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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACAED8 it is the complementary color #535127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACAED8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACAED8 shade: #B1AED3, #C2C0E6, #D3D2F9, #E4E4FF and #F5F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACAED8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACAED8 shade: #ACAED8, #9B9CC5, #8A8AB2, #79789F and #68668C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACAED8 shade: #ABADD7, #B5ABD7, #C1ABD7, #CDABD7 and #D7ABD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACAED8 shade: #ABADD7 and #ABABD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACAED8 shade matches the following richer shades: #ABADD7, #A1A4E1, #979BEB and #8E92F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACAED8 shade: #ABADD7, #B5B6CD, #BFBFC4, #C9C8BA and #D3D1B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACAED8 shade: #ABC5D7, #ABB9D7, #ABADD7, #B5ABD7 and #C1ABD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACAED8 shade: #7377BD, #8F92CA, #ABADD7, #C7C9E5 and #E3E4F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACAED8 shade: #ACAED8, #D7ABD1 and #BFD7AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACAED8 shade: #ACAED8, #D7ABAD and #ADD7AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACAED8 shade: #ACAED8, #D7ABD1, #D7D5AB and #ABD7B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACAED8 shade: #ACAED8, #D7ABC4, #D7D5AB and #ABD7BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 19 / 0 / 15

HEX #ACAED8

RGB 172 174 216

HSL 237.27, 0.36%, 0.76%

LAB 72.23, 8.08, -21.4

 

Complementary color

CMYK 0 / 2 / 53 / 67

HEX #535127

RGB 83 81 39

HSL 57.27, 0.36%, 0.24%

LAB 33.71, -5.94, 24.8

 

CMYK 16 / 18 / 0 / 17

HEX #B1AED3

RGB 177 174 211

HSL 244.86, 0.3%, 0.75%

LAB 72.44, 8.55, -18.31

 

CMYK 16 / 17 / 0 / 10

HEX #C2C0E6

RGB 194 192 230

HSL 243.16, 0.43%, 0.83%

LAB 78.97, 8.25, -18.61

 

CMYK 15 / 16 / 0 / 2

HEX #D3D2F9

RGB 211 210 249

HSL 241.54, 0.76%, 0.9%

LAB 85.39, 7.97, -18.93

 

CMYK 11 / 11 / 0 / 0

HEX #E4E4FF

RGB 228 228 255

HSL 240, 1%, 0.95%

LAB 91.33, 5.09, -13.05

 

CMYK 4 / 4 / 0 / 0

HEX #F5F6FF

RGB 245 246 255

HSL 234, 1%, 0.98%

LAB 97.04, 1.29, -4.43

 

CMYK 20 / 19 / 0 / 15

HEX #ACAED8

RGB 172 174 216

HSL 237.27, 0.36%, 0.76%

LAB 72.23, 8.08, -21.4

 

CMYK 21 / 21 / 0 / 23

HEX #9B9CC5

RGB 155 156 197

HSL 238.57, 0.27%, 0.69%

LAB 65.57, 8.41, -21.17

 

CMYK 22 / 22 / 0 / 30

HEX #8A8AB2

RGB 138 138 178

HSL 240, 0.21%, 0.62%

LAB 58.78, 8.78, -20.96

 

CMYK 24 / 25 / 0 / 38

HEX #79789F

RGB 121 120 159

HSL 241.54, 0.17%, 0.55%

LAB 51.84, 9.19, -20.77

 

CMYK 26 / 27 / 0 / 45

HEX #68668C

RGB 104 102 140

HSL 243.16, 0.16%, 0.47%

LAB 44.72, 9.66, -20.62

 

CMYK 20 / 20 / 0 / 16

HEX #ABADD7

RGB 171 173 215

HSL 237.27, 0.35%, 0.76%

LAB 71.86, 8.09, -21.42

 

