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Color name
HEX #A9F995

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9F995 it is the complementary color #56066A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9F995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9F995 shade: #AEF990, #BFFFA3, #D0FFB6, #E1FFC9 and #F2FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9F995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9F995 shade: #A9F995, #98E782, #87D56F, #76C35C and #65B149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9F995 shade: #A8F894, #C3F894, #DEF894, #F8F794 and #F8DD94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9F995 shade: #A8F894, #94F89B, #94F8B6, #94F8D1 and #94F8EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9F995 shade matches the following richer shades: #A8F894

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9F995 shade: #A8F894, #AEEF9E, #B3E6A7, #B9DDB0 and #BED4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9F995 shade: #DEF894, #C3F894, #A8F894, #94F89B and #94F8B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9F995 shade: #69F446, #89F66D, #A8F894, #C8FBBB and #E8FDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9F995 shade: #A9F995, #94F8F8 and #F894D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9F995 shade: #A9F995, #94A8F8 and #F894A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9F995 shade: #A9F995, #94F8F8, #E494F8 and #F89494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9F995 shade: #A9F995, #94DAF8, #E494F8 and #F8B294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 40 / 2

HEX #A9F995

RGB 169 249 149

HSL 108, 0.89%, 0.78%

LAB 90.94, -42.63, 40.4

 

Complementary color

CMYK 19 / 94 / 0 / 58

HEX #56066A

RGB 86 6 106

HSL 288, 0.89%, 0.22%

LAB 20.63, 46.62, -37.55

 

CMYK 30 / 0 / 42 / 2

HEX #AEF990

RGB 174 249 144

HSL 102.86, 0.9%, 0.77%

LAB 91.13, -41.68, 43.13

 

CMYK 25 / 0 / 36 / 0

HEX #BFFFA3

RGB 191 255 163

HSL 101.74, 1%, 0.82%

LAB 93.99, -36.16, 37.7

 

CMYK 18 / 0 / 29 / 0

HEX #D0FFB6

RGB 208 255 182

HSL 98.63, 1%, 0.86%

LAB 95.29, -27.7, 30.13

 

CMYK 12 / 0 / 21 / 0

HEX #E1FFC9

RGB 225 255 201

HSL 93.33, 1%, 0.89%

LAB 96.72, -19.02, 22.64

 

CMYK 5 / 0 / 14 / 0

HEX #F2FFDC

RGB 242 255 220

HSL 82.29, 1%, 0.93%

LAB 98.26, -10.21, 15.29

 

CMYK 32 / 0 / 40 / 2

HEX #A9F995

RGB 169 249 149

HSL 108, 0.89%, 0.78%

LAB 90.94, -42.63, 40.4

 

CMYK 34 / 0 / 44 / 9

HEX #98E782

RGB 152 231 130

HSL 106.93, 0.68%, 0.71%

LAB 84.71, -42.8, 41.57

 

CMYK 37 / 0 / 48 / 16

HEX #87D56F

RGB 135 213 111

HSL 105.88, 0.55%, 0.64%

LAB 78.4, -42.93, 42.77

 

CMYK 39 / 0 / 53 / 24

HEX #76C35C

RGB 118 195 92

HSL 104.85, 0.46%, 0.56%

LAB 72, -43.01, 43.97

 

CMYK 43 / 0 / 59 / 31

HEX #65B149

RGB 101 177 73

HSL 103.85, 0.42%, 0.49%

LAB 65.51, -42.98, 45.11

 

CMYK 32 / 0 / 40 / 3

HEX #A8F894

RGB 168 248 148

HSL 108, 0.88%, 0.78%

LAB 90.6, -42.65, 40.44

 

CMYK 21 / 0 / 40 / 3

HEX #C3F894

RGB 195 248 148

HSL 91.8, 0.88%, 0.78%

LAB 92.08, -33.57, 42.63

 

CMYK 10 / 0 / 40 / 3

HEX #DEF894

RGB 222 248 148

HSL 75.6, 0.88%, 0.78%

LAB 93.8, -23.81, 45.18

 

CMYK 0 / 0 / 40 / 3

HEX #F8F794

RGB 248 247 148

HSL 59.4, 0.88%, 0.78%

LAB 95.42, -13.51, 47.62

 

CMYK 0 / 11 / 40 / 3

HEX #F8DD94

RGB 248 221 148

HSL 43.8, 0.88%, 0.78%

LAB 88.83, -0.51, 39.22

 

CMYK 32 / 0 / 40 / 3

HEX #A8F894

RGB 168 248 148

HSL 108, 0.88%, 0.78%

LAB 90.6, -42.65, 40.44

 

CMYK 40 / 0 / 38 / 3

HEX #94F89B

RGB 148 248 155

HSL 124.2, 0.88%, 0.78%

LAB 89.77, -47.74, 35.71

 

CMYK 40 / 0 / 27 / 3

HEX #94F8B6

RGB 148 248 182

HSL 140.4, 0.88%, 0.78%

LAB 90.23, -43.22, 22.71

 

CMYK 40 / 0 / 16 / 3

HEX #94F8D1

RGB 148 248 209

HSL 156.6, 0.88%, 0.78%

LAB 90.8, -37.97, 9.59

 

CMYK 40 / 0 / 5 / 3

HEX #94F8EC

RGB 148 248 236

HSL 172.8, 0.88%, 0.78%

LAB 91.45, -32.06, -3.46

 

CMYK 32 / 0 / 40 / 3

HEX #A8F894

RGB 168 248 148

HSL 108, 0.88%, 0.78%

LAB 90.6, -42.65, 40.44

 

