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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACB444 it is the complementary color #534BBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACB444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACB444 shade: #B1B43F, #C2C652, #D3D865, #E4EA78 and #F5FC8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACB444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACB444 shade: #ACB444, #9BA231, #8A901E, #797E0B and #686C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACB444 shade: #ADB544, #B59E44, #B58044, #B56244 and #B54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACB444 shade: #ADB544, #8EB544, #70B544, #52B544 and #44B555

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACB444 shade matches the following richer shades: #ADB544, #BEC930, #CFDD1C and #E1F108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACB444 shade: #ADB544, #9BA058, #8A8C6D, #797881 and #676495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACB444 shade: #B58044, #B59E44, #ADB544, #8FB544 and #71B544

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACB444 shade: #73792E, #909739, #ADB544, #BBC260 and #C8CE7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACB444 shade: #ACB444, #44B562 and #8F44B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACB444 shade: #ACB444, #44ADB5 and #B544AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACB444 shade: #ACB444, #44B562, #4C44B5 and #B54497

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACB444 shade: #ACB444, #44B584, #4C44B5 and #B54475

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 62 / 29

HEX #ACB444

RGB 172 180 68

HSL 64.29, 0.45%, 0.49%

LAB 70.75, -17.69, 54.41

 

Complementary color

CMYK 56 / 60 / 0 / 27

HEX #534BBB

RGB 83 75 187

HSL 244.29, 0.45%, 0.51%

LAB 38.65, 34.94, -58.24

 

CMYK 2 / 0 / 65 / 29

HEX #B1B43F

RGB 177 180 63

HSL 61.54, 0.48%, 0.48%

LAB 71.11, -15.9, 57

 

CMYK 2 / 0 / 59 / 22

HEX #C2C652

RGB 194 198 82

HSL 62.07, 0.5%, 0.55%

LAB 77.56, -16.58, 56.23

 

CMYK 2 / 0 / 53 / 15

HEX #D3D865

RGB 211 216 101

HSL 62.61, 0.6%, 0.62%

LAB 83.91, -17.14, 55.24

 

CMYK 3 / 0 / 49 / 8

HEX #E4EA78

RGB 228 234 120

HSL 63.16, 0.73%, 0.69%

LAB 90.18, -17.6, 54.16

 

CMYK 3 / 0 / 45 / 1

HEX #F5FC8B

RGB 245 252 139

HSL 63.72, 0.95%, 0.77%

LAB 96.37, -17.98, 53.04

 

CMYK 4 / 0 / 62 / 29

HEX #ACB444

RGB 172 180 68

HSL 64.29, 0.45%, 0.49%

LAB 70.75, -17.69, 54.41

 

CMYK 4 / 0 / 70 / 36

HEX #9BA231

RGB 155 162 49

HSL 63.72, 0.54%, 0.41%

LAB 64.19, -16.98, 54.98

 

CMYK 4 / 0 / 79 / 44

HEX #8A901E

RGB 138 144 30

HSL 63.16, 0.66%, 0.34%

LAB 57.51, -16.06, 54.88

 

CMYK 4 / 0 / 91 / 51

HEX #797E0B

RGB 121 126 11

HSL 62.61, 0.84%, 0.27%

LAB 50.7, -14.88, 53.45

 

CMYK 4 / 0 / 100 / 58

HEX #686C00

RGB 104 108 0

HSL 62.22, 1%, 0.21%

LAB 43.75, -13.37, 49.78

 

CMYK 4 / 0 / 62 / 29

HEX #ADB544

RGB 173 181 68

HSL 64.25, 0.45%, 0.49%

LAB 71.11, -17.78, 54.81

 

CMYK 0 / 13 / 62 / 29

HEX #B59E44

RGB 181 158 68

HSL 47.79, 0.45%, 0.49%

LAB 65.51, -2.32, 48.93

 

CMYK 0 / 29 / 62 / 29

HEX #B58044

RGB 181 128 68

HSL 31.86, 0.45%, 0.49%

LAB 57.73, 14.16, 40.13

 

