 39.57

 

CMYK 11 / 0 / 30 / 31

HEX #9CB07C

RGB 156 176 124

HSL 83.08, 0.25%, 0.59%

LAB 69.16, -16.12, 24.41

 

CMYK 0 / 13 / 77 / 4

HEX #F4D538

RGB 244 213 56

HSL 50.11, 0.9%, 0.59%

LAB 85.56, -4.55, 75.53

 

CMYK 8 / 0 / 77 / 4

HEX #E1F438

RGB 225 244 56

HSL 66.06, 0.9%, 0.59%

LAB 92.13, -27.56, 80.9

 

CMYK 28 / 0 / 77 / 4

HEX #AFF438

RGB 175 244 56

HSL 82.02, 0.9%, 0.59%

LAB 88.97, -46.84, 76.85

 

CMYK 49 / 0 / 77 / 4

HEX #7DF438

RGB 125 244 56

HSL 97.98, 0.9%, 0.59%

LAB 86.68, -63.18, 73.88

 

CMYK 69 / 0 / 77 / 4

HEX #4BF438

RGB 75 244 56

HSL 113.94, 0.9%, 0.59%

LAB 85.24, -74.74, 72.01

 

CMYK 36 / 0 / 95 / 19

HEX #84CF0A

RGB 132 207 10

HSL 82.84, 0.91%, 0.43%

LAB 75.79, -48.25, 73.9

 

CMYK 36 / 0 / 93 / 5

HEX #9CF211

RGB 156 242 17

HSL 82.93, 0.9%, 0.51%

LAB 87.3, -53.93, 82.86

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 24 / 0 / 61 / 4

HEX #BCF65F

RGB 188 246 95

HSL 83.05, 0.89%, 0.67%

LAB 90.52, -40.56, 64.83

 

CMYK 17 / 0 / 46 / 3

HEX #CDF886

RGB 205 248 134

HSL 82.63, 0.89%, 0.75%

LAB 92.5, -31.62, 50.03

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 77 / 0 / 34 / 4

HEX #38F4A2

RGB 56 244 162

HSL 153.83, 0.9%, 0.59%

LAB 86.08, -63.75, 26.81

 

CMYK 2 / 77 / 0 / 4

HEX #EE38F4

RGB 238 56 244

HSL 298.09, 0.9%, 0.59%

LAB 59.47, 86.26, -56.26

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 77 / 28 / 0 / 4

HEX #38AFF4

RGB 56 175 244

HSL 202.02, 0.9%, 0.59%

LAB 68.04, -9.81, -43.61

 

CMYK 0 / 77 / 28 / 4

HEX #F438AF

RGB 244 56 175

HSL 322.02, 0.9%, 0.59%

LAB 57.23, 78.23, -20.44

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 77 / 0 / 34 / 4

HEX #38F4A2

RGB 56 244 162

HSL 153.83, 0.9%, 0.59%

LAB 86.08, -63.75, 26.81

 

CMYK 49 / 77 / 0 / 4

HEX #7D38F4

RGB 125 56 244

HSL 262.02, 0.9%, 0.59%

LAB 43.83, 67.53, -82.33

 

CMYK 0 / 77 / 44 / 4

HEX #F43889

RGB 244 56 137

HSL 334.15, 0.9%, 0.59%

LAB 55.95, 74.39, -0.01

 

CMYK 30 / 0 / 77 / 4

HEX #ACF438

RGB 172 244 56

HSL 82.98, 0.9%, 0.59%

LAB 88.81, -47.92, 76.64

 

CMYK 77 / 0 / 10 / 4

HEX #38F4DB

RGB 56 244 219

HSL 172.02, 0.9%, 0.59%

LAB 87.32, -50.6, -0.97

 

CMYK 49 / 77 / 0 / 4

HEX #7D38F4

RGB 125 56 244

HSL 262.02, 0.9%, 0.59%

LAB 43.83, 67.53, -82.33

 

CMYK 0 / 77 / 67 / 4

HEX #F43851

RGB 244 56 81

HSL 352.02, 0.9%, 0.59%

LAB 54.72, 70.53, 31.57

 

Description

Color code: HEX #ACF438 | qconv.com Color code: HEX #ACF438 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 244 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 244 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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