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Color name
HEX #A9F593

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9F593 it is the complementary color #560A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9F593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9F593 shade: #AEF58E, #BFFFA1, #D0FFB4, #E1FFC7 and #F2FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9F593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9F593 shade: #A9F593, #98E380, #87D16D, #76BF5A and #65AD47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9F593 shade: #A9F593, #C3F593, #DEF593, #F5F193 and #F5D793

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9F593 shade: #A9F593, #93F598, #93F5B2, #93F5CC and #93F5E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9F593 shade matches the following richer shades: #A9F593 and #A4FE8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9F593 shade: #A9F593, #AEEB9D, #B3E2A6, #B9D8B0 and #BECFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9F593 shade: #DEF593, #C4F593, #AAF593, #93F596 and #93F5B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9F593 shade: #6DEE48, #8BF16D, #A9F593, #C7F8B9 and #E5FCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9F593 shade: #A9F593, #93F5F1 and #F593D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9F593 shade: #A9F593, #93AAF5 and #F593AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9F593 shade: #A9F593, #93F5F1, #DE93F5 and #F59396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9F593 shade: #A9F593, #93DBF5, #DE93F5 and #F5AD93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

Complementary color

CMYK 20 / 91 / 0 / 58

HEX #560A6C

RGB 86 10 108

HSL 286.53, 0.83%, 0.23%

LAB 21.13, 46.04, -38.05

 

CMYK 29 / 0 / 42 / 4

HEX #AEF58E

RGB 174 245 142

HSL 101.36, 0.84%, 0.76%

LAB 89.98, -40.17, 42.64

 

CMYK 25 / 0 / 37 / 0

HEX #BFFFA1

RGB 191 255 161

HSL 100.85, 1%, 0.82%

LAB 93.96, -36.44, 38.64

 

CMYK 18 / 0 / 29 / 0

HEX #D0FFB4

RGB 208 255 180

HSL 97.6, 1%, 0.85%

LAB 95.26, -27.99, 31.09

 

CMYK 12 / 0 / 22 / 0

HEX #E1FFC7

RGB 225 255 199

HSL 92.14, 1%, 0.89%

LAB 96.68, -19.33, 23.6

 

CMYK 5 / 0 / 15 / 0

HEX #F2FFDA

RGB 242 255 218

HSL 81.08, 1%, 0.93%

LAB 98.22, -10.53, 16.25

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 33 / 0 / 44 / 11

HEX #98E380

RGB 152 227 128

HSL 105.45, 0.64%, 0.7%

LAB 83.53, -41.31, 41.06

 

CMYK 35 / 0 / 48 / 18

HEX #87D16D

RGB 135 209 109

HSL 104.4, 0.52%, 0.62%

LAB 77.19, -41.44, 42.26

 

CMYK 38 / 0 / 53 / 25

HEX #76BF5A

RGB 118 191 90

HSL 103.37, 0.44%, 0.55%

LAB 70.77, -41.52, 43.45

 

CMYK 42 / 0 / 59 / 32

HEX #65AD47

RGB 101 173 71

HSL 102.35, 0.42%, 0.48%

LAB 64.25, -41.5, 44.59

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 20 / 0 / 40 / 4

HEX #C3F593

RGB 195 245 147

HSL 90.61, 0.83%, 0.77%

LAB 91.24, -32.32, 42.05

 

CMYK 9 / 0 / 40 / 4

HEX #DEF593

RGB 222 245 147

HSL 74.08, 0.83%, 0.77%

LAB 92.99, -22.49, 44.64

 

CMYK 0 / 2 / 40 / 4

HEX #F5F193

RGB 245 241 147

HSL 57.55, 0.83%, 0.77%

LAB 93.64, -11.82, 45.81

 

CMYK 0 / 12 / 40 / 4

HEX #F5D793

RGB 245 215 147

HSL 41.63, 0.83%, 0.77%

LAB 87.06, 1.28, 37.37

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 40 / 0 / 38 / 4

HEX #93F598

RGB 147 245 152

HSL 123.06, 0.83%, 0.77%

LAB 88.82, -47.22, 35.95

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B2

RGB 147 245 178

HSL 138.98, 0.83%, 0.77%

LAB 89.26, -42.9, 23.41

 

CMYK 40 / 0 / 17 / 4

HEX #93F5CC

RGB 147 245 204

HSL 154.9, 0.83%, 0.77%

LAB 89.8, -37.9, 10.75

 

