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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9E294 it is the complementary color #561D6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9E294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9E294 shade: #AEE28F, #BFF4A2, #D0FFB5, #E1FFC8 and #F2FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9E294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9E294 shade: #A9E294, #98D081, #87BE6E, #76AC5B and #659A48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9E294 shade: #A8E192, #BDE192, #D2E192, #E1DB92 and #E1C692

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9E294 shade: #A8E192, #92E192, #92E1A8, #92E1BD and #92E1D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9E294 shade matches the following richer shades: #A8E192, #A2EC87 and #9DF77C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9E294 shade: #A8E192, #ADD69E, #B2CBA9, #B7BFB4 and #BCB4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9E294 shade: #D3E192, #BEE192, #A9E192, #94E192 and #92E1A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9E294 shade: #73CF52, #8DD872, #A8E192, #C2EAB3 and #DCF3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9E294 shade: #A9E294, #92E1DA and #E192C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9E294 shade: #A9E294, #92A9E1 and #E192A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9E294 shade: #A9E294, #92E1DA, #CB92E1 and #E19299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9E294 shade: #A9E294, #92D0E1, #CB92E1 and #E1A392

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 35 / 11

HEX #A9E294

RGB 169 226 148

HSL 103.85, 0.57%, 0.73%

LAB 84.47, -32.39, 32.43

 

Complementary color

CMYK 20 / 73 / 0 / 58

HEX #561D6B

RGB 86 29 107

HSL 283.85, 0.57%, 0.27%

LAB 23.4, 39.06, -33.73

 

CMYK 23 / 0 / 37 / 11

HEX #AEE28F

RGB 174 226 143

HSL 97.59, 0.59%, 0.72%

LAB 84.68, -31.38, 35.3

 

CMYK 22 / 0 / 34 / 4

HEX #BFF4A2

RGB 191 244 162

HSL 98.78, 0.79%, 0.8%

LAB 90.96, -31.25, 34.19

 

CMYK 18 / 0 / 29 / 0

HEX #D0FFB5

RGB 208 255 181

HSL 98.11, 1%, 0.85%

LAB 95.27, -27.85, 30.61

 

CMYK 12 / 0 / 22 / 0

HEX #E1FFC8

RGB 225 255 200

HSL 92.73, 1%, 0.89%

LAB 96.7, -19.18, 23.12

 

CMYK 5 / 0 / 14 / 0

HEX #F2FFDB

RGB 242 255 219

HSL 81.67, 1%, 0.93%

LAB 98.24, -10.37, 15.77

 

CMYK 25 / 0 / 35 / 11

HEX #A9E294

RGB 169 226 148

HSL 103.85, 0.57%, 0.73%

LAB 84.47, -32.39, 32.43

 

CMYK 27 / 0 / 38 / 18

HEX #98D081

RGB 152 208 129

HSL 102.53, 0.46%, 0.66%

LAB 78.09, -32.56, 33.57

 

CMYK 29 / 0 / 42 / 25

HEX #87BE6E

RGB 135 190 110

HSL 101.25, 0.38%, 0.59%

LAB 71.63, -32.71, 34.75

 

CMYK 31 / 0 / 47 / 33

HEX #76AC5B

RGB 118 172 91

HSL 100, 0.33%, 0.52%

LAB 65.05, -32.84, 35.97

 

CMYK 34 / 0 / 53 / 40

HEX #659A48

RGB 101 154 72

HSL 98.78, 0.36%, 0.44%

LAB 58.36, -32.91, 37.2

 

CMYK 25 / 0 / 35 / 12

HEX #A8E192

RGB 168 225 146

HSL 103.29, 0.57%, 0.73%

LAB 84.1, -32.55, 32.95

 

CMYK 16 / 0 / 35 / 12

HEX #BDE192

RGB 189 225 146

HSL 87.34, 0.57%, 0.73%

LAB 85.37, -25.16, 34.87

 

