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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB5DC it is the complementary color #534A23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB5DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB5DC shade: #B1B5D7, #C2C7EA, #D3D9FD, #E4EBFF and #F5FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB5DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB5DC shade: #ACB5DC, #9BA3C9, #8A91B6, #797FA3 and #686D90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB5DC shade: #ACB5DC, #B0ACDC, #BDACDC, #CAACDC and #D7ACDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB5DC shade: #ACB5DC and #ACACDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB5DC shade matches the following richer shades: #ACB5DC, #A2AFE5, #99A9EF and #8FA3F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB5DC shade: #ACB5DC, #B5BBD2, #BFC1C9, #C8C7BF and #D2CDB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB5DC shade: #ACCFDC, #ACC2DC, #ACB5DC, #AFACDC and #BCACDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB5DC shade: #7281C4, #8F9BD0, #ACB5DC, #C9CFE8 and #E6E9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB5DC shade: #ACB5DC, #DCACDC and #C9DCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB5DC shade: #ACB5DC, #DCACB5 and #B5DCAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB5DC shade: #ACB5DC, #DCACDC, #DCD2AC and #ACDCAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB5DC shade: #ACB5DC, #DCACCD, #DCD2AC and #ACDCBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

Complementary color

CMYK 0 / 11 / 58 / 67

HEX #534A23

RGB 83 74 35

HSL 48.75, 0.41%, 0.23%

LAB 31.48, -2.1, 24.41

 

CMYK 18 / 16 / 0 / 16

HEX #B1B5D7

RGB 177 181 215

HSL 233.68, 0.32%, 0.77%

LAB 74.38, 5.59, -17.56

 

CMYK 17 / 15 / 0 / 8

HEX #C2C7EA

RGB 194 199 234

HSL 232.5, 0.49%, 0.84%

LAB 80.88, 5.34, -17.88

 

CMYK 17 / 14 / 0 / 1

HEX #D3D9FD

RGB 211 217 253

HSL 231.43, 0.91%, 0.91%

LAB 87.27, 5.11, -18.2

 

CMYK 11 / 8 / 0 / 0

HEX #E4EBFF

RGB 228 235 255

HSL 224.44, 1%, 0.95%

LAB 93.07, 1.46, -10.44

 

CMYK 4 / 1 / 0 / 0

HEX #F5FDFF

RGB 245 253 255

HSL 192, 1%, 0.98%

LAB 98.78, -2.25, -1.88

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 23 / 19 / 0 / 21

HEX #9BA3C9

RGB 155 163 201

HSL 229.57, 0.3%, 0.7%

LAB 67.56, 5.42, -20.37

 

CMYK 24 / 20 / 0 / 29

HEX #8A91B6

RGB 138 145 182

HSL 230.45, 0.23%, 0.63%

LAB 60.81, 5.73, -20.13

 

CMYK 26 / 22 / 0 / 36

HEX #797FA3

RGB 121 127 163

HSL 231.43, 0.19%, 0.56%

LAB 53.91, 6.06, -19.92

 

CMYK 28 / 24 / 0 / 44

HEX #686D90

RGB 104 109 144

HSL 232.5, 0.16%, 0.49%

LAB 46.84, 6.45, -19.75

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 20 / 22 / 0 / 14

HEX #B0ACDC

RGB 176 172 220

HSL 245, 0.41%, 0.77%

LAB 72.16, 11.34, -23.66

 

CMYK 14 / 22 / 0 / 14

HEX #BDACDC

RGB 189 172 220

HSL 261.25, 0.41%, 0.77%

LAB 73.21, 15.44, -21.97

 

CMYK 8 / 22 / 0 / 14

HEX #CAACDC

RGB 202 172 220

HSL 277.5, 0.41%, 0.77%

LAB 74.34, 19.63, -20.16

 

CMYK 2 / 22 / 0 / 14

HEX #D7ACDC

RGB 215 172 220

HSL 293.75, 0.41%, 0.77%

LAB 75.53, 23.9, -18.24

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 22 / 22 / 0 / 14

HEX #ACACDC

RGB 172 172 220

HSL 240, 0.41%, 0.77%

LAB 71.85, 10.1, -24.16

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 29 / 24 / 0 / 10

HEX #A2AFE5

RGB 162 175 229

HSL 228.36, 0.56%, 0.77%

LAB 72.23, 7.59, -28.57

 

CMYK 36 / 29 / 0 / 6

HEX #99A9EF

RGB 153 169 239

HSL 228.84, 0.73%, 0.77%

LAB 70.44, 10.96, -36.83

 

