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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACD990 it is the complementary color #53266F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACD990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACD990 shade: #B1D98B, #C2EB9E, #D3FDB1, #E4FFC4 and #F5FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACD990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACD990 shade: #ACD990, #9BC77D, #8AB56A, #79A357 and #689144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACD990 shade: #ACD990, #C0D990, #D3D990, #D9CB90 and #D9B790

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACD990 shade: #ACD990, #99D990, #90D99C, #90D9AF and #90D9C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACD990 shade matches the following richer shades: #ACD990, #A9E584, #A7F178 and #A4FD6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACD990 shade: #ACD990, #AFCD9C, #B2C1A8, #B4B5B4 and #B7A9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACD990 shade: #D4D990, #C1D990, #ADD990, #9AD990 and #90D99A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACD990 shade: #7EC453, #95CE72, #ACD990, #C3E3AF and #DAEECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACD990 shade: #ACD990, #90D9CA and #D990CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACD990 shade: #ACD990, #90ADD9 and #D990AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACD990 shade: #ACD990, #90D9CA, #BC90D9 and #D9909F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACD990 shade: #ACD990, #90D2D9, #BC90D9 and #D99890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

Complementary color

CMYK 25 / 66 / 0 / 56

HEX #53266F

RGB 83 38 111

HSL 276.99, 0.49%, 0.29%

LAB 24.87, 34.71, -33.98

 

CMYK 18 / 0 / 36 / 15

HEX #B1D98B

RGB 177 217 139

HSL 90.77, 0.51%, 0.7%

LAB 82.29, -26.59, 34.23

 

CMYK 17 / 0 / 33 / 8

HEX #C2EB9E

RGB 194 235 158

HSL 91.95, 0.66%, 0.77%

LAB 88.62, -26.52, 33.14

 

CMYK 17 / 0 / 30 / 1

HEX #D3FDB1

RGB 211 253 177

HSL 93.16, 0.95%, 0.84%

LAB 94.85, -26.45, 32.08

 

CMYK 11 / 0 / 23 / 0

HEX #E4FFC4

RGB 228 255 196

HSL 87.46, 1%, 0.88%

LAB 96.82, -18.74, 25.35

 

CMYK 4 / 0 / 16 / 0

HEX #F5FFD7

RGB 245 255 215

HSL 75, 1%, 0.92%

LAB 98.37, -9.96, 18.02

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 22 / 0 / 37 / 22

HEX #9BC77D

RGB 155 199 125

HSL 95.68, 0.4%, 0.64%

LAB 75.64, -27.79, 32.44

 

CMYK 24 / 0 / 41 / 29

HEX #8AB56A

RGB 138 181 106

HSL 94.4, 0.34%, 0.56%

LAB 69.11, -27.9, 33.62

 

CMYK 26 / 0 / 47 / 36

HEX #79A357

RGB 121 163 87

HSL 93.16, 0.3%, 0.49%

LAB 62.46, -27.97, 34.83

 

CMYK 28 / 0 / 53 / 43

HEX #689144

RGB 104 145 68

HSL 91.95, 0.36%, 0.42%

LAB 55.7, -28, 36.05

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 12 / 0 / 34 / 15

HEX #C0D990

RGB 192 217 144

HSL 80.55, 0.49%, 0.71%

LAB 83.36, -20.43, 33.28

 

CMYK 3 / 0 / 34 / 15

HEX #D3D990

RGB 211 217 144

HSL 64.93, 0.49%, 0.71%

LAB 84.73, -13.27, 35.34

 

CMYK 0 / 6 / 34 / 15

HEX #D9CB90

RGB 217 203 144

HSL 48.49, 0.49%, 0.71%

LAB 81.55, -3.82, 31.23

 

CMYK 0 / 16 / 34 / 15

HEX #D9B790

RGB 217 183 144

HSL 32.05, 0.49%, 0.71%

LAB 76.46, 6.67, 24.4

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 29 / 0 / 34 / 15

HEX #99D990

RGB 153 217 144

HSL 112.6, 0.49%, 0.71%

LAB 80.97, -34.17, 29.67

 

CMYK 34 / 0 / 28 / 15

HEX #90D99C

RGB 144 217 156

HSL 129.86, 0.49%, 0.71%

LAB 80.71, -35.08, 23.02

 

CMYK 34 / 0 / 19 / 15

HEX #90D9AF

RGB 144 217 175

HSL 145.48, 0.49%, 0.71%

LAB 81.1, -31.59, 13.57

 

CMYK 34 / 0 / 10 / 15

HEX #90D9C3

RGB 144 217 195

HSL 161.92, 0.49%, 0.71%

LAB 81.56, -27.5, 3.63

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 26 / 0 / 42 / 10

HEX #A9E584

RGB 169 229 132

HSL 97.11, 0.65%, 0.71%

LAB 85.07, -35.96, 41.23

 

CMYK 31 / 0 / 50 / 5

HEX #A7F178

RGB 167 241 120

HSL 96.69, 0.81%, 0.71%

LAB 88.2, -43.42, 50.85

 

