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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB8CC it is the complementary color #534733. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB8CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB8CC shade: #B1B8C7, #C2CADA, #D3DCED, #E4EEFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB8CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB8CC shade: #ACB8CC, #9BA6B9, #8A94A6, #798293 and #687080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB8CC shade: #ACB8CC, #ACB0CC, #B2ACCC, #BAACCC and #C3ACCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB8CC shade: #ACB8CC, #ACB0CC and #ACACCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB8CC shade matches the following richer shades: #ACB8CC, #A2B6D7, #97B3E2, #8CB0EC and #81ADF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB8CC shade: #ACB8CC, #B7BBC1, #C2BEB7, #CCC0AC and #D7C3A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB8CC shade: #ACC9CC, #ACC1CC, #ACB8CC, #ACB0CC and #B1ACCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB8CC shade: #798CAD, #93A2BC, #ACB8CC, #C6CEDC and #DFE4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB8CC shade: #ACB8CC, #C6ACCC and #C5CCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB8CC shade: #ACB8CC, #CCACB8 and #B8CCAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB8CC shade: #ACB8CC, #C6ACCC, #CCC0AC and #B2CCAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB8CC shade: #ACB8CC, #CCACC8, #CCC0AC and #ACCCB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

Complementary color

CMYK 0 / 14 / 39 / 67

HEX #534733

RGB 83 71 51

HSL 37.5, 0.24%, 0.26%

LAB 30.84, 1.7, 13.92

 

CMYK 11 / 8 / 0 / 22

HEX #B1B8C7

RGB 177 184 199

HSL 220.91, 0.16%, 0.74%

LAB 74.67, 0.56, -8.41

 

CMYK 11 / 7 / 0 / 15

HEX #C2CADA

RGB 194 202 218

HSL 220, 0.24%, 0.81%

LAB 81.17, 0.4, -8.88

 

CMYK 11 / 7 / 0 / 7

HEX #D3DCED

RGB 211 220 237

HSL 219.23, 0.42%, 0.88%

LAB 87.56, 0.26, -9.35

 

CMYK 11 / 7 / 0 / 0

HEX #E4EEFF

RGB 228 238 255

HSL 217.78, 1%, 0.95%

LAB 93.82, -0.08, -9.33

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 16 / 10 / 0 / 27

HEX #9BA6B9

RGB 155 166 185

HSL 218, 0.18%, 0.67%

LAB 67.83, 0.12, -11.08

 

CMYK 17 / 11 / 0 / 35

HEX #8A94A6

RGB 138 148 166

HSL 218.57, 0.14%, 0.6%

LAB 61.08, 0.28, -10.66

 

CMYK 18 / 12 / 0 / 42

HEX #798293

RGB 121 130 147

HSL 219.23, 0.11%, 0.53%

LAB 54.17, 0.45, -10.25

 

CMYK 19 / 13 / 0 / 50

HEX #687080

RGB 104 112 128

HSL 220, 0.1%, 0.45%

LAB 47.09, 0.63, -9.84

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 16 / 14 / 0 / 20

HEX #ACB0CC

RGB 172 176 204

HSL 232.5, 0.24%, 0.74%

LAB 72.35, 4.32, -14.65

 

CMYK 13 / 16 / 0 / 20

HEX #B2ACCC

RGB 178 172 204

HSL 251.25, 0.24%, 0.74%

LAB 71.78, 8.47, -15.47

 

CMYK 9 / 16 / 0 / 20

HEX #BAACCC

RGB 186 172 204

HSL 266.25, 0.24%, 0.74%

LAB 72.43, 11.11, -14.42

 

CMYK 4 / 16 / 0 / 20

HEX #C3ACCC

RGB 195 172 204

HSL 283.13, 0.24%, 0.74%

LAB 73.2, 14.13, -13.19

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 16 / 14 / 0 / 20

HEX #ACB0CC

RGB 172 176 204

HSL 232.5, 0.24%, 0.74%

LAB 72.35, 4.32, -14.65

 

CMYK 16 / 16 / 0 / 20

HEX #ACACCC

RGB 172 172 204

HSL 240, 0.24%, 0.74%

LAB 71.31, 6.51, -16.22

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 25 / 15 / 0 / 16

HEX #A2B6D7

RGB 162 182 215

HSL 217.36, 0.4%, 0.74%

LAB 73.57, 0.38, -18.88

 

CMYK 33 / 21 / 0 / 11

HEX #97B3E2

RGB 151 179 226

HSL 217.6, 0.56%, 0.74%

LAB 72.44, 1.49, -26.68

 

CMYK 41 / 25 / 0 / 7

HEX #8CB0EC

RGB 140 176 236

HSL 217.5, 0.72%, 0.74%

LAB 71.34, 2.8, -33.87

 

