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Color name
HEX #ACB2C3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB2C3 it is the complementary color #534D3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB2C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB2C3 shade: #B1B2BE, #C2C4D1, #D3D6E4, #E4E8F7 and #F5FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB2C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB2C3 shade: #ACB2C3, #9BA0B0, #8A8E9D, #797C8A and #686A77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB2C3 shade: #ACB2C3, #ACACC3, #B2ACC3, #B8ACC3 and #BEACC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB2C3 shade: #ACB2C3 and #ACACC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB2C3 shade matches the following richer shades: #ACB2C3, #A0ACCE, #95A7DA, #89A1E5 and #7D9CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB2C3 shade: #ACB2C3, #B7B7B7, #C3BDAB, #CEC2A0 and #DAC894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB2C3 shade: #ACBEC3, #ACB8C3, #ACB2C3, #ACACC3 and #B2ACC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB2C3 shade: #7C85A0, #949BB1, #ACB2C3, #C4C8D4 and #DCDEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB2C3 shade: #ACB2C3, #C1ACC3 and #BBC3AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB2C3 shade: #ACB2C3, #C3ACB2 and #B2C3AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB2C3 shade: #ACB2C3, #C1ACC3, #C3BCAC and #ADC3AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB2C3 shade: #ACB2C3, #C3ACBD, #C3BCAC and #ACC3B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

Complementary color

CMYK 0 / 7 / 28 / 67

HEX #534D3C

RGB 83 77 60

HSL 44.35, 0.16%, 0.28%

LAB 32.86, -0.66, 11

 

CMYK 7 / 6 / 0 / 25

HEX #B1B2BE

RGB 177 178 190

HSL 235.38, 0.09%, 0.72%

LAB 72.83, 1.98, -6.22

 

CMYK 7 / 6 / 0 / 18

HEX #C2C4D1

RGB 194 196 209

HSL 232, 0.14%, 0.79%

LAB 79.36, 1.8, -6.73

 

CMYK 7 / 6 / 0 / 11

HEX #D3D6E4

RGB 211 214 228

HSL 229.41, 0.24%, 0.86%

LAB 85.78, 1.63, -7.23

 

CMYK 8 / 6 / 0 / 3

HEX #E4E8F7

RGB 228 232 247

HSL 227.37, 0.54%, 0.93%

LAB 92.1, 1.46, -7.72

 

CMYK 4 / 2 / 0 / 0

HEX #F5FAFF

RGB 245 250 255

HSL 210, 1%, 0.98%

LAB 98.03, -0.74, -2.97

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 12 / 9 / 0 / 31

HEX #9BA0B0

RGB 155 160 176

HSL 225.71, 0.12%, 0.65%

LAB 65.94, 1.49, -8.89

 

CMYK 12 / 10 / 0 / 38

HEX #8A8E9D

RGB 138 142 157

HSL 227.37, 0.09%, 0.58%

LAB 59.14, 1.67, -8.43

 

CMYK 12 / 10 / 0 / 46

HEX #797C8A

RGB 121 124 138

HSL 229.41, 0.07%, 0.51%

LAB 52.19, 1.87, -7.97

 

CMYK 13 / 11 / 0 / 53

HEX #686A77

RGB 104 106 119

HSL 232, 0.07%, 0.44%

LAB 45.06, 2.08, -7.5

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 12 / 12 / 0 / 24

HEX #ACACC3

RGB 172 172 195

HSL 240, 0.16%, 0.72%

LAB 71.02, 4.59, -11.7

 

CMYK 9 / 12 / 0 / 24

HEX #B2ACC3

RGB 178 172 195

HSL 255.65, 0.16%, 0.72%

LAB 71.49, 6.6, -10.95

 

CMYK 6 / 12 / 0 / 24

HEX #B8ACC3

RGB 184 172 195

HSL 271.3, 0.16%, 0.72%

LAB 71.98, 8.63, -10.16

 

CMYK 3 / 12 / 0 / 24

HEX #BEACC3

RGB 190 172 195

HSL 286.96, 0.16%, 0.72%

LAB 72.49, 10.68, -9.35

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 12 / 12 / 0 / 24

HEX #ACACC3

RGB 172 172 195

HSL 240, 0.16%, 0.72%

LAB 71.02, 4.59, -11.7

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 22 / 17 / 0 / 19

HEX #A0ACCE

RGB 160 172 206

HSL 224.35, 0.32%, 0.72%

LAB 70.48, 3.15, -18.66

 

CMYK 32 / 23 / 0 / 15

HEX #95A7DA

RGB 149 167 218

HSL 224.35, 0.48%, 0.72%

LAB 68.82, 5.54, -27.87

 

