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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9EC87 it is the complementary color #561378. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9EC87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9EC87 shade: #AEEC82, #BFFE95, #D0FFA8, #E1FFBB and #F2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9EC87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9EC87 shade: #A9EC87, #98DA74, #87C861, #76B64E and #65A43B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9EC87 shade: #A9EC87, #C4EC87, #DFEC87, #ECDD87 and #ECC287

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9EC87 shade: #A9EC87, #8EEC87, #87EC9C, #87ECB7 and #87ECD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9EC87 shade matches the following richer shades: #A9EC87 and #A6F77C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9EC87 shade: #A9EC87, #ADE193, #B1D69E, #B4CAA9 and #B8BFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9EC87 shade: #E0EC87, #C5EC87, #ABEC87, #90EC87 and #87EC9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9EC87 shade: #76E140, #90E664, #A9EC87, #C3F1AB and #DCF7CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9EC87 shade: #A9EC87, #87ECDD and #EC87D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9EC87 shade: #A9EC87, #87ABEC and #EC87AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9EC87 shade: #A9EC87, #87ECDD, #C987EC and #EC8796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9EC87 shade: #A9EC87, #87DDEC, #C987EC and #EC9687

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

Complementary color

CMYK 28 / 84 / 0 / 53

HEX #561378

RGB 86 19 120

HSL 279.8, 0.73%, 0.27%

LAB 23, 45.98, -42.75

 

CMYK 26 / 0 / 45 / 7

HEX #AEEC82

RGB 174 236 130

HSL 95.09, 0.74%, 0.72%

LAB 87.29, -37.65, 45.07

 

CMYK 25 / 0 / 41 / 0

HEX #BFFE95

RGB 191 254 149

HSL 96, 0.98%, 0.79%

LAB 93.51, -37.56, 43.93

 

CMYK 18 / 0 / 34 / 0

HEX #D0FFA8

RGB 208 255 168

HSL 92.41, 1%, 0.83%

LAB 95.06, -29.67, 36.81

 

CMYK 12 / 0 / 27 / 0

HEX #E1FFBB

RGB 225 255 187

HSL 86.47, 1%, 0.87%

LAB 96.46, -21.09, 29.37

 

CMYK 5 / 0 / 19 / 0

HEX #F2FFCE

RGB 242 255 206

HSL 75.92, 1%, 0.9%

LAB 97.97, -12.36, 22.02

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 30 / 0 / 47 / 15

HEX #98DA74

RGB 152 218 116

HSL 98.82, 0.58%, 0.65%

LAB 80.78, -38.85, 43.49

 

CMYK 33 / 0 / 52 / 22

HEX #87C861

RGB 135 200 97

HSL 97.86, 0.48%, 0.58%

LAB 74.4, -38.91, 44.66

 

CMYK 35 / 0 / 57 / 29

HEX #76B64E

RGB 118 182 78

HSL 96.92, 0.42%, 0.51%

LAB 67.92, -38.91, 45.78

 

CMYK 38 / 0 / 64 / 36

HEX #65A43B

RGB 101 164 59

HSL 96, 0.47%, 0.44%

LAB 61.34, -38.8, 46.76

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 17 / 0 / 43 / 7

HEX #C4EC87

RGB 196 236 135

HSL 83.76, 0.73%, 0.73%

LAB 88.67, -29.21, 44.66

 

CMYK 6 / 0 / 43 / 7

HEX #DFEC87

RGB 223 236 135

HSL 67.72, 0.73%, 0.73%

LAB 90.52, -19.07, 47.37

 

CMYK 0 / 6 / 43 / 7

HEX #ECDD87

RGB 236 221 135

HSL 51.09, 0.73%, 0.73%

LAB 87.63, -6.56, 43.97

 

CMYK 0 / 18 / 43 / 7

HEX #ECC287

RGB 236 194 135

HSL 35.05, 0.73%, 0.73%

LAB 80.83, 7.35, 35.27

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 40 / 0 / 43 / 7

HEX #8EEC87

RGB 142 236 135

HSL 115.84, 0.73%, 0.73%

LAB 85.75, -47.38, 40.35

 

CMYK 43 / 0 / 34 / 7

HEX #87EC9C

RGB 135 236 156

HSL 132.48, 0.73%, 0.73%

LAB 85.78, -46.16, 29.81

 

CMYK 43 / 0 / 22 / 7

HEX #87ECB7

RGB 135 236 183

HSL 148.51, 0.73%, 0.73%

LAB 86.29, -41.24, 16.62

 