CMYK 48 / 30 / 0 / 3

HEX #81ADF7

RGB 129 173 247

HSL 217.63, 0.88%, 0.74%

LAB 70.36, 4.87, -41.41

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 5 / 3 / 0 / 24

HEX #B7BBC1

RGB 183 187 193

HSL 216, 0.07%, 0.74%

LAB 75.74, -0.24, -3.52

 

CMYK 0 / 2 / 6 / 24

HEX #C2BEB7

RGB 194 190 183

HSL 38.18, 0.08%, 0.74%

LAB 77.11, 0.15, 4.02

 

CMYK 0 / 6 / 16 / 20

HEX #CCC0AC

RGB 204 192 172

HSL 37.5, 0.24%, 0.74%

LAB 78.18, 0.88, 11.59

 

CMYK 0 / 9 / 25 / 16

HEX #D7C3A1

RGB 215 195 161

HSL 37.78, 0.4%, 0.74%

LAB 79.64, 1.79, 19.67

 

CMYK 16 / 1 / 0 / 20

HEX #ACC9CC

RGB 172 201 204

HSL 185.63, 0.24%, 0.74%

LAB 78.99, -9.05, -4.77

 

CMYK 16 / 5 / 0 / 20

HEX #ACC1CC

RGB 172 193 204

HSL 200.63, 0.24%, 0.74%

LAB 76.84, -4.84, -7.94

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 16 / 14 / 0 / 20

HEX #ACB0CC

RGB 172 176 204

HSL 232.5, 0.24%, 0.74%

LAB 72.35, 4.32, -14.65

 

CMYK 13 / 16 / 0 / 20

HEX #B1ACCC

RGB 177 172 204

HSL 249.38, 0.24%, 0.74%

LAB 71.7, 8.14, -15.59

 

CMYK 30 / 19 / 0 / 32

HEX #798CAD

RGB 121 140 173

HSL 218.08, 0.24%, 0.58%

LAB 57.88, 1.07, -19.59

 

CMYK 22 / 14 / 0 / 26

HEX #93A2BC

RGB 147 162 188

HSL 218.05, 0.23%, 0.66%

LAB 66.27, 0.43, -15.15

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 10 / 6 / 0 / 14

HEX #C6CEDC

RGB 198 206 220

HSL 218.18, 0.24%, 0.82%

LAB 82.55, -0, -7.87

 

CMYK 5 / 3 / 0 / 8

HEX #DFE4EB

RGB 223 228 235

HSL 215, 0.23%, 0.9%

LAB 90.4, -0.38, -3.99

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 3 / 16 / 0 / 20

HEX #C6ACCC

RGB 198 172 204

HSL 288.75, 0.24%, 0.74%

LAB 73.46, 15.15, -12.77

 

CMYK 3 / 0 / 16 / 20

HEX #C5CCAC

RGB 197 204 172

HSL 73.13, 0.24%, 0.74%

LAB 80.76, -7.95, 15.15

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 0 / 16 / 10 / 20

HEX #CCACB8

RGB 204 172 184

HSL 337.5, 0.24%, 0.74%

LAB 73.42, 13.6, -1.8

 

CMYK 10 / 0 / 16 / 20

HEX #B8CCAC

RGB 184 204 172

HSL 97.5, 0.24%, 0.74%

LAB 79.82, -12.61, 13.69

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 3 / 16 / 0 / 20

HEX #C6ACCC

RGB 198 172 204

HSL 288.75, 0.24%, 0.74%

LAB 73.46, 15.15, -12.77

 

CMYK 0 / 6 / 16 / 20

HEX #CCC0AC

RGB 204 192 172

HSL 37.5, 0.24%, 0.74%

LAB 78.18, 0.88, 11.59

 

CMYK 13 / 0 / 16 / 20

HEX #B2CCAC

RGB 178 204 172

HSL 108.75, 0.24%, 0.74%

LAB 79.4, -14.71, 13.05

 

CMYK 16 / 10 / 0 / 20

HEX #ACB8CC

RGB 172 184 204

HSL 217.5, 0.24%, 0.74%

LAB 74.45, -0.03, -11.5

 

CMYK 0 / 16 / 2 / 20

HEX #CCACC8

RGB 204 172 200

HSL 307.5, 0.24%, 0.74%

LAB 73.88, 16.44, -9.9

 

CMYK 0 / 6 / 16 / 20

HEX #CCC0AC

RGB 204 192 172

HSL 37.5, 0.24%, 0.74%

LAB 78.18, 0.88, 11.59

 

CMYK 16 / 0 / 14 / 20

HEX #ACCCB0

RGB 172 204 176

HSL 127.5, 0.24%, 0.74%

LAB 79.09, -16.07, 10.42

 

Description

Color code: HEX #ACB8CC | qconv.com Color code: HEX #ACB8CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 184 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 184 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 10 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 10% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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