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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACDE8D it is the complementary color #532172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACDE8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACDE8D shade: #B1DE88, #C2F09B, #D3FFAE, #E4FFC1 and #F5FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACDE8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACDE8D shade: #ACDE8D, #9BCC7A, #8ABA67, #79A854 and #689641

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACDE8D shade: #ABDD8C, #C1DD8C, #D7DD8C, #DDCE8C and #DDB88C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACDE8D shade: #ABDD8C, #95DD8C, #8CDD99, #8CDDAF and #8CDDC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACDE8D shade matches the following richer shades: #ABDD8C, #A8E980 and #A5F574

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACDE8D shade: #ABDD8C, #AED198, #B1C5A4, #B3B9B0 and #B6ADBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACDE8D shade: #D6DD8C, #C1DD8C, #ABDD8C, #95DD8C and #8CDD98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACDE8D shade: #7CCB4C, #94D46C, #ABDD8C, #C2E7AC and #DAF0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACDE8D shade: #ACDE8D, #8CDDCE and #DD8CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACDE8D shade: #ACDE8D, #8CABDD and #DD8CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACDE8D shade: #ACDE8D, #8CDDCE, #BE8CDD and #DD8C9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACDE8D shade: #ACDE8D, #8CD4DD, #BE8CDD and #DD958C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 36 / 13

HEX #ACDE8D

RGB 172 222 141

HSL 97.04, 0.55%, 0.71%

LAB 83.41, -30.47, 34.63

 

Complementary color

CMYK 27 / 71 / 0 / 55

HEX #532172

RGB 83 33 114

HSL 277.04, 0.55%, 0.29%

LAB 24.13, 38.06, -37.09

 

CMYK 20 / 0 / 39 / 13

HEX #B1DE88

RGB 177 222 136

HSL 91.4, 0.57%, 0.7%

LAB 83.64, -29.37, 37.5

 

CMYK 19 / 0 / 35 / 6

HEX #C2F09B

RGB 194 240 155

HSL 92.47, 0.74%, 0.77%

LAB 89.93, -29.3, 36.38

 

CMYK 17 / 0 / 32 / 0

HEX #D3FFAE

RGB 211 255 174

HSL 92.59, 1%, 0.84%

LAB 95.34, -27.81, 34.23

 

CMYK 11 / 0 / 24 / 0

HEX #E4FFC1

RGB 228 255 193

HSL 86.13, 1%, 0.88%

LAB 96.76, -19.18, 26.8

 

CMYK 4 / 0 / 17 / 0

HEX #F5FFD4

RGB 245 255 212

HSL 73.95, 1%, 0.92%

LAB 98.31, -10.42, 19.47

 

CMYK 23 / 0 / 36 / 13

HEX #ACDE8D

RGB 172 222 141

HSL 97.04, 0.55%, 0.71%

LAB 83.41, -30.47, 34.63

 

CMYK 24 / 0 / 40 / 20

HEX #9BCC7A

RGB 155 204 122

HSL 95.85, 0.45%, 0.64%

LAB 77.02, -30.59, 35.77

 

CMYK 26 / 0 / 45 / 27

HEX #8ABA67

RGB 138 186 103

HSL 94.7, 0.38%, 0.57%

LAB 70.53, -30.68, 36.96

 

CMYK 28 / 0 / 50 / 34

HEX #79A854

RGB 121 168 84

HSL 93.57, 0.33%, 0.49%

LAB 63.93, -30.74, 38.16

 

CMYK 31 / 0 / 57 / 41

HEX #689641

RGB 104 150 65

HSL 92.47, 0.4%, 0.42%

LAB 57.21, -30.73, 39.34

 

CMYK 23 / 0 / 37 / 13

HEX #ABDD8C

RGB 171 221 140

HSL 97.04, 0.54%, 0.71%

LAB 83.05, -30.49, 34.66

 

CMYK 13 / 0 / 37 / 13

HEX #C1DD8C

RGB 193 221 140

HSL 80.74, 0.54%, 0.71%

LAB 84.45, -22.53, 36.75

 

