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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA3EA it is the complementary color #535C15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA3EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA3EA shade: #B1A3E5, #C2B5F8, #D3C7FF, #E4D9FF and #F5EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA3EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA3EA shade: #ACA3EA, #9B91D7, #8A7FC4, #796DB1 and #685B9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA3EA shade: #ACA3EA, #BFA3EA, #D2A3EA, #E5A3EA and #EAA3DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA3EA shade: #ACA3EA and #A3A3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA3EA shade matches the following richer shades: #ACA3EA, #A59AF3 and #9E91FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA3EA shade: #ACA3EA, #B3ACE1, #BAB5D8, #C0BECF and #C7C7C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA3EA shade: #A3C1EA, #A3AEEA, #ABA3EA, #BEA3EA and #D1A3EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA3EA shade: #6F60DA, #8E81E2, #ACA3EA, #CAC5F1 and #E9E6F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA3EA shade: #ACA3EA, #EAA3D3 and #B7EAA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA3EA shade: #ACA3EA, #EAABA3 and #A3EAAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA3EA shade: #ACA3EA, #EAA3D3, #E1EAA3 and #A3EAB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA3EA shade: #ACA3EA, #EAA3BE, #E1EAA3 and #A3EACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

Complementary color

CMYK 10 / 0 / 77 / 64

HEX #535C15

RGB 83 92 21

HSL 67.61, 0.63%, 0.22%

LAB 37.02, -13.78, 37.31

 

CMYK 23 / 29 / 0 / 10

HEX #B1A3E5

RGB 177 163 229

HSL 252.73, 0.56%, 0.77%

LAB 70.31, 18.72, -31.42

 

CMYK 22 / 27 / 0 / 3

HEX #C2B5F8

RGB 194 181 248

HSL 251.64, 0.83%, 0.84%

LAB 76.86, 18.21, -31.53

 

CMYK 17 / 22 / 0 / 0

HEX #D3C7FF

RGB 211 199 255

HSL 252.86, 1%, 0.89%

LAB 82.87, 15.12, -25.94

 

CMYK 11 / 15 / 0 / 0

HEX #E4D9FF

RGB 228 217 255

HSL 257.37, 1%, 0.93%

LAB 88.61, 10.84, -17.12

 

CMYK 4 / 8 / 0 / 0

HEX #F5EBFF

RGB 245 235 255

HSL 270, 1%, 0.96%

LAB 94.33, 6.93, -8.43

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 28 / 33 / 0 / 16

HEX #9B91D7

RGB 155 145 215

HSL 248.57, 0.47%, 0.71%

LAB 63.45, 19.02, -34.48

 

CMYK 30 / 35 / 0 / 23

HEX #8A7FC4

RGB 138 127 196

HSL 249.57, 0.37%, 0.63%

LAB 56.65, 19.68, -34.49

 

CMYK 32 / 38 / 0 / 31

HEX #796DB1

RGB 121 109 177

HSL 250.59, 0.3%, 0.56%

LAB 49.71, 20.42, -34.55

 

CMYK 34 / 42 / 0 / 38

HEX #685B9E

RGB 104 91 158

HSL 251.64, 0.27%, 0.49%

LAB 42.6, 21.28, -34.66

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 18 / 30 / 0 / 8

HEX #BFA3EA

RGB 191 163 234

HSL 263.66, 0.63%, 0.78%

LAB 71.7, 24.09, -31.92

 

CMYK 10 / 30 / 0 / 8

HEX #D2A3EA

RGB 210 163 234

HSL 279.72, 0.63%, 0.78%

LAB 73.44, 29.94, -29.09

 

CMYK 2 / 30 / 0 / 8

HEX #E5A3EA

RGB 229 163 234

HSL 295.77, 0.63%, 0.78%

LAB 75.32, 35.91, -26.04

 

CMYK 0 / 30 / 6 / 8

HEX #EAA3DB

RGB 234 163 219

HSL 312.68, 0.63%, 0.78%

LAB 75.33, 34.82, -17.81

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 30 / 30 / 0 / 8

HEX #A3A3EA

RGB 163 163 234

HSL 240, 0.63%, 0.78%

LAB 69.41, 15.83, -35.64

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 32 / 37 / 0 / 5

HEX #A59AF3

RGB 165 154 243

HSL 247.42, 0.79%, 0.78%

LAB 67.71, 23.76, -43.21

 

CMYK 37 / 42 / 0 / 1

HEX #9E91FC

RGB 158 145 252

HSL 247.29, 0.95%, 0.78%

LAB 65.4, 29.38, -51.81

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 20 / 24 / 0 / 12

HEX #B3ACE1

RGB 179 172 225

HSL 247.92, 0.47%, 0.78%

LAB 72.58, 13.4, -25.74

 