CMYK 32 / 0 / 40 / 3

HEX #A8F894

RGB 168 248 148

HSL 108, 0.88%, 0.78%

LAB 90.6, -42.65, 40.44

 

CMYK 27 / 0 / 34 / 6

HEX #AEEF9E

RGB 174 239 158

HSL 108.15, 0.72%, 0.78%

LAB 88.54, -35.24, 32.83

 

CMYK 22 / 0 / 27 / 10

HEX #B3E6A7

RGB 179 230 167

HSL 108.57, 0.56%, 0.78%

LAB 86.49, -27.99, 25.52

 

CMYK 16 / 0 / 20 / 13

HEX #B9DDB0

RGB 185 221 176

HSL 108, 0.4%, 0.78%

LAB 84.57, -20.13, 18.25

 

CMYK 10 / 0 / 13 / 17

HEX #BED4B9

RGB 190 212 185

HSL 108.89, 0.24%, 0.78%

LAB 82.67, -12.36, 10.88

 

CMYK 10 / 0 / 40 / 3

HEX #DEF894

RGB 222 248 148

HSL 75.6, 0.88%, 0.78%

LAB 93.8, -23.81, 45.18

 

CMYK 21 / 0 / 40 / 3

HEX #C3F894

RGB 195 248 148

HSL 91.8, 0.88%, 0.78%

LAB 92.08, -33.57, 42.63

 

CMYK 32 / 0 / 40 / 3

HEX #A8F894

RGB 168 248 148

HSL 108, 0.88%, 0.78%

LAB 90.6, -42.65, 40.44

 

CMYK 40 / 0 / 38 / 3

HEX #94F89B

RGB 148 248 155

HSL 124.2, 0.88%, 0.78%

LAB 89.77, -47.74, 35.71

 

CMYK 40 / 0 / 27 / 3

HEX #94F8B6

RGB 148 248 182

HSL 140.4, 0.88%, 0.78%

LAB 90.23, -43.22, 22.71

 

CMYK 57 / 0 / 71 / 4

HEX #69F446

RGB 105 244 70

HSL 107.93, 0.89%, 0.62%

LAB 86.08, -67.56, 68.56

 

CMYK 44 / 0 / 56 / 4

HEX #89F66D

RGB 137 246 109

HSL 107.74, 0.88%, 0.7%

LAB 88.13, -56.18, 55.45

 

CMYK 32 / 0 / 40 / 3

HEX #A8F894

RGB 168 248 148

HSL 108, 0.88%, 0.78%

LAB 90.6, -42.65, 40.44

 

CMYK 20 / 0 / 25 / 2

HEX #C8FBBB

RGB 200 251 187

HSL 107.81, 0.89%, 0.86%

LAB 93.82, -27.76, 25.52

 

CMYK 8 / 0 / 11 / 1

HEX #E8FDE2

RGB 232 253 226

HSL 106.67, 0.87%, 0.94%

LAB 97.19, -11.63, 10.59

 

CMYK 32 / 0 / 40 / 2

HEX #A9F995

RGB 169 249 149

HSL 108, 0.89%, 0.78%

LAB 90.94, -42.63, 40.4

 

CMYK 40 / 0 / 0 / 3

HEX #94F8F8

RGB 148 248 248

HSL 180, 0.88%, 0.78%

LAB 91.78, -29.25, -9.22

 

CMYK 0 / 40 / 16 / 3

HEX #F894D0

RGB 248 148 208

HSL 324, 0.88%, 0.78%

LAB 73.34, 45.44, -14.62

 

CMYK 32 / 0 / 40 / 2

HEX #A9F995

RGB 169 249 149

HSL 108, 0.89%, 0.78%

LAB 90.94, -42.63, 40.4

 

CMYK 40 / 32 / 0 / 3

HEX #94A8F8

RGB 148 168 248

HSL 228, 0.88%, 0.78%

LAB 70.23, 12.62, -42.07

 

CMYK 0 / 40 / 32 / 3

HEX #F894A8

RGB 248 148 168

HSL 348, 0.88%, 0.78%

LAB 72.2, 39.9, 5.84

 

CMYK 32 / 0 / 40 / 2

HEX #A9F995

RGB 169 249 149

HSL 108, 0.89%, 0.78%

LAB 90.94, -42.63, 40.4

 

CMYK 40 / 0 / 0 / 3

HEX #94F8F8

RGB 148 248 248

HSL 180, 0.88%, 0.78%

LAB 91.78, -29.25, -9.22

 

CMYK 8 / 40 / 0 / 3

HEX #E494F8

RGB 228 148 248

HSL 288, 0.88%, 0.78%

LAB 72.53, 46.2, -37.97

 

CMYK 0 / 40 / 40 / 3

HEX #F89494

RGB 248 148 148

HSL 0, 0.88%, 0.78%

LAB 71.74, 37.57, 16.27

 

CMYK 32 / 0 / 40 / 2

HEX #A9F995

RGB 169 249 149

HSL 108, 0.89%, 0.78%

LAB 90.94, -42.63, 40.4

 

CMYK 40 / 12 / 0 / 3

HEX #94DAF8

RGB 148 218 248

HSL 198, 0.88%, 0.78%

LAB 83.56, -14.42, -21.55

 

CMYK 8 / 40 / 0 / 3

HEX #E494F8

RGB 228 148 248

HSL 288, 0.88%, 0.78%

LAB 72.53, 46.2, -37.97

 

CMYK 0 / 28 / 40 / 3

HEX #F8B294

RGB 248 178 148

HSL 18, 0.88%, 0.78%

LAB 78.42, 21.86, 25.45

 

Description

Color code: HEX #A9F995 | qconv.com Color code: HEX #A9F995 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 249 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 249 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 40 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 40% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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