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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE18A it is the complementary color #531E75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE18A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE18A shade: #B1E185, #C2F398, #D3FFAB, #E4FFBE and #F5FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE18A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE18A shade: #ACE18A, #9BCF77, #8ABD64, #79AB51 and #68993E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE18A shade: #ABE089, #C3E089, #DAE089, #E0CF89 and #E0B789

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE18A shade: #ABE089, #93E089, #89E096, #89E0AD and #89E0C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE18A shade matches the following richer shades: #ABE089, #A8EC7D and #A6F871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE18A shade: #ABE089, #AED495, #B0C8A1, #B3BCAD and #B5B0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE18A shade: #DAE089, #C3E089, #ACE089, #95E089 and #89E095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE18A shade: #7CCF47, #94D868, #ABE089, #C2E9AA and #DAF1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE18A shade: #ACE18A, #89E0CF and #E089CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE18A shade: #ACE18A, #89ACE0 and #E089AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE18A shade: #ACE18A, #89E0CF, #BD89E0 and #E0899A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE18A shade: #ACE18A, #89D7E0, #BD89E0 and #E09289

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 39 / 12

HEX #ACE18A

RGB 172 225 138

HSL 96.55, 0.59%, 0.71%

LAB 84.2, -32.29, 37.17

 

Complementary color

CMYK 29 / 74 / 0 / 54

HEX #531E75

RGB 83 30 117

HSL 276.55, 0.59%, 0.29%

LAB 23.84, 40.24, -39.48

 

CMYK 21 / 0 / 41 / 12

HEX #B1E185

RGB 177 225 133

HSL 91.3, 0.61%, 0.7%

LAB 84.43, -31.17, 40.02

 

CMYK 20 / 0 / 37 / 5

HEX #C2F398

RGB 194 243 152

HSL 92.31, 0.79%, 0.77%

LAB 90.71, -31.1, 38.89

 

CMYK 17 / 0 / 33 / 0

HEX #D3FFAB

RGB 211 255 171

HSL 91.43, 1%, 0.84%

LAB 95.29, -28.22, 35.67

 

CMYK 11 / 0 / 25 / 0

HEX #E4FFBE

RGB 228 255 190

HSL 84.92, 1%, 0.87%

LAB 96.71, -19.61, 28.24

 

CMYK 4 / 0 / 18 / 0

HEX #F5FFD1

RGB 245 255 209

HSL 73.04, 1%, 0.91%

LAB 98.25, -10.87, 20.91

 

CMYK 24 / 0 / 39 / 12

HEX #ACE18A

RGB 172 225 138

HSL 96.55, 0.59%, 0.71%

LAB 84.2, -32.29, 37.17

 

CMYK 25 / 0 / 43 / 19

HEX #9BCF77

RGB 155 207 119

HSL 95.45, 0.48%, 0.64%

LAB 77.83, -32.39, 38.33

 

CMYK 27 / 0 / 47 / 26

HEX #8ABD64

RGB 138 189 100

HSL 94.38, 0.4%, 0.57%

LAB 71.36, -32.47, 39.52

 

CMYK 29 / 0 / 53 / 33

HEX #79AB51

RGB 121 171 81

HSL 93.33, 0.36%, 0.49%

LAB 64.79, -32.5, 40.7

 

CMYK 32 / 0 / 59 / 40

HEX #68993E

RGB 104 153 62

HSL 92.31, 0.42%, 0.42%

LAB 58.11, -32.45, 41.82

 

CMYK 24 / 0 / 39 / 12

HEX #ABE089

RGB 171 224 137

HSL 96.55, 0.58%, 0.71%

LAB 83.85, -32.31, 37.2

 

CMYK 13 / 0 / 39 / 12

HEX #C3E089

RGB 195 224 137

HSL 80, 0.58%, 0.71%

LAB 85.36, -23.62, 39.45

 

CMYK 3 / 0 / 39 / 12

HEX #DAE089

RGB 218 224 137

HSL 64.14, 0.58%, 0.71%

LAB 87.01, -14.88, 41.89

 