CMYK 40 / 30 / 0 / 10

HEX #89A1E5

RGB 137 161 229

HSL 224.35, 0.64%, 0.72%

LAB 66.87, 8.54, -36.99

 

CMYK 48 / 35 / 0 / 5

HEX #7D9CF1

RGB 125 156 241

HSL 223.97, 0.81%, 0.72%

LAB 65.35, 11.87, -46.02

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 0 / 3 / 12 / 24

HEX #C3BDAB

RGB 195 189 171

HSL 45, 0.17%, 0.72%

LAB 76.64, -0.99, 9.84

 

CMYK 0 / 6 / 22 / 19

HEX #CEC2A0

RGB 206 194 160

HSL 44.35, 0.32%, 0.72%

LAB 78.6, -1.23, 18.64

 

CMYK 0 / 8 / 32 / 15

HEX #DAC894

RGB 218 200 148

HSL 44.57, 0.49%, 0.72%

LAB 80.93, -1.38, 28.34

 

CMYK 12 / 3 / 0 / 24

HEX #ACBEC3

RGB 172 190 195

HSL 193.04, 0.16%, 0.72%

LAB 75.78, -5.13, -4.62

 

CMYK 12 / 6 / 0 / 24

HEX #ACB8C3

RGB 172 184 195

HSL 208.7, 0.16%, 0.72%

LAB 74.18, -1.92, -6.99

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 12 / 12 / 0 / 24

HEX #ACACC3

RGB 172 172 195

HSL 240, 0.16%, 0.72%

LAB 71.02, 4.59, -11.7

 

CMYK 9 / 12 / 0 / 24

HEX #B2ACC3

RGB 178 172 195

HSL 255.65, 0.16%, 0.72%

LAB 71.49, 6.6, -10.95

 

CMYK 23 / 17 / 0 / 37

HEX #7C85A0

RGB 124 133 160

HSL 225, 0.16%, 0.56%

LAB 55.68, 2.8, -15.47

 

CMYK 16 / 12 / 0 / 31

HEX #949BB1

RGB 148 155 177

HSL 225.52, 0.16%, 0.64%

LAB 64.09, 2.15, -12.27

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 8 / 6 / 0 / 17

HEX #C4C8D4

RGB 196 200 212

HSL 225, 0.16%, 0.8%

LAB 80.63, 0.93, -6.45

 

CMYK 4 / 3 / 0 / 10

HEX #DCDEE5

RGB 220 222 229

HSL 226.67, 0.15%, 0.88%

LAB 88.5, 0.62, -3.66

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 1 / 12 / 0 / 24

HEX #C1ACC3

RGB 193 172 195

HSL 294.78, 0.16%, 0.72%

LAB 72.75, 11.71, -8.94

 

CMYK 4 / 0 / 12 / 24

HEX #BBC3AC

RGB 187 195 172

HSL 80.87, 0.16%, 0.72%

LAB 77.62, -6.89, 10.62

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 0 / 12 / 9 / 24

HEX #C3ACB2

RGB 195 172 178

HSL 344.35, 0.16%, 0.72%

LAB 72.44, 9.33, -0.03

 

CMYK 9 / 0 / 12 / 24

HEX #B2C3AC

RGB 178 195 172

HSL 104.35, 0.16%, 0.72%

LAB 76.97, -10.09, 9.59

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 1 / 12 / 0 / 24

HEX #C1ACC3

RGB 193 172 195

HSL 294.78, 0.16%, 0.72%

LAB 72.75, 11.71, -8.94

 

CMYK 0 / 4 / 12 / 24

HEX #C3BCAC

RGB 195 188 172

HSL 41.74, 0.16%, 0.72%

LAB 76.4, -0.3, 8.96

 

CMYK 11 / 0 / 12 / 24

HEX #ADC3AC

RGB 173 195 172

HSL 117.39, 0.16%, 0.72%

LAB 76.61, -11.84, 9.04

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 0 / 12 / 3 / 24

HEX #C3ACBD

RGB 195 172 189

HSL 315.65, 0.16%, 0.72%

LAB 72.75, 11.29, -5.63

 

CMYK 0 / 4 / 12 / 24

HEX #C3BCAC

RGB 195 188 172

HSL 41.74, 0.16%, 0.72%

LAB 76.4, -0.3, 8.96

 

CMYK 12 / 0 / 9 / 24

HEX #ACC3B1

RGB 172 195 177

HSL 133.04, 0.16%, 0.72%

LAB 76.66, -11.27, 6.41

 

Description

Color code: HEX #ACB2C3 | qconv.com Color code: HEX #ACB2C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 178 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 178 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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