CMYK 16 / 20 / 0 / 16

HEX #B5ABD7

RGB 181 171 215

HSL 253.64, 0.35%, 0.76%

LAB 72.13, 12.36, -20.94

 

CMYK 10 / 20 / 0 / 16

HEX #C1ABD7

RGB 193 171 215

HSL 270, 0.35%, 0.76%

LAB 73.13, 16.23, -19.32

 

CMYK 5 / 20 / 0 / 16

HEX #CDABD7

RGB 205 171 215

HSL 286.36, 0.35%, 0.76%

LAB 74.2, 20.17, -17.61

 

CMYK 0 / 20 / 0 / 16

HEX #D7ABD6

RGB 215 171 214

HSL 301.36, 0.35%, 0.76%

LAB 75.09, 23.31, -15.62

 

CMYK 20 / 20 / 0 / 16

HEX #ABADD7

RGB 171 173 215

HSL 237.27, 0.35%, 0.76%

LAB 71.86, 8.09, -21.42

 

CMYK 20 / 20 / 0 / 16

HEX #ABABD7

RGB 171 171 215

HSL 240, 0.35%, 0.76%

LAB 71.34, 9.2, -22.21

 

CMYK 20 / 20 / 0 / 16

HEX #ABADD7

RGB 171 173 215

HSL 237.27, 0.35%, 0.76%

LAB 71.86, 8.09, -21.42

 

CMYK 28 / 27 / 0 / 12

HEX #A1A4E1

RGB 161 164 225

HSL 237.19, 0.52%, 0.76%

LAB 69.16, 12.46, -31.11

 

CMYK 36 / 34 / 0 / 8

HEX #979BEB

RGB 151 155 235

HSL 237.14, 0.68%, 0.76%

LAB 66.54, 17.31, -40.74

 

CMYK 42 / 40 / 0 / 4

HEX #8E92F5

RGB 142 146 245

HSL 237.67, 0.84%, 0.76%

LAB 64.08, 22.89, -50.14

 

CMYK 20 / 20 / 0 / 16

HEX #ABADD7

RGB 171 173 215

HSL 237.27, 0.35%, 0.76%

LAB 71.86, 8.09, -21.42

 

CMYK 12 / 11 / 0 / 20

HEX #B5B6CD

RGB 181 182 205

HSL 237.5, 0.19%, 0.76%

LAB 74.63, 4.2, -11.71

 

CMYK 3 / 3 / 0 / 23

HEX #BFBFC4

RGB 191 191 196

HSL 240, 0.04%, 0.76%

LAB 77.47, 0.94, -2.52

 

CMYK 0 / 0 / 7 / 21

HEX #C9C8BA

RGB 201 200 186

HSL 56, 0.12%, 0.76%

LAB 80.33, -2.12, 7.11

 

CMYK 0 / 1 / 17 / 17

HEX #D3D1B0

RGB 211 209 176

HSL 56.57, 0.28%, 0.76%

LAB 83.22, -4.81, 16.65

 

CMYK 20 / 8 / 0 / 16

HEX #ABC5D7

RGB 171 197 215

HSL 204.55, 0.35%, 0.76%

LAB 78.17, -4.9, -11.91

 

CMYK 20 / 14 / 0 / 16

HEX #ABB9D7

RGB 171 185 215

HSL 220.91, 0.35%, 0.76%

LAB 74.99, 1.53, -16.68

 

CMYK 20 / 20 / 0 / 16

HEX #ABADD7

RGB 171 173 215

HSL 237.27, 0.35%, 0.76%

LAB 71.86, 8.09, -21.42

 

CMYK 16 / 20 / 0 / 16

HEX #B5ABD7

RGB 181 171 215

HSL 253.64, 0.35%, 0.76%

LAB 72.13, 12.36, -20.94

 

CMYK 10 / 20 / 0 / 16

HEX #C1ABD7

RGB 193 171 215

HSL 270, 0.35%, 0.76%

LAB 73.13, 16.23, -19.32

 

