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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACD325 it is the complementary color #532CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACD325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACD325 shade: #B1D320, #C2E533, #D3F746, #E4FF59 and #F5FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACD325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACD325 shade: #ACD325, #9BC112, #8AAF00, #799D00 and #688B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACD325 shade: #ADD425, #D4CC25, #D49D25, #D46E25 and #D43E25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACD325 shade: #ADD425, #7ED425, #4ED425, #25D42B and #25D45A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACD325 shade matches the following richer shades: #ADD425 and #B8E811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACD325 shade: #ADD425, #A2C039, #96AB4D, #8B9762 and #808376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACD325 shade: #D49D25, #D4CB25, #AED425, #7FD425 and #51D425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACD325 shade: #748E19, #90B11F, #ADD425, #BBDE44 and #C8E468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACD325 shade: #ACD325, #25D46E and #B425D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACD325 shade: #ACD325, #25AED4 and #D425AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACD325 shade: #ACD325, #25D46E, #4B25D4 and #D4258B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACD325 shade: #ACD325, #25D4A2, #4B25D4 and #D42557

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 17

HEX #ACD325

RGB 172 211 37

HSL 73.45, 0.7%, 0.49%

LAB 79.32, -34.19, 73.17

 

Complementary color

CMYK 62 / 80 / 0 / 15

HEX #532CDA

RGB 83 44 218

HSL 253.45, 0.7%, 0.51%

LAB 35.4, 60.82, -81.57

 

CMYK 16 / 0 / 85 / 17

HEX #B1D320

RGB 177 211 32

HSL 71.4, 0.74%, 0.48%

LAB 79.64, -32.34, 74.7

 

CMYK 15 / 0 / 78 / 10

HEX #C2E533

RGB 194 229 51

HSL 71.8, 0.77%, 0.55%

LAB 85.88, -33.2, 75.86

 

CMYK 15 / 0 / 72 / 3

HEX #D3F746

RGB 211 247 70

HSL 72.2, 0.92%, 0.62%

LAB 92.05, -33.9, 76.19

 

CMYK 11 / 0 / 65 / 0

HEX #E4FF59

RGB 228 255 89

HSL 69.76, 1%, 0.67%

LAB 95.47, -29.89, 73.23

 

CMYK 4 / 0 / 58 / 0

HEX #F5FF6C

RGB 245 255 108

HSL 64.08, 1%, 0.71%

LAB 96.83, -21.99, 67.44

 

CMYK 18 / 0 / 82 / 17

HEX #ACD325

RGB 172 211 37

HSL 73.45, 0.7%, 0.49%

LAB 79.32, -34.19, 73.17

 

CMYK 20 / 0 / 91 / 24

HEX #9BC112

RGB 155 193 18

HSL 73.03, 0.83%, 0.41%

LAB 72.99, -33.24, 71.22

 

CMYK 21 / 0 / 100 / 31

HEX #8AAF00

RGB 138 175 0

HSL 72.69, 1%, 0.34%

LAB 66.57, -32.11, 67.98

 

CMYK 23 / 0 / 100 / 38

HEX #799D00

RGB 121 157 0

HSL 73.76, 1%, 0.31%

LAB 60.05, -30.69, 62.55

 

CMYK 25 / 0 / 100 / 45

HEX #688B00

RGB 104 139 0

HSL 75.11, 1%, 0.27%

LAB 53.39, -29.26, 57.01

 

CMYK 18 / 0 / 83 / 17

HEX #ADD425

RGB 173 212 37

HSL 73.37, 0.7%, 0.49%

LAB 79.67, -34.25, 73.49

 

CMYK 0 / 4 / 83 / 17

HEX #D4CC25

RGB 212 204 37

HSL 57.26, 0.7%, 0.49%

LAB 80.36, -14.2, 75.22

 

CMYK 0 / 26 / 83 / 17

HEX #D49D25

RGB 212 157 37

HSL 41.14, 0.7%, 0.49%

LAB 68.2, 10.33, 64.87

 

CMYK 0 / 48 / 83 / 17

HEX #D46E25

RGB 212 110 37

HSL 25.03, 0.7%, 0.49%

LAB 57.35, 35.48, 55.39

 

CMYK 0 / 71 / 83 / 17

HEX #D43E25

RGB 212 62 37

HSL 8.57, 0.7%, 0.49%

LAB 48.98, 57.33, 47.82

 

CMYK 18 / 0 / 83 / 17

HEX #ADD425

RGB 173 212 37

HSL 73.37, 0.7%, 0.49%

LAB 79.67, -34.25, 73.49

 

CMYK 41 / 0 / 83 / 17

HEX #7ED425

RGB 126 212 37

HSL 89.49, 0.7%, 0.49%

LAB 77.07, -51.61, 70.21

 

CMYK 63 / 0 / 83 / 17

HEX #4ED425

RGB 78 212 37

HSL 105.94, 0.7%, 0.49%

LAB 75.35, -65, 68.02

 

CMYK 83 / 0 / 80 / 17

HEX #25D42B

RGB 37 212 43

HSL 122.06, 0.7%, 0.49%

LAB 74.61, -71.29, 65.45

 

CMYK 83 / 0 / 58 / 17

HEX #25D45A

RGB 37 212 90

HSL 138.17, 0.7%, 0.49%

LAB 74.96, -66.87, 47.88

 

CMYK 18 / 0 / 83 / 17

HEX #ADD425

RGB 173 212 37

HSL 73.37, 0.7%, 0.49%

LAB 79.67, -34.25, 73.49

 

CMYK 21 / 0 / 93 / 9

HEX #B8E811

RGB 184 232 17

HSL 73.4, 0.86%, 0.49%

LAB 85.98, -39.4, 82.46

 