CMYK 0 / 46 / 62 / 29

HEX #B56244

RGB 181 98 68

HSL 15.93, 0.45%, 0.49%

LAB 50.66, 30.74, 31.72

 

CMYK 0 / 62 / 62 / 29

HEX #B54444

RGB 181 68 68

HSL 0, 0.45%, 0.49%

LAB 44.77, 45.84, 24.36

 

CMYK 4 / 0 / 62 / 29

HEX #ADB544

RGB 173 181 68

HSL 64.25, 0.45%, 0.49%

LAB 71.11, -17.78, 54.81

 

CMYK 22 / 0 / 62 / 29

HEX #8EB544

RGB 142 181 68

HSL 80.71, 0.45%, 0.49%

LAB 68.91, -30.45, 51.79

 

CMYK 38 / 0 / 62 / 29

HEX #70B544

RGB 112 181 68

HSL 96.64, 0.45%, 0.49%

LAB 67.21, -41.54, 49.44

 

CMYK 55 / 0 / 62 / 29

HEX #52B544

RGB 82 181 68

HSL 112.57, 0.45%, 0.49%

LAB 65.95, -50.74, 47.68

 

CMYK 62 / 0 / 53 / 29

HEX #44B555

RGB 68 181 85

HSL 129.03, 0.45%, 0.49%

LAB 65.7, -52.05, 39.3

 

CMYK 4 / 0 / 62 / 29

HEX #ADB544

RGB 173 181 68

HSL 64.25, 0.45%, 0.49%

LAB 71.11, -17.78, 54.81

 

CMYK 5 / 0 / 76 / 21

HEX #BEC930

RGB 190 201 48

HSL 64.31, 0.61%, 0.49%

LAB 77.84, -21.66, 69.3

 

CMYK 6 / 0 / 87 / 13

HEX #CFDD1C

RGB 207 221 28

HSL 64.35, 0.78%, 0.49%

LAB 84.52, -24.85, 80.36

 

CMYK 7 / 0 / 97 / 5

HEX #E1F108

RGB 225 241 8

HSL 64.12, 0.94%, 0.49%

LAB 91.21, -27.18, 88.5

 

CMYK 4 / 0 / 62 / 29

HEX #ADB544

RGB 173 181 68

HSL 64.25, 0.45%, 0.49%

LAB 71.11, -17.78, 54.81

 

CMYK 3 / 0 / 45 / 37

HEX #9BA058

RGB 155 160 88

HSL 64.17, 0.29%, 0.49%

LAB 64.01, -12.78, 36.77

 

CMYK 1 / 0 / 22 / 45

HEX #8A8C6D

RGB 138 140 109

HSL 63.87, 0.12%, 0.49%

LAB 57.33, -6.23, 16.36

 

CMYK 6 / 7 / 0 / 49

HEX #797881

RGB 121 120 129

HSL 246.67, 0.04%, 0.49%

LAB 50.78, 2.24, -4.78

 

CMYK 31 / 33 / 0 / 42

HEX #676495

RGB 103 100 149

HSL 243.67, 0.2%, 0.49%

LAB 44.47, 12.96, -26.38

 

CMYK 0 / 29 / 62 / 29

HEX #B58044

RGB 181 128 68

HSL 31.86, 0.45%, 0.49%

LAB 57.73, 14.16, 40.13

 

CMYK 0 / 13 / 62 / 29

HEX #B59E44

RGB 181 158 68

HSL 47.79, 0.45%, 0.49%

LAB 65.51, -2.32, 48.93

 

CMYK 4 / 0 / 62 / 29

HEX #ADB544

RGB 173 181 68

HSL 64.25, 0.45%, 0.49%

LAB 71.11, -17.78, 54.81

 

CMYK 21 / 0 / 62 / 29

HEX #8FB544

RGB 143 181 68

HSL 80.18, 0.45%, 0.49%

LAB 68.97, -30.06, 51.87

 