CMYK 3 / 0 / 37 / 13

HEX #D7DD8C

RGB 215 221 140

HSL 64.44, 0.54%, 0.71%

LAB 86.03, -14.21, 39.1

 

CMYK 0 / 7 / 37 / 13

HEX #DDCE8C

RGB 221 206 140

HSL 48.89, 0.54%, 0.71%

LAB 82.6, -4.27, 34.74

 

CMYK 0 / 17 / 37 / 13

HEX #DDB88C

RGB 221 184 140

HSL 32.59, 0.54%, 0.71%

LAB 77.01, 7.23, 27.34

 

CMYK 23 / 0 / 37 / 13

HEX #ABDD8C

RGB 171 221 140

HSL 97.04, 0.54%, 0.71%

LAB 83.05, -30.49, 34.66

 

CMYK 33 / 0 / 37 / 13

HEX #95DD8C

RGB 149 221 140

HSL 113.33, 0.54%, 0.71%

LAB 81.84, -37.92, 32.83

 

CMYK 37 / 0 / 31 / 13

HEX #8CDD99

RGB 140 221 153

HSL 129.63, 0.54%, 0.71%

LAB 81.61, -38.64, 25.78

 

CMYK 37 / 0 / 21 / 13

HEX #8CDDAF

RGB 140 221 175

HSL 145.93, 0.54%, 0.71%

LAB 82.05, -34.63, 14.88

 

CMYK 37 / 0 / 11 / 13

HEX #8CDDC4

RGB 140 221 196

HSL 161.48, 0.54%, 0.71%

LAB 82.53, -30.32, 4.46

 

CMYK 23 / 0 / 37 / 13

HEX #ABDD8C

RGB 171 221 140

HSL 97.04, 0.54%, 0.71%

LAB 83.05, -30.49, 34.66

 

CMYK 28 / 0 / 45 / 9

HEX #A8E980

RGB 168 233 128

HSL 97.14, 0.7%, 0.71%

LAB 86.09, -38.61, 44.46

 

CMYK 33 / 0 / 53 / 4

HEX #A5F574

RGB 165 245 116

HSL 97.21, 0.87%, 0.71%

LAB 89.19, -46.25, 53.86

 

CMYK 23 / 0 / 37 / 13

HEX #ABDD8C

RGB 171 221 140

HSL 97.04, 0.54%, 0.71%

LAB 83.05, -30.49, 34.66

 

CMYK 17 / 0 / 27 / 18

HEX #AED198

RGB 174 209 152

HSL 96.84, 0.38%, 0.71%

LAB 80.1, -21.9, 24.56

 

CMYK 10 / 0 / 17 / 23

HEX #B1C5A4

RGB 177 197 164

HSL 96.36, 0.22%, 0.71%

LAB 77.26, -12.85, 14.29

 

CMYK 3 / 0 / 5 / 27

HEX #B3B9B0

RGB 179 185 176

HSL 100, 0.06%, 0.71%

LAB 74.46, -3.76, 3.83

 

CMYK 3 / 8 / 0 / 26

HEX #B6ADBC

RGB 182 173 188

HSL 276, 0.1%, 0.71%

LAB 71.87, 6.02, -6.5

 

CMYK 3 / 0 / 37 / 13

HEX #D6DD8C

RGB 214 221 140

HSL 65.19, 0.54%, 0.71%

LAB 85.96, -14.59, 38.99

 

CMYK 13 / 0 / 37 / 13

HEX #C1DD8C

RGB 193 221 140

HSL 80.74, 0.54%, 0.71%

LAB 84.45, -22.53, 36.75

 

CMYK 23 / 0 / 37 / 13

HEX #ABDD8C

RGB 171 221 140

HSL 97.04, 0.54%, 0.71%

LAB 83.05, -30.49, 34.66

 

CMYK 33 / 0 / 37 / 13

HEX #95DD8C

RGB 149 221 140

HSL 113.33, 0.54%, 0.71%

LAB 81.84, -37.92, 32.83

 