CMYK 40 / 0 / 6 / 4

HEX #93F5E6

RGB 147 245 230

HSL 170.82, 0.83%, 0.77%

LAB 90.42, -32.28, -1.86

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 35 / 0 / 46 / 0

HEX #A4FE8A

RGB 164 254 138

HSL 106.55, 0.98%, 0.77%

LAB 91.96, -47.83, 46.96

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 26 / 0 / 33 / 8

HEX #AEEB9D

RGB 174 235 157

HSL 106.92, 0.66%, 0.77%

LAB 87.41, -33.55, 31.83

 

CMYK 21 / 0 / 27 / 11

HEX #B3E2A6

RGB 179 226 166

HSL 107, 0.51%, 0.77%

LAB 85.37, -26.24, 24.5

 

CMYK 14 / 0 / 19 / 15

HEX #B9D8B0

RGB 185 216 176

HSL 106.5, 0.34%, 0.77%

LAB 83.21, -17.65, 16.35

 

CMYK 8 / 0 / 11 / 19

HEX #BECFB9

RGB 190 207 185

HSL 106.36, 0.19%, 0.77%

LAB 81.33, -9.8, 8.98

 

CMYK 9 / 0 / 40 / 4

HEX #DEF593

RGB 222 245 147

HSL 74.08, 0.83%, 0.77%

LAB 92.99, -22.49, 44.64

 

CMYK 20 / 0 / 40 / 4

HEX #C4F593

RGB 196 245 147

HSL 90, 0.83%, 0.77%

LAB 91.3, -31.96, 42.14

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 40 / 0 / 39 / 4

HEX #93F596

RGB 147 245 150

HSL 121.84, 0.83%, 0.77%

LAB 88.79, -47.52, 36.91

 

CMYK 40 / 0 / 28 / 4

HEX #93F5B0

RGB 147 245 176

HSL 137.76, 0.83%, 0.77%

LAB 89.23, -43.26, 24.38

 

CMYK 54 / 0 / 70 / 7

HEX #6DEE48

RGB 109 238 72

HSL 106.63, 0.83%, 0.61%

LAB 84.42, -64.32, 66.19

 

CMYK 42 / 0 / 55 / 5

HEX #8BF16D

RGB 139 241 109

HSL 106.36, 0.83%, 0.69%

LAB 86.75, -53.6, 53.85

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 20 / 0 / 25 / 3

HEX #C7F8B9

RGB 199 248 185

HSL 106.67, 0.82%, 0.85%

LAB 92.92, -26.98, 25.29

 

CMYK 9 / 0 / 12 / 1

HEX #E5FCDF

RGB 229 252 223

HSL 107.59, 0.83%, 0.93%

LAB 96.66, -12.65, 11.35

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 40 / 0 / 2 / 4

HEX #93F5F1

RGB 147 245 241

HSL 177.55, 0.83%, 0.77%

LAB 90.72, -29.73, -7.16

 

CMYK 0 / 40 / 15 / 4

HEX #F593D1

RGB 245 147 209

HSL 322.04, 0.83%, 0.77%

LAB 72.82, 45.14, -16

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 40 / 31 / 0 / 4

HEX #93AAF5

RGB 147 170 245

HSL 225.92, 0.83%, 0.77%

LAB 70.56, 10.42, -39.94

 

CMYK 0 / 40 / 31 / 4

HEX #F593AA

RGB 245 147 170

HSL 345.92, 0.83%, 0.77%

LAB 71.68, 39.6, 3.93

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 40 / 0 / 2 / 4

HEX #93F5F1

RGB 147 245 241

HSL 177.55, 0.83%, 0.77%

LAB 90.72, -29.73, -7.16

 

CMYK 9 / 40 / 0 / 4

HEX #DE93F5

RGB 222 147 245

HSL 285.92, 0.83%, 0.77%

LAB 71.55, 44.38, -37.91

 

CMYK 0 / 40 / 39 / 4

HEX #F59396

RGB 245 147 150

HSL 358.16, 0.83%, 0.77%

LAB 71.2, 37.21, 14.36

 

CMYK 31 / 0 / 40 / 4

HEX #A9F593

RGB 169 245 147

HSL 106.53, 0.83%, 0.77%

LAB 89.79, -41.15, 39.89

 

CMYK 40 / 11 / 0 / 4

HEX #93DBF5

RGB 147 219 245

HSL 195.92, 0.83%, 0.77%

LAB 83.68, -15.95, -19.78

 

CMYK 9 / 40 / 0 / 4

HEX #DE93F5

RGB 222 147 245

HSL 285.92, 0.83%, 0.77%

LAB 71.55, 44.38, -37.91

 

CMYK 0 / 29 / 40 / 4

HEX #F5AD93

RGB 245 173 147

HSL 15.92, 0.83%, 0.77%

LAB 76.92, 23.24, 23.9

 

Description

Color code: HEX #A9F593 | qconv.com Color code: HEX #A9F593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 245 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 245 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 40% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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