CMYK 38 / 0 / 62 / 29

HEX #71B544

RGB 113 181 68

HSL 96.11, 0.45%, 0.49%

LAB 67.26, -41.2, 49.5

 

CMYK 5 / 0 / 62 / 53

HEX #73792E

RGB 115 121 46

HSL 64.8, 0.45%, 0.33%

LAB 48.9, -13.21, 39.31

 

CMYK 5 / 0 / 62 / 41

HEX #909739

RGB 144 151 57

HSL 64.47, 0.45%, 0.41%

LAB 60.21, -15.54, 47.23

 

CMYK 4 / 0 / 62 / 29

HEX #ADB544

RGB 173 181 68

HSL 64.25, 0.45%, 0.49%

LAB 71.11, -17.78, 54.81

 

CMYK 4 / 0 / 51 / 24

HEX #BBC260

RGB 187 194 96

HSL 64.29, 0.45%, 0.57%

LAB 76.06, -16.31, 47.94

 

CMYK 3 / 0 / 39 / 19

HEX #C8CE7E

RGB 200 206 126

HSL 64.5, 0.45%, 0.65%

LAB 80.7, -14.1, 39.08

 

CMYK 4 / 0 / 62 / 29

HEX #ACB444

RGB 172 180 68

HSL 64.29, 0.45%, 0.49%

LAB 70.75, -17.69, 54.41

 

CMYK 62 / 0 / 46 / 29

HEX #44B562

RGB 68 181 98

HSL 135.93, 0.45%, 0.49%

LAB 65.87, -50.09, 32.98

 

CMYK 21 / 62 / 0 / 29

HEX #8F44B5

RGB 143 68 181

HSL 279.82, 0.45%, 0.49%

LAB 43.23, 50.47, -47.01

 

CMYK 4 / 0 / 62 / 29

HEX #ACB444

RGB 172 180 68

HSL 64.29, 0.45%, 0.49%

LAB 70.75, -17.69, 54.41

 

CMYK 62 / 4 / 0 / 29

HEX #44ADB5

RGB 68 173 181

HSL 184.25, 0.45%, 0.49%

LAB 65.32, -27.33, -13.07

 

CMYK 0 / 62 / 4 / 29

HEX #B544AD

RGB 181 68 173

HSL 304.25, 0.45%, 0.49%

LAB 48.23, 58.46, -34.04

 

CMYK 4 / 0 / 62 / 29

HEX #ACB444

RGB 172 180 68

HSL 64.29, 0.45%, 0.49%

LAB 70.75, -17.69, 54.41

 

CMYK 62 / 0 / 46 / 29

HEX #44B562

RGB 68 181 98

HSL 135.93, 0.45%, 0.49%

LAB 65.87, -50.09, 32.98

 

CMYK 58 / 62 / 0 / 29

HEX #4C44B5

RGB 76 68 181

HSL 244.25, 0.45%, 0.49%

LAB 36, 36.03, -59.05

 

CMYK 0 / 62 / 17 / 29

HEX #B54497

RGB 181 68 151

HSL 315.93, 0.45%, 0.49%

LAB 47.23, 54.97, -22.56

 

CMYK 4 / 0 / 62 / 29

HEX #ACB444

RGB 172 180 68

HSL 64.29, 0.45%, 0.49%

LAB 70.75, -17.69, 54.41

 

CMYK 62 / 0 / 27 / 29

HEX #44B584

RGB 68 181 132

HSL 153.98, 0.45%, 0.49%

LAB 66.48, -43.59, 15.7

 

CMYK 58 / 62 / 0 / 29

HEX #4C44B5

RGB 76 68 181

HSL 244.25, 0.45%, 0.49%

LAB 36, 36.03, -59.05

 

CMYK 0 / 62 / 35 / 29

HEX #B54475

RGB 181 68 117

HSL 333.98, 0.45%, 0.49%

LAB 45.96, 50.4, -3.92

 

Description

Color code: HEX #ACB444 | qconv.com Color code: HEX #ACB444 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 180 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 180 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 62 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 62% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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