CMYK 0 / 8 / 39 / 12

HEX #E0CF89

RGB 224 207 137

HSL 48.28, 0.58%, 0.71%

LAB 83.06, -3.95, 36.92

 

CMYK 0 / 18 / 39 / 12

HEX #E0B789

RGB 224 183 137

HSL 31.72, 0.58%, 0.71%

LAB 76.99, 8.6, 28.96

 

CMYK 24 / 0 / 39 / 12

HEX #ABE089

RGB 171 224 137

HSL 96.55, 0.58%, 0.71%

LAB 83.85, -32.31, 37.2

 

CMYK 34 / 0 / 39 / 12

HEX #93E089

RGB 147 224 137

HSL 113.1, 0.58%, 0.71%

LAB 82.55, -40.35, 35.27

 

CMYK 39 / 0 / 33 / 12

HEX #89E096

RGB 137 224 150

HSL 128.97, 0.58%, 0.71%

LAB 82.29, -41.38, 28.21

 

CMYK 39 / 0 / 23 / 12

HEX #89E0AD

RGB 137 224 173

HSL 144.83, 0.58%, 0.71%

LAB 82.73, -37.25, 16.86

 

CMYK 39 / 0 / 12 / 12

HEX #89E0C5

RGB 137 224 197

HSL 161.38, 0.58%, 0.71%

LAB 83.26, -32.33, 4.98

 

CMYK 24 / 0 / 39 / 12

HEX #ABE089

RGB 171 224 137

HSL 96.55, 0.58%, 0.71%

LAB 83.85, -32.31, 37.2

 

CMYK 29 / 0 / 47 / 7

HEX #A8EC7D

RGB 168 236 125

HSL 96.76, 0.74%, 0.71%

LAB 86.9, -40.31, 46.91

 

CMYK 33 / 0 / 54 / 3

HEX #A6F871

RGB 166 248 113

HSL 96.44, 0.91%, 0.71%

LAB 90.06, -47.5, 56.26

 

CMYK 24 / 0 / 39 / 12

HEX #ABE089

RGB 171 224 137

HSL 96.55, 0.58%, 0.71%

LAB 83.85, -32.31, 37.2

 

CMYK 18 / 0 / 30 / 17

HEX #AED495

RGB 174 212 149

HSL 96.19, 0.42%, 0.71%

LAB 80.88, -23.82, 27.18

 

CMYK 12 / 0 / 20 / 22

HEX #B0C8A1

RGB 176 200 161

HSL 96.92, 0.26%, 0.71%

LAB 77.94, -15.24, 16.84

 

CMYK 5 / 0 / 8 / 26

HEX #B3BCAD

RGB 179 188 173

HSL 96, 0.1%, 0.71%

LAB 75.18, -5.89, 6.51

 

CMYK 2 / 5 / 0 / 27

HEX #B5B0B9

RGB 181 176 185

HSL 273.33, 0.06%, 0.71%

LAB 72.48, 3.46, -3.96

 

CMYK 3 / 0 / 39 / 12

HEX #DAE089

RGB 218 224 137

HSL 64.14, 0.58%, 0.71%

LAB 87.01, -14.88, 41.89

 

CMYK 13 / 0 / 39 / 12

HEX #C3E089

RGB 195 224 137

HSL 80, 0.58%, 0.71%

LAB 85.36, -23.62, 39.45

 

CMYK 23 / 0 / 39 / 12

HEX #ACE089

RGB 172 224 137

HSL 95.86, 0.58%, 0.71%

LAB 83.91, -31.95, 37.29

 

CMYK 33 / 0 / 39 / 12

HEX #95E089

RGB 149 224 137

HSL 111.72, 0.58%, 0.71%

LAB 82.65, -39.71, 35.42

 

CMYK 39 / 0 / 33 / 12

HEX #89E095

RGB 137 224 149

HSL 128.28, 0.58%, 0.71%

LAB 82.27, -41.55, 28.7

 