CMYK 35 / 0 / 57 / 1

HEX #A4FD6C

RGB 164 253 108

HSL 96.83, 0.97%, 0.71%

LAB 91.34, -50.75, 59.91

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 15 / 0 / 24 / 20

HEX #AFCD9C

RGB 175 205 156

HSL 96.73, 0.33%, 0.71%

LAB 79.14, -18.93, 21.15

 

CMYK 8 / 0 / 13 / 24

HEX #B2C1A8

RGB 178 193 168

HSL 96, 0.17%, 0.71%

LAB 76.33, -9.75, 10.85

 

CMYK 1 / 0 / 1 / 29

HEX #B4B5B4

RGB 180 181 180

HSL 120, 0.01%, 0.71%

LAB 73.58, -0.53, 0.38

 

CMYK 5 / 12 / 0 / 25

HEX #B7A9C0

RGB 183 169 192

HSL 276.52, 0.15%, 0.71%

LAB 71.04, 9.34, -9.92

 

CMYK 2 / 0 / 34 / 15

HEX #D4D990

RGB 212 217 144

HSL 64.11, 0.49%, 0.71%

LAB 84.81, -12.89, 35.45

 

CMYK 11 / 0 / 34 / 15

HEX #C1D990

RGB 193 217 144

HSL 79.73, 0.49%, 0.71%

LAB 83.43, -20.06, 33.38

 

CMYK 20 / 0 / 34 / 15

HEX #ADD990

RGB 173 217 144

HSL 96.16, 0.49%, 0.71%

LAB 82.12, -27.33, 31.41

 

CMYK 29 / 0 / 34 / 15

HEX #9AD990

RGB 154 217 144

HSL 111.78, 0.49%, 0.71%

LAB 81.02, -33.84, 29.75

 

CMYK 34 / 0 / 29 / 15

HEX #90D99A

RGB 144 217 154

HSL 128.22, 0.49%, 0.71%

LAB 80.68, -35.43, 24.01

 

CMYK 36 / 0 / 58 / 23

HEX #7EC453

RGB 126 196 83

HSL 97.17, 0.49%, 0.55%

LAB 72.59, -41.77, 48.98

 

CMYK 28 / 0 / 45 / 19

HEX #95CE72

RGB 149 206 114

HSL 97.17, 0.48%, 0.63%

LAB 77.13, -34.69, 39.87

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 14 / 0 / 23 / 11

HEX #C3E3AF

RGB 195 227 175

HSL 96.92, 0.48%, 0.79%

LAB 86.82, -19.78, 21.99

 

CMYK 8 / 0 / 13 / 7

HEX #DAEECE

RGB 218 238 206

HSL 97.5, 0.48%, 0.87%

LAB 91.91, -12.26, 13.27

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 34 / 0 / 7 / 15

HEX #90D9CA

RGB 144 217 202

HSL 167.67, 0.49%, 0.71%

LAB 81.74, -25.97, 0.16

 

CMYK 0 / 34 / 7 / 15

HEX #D990CA

RGB 217 144 202

HSL 312.33, 0.49%, 0.71%

LAB 68.72, 36.41, -18.62

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 34 / 20 / 0 / 15

HEX #90ADD9

RGB 144 173 217

HSL 216.16, 0.49%, 0.71%

LAB 70.05, 0.53, -25.45

 

CMYK 0 / 34 / 20 / 15

HEX #D990AD

RGB 217 144 173

HSL 336.16, 0.49%, 0.71%

LAB 67.81, 31.69, -3.79

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 34 / 0 / 7 / 15

HEX #90D9CA

RGB 144 217 202

HSL 167.67, 0.49%, 0.71%

LAB 81.74, -25.97, 0.16

 

CMYK 13 / 34 / 0 / 15

HEX #BC90D9

RGB 188 144 217

HSL 276.16, 0.49%, 0.71%

LAB 66.25, 30.01, -31.01

 

CMYK 0 / 34 / 27 / 15

HEX #D9909F

RGB 217 144 159

HSL 347.67, 0.49%, 0.71%

LAB 67.43, 29.65, 3.5

 

CMYK 21 / 0 / 34 / 15

HEX #ACD990

RGB 172 217 144

HSL 96.99, 0.49%, 0.71%

LAB 82.06, -27.68, 31.32

 

CMYK 34 / 3 / 0 / 15

HEX #90D2D9

RGB 144 210 217

HSL 185.75, 0.49%, 0.71%

LAB 80.2, -19.05, -10.12

 

CMYK 13 / 34 / 0 / 15

HEX #BC90D9

RGB 188 144 217

HSL 276.16, 0.49%, 0.71%

LAB 66.25, 30.01, -31.01

 

CMYK 0 / 30 / 34 / 15

HEX #D99890

RGB 217 152 144

HSL 6.58, 0.49%, 0.71%

LAB 68.91, 23.35, 14

 

Description

Color code: HEX #ACD990 | qconv.com Color code: HEX #ACD990 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 217 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 217 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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