CMYK 37 / 0 / 31 / 13

HEX #8CDD98

RGB 140 221 152

HSL 128.89, 0.54%, 0.71%

LAB 81.6, -38.81, 26.27

 

CMYK 39 / 0 / 63 / 20

HEX #7CCB4C

RGB 124 203 76

HSL 97.32, 0.55%, 0.55%

LAB 74.52, -46.1, 54.23

 

CMYK 30 / 0 / 49 / 17

HEX #94D46C

RGB 148 212 108

HSL 96.92, 0.55%, 0.63%

LAB 78.73, -38.5, 44.79

 

CMYK 23 / 0 / 37 / 13

HEX #ABDD8C

RGB 171 221 140

HSL 97.04, 0.54%, 0.71%

LAB 83.05, -30.49, 34.66

 

CMYK 16 / 0 / 26 / 9

HEX #C2E7AC

RGB 194 231 172

HSL 97.63, 0.55%, 0.79%

LAB 87.78, -22.55, 24.85

 

CMYK 9 / 0 / 15 / 6

HEX #DAF0CC

RGB 218 240 204

HSL 96.67, 0.55%, 0.87%

LAB 92.39, -13.59, 14.98

 

CMYK 23 / 0 / 36 / 13

HEX #ACDE8D

RGB 172 222 141

HSL 97.04, 0.55%, 0.71%

LAB 83.41, -30.47, 34.63

 

CMYK 37 / 0 / 7 / 13

HEX #8CDDCE

RGB 140 221 206

HSL 168.89, 0.54%, 0.71%

LAB 82.78, -28.11, -0.47

 

CMYK 0 / 37 / 8 / 13

HEX #DD8CCC

RGB 221 140 204

HSL 312.59, 0.54%, 0.71%

LAB 68.38, 40.18, -20.21

 

CMYK 23 / 0 / 36 / 13

HEX #ACDE8D

RGB 172 222 141

HSL 97.04, 0.55%, 0.71%

LAB 83.41, -30.47, 34.63

 

CMYK 37 / 23 / 0 / 13

HEX #8CABDD

RGB 140 171 221

HSL 217.04, 0.54%, 0.71%

LAB 69.41, 1.56, -28.64

 

CMYK 0 / 37 / 23 / 13

HEX #DD8CAB

RGB 221 140 171

HSL 337.04, 0.54%, 0.71%

LAB 67.33, 34.94, -3.33

 

CMYK 23 / 0 / 36 / 13

HEX #ACDE8D

RGB 172 222 141

HSL 97.04, 0.55%, 0.71%

LAB 83.41, -30.47, 34.63

 

CMYK 37 / 0 / 7 / 13

HEX #8CDDCE

RGB 140 221 206

HSL 168.89, 0.54%, 0.71%

LAB 82.78, -28.11, -0.47

 

CMYK 14 / 37 / 0 / 13

HEX #BE8CDD

RGB 190 140 221

HSL 277.04, 0.54%, 0.71%

LAB 65.69, 33.69, -34.08

 

CMYK 0 / 37 / 30 / 13

HEX #DD8C9B

RGB 221 140 155

HSL 348.89, 0.54%, 0.71%

LAB 66.9, 32.71, 5.04

 

CMYK 23 / 0 / 36 / 13

HEX #ACDE8D

RGB 172 222 141

HSL 97.04, 0.55%, 0.71%

LAB 83.41, -30.47, 34.63

 

CMYK 37 / 4 / 0 / 13

HEX #8CD4DD

RGB 140 212 221

HSL 186.67, 0.54%, 0.71%

LAB 80.67, -20.16, -11.57

 

CMYK 14 / 37 / 0 / 13

HEX #BE8CDD

RGB 190 140 221

HSL 277.04, 0.54%, 0.71%

LAB 65.69, 33.69, -34.08

 

CMYK 0 / 33 / 37 / 13

HEX #DD958C

RGB 221 149 140

HSL 6.67, 0.54%, 0.71%

LAB 68.58, 26, 15.82

 

Description

Color code: HEX #ACDE8D | qconv.com Color code: HEX #ACDE8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 222 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 222 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 36 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 36% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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