CMYK 7 / 0 / 35 / 12

HEX #D2E192

RGB 210 225 146

HSL 71.39, 0.57%, 0.73%

LAB 86.81, -17.38, 37.02

 

CMYK 0 / 3 / 35 / 12

HEX #E1DB92

RGB 225 219 146

HSL 55.44, 0.57%, 0.73%

LAB 86.38, -8.66, 36.67

 

CMYK 0 / 12 / 35 / 12

HEX #E1C692

RGB 225 198 146

HSL 39.49, 0.57%, 0.73%

LAB 81, 2.14, 29.58

 

CMYK 25 / 0 / 35 / 12

HEX #A8E192

RGB 168 225 146

HSL 103.29, 0.57%, 0.73%

LAB 84.1, -32.55, 32.95

 

CMYK 35 / 0 / 35 / 12

HEX #92E192

RGB 146 225 146

HSL 120, 0.57%, 0.73%

LAB 82.93, -39.74, 31.2

 

CMYK 35 / 0 / 25 / 12

HEX #92E1A8

RGB 146 225 168

HSL 136.71, 0.57%, 0.73%

LAB 83.33, -36.02, 20.38

 

CMYK 35 / 0 / 16 / 12

HEX #92E1BD

RGB 146 225 189

HSL 152.66, 0.57%, 0.73%

LAB 83.78, -31.99, 10

 

CMYK 35 / 0 / 7 / 12

HEX #92E1D2

RGB 146 225 210

HSL 168.61, 0.57%, 0.73%

LAB 84.28, -27.53, -0.35

 

CMYK 25 / 0 / 35 / 12

HEX #A8E192

RGB 168 225 146

HSL 103.29, 0.57%, 0.73%

LAB 84.1, -32.55, 32.95

 

CMYK 31 / 0 / 43 / 7

HEX #A2EC87

RGB 162 236 135

HSL 103.96, 0.73%, 0.73%

LAB 86.71, -41.08, 41.77

 

CMYK 36 / 0 / 50 / 3

HEX #9DF77C

RGB 157 247 124

HSL 103.9, 0.88%, 0.73%

LAB 89.46, -48.79, 50.4

 

CMYK 25 / 0 / 35 / 12

HEX #A8E192

RGB 168 225 146

HSL 103.29, 0.57%, 0.73%

LAB 84.1, -32.55, 32.95

 

CMYK 19 / 0 / 26 / 16

HEX #ADD69E

RGB 173 214 158

HSL 103.93, 0.41%, 0.73%

LAB 81.54, -23.76, 23.37

 

CMYK 12 / 0 / 17 / 20

HEX #B2CBA9

RGB 178 203 169

HSL 104.12, 0.25%, 0.73%

LAB 79.07, -14.72, 14.17

 

CMYK 4 / 0 / 6 / 25

HEX #B7BFB4

RGB 183 191 180

HSL 103.64, 0.08%, 0.73%

LAB 76.45, -4.8, 4.58

 

CMYK 2 / 6 / 0 / 25

HEX #BCB4BF

RGB 188 180 191

HSL 283.64, 0.08%, 0.73%

LAB 74.25, 4.87, -4.57

 

CMYK 6 / 0 / 35 / 12

HEX #D3E192

RGB 211 225 146

HSL 70.63, 0.57%, 0.73%

LAB 86.89, -17.01, 37.13

 

CMYK 16 / 0 / 35 / 12

HEX #BEE192

RGB 190 225 146

HSL 86.58, 0.57%, 0.73%

LAB 85.44, -24.8, 34.97

 

CMYK 25 / 0 / 35 / 12

HEX #A9E192

RGB 169 225 146

HSL 102.53, 0.57%, 0.73%

LAB 84.15, -32.21, 33.03

 

CMYK 34 / 0 / 35 / 12

HEX #94E192

RGB 148 225 146

HSL 118.48, 0.57%, 0.73%

LAB 83.03, -39.12, 31.34

 

CMYK 35 / 0 / 26 / 12

HEX #92E1A6

RGB 146 225 166

HSL 135.19, 0.57%, 0.73%

LAB 83.29, -36.38, 21.37

 