CMYK 39 / 37 / 0 / 26

HEX #7377BD

RGB 115 119 189

HSL 236.76, 0.36%, 0.6%

LAB 52.41, 16.03, -37.27

 

CMYK 29 / 28 / 0 / 21

HEX #8F92CA

RGB 143 146 202

HSL 236.95, 0.36%, 0.68%

LAB 62.22, 11.64, -29.19

 

CMYK 20 / 20 / 0 / 16

HEX #ABADD7

RGB 171 173 215

HSL 237.27, 0.35%, 0.76%

LAB 71.86, 8.09, -21.42

 

CMYK 13 / 12 / 0 / 10

HEX #C7C9E5

RGB 199 201 229

HSL 236, 0.37%, 0.84%

LAB 81.61, 4.8, -14.08

 

CMYK 6 / 6 / 0 / 5

HEX #E3E4F2

RGB 227 228 242

HSL 236, 0.37%, 0.92%

LAB 90.88, 2.25, -6.91

 

CMYK 20 / 19 / 0 / 15

HEX #ACAED8

RGB 172 174 216

HSL 237.27, 0.36%, 0.76%

LAB 72.23, 8.08, -21.4

 

CMYK 0 / 20 / 3 / 16

HEX #D7ABD1

RGB 215 171 209

HSL 308.18, 0.35%, 0.76%

LAB 74.94, 22.4, -13.13

 

CMYK 11 / 0 / 20 / 16

HEX #BFD7AB

RGB 191 215 171

HSL 92.73, 0.35%, 0.76%

LAB 83.24, -15.86, 19.09

 

CMYK 20 / 19 / 0 / 15

HEX #ACAED8

RGB 172 174 216

HSL 237.27, 0.36%, 0.76%

LAB 72.23, 8.08, -21.4

 

CMYK 0 / 20 / 20 / 16

HEX #D7ABAD

RGB 215 171 173

HSL 357.27, 0.35%, 0.76%

LAB 73.93, 16.36, 5.1

 

CMYK 20 / 0 / 20 / 16

HEX #ADD7AB

RGB 173 215 171

HSL 117.27, 0.35%, 0.76%

LAB 82.07, -22.11, 17.28

 

CMYK 20 / 19 / 0 / 15

HEX #ACAED8

RGB 172 174 216

HSL 237.27, 0.36%, 0.76%

LAB 72.23, 8.08, -21.4

 

CMYK 0 / 20 / 3 / 16

HEX #D7ABD1

RGB 215 171 209

HSL 308.18, 0.35%, 0.76%

LAB 74.94, 22.4, -13.13

 

CMYK 0 / 1 / 20 / 16

HEX #D7D5AB

RGB 215 213 171

HSL 57.27, 0.35%, 0.76%

LAB 84.47, -6.14, 21.06

 

CMYK 20 / 0 / 17 / 16

HEX #ABD7B2

RGB 171 215 178

HSL 129.55, 0.35%, 0.76%

LAB 82.09, -21.55, 13.6

 

CMYK 20 / 19 / 0 / 15

HEX #ACAED8

RGB 172 174 216

HSL 237.27, 0.36%, 0.76%

LAB 72.23, 8.08, -21.4

 

CMYK 0 / 20 / 9 / 16

HEX #D7ABC4

RGB 215 171 196

HSL 325.91, 0.35%, 0.76%

LAB 74.55, 20.1, -6.6

 

CMYK 0 / 1 / 20 / 16

HEX #D7D5AB

RGB 215 213 171

HSL 57.27, 0.35%, 0.76%

LAB 84.47, -6.14, 21.06

 

CMYK 20 / 0 / 11 / 16

HEX #ABD7BF

RGB 171 215 191

HSL 147.27, 0.35%, 0.76%

LAB 82.39, -19.13, 7.13

 

Description

Color code: HEX #ACAED8 | qconv.com Color code: HEX #ACAED8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 174 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 174 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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