CMYK 42 / 34 / 0 / 3

HEX #8FA3F8

RGB 143 163 248

HSL 228.57, 0.88%, 0.77%

LAB 68.61, 14.2, -44.63

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 14 / 11 / 0 / 18

HEX #B5BBD2

RGB 181 187 210

HSL 227.59, 0.24%, 0.77%

LAB 76.08, 2.54, -12.26

 

CMYK 5 / 4 / 0 / 21

HEX #BFC1C9

RGB 191 193 201

HSL 228, 0.08%, 0.77%

LAB 78.13, 0.83, -4.26

 

CMYK 0 / 0 / 5 / 22

HEX #C8C7BF

RGB 200 199 191

HSL 53.33, 0.08%, 0.77%

LAB 80.12, -1.08, 4.11

 

CMYK 0 / 2 / 13 / 18

HEX #D2CDB6

RGB 210 205 182

HSL 49.29, 0.24%, 0.77%

LAB 82.24, -2.16, 12.07

 

CMYK 22 / 6 / 0 / 14

HEX #ACCFDC

RGB 172 207 220

HSL 196.25, 0.41%, 0.77%

LAB 81.05, -8.75, -10.28

 

CMYK 22 / 12 / 0 / 14

HEX #ACC2DC

RGB 172 194 220

HSL 212.5, 0.41%, 0.77%

LAB 77.59, -1.89, -15.46

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 20 / 22 / 0 / 14

HEX #AFACDC

RGB 175 172 220

HSL 243.75, 0.41%, 0.77%

LAB 72.09, 11.03, -23.79

 

CMYK 15 / 22 / 0 / 14

HEX #BCACDC

RGB 188 172 220

HSL 260, 0.41%, 0.77%

LAB 73.13, 15.12, -22.1

 

CMYK 42 / 34 / 0 / 23

HEX #7281C4

RGB 114 129 196

HSL 229.02, 0.41%, 0.61%

LAB 55.34, 11.79, -36.67

 

CMYK 31 / 25 / 0 / 18

HEX #8F9BD0

RGB 143 155 208

HSL 228.92, 0.41%, 0.69%

LAB 64.83, 8.02, -28.51

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 13 / 11 / 0 / 9

HEX #C9CFE8

RGB 201 207 232

HSL 228.39, 0.4%, 0.85%

LAB 83.37, 2.87, -13.01

 

CMYK 6 / 5 / 0 / 4

HEX #E6E9F4

RGB 230 233 244

HSL 227.14, 0.39%, 0.93%

LAB 92.41, 1.03, -5.68

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 0 / 22 / 0 / 14

HEX #DCACDC

RGB 220 172 220

HSL 300, 0.41%, 0.77%

LAB 76, 25.55, -17.48

 

CMYK 9 / 0 / 22 / 14

HEX #C9DCAC

RGB 201 220 172

HSL 83.75, 0.41%, 0.77%

LAB 85.29, -14.65, 21.51

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 0 / 22 / 18 / 14

HEX #DCACB5

RGB 220 172 181

HSL 348.75, 0.41%, 0.77%

LAB 74.86, 18.89, 2.13

 

CMYK 18 / 0 / 22 / 14

HEX #B5DCAC

RGB 181 220 172

HSL 108.75, 0.41%, 0.77%

LAB 83.96, -21.67, 19.46

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 0 / 22 / 0 / 14

HEX #DCACDC

RGB 220 172 220

HSL 300, 0.41%, 0.77%

LAB 76, 25.55, -17.48

 

CMYK 0 / 5 / 22 / 14

HEX #DCD2AC

RGB 220 210 172

HSL 47.5, 0.41%, 0.77%

LAB 84.12, -2.59, 20.11

 

CMYK 22 / 0 / 22 / 14

HEX #ACDCAC

RGB 172 220 172

HSL 120, 0.41%, 0.77%

LAB 83.41, -24.72, 18.61

 

CMYK 22 / 18 / 0 / 14

HEX #ACB5DC

RGB 172 181 220

HSL 228.75, 0.41%, 0.77%

LAB 74.18, 5.15, -20.62

 

CMYK 0 / 22 / 7 / 14

HEX #DCACCD

RGB 220 172 205

HSL 318.75, 0.41%, 0.77%

LAB 75.53, 22.85, -10.01

 

CMYK 0 / 5 / 22 / 14

HEX #DCD2AC

RGB 220 210 172

HSL 47.5, 0.41%, 0.77%

LAB 84.12, -2.59, 20.11

 

CMYK 22 / 0 / 15 / 14

HEX #ACDCBA

RGB 172 220 186

HSL 137.5, 0.41%, 0.77%

LAB 83.71, -22.22, 11.67

 

Description

Color code: HEX #ACB5DC | qconv.com Color code: HEX #ACB5DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 181 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 181 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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