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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9E363 it is the complementary color #561C9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9E363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9E363 shade: #AEE35E, #BFF571, #D0FF84, #E1FF97 and #F2FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9E363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9E363 shade: #A9E363, #98D150, #87BF3D, #76AD2A and #659B17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9E363 shade: #A9E362, #CBE362, #E3D862, #E3B562 and #E39362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9E363 shade: #A9E362, #86E362, #63E362, #62E384 and #62E3A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9E363 shade matches the following richer shades: #A9E362 and #AAF254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9E363 shade: #A9E362, #A7D471, #A6C580, #A5B68F and #A3A89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9E363 shade: #E3D862, #CBE362, #A9E362, #87E362 and #65E362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9E363 shade: #81CF24, #95DD3F, #A9E362, #BCE986 and #CFEFA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9E363 shade: #A9E363, #62E3B6 and #E362DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9E363 shade: #A9E363, #62A9E3 and #E362A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9E363 shade: #A9E363, #62E3B6, #9C62E3 and #E3628F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9E363 shade: #A9E363, #62E3DD, #9C62E3 and #E36269

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 56 / 11

HEX #A9E363

RGB 169 227 99

HSL 87.19, 0.7%, 0.64%

LAB 84.11, -38.7, 55.63

 

Complementary color

CMYK 45 / 82 / 0 / 39

HEX #561C9C

RGB 86 28 156

HSL 267.19, 0.7%, 0.36%

LAB 27.32, 51.29, -58.16

 

CMYK 23 / 0 / 59 / 11

HEX #AEE35E

RGB 174 227 94

HSL 83.91, 0.7%, 0.63%

LAB 84.35, -37.32, 58.18

 

CMYK 22 / 0 / 54 / 4

HEX #BFF571

RGB 191 245 113

HSL 84.55, 0.87%, 0.7%

LAB 90.58, -37.48, 57.21

 

CMYK 18 / 0 / 48 / 0

HEX #D0FF84

RGB 208 255 132

HSL 82.93, 1%, 0.76%

LAB 94.57, -33.96, 53.54

 

CMYK 12 / 0 / 41 / 0

HEX #E1FF97

RGB 225 255 151

HSL 77.31, 1%, 0.8%

LAB 95.9, -25.69, 46.43

 

CMYK 5 / 0 / 33 / 0

HEX #F2FFAA

RGB 242 255 170

HSL 69.18, 1%, 0.83%

LAB 97.35, -17.21, 39.26

 

CMYK 26 / 0 / 56 / 11

HEX #A9E363

RGB 169 227 99

HSL 87.19, 0.7%, 0.64%

LAB 84.11, -38.7, 55.63

 

CMYK 27 / 0 / 62 / 18

HEX #98D150

RGB 152 209 80

HSL 86.51, 0.58%, 0.57%

LAB 77.79, -38.54, 56.54

 

CMYK 29 / 0 / 68 / 25

HEX #87BF3D

RGB 135 191 61

HSL 85.85, 0.52%, 0.49%

LAB 71.38, -38.26, 57.2

 

CMYK 32 / 0 / 76 / 32

HEX #76AD2A

RGB 118 173 42

HSL 85.19, 0.61%, 0.42%

LAB 64.89, -37.83, 57.36

 

CMYK 35 / 0 / 85 / 39

HEX #659B17

RGB 101 155 23

HSL 84.55, 0.74%, 0.35%

LAB 58.29, -37.18, 56.6

 

CMYK 26 / 0 / 57 / 11

HEX #A9E362

RGB 169 227 98

HSL 86.98, 0.7%, 0.64%

LAB 84.1, -38.79, 56.06

 

CMYK 11 / 0 / 57 / 11

HEX #CBE362

RGB 203 227 98

HSL 71.16, 0.7%, 0.64%

LAB 86.26, -25.91, 59.1

 