CMYK 40 / 0 / 66 / 19

HEX #7CCF47

RGB 124 207 71

HSL 96.62, 0.59%, 0.55%

LAB 75.68, -48.19, 57.57

 

CMYK 31 / 0 / 52 / 15

HEX #94D868

RGB 148 216 104

HSL 96.43, 0.59%, 0.63%

LAB 79.84, -40.73, 48.04

 

CMYK 24 / 0 / 39 / 12

HEX #ABE089

RGB 171 224 137

HSL 96.55, 0.58%, 0.71%

LAB 83.85, -32.31, 37.2

 

CMYK 17 / 0 / 27 / 9

HEX #C2E9AA

RGB 194 233 170

HSL 97.14, 0.59%, 0.79%

LAB 88.28, -23.82, 26.57

 

CMYK 10 / 0 / 16 / 5

HEX #DAF1CB

RGB 218 241 203

HSL 96.32, 0.58%, 0.87%

LAB 92.63, -14.25, 15.84

 

CMYK 24 / 0 / 39 / 12

HEX #ACE18A

RGB 172 225 138

HSL 96.55, 0.59%, 0.71%

LAB 84.2, -32.29, 37.17

 

CMYK 39 / 0 / 8 / 12

HEX #89E0CF

RGB 137 224 207

HSL 168.28, 0.58%, 0.71%

LAB 83.51, -30.12, 0.06

 

CMYK 0 / 39 / 8 / 12

HEX #E089CF

RGB 224 137 207

HSL 311.72, 0.58%, 0.71%

LAB 68.2, 43.23, -22.12

 

CMYK 24 / 0 / 39 / 12

HEX #ACE18A

RGB 172 225 138

HSL 96.55, 0.59%, 0.71%

LAB 84.2, -32.29, 37.17

 

CMYK 39 / 23 / 0 / 12

HEX #89ACE0

RGB 137 172 224

HSL 215.86, 0.58%, 0.71%

LAB 69.62, 0.99, -29.99

 

CMYK 0 / 39 / 23 / 12

HEX #E089AC

RGB 224 137 172

HSL 335.86, 0.58%, 0.71%

LAB 67.06, 37.72, -4.24

 

CMYK 24 / 0 / 39 / 12

HEX #ACE18A

RGB 172 225 138

HSL 96.55, 0.59%, 0.71%

LAB 84.2, -32.29, 37.17

 

CMYK 39 / 0 / 8 / 12

HEX #89E0CF

RGB 137 224 207

HSL 168.28, 0.58%, 0.71%

LAB 83.51, -30.12, 0.06

 

CMYK 16 / 39 / 0 / 12

HEX #BD89E0

RGB 189 137 224

HSL 275.86, 0.58%, 0.71%

LAB 65.04, 35.69, -36.77

 

CMYK 0 / 39 / 31 / 12

HEX #E0899A

RGB 224 137 154

HSL 348.28, 0.58%, 0.71%

LAB 66.57, 35.26, 5.19

 

CMYK 24 / 0 / 39 / 12

HEX #ACE18A

RGB 172 225 138

HSL 96.55, 0.59%, 0.71%

LAB 84.2, -32.29, 37.17

 

CMYK 39 / 4 / 0 / 12

HEX #89D7E0

RGB 137 215 224

HSL 186.21, 0.58%, 0.71%

LAB 81.46, -21.7, -12.01

 

CMYK 16 / 39 / 0 / 12

HEX #BD89E0

RGB 189 137 224

HSL 275.86, 0.58%, 0.71%

LAB 65.04, 35.69, -36.77

 

CMYK 0 / 35 / 39 / 12

HEX #E09289

RGB 224 146 137

HSL 6.21, 0.58%, 0.71%

LAB 68.18, 28.41, 16.98

 

Description

Color code: HEX #ACE18A | qconv.com Color code: HEX #ACE18A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 225 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 225 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 39% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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