CMYK 43 / 0 / 11 / 7

HEX #87ECD2

RGB 135 236 210

HSL 164.55, 0.73%, 0.73%

LAB 86.9, -35.58, 3.39

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 33 / 0 / 50 / 3

HEX #A6F77C

RGB 166 247 124

HSL 99.51, 0.88%, 0.73%

LAB 89.9, -45.89, 51.04

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 23 / 0 / 35 / 12

HEX #ADE193

RGB 173 225 147

HSL 100, 0.57%, 0.73%

LAB 84.4, -30.69, 32.9

 

CMYK 17 / 0 / 26 / 16

HEX #B1D69E

RGB 177 214 158

HSL 99.64, 0.41%, 0.73%

LAB 81.79, -22.37, 23.75

 

CMYK 11 / 0 / 16 / 21

HEX #B4CAA9

RGB 180 202 169

HSL 100, 0.24%, 0.73%

LAB 78.93, -13.51, 14

 

CMYK 4 / 0 / 6 / 25

HEX #B8BFB4

RGB 184 191 180

HSL 98.18, 0.08%, 0.73%

LAB 76.53, -4.45, 4.7

 

CMYK 5 / 0 / 43 / 7

HEX #E0EC87

RGB 224 236 135

HSL 67.13, 0.73%, 0.73%

LAB 90.59, -18.68, 47.47

 

CMYK 17 / 0 / 43 / 7

HEX #C5EC87

RGB 197 236 135

HSL 83.17, 0.73%, 0.73%

LAB 88.74, -28.84, 44.76

 

CMYK 28 / 0 / 43 / 7

HEX #ABEC87

RGB 171 236 135

HSL 98.61, 0.73%, 0.73%

LAB 87.19, -38.06, 42.48

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 43 / 0 / 35 / 7

HEX #87EC9A

RGB 135 236 154

HSL 131.29, 0.73%, 0.73%

LAB 85.74, -46.5, 30.78

 

CMYK 48 / 0 / 72 / 12

HEX #76E140

RGB 118 225 64

HSL 99.88, 0.73%, 0.57%

LAB 80.78, -57.67, 65.44

 

CMYK 37 / 0 / 57 / 10

HEX #90E664

RGB 144 230 100

HSL 99.69, 0.72%, 0.65%

LAB 83.67, -48.5, 54.35

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 19 / 0 / 29 / 5

HEX #C3F1AB

RGB 195 241 171

HSL 99.43, 0.71%, 0.81%

LAB 90.53, -27.16, 29.12

 

CMYK 11 / 0 / 16 / 3

HEX #DCF7CF

RGB 220 247 207

HSL 100.5, 0.71%, 0.89%

LAB 94.42, -15.88, 16.31

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 43 / 0 / 6 / 7

HEX #87ECDD

RGB 135 236 221

HSL 171.09, 0.73%, 0.73%

LAB 87.17, -33.07, -1.97

 

CMYK 0 / 43 / 11 / 7

HEX #EC87D3

RGB 236 135 211

HSL 314.85, 0.73%, 0.73%

LAB 69.37, 48.71, -22.43

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 43 / 28 / 0 / 7

HEX #87ABEC

RGB 135 171 236

HSL 218.61, 0.73%, 0.73%

LAB 69.71, 4.32, -36.42

 

CMYK 0 / 43 / 28 / 7

HEX #EC87AB

RGB 236 135 171

HSL 338.61, 0.73%, 0.73%

LAB 68.1, 42.77, -1.99

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 43 / 0 / 6 / 7

HEX #87ECDD

RGB 135 236 221

HSL 171.09, 0.73%, 0.73%

LAB 87.17, -33.07, -1.97

 

CMYK 15 / 43 / 0 / 7

HEX #C987EC

RGB 201 135 236

HSL 279.21, 0.73%, 0.73%

LAB 66.37, 42.84, -41.23

 

CMYK 0 / 43 / 36 / 7

HEX #EC8796

RGB 236 135 150

HSL 351.09, 0.73%, 0.73%

LAB 67.55, 40.14, 9.04

 

CMYK 28 / 0 / 43 / 7

HEX #A9EC87

RGB 169 236 135

HSL 99.8, 0.73%, 0.73%

LAB 87.08, -38.74, 42.32

 

CMYK 43 / 6 / 0 / 7

HEX #87DDEC

RGB 135 221 236

HSL 188.91, 0.73%, 0.73%

LAB 83.4, -22.18, -15.49

 

CMYK 15 / 43 / 0 / 7

HEX #C987EC

RGB 201 135 236

HSL 279.21, 0.73%, 0.73%

LAB 66.37, 42.84, -41.23

 

CMYK 0 / 36 / 43 / 7

HEX #EC9687

RGB 236 150 135

HSL 8.91, 0.73%, 0.73%

LAB 70.45, 30.64, 21.44

 

Description

Color code: HEX #A9EC87 | qconv.com Color code: HEX #A9EC87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 236 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 236 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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