CMYK 0 / 5 / 57 / 11

HEX #E3D862

RGB 227 216 98

HSL 54.88, 0.7%, 0.64%

LAB 85.16, -10.88, 58.36

 

CMYK 0 / 20 / 57 / 11

HEX #E3B562

RGB 227 181 98

HSL 38.6, 0.7%, 0.64%

LAB 76.23, 7.18, 48.04

 

CMYK 0 / 35 / 57 / 11

HEX #E39362

RGB 227 147 98

HSL 22.79, 0.7%, 0.64%

LAB 68.08, 25.3, 38.19

 

CMYK 26 / 0 / 57 / 11

HEX #A9E362

RGB 169 227 98

HSL 86.98, 0.7%, 0.64%

LAB 84.1, -38.79, 56.06

 

CMYK 41 / 0 / 57 / 11

HEX #86E362

RGB 134 227 98

HSL 103.26, 0.7%, 0.64%

LAB 82.32, -50.64, 53.55

 

CMYK 56 / 0 / 57 / 11

HEX #63E362

RGB 99 227 98

HSL 119.53, 0.7%, 0.64%

LAB 81, -60.34, 51.68

 

CMYK 57 / 0 / 42 / 11

HEX #62E384

RGB 98 227 132

HSL 135.81, 0.7%, 0.64%

LAB 81.4, -55.84, 35.91

 

CMYK 57 / 0 / 26 / 11

HEX #62E3A7

RGB 98 227 167

HSL 152.09, 0.7%, 0.64%

LAB 82.01, -49.41, 18.79

 

CMYK 26 / 0 / 57 / 11

HEX #A9E362

RGB 169 227 98

HSL 86.98, 0.7%, 0.64%

LAB 84.1, -38.79, 56.06

 

CMYK 30 / 0 / 65 / 5

HEX #AAF254

RGB 170 242 84

HSL 87.34, 0.86%, 0.64%

LAB 88.3, -46.13, 66.54

 

CMYK 26 / 0 / 57 / 11

HEX #A9E362

RGB 169 227 98

HSL 86.98, 0.7%, 0.64%

LAB 84.1, -38.79, 56.06

 

CMYK 21 / 0 / 47 / 17

HEX #A7D471

RGB 167 212 113

HSL 87.27, 0.54%, 0.64%

LAB 79.89, -31.11, 44.04

 

CMYK 16 / 0 / 35 / 23

HEX #A6C580

RGB 166 197 128

HSL 86.96, 0.37%, 0.64%

LAB 75.82, -22.38, 31.27

 

CMYK 9 / 0 / 21 / 29

HEX #A5B68F

RGB 165 182 143

HSL 86.15, 0.21%, 0.64%

LAB 71.85, -12.92, 17.93

 

CMYK 3 / 0 / 6 / 34

HEX #A3A89E

RGB 163 168 158

HSL 90, 0.05%, 0.64%

LAB 68.21, -3.65, 4.54

 

CMYK 0 / 5 / 57 / 11

HEX #E3D862

RGB 227 216 98

HSL 54.88, 0.7%, 0.64%

LAB 85.16, -10.88, 58.36

 

CMYK 11 / 0 / 57 / 11

HEX #CBE362

RGB 203 227 98

HSL 71.16, 0.7%, 0.64%

LAB 86.26, -25.91, 59.1

 

CMYK 26 / 0 / 57 / 11

HEX #A9E362

RGB 169 227 98

HSL 86.98, 0.7%, 0.64%

LAB 84.1, -38.79, 56.06

 

CMYK 41 / 0 / 57 / 11

HEX #87E362

RGB 135 227 98

HSL 102.79, 0.7%, 0.64%

LAB 82.36, -50.33, 53.61

 

CMYK 56 / 0 / 57 / 11

HEX #65E362

RGB 101 227 98

HSL 118.6, 0.7%, 0.64%

LAB 81.06, -59.86, 51.77

 