CMYK 44 / 0 / 60 / 19

HEX #73CF52

RGB 115 207 82

HSL 104.16, 0.57%, 0.57%

LAB 75.38, -50.04, 52.47

 

CMYK 35 / 0 / 47 / 15

HEX #8DD872

RGB 141 216 114

HSL 104.12, 0.57%, 0.65%

LAB 79.61, -41.9, 42.88

 

CMYK 25 / 0 / 35 / 12

HEX #A8E192

RGB 168 225 146

HSL 103.29, 0.57%, 0.73%

LAB 84.1, -32.55, 32.95

 

CMYK 17 / 0 / 24 / 8

HEX #C2EAB3

RGB 194 234 179

HSL 103.64, 0.57%, 0.81%

LAB 88.72, -22.91, 22.54

 

CMYK 9 / 0 / 13 / 5

HEX #DCF3D3

RGB 220 243 211

HSL 103.13, 0.57%, 0.89%

LAB 93.46, -13.24, 12.9

 

CMYK 25 / 0 / 35 / 11

HEX #A9E294

RGB 169 226 148

HSL 103.85, 0.57%, 0.73%

LAB 84.47, -32.39, 32.43

 

CMYK 35 / 0 / 3 / 12

HEX #92E1DA

RGB 146 225 218

HSL 174.68, 0.57%, 0.73%

LAB 84.5, -25.72, -4.27

 

CMYK 0 / 35 / 11 / 12

HEX #E192C8

RGB 225 146 200

HSL 318.99, 0.57%, 0.73%

LAB 69.99, 37.65, -15.51

 

CMYK 25 / 0 / 35 / 11

HEX #A9E294

RGB 169 226 148

HSL 103.85, 0.57%, 0.73%

LAB 84.47, -32.39, 32.43

 

CMYK 35 / 25 / 0 / 12

HEX #92A9E1

RGB 146 169 225

HSL 222.53, 0.57%, 0.73%

LAB 69.41, 5.38, -30.8

 

CMYK 0 / 35 / 25 / 12

HEX #E192A9

RGB 225 146 169

HSL 342.53, 0.57%, 0.73%

LAB 69.06, 32.88, 0.39

 

CMYK 25 / 0 / 35 / 11

HEX #A9E294

RGB 169 226 148

HSL 103.85, 0.57%, 0.73%

LAB 84.47, -32.39, 32.43

 

CMYK 35 / 0 / 3 / 12

HEX #92E1DA

RGB 146 225 218

HSL 174.68, 0.57%, 0.73%

LAB 84.5, -25.72, -4.27

 

CMYK 10 / 35 / 0 / 12

HEX #CB92E1

RGB 203 146 225

HSL 283.29, 0.57%, 0.73%

LAB 68.53, 35.21, -31.79

 

CMYK 0 / 35 / 32 / 12

HEX #E19299

RGB 225 146 153

HSL 354.68, 0.57%, 0.73%

LAB 68.65, 30.73, 8.75

 

CMYK 25 / 0 / 35 / 11

HEX #A9E294

RGB 169 226 148

HSL 103.85, 0.57%, 0.73%

LAB 84.47, -32.39, 32.43

 

CMYK 35 / 8 / 0 / 12

HEX #92D0E1

RGB 146 208 225

HSL 192.91, 0.57%, 0.73%

LAB 79.99, -15.57, -14.7

 

CMYK 10 / 35 / 0 / 12

HEX #CB92E1

RGB 203 146 225

HSL 283.29, 0.57%, 0.73%

LAB 68.53, 35.21, -31.79

 

CMYK 0 / 28 / 35 / 12

HEX #E1A392

RGB 225 163 146

HSL 12.91, 0.57%, 0.73%

LAB 72.41, 20.74, 17.9

 

Description

Color code: HEX #A9E294 | qconv.com Color code: HEX #A9E294 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 226 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 226 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 35 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 35% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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