CMYK 18 / 0 / 83 / 17

HEX #ADD425

RGB 173 212 37

HSL 73.37, 0.7%, 0.49%

LAB 79.67, -34.25, 73.49

 

CMYK 16 / 0 / 70 / 25

HEX #A2C039

RGB 162 192 57

HSL 73.33, 0.54%, 0.49%

LAB 73.33, -28.44, 61.25

 

CMYK 12 / 0 / 55 / 33

HEX #96AB4D

RGB 150 171 77

HSL 73.4, 0.38%, 0.49%

LAB 66.63, -21.58, 45.27

 

CMYK 8 / 0 / 35 / 41

HEX #8B9762

RGB 139 151 98

HSL 73.58, 0.21%, 0.49%

LAB 60.34, -13.39, 26.53

 

CMYK 2 / 0 / 10 / 49

HEX #808376

RGB 128 131 118

HSL 73.85, 0.05%, 0.49%

LAB 54.16, -3.62, 6.64

 

CMYK 0 / 26 / 83 / 17

HEX #D49D25

RGB 212 157 37

HSL 41.14, 0.7%, 0.49%

LAB 68.2, 10.33, 64.87

 

CMYK 0 / 4 / 83 / 17

HEX #D4CB25

RGB 212 203 37

HSL 56.91, 0.7%, 0.49%

LAB 80.09, -13.7, 75

 

CMYK 18 / 0 / 83 / 17

HEX #AED425

RGB 174 212 37

HSL 73.03, 0.7%, 0.49%

LAB 79.74, -33.85, 73.58

 

CMYK 40 / 0 / 83 / 17

HEX #7FD425

RGB 127 212 37

HSL 89.14, 0.7%, 0.49%

LAB 77.12, -51.28, 70.27

 

CMYK 62 / 0 / 83 / 17

HEX #51D425

RGB 81 212 37

HSL 104.91, 0.7%, 0.49%

LAB 75.43, -64.33, 68.12

 

CMYK 18 / 0 / 82 / 44

HEX #748E19

RGB 116 142 25

HSL 73.33, 0.7%, 0.33%

LAB 55.21, -24.92, 53.69

 

CMYK 19 / 0 / 82 / 31

HEX #90B11F

RGB 144 177 31

HSL 73.56, 0.7%, 0.41%

LAB 67.63, -29.89, 63.76

 

CMYK 18 / 0 / 83 / 17

HEX #ADD425

RGB 173 212 37

HSL 73.37, 0.7%, 0.49%

LAB 79.67, -34.25, 73.49

 

CMYK 16 / 0 / 69 / 13

HEX #BBDE44

RGB 187 222 68

HSL 73.64, 0.7%, 0.57%

LAB 83.56, -31.92, 68

 

CMYK 12 / 0 / 54 / 11

HEX #C8E468

RGB 200 228 104

HSL 73.55, 0.7%, 0.65%

LAB 86.39, -27.05, 56.53

 

CMYK 18 / 0 / 82 / 17

HEX #ACD325

RGB 172 211 37

HSL 73.45, 0.7%, 0.49%

LAB 79.32, -34.19, 73.17

 

CMYK 83 / 0 / 48 / 17

HEX #25D46E

RGB 37 212 110

HSL 145.03, 0.7%, 0.49%

LAB 75.21, -63.95, 38.65

 

CMYK 15 / 83 / 0 / 17

HEX #B425D4

RGB 180 37 212

HSL 289.03, 0.7%, 0.49%

LAB 46.68, 75.34, -59.18

 

CMYK 18 / 0 / 82 / 17

HEX #ACD325

RGB 172 211 37

HSL 73.45, 0.7%, 0.49%

LAB 79.32, -34.19, 73.17

 

CMYK 83 / 18 / 0 / 17

HEX #25AED4

RGB 37 174 212

HSL 193.03, 0.7%, 0.49%

LAB 66.07, -21.94, -29.16

 

CMYK 0 / 83 / 18 / 17

HEX #D425AE

RGB 212 37 174

HSL 313.03, 0.7%, 0.49%

LAB 49.95, 75.66, -31.56

 

CMYK 18 / 0 / 82 / 17

HEX #ACD325

RGB 172 211 37

HSL 73.45, 0.7%, 0.49%

LAB 79.32, -34.19, 73.17

 

CMYK 83 / 0 / 48 / 17

HEX #25D46E

RGB 37 212 110

HSL 145.03, 0.7%, 0.49%

LAB 75.21, -63.95, 38.65

 

CMYK 65 / 83 / 0 / 17

HEX #4B25D4

RGB 75 37 212

HSL 253.03, 0.7%, 0.49%

LAB 33.08, 61.32, -81.99

 

CMYK 0 / 83 / 34 / 17

HEX #D4258B

RGB 212 37 139

HSL 325.03, 0.7%, 0.49%

LAB 48.49, 71.56, -12.94

 

CMYK 18 / 0 / 82 / 17

HEX #ACD325

RGB 172 211 37

HSL 73.45, 0.7%, 0.49%

LAB 79.32, -34.19, 73.17

 

CMYK 83 / 0 / 24 / 17

HEX #25D4A2

RGB 37 212 162

HSL 162.86, 0.7%, 0.49%

LAB 76.12, -53.55, 12.99

 

CMYK 65 / 83 / 0 / 17

HEX #4B25D4

RGB 75 37 212

HSL 253.03, 0.7%, 0.49%

LAB 33.08, 61.32, -81.99

 

CMYK 0 / 83 / 59 / 17

HEX #D42557

RGB 212 37 87

HSL 342.86, 0.7%, 0.49%

LAB 46.99, 67.17, 16.73

 

Description

Color code: HEX #ACD325 | qconv.com Color code: HEX #ACD325 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 211 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 211 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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