CMYK 38 / 0 / 83 / 19

HEX #81CF24

RGB 129 207 36

HSL 87.37, 0.7%, 0.48%

LAB 75.71, -48.62, 69.3

 

CMYK 33 / 0 / 71 / 13

HEX #95DD3F

RGB 149 221 63

HSL 87.34, 0.7%, 0.56%

LAB 80.99, -46.06, 66.47

 

CMYK 26 / 0 / 57 / 11

HEX #A9E362

RGB 169 227 98

HSL 86.98, 0.7%, 0.64%

LAB 84.1, -38.79, 56.06

 

CMYK 19 / 0 / 42 / 9

HEX #BCE986

RGB 188 233 134

HSL 87.27, 0.69%, 0.72%

LAB 87.33, -30.83, 43.36

 

CMYK 13 / 0 / 29 / 6

HEX #CFEFA9

RGB 207 239 169

HSL 87.43, 0.69%, 0.8%

LAB 90.72, -22.29, 30.52

 

CMYK 26 / 0 / 56 / 11

HEX #A9E363

RGB 169 227 99

HSL 87.19, 0.7%, 0.64%

LAB 84.11, -38.7, 55.63

 

CMYK 57 / 0 / 20 / 11

HEX #62E3B6

RGB 98 227 182

HSL 159.07, 0.7%, 0.64%

LAB 82.33, -46.21, 11.37

 

CMYK 0 / 57 / 3 / 11

HEX #E362DD

RGB 227 98 221

HSL 302.79, 0.7%, 0.64%

LAB 61.9, 65.4, -39.66

 

CMYK 26 / 0 / 56 / 11

HEX #A9E363

RGB 169 227 99

HSL 87.19, 0.7%, 0.64%

LAB 84.11, -38.7, 55.63

 

CMYK 57 / 26 / 0 / 11

HEX #62A9E3

RGB 98 169 227

HSL 206.98, 0.7%, 0.64%

LAB 66.91, -5.65, -35.98

 

CMYK 0 / 57 / 26 / 11

HEX #E362A9

RGB 227 98 169

HSL 326.98, 0.7%, 0.64%

LAB 59.83, 57.62, -13.28

 

CMYK 26 / 0 / 56 / 11

HEX #A9E363

RGB 169 227 99

HSL 87.19, 0.7%, 0.64%

LAB 84.11, -38.7, 55.63

 

CMYK 57 / 0 / 20 / 11

HEX #62E3B6

RGB 98 227 182

HSL 159.07, 0.7%, 0.64%

LAB 82.33, -46.21, 11.37

 

CMYK 31 / 57 / 0 / 11

HEX #9C62E3

RGB 156 98 227

HSL 266.98, 0.7%, 0.64%

LAB 53.33, 48.79, -57.18

 

CMYK 0 / 57 / 37 / 11

HEX #E3628F

RGB 227 98 143

HSL 339.07, 0.7%, 0.64%

LAB 59.02, 54.44, 0.6

 

CMYK 26 / 0 / 56 / 11

HEX #A9E363

RGB 169 227 99

HSL 87.19, 0.7%, 0.64%

LAB 84.11, -38.7, 55.63

 

CMYK 57 / 0 / 3 / 11

HEX #62E3DD

RGB 98 227 221

HSL 177.21, 0.7%, 0.64%

LAB 83.31, -36.78, -7.81

 

CMYK 31 / 57 / 0 / 11

HEX #9C62E3

RGB 156 98 227

HSL 266.98, 0.7%, 0.64%

LAB 53.33, 48.79, -57.18

 

CMYK 0 / 57 / 54 / 11

HEX #E36269

RGB 227 98 105

HSL 356.74, 0.7%, 0.64%

LAB 58.12, 50.78, 21.45

 

Description

Color code: HEX #A9E363 | qconv.com Color code: HEX #A9E363 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 227 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 227 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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