CMYK 14 / 16 / 0 / 15

HEX #BAB5D8

RGB 186 181 216

HSL 248.57, 0.31%, 0.78%

LAB 75.1, 8.68, -16.94

 

CMYK 7 / 8 / 0 / 19

HEX #C0BECF

RGB 192 190 207

HSL 247.06, 0.15%, 0.78%

LAB 77.6, 3.94, -8.27

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C5

RGB 199 199 197

HSL 60, 0.02%, 0.78%

LAB 80.19, -0.36, 0.99

 

CMYK 30 / 18 / 0 / 8

HEX #A3C1EA

RGB 163 193 234

HSL 214.65, 0.63%, 0.78%

LAB 77.2, -0.74, -23.66

 

CMYK 30 / 26 / 0 / 8

HEX #A3AEEA

RGB 163 174 234

HSL 230.7, 0.63%, 0.78%

LAB 72.23, 9.67, -31.28

 

CMYK 27 / 30 / 0 / 8

HEX #ABA3EA

RGB 171 163 234

HSL 246.76, 0.63%, 0.78%

LAB 70.03, 18.13, -34.63

 

CMYK 19 / 30 / 0 / 8

HEX #BEA3EA

RGB 190 163 234

HSL 262.82, 0.63%, 0.78%

LAB 71.61, 23.79, -32.06

 

CMYK 11 / 30 / 0 / 8

HEX #D1A3EA

RGB 209 163 234

HSL 278.87, 0.63%, 0.78%

LAB 73.34, 29.63, -29.24

 

CMYK 49 / 56 / 0 / 15

HEX #6F60DA

RGB 111 96 218

HSL 247.38, 0.62%, 0.62%

LAB 48.02, 37.41, -60.87

 

CMYK 37 / 43 / 0 / 11

HEX #8E81E2

RGB 142 129 226

HSL 248.04, 0.63%, 0.7%

LAB 58.92, 27.54, -47.79

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 16 / 18 / 0 / 5

HEX #CAC5F1

RGB 202 197 241

HSL 246.82, 0.61%, 0.86%

LAB 81.2, 10.41, -21.08

 

CMYK 6 / 8 / 0 / 2

HEX #E9E6F9

RGB 233 230 249

HSL 249.47, 0.61%, 0.94%

LAB 92.02, 4.49, -8.83

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 0 / 30 / 10 / 8

HEX #EAA3D3

RGB 234 163 211

HSL 319.44, 0.63%, 0.78%

LAB 75.07, 33.46, -13.83

 

CMYK 22 / 0 / 30 / 8

HEX #B7EAA3

RGB 183 234 163

HSL 103.1, 0.63%, 0.78%

LAB 87.76, -29.15, 29.33

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 0 / 27 / 30 / 8

HEX #EAABA3

RGB 234 171 163

HSL 6.76, 0.63%, 0.78%

LAB 75.61, 22.03, 13.23

 

CMYK 30 / 0 / 27 / 8

HEX #A3EAAB

RGB 163 234 171

HSL 126.76, 0.63%, 0.78%

LAB 86.79, -34.43, 23.72

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 0 / 30 / 10 / 8

HEX #EAA3D3

RGB 234 163 211

HSL 319.44, 0.63%, 0.78%

LAB 75.07, 33.46, -13.83

 

CMYK 4 / 0 / 30 / 8

HEX #E1EAA3

RGB 225 234 163

HSL 67.61, 0.63%, 0.78%

LAB 90.55, -14.09, 33.56

 

CMYK 30 / 0 / 21 / 8

HEX #A3EAB9

RGB 163 234 185

HSL 138.59, 0.63%, 0.78%

LAB 87.06, -31.96, 16.86

 

CMYK 26 / 30 / 0 / 8

HEX #ACA3EA

RGB 172 163 234

HSL 247.61, 0.63%, 0.78%

LAB 70.11, 18.42, -34.5

 

CMYK 0 / 30 / 19 / 8

HEX #EAA3BE

RGB 234 163 190

HSL 337.18, 0.63%, 0.78%

LAB 74.45, 30.11, -3.24

 

CMYK 4 / 0 / 30 / 8

HEX #E1EAA3

RGB 225 234 163

HSL 67.61, 0.63%, 0.78%

LAB 90.55, -14.09, 33.56

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACF

RGB 163 234 207

HSL 157.18, 0.63%, 0.78%

LAB 87.55, -27.7, 6.07

 

Description

Color code: HEX #ACA3EA | qconv.com Color code: HEX #ACA3EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 163 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 163 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 30 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 30% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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