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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9E995 it is the complementary color #56166A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9E995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9E995 shade: #AEE990, #BFFBA3, #D0FFB6, #E1FFC9 and #F2FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9E995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9E995 shade: #A9E995, #98D782, #87C56F, #76B35C and #65A149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9E995 shade: #A9E995, #BFE995, #D6E995, #E9E595 and #E9CE95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9E995 shade: #A9E995, #95E997, #95E9AE, #95E9C5 and #95E9DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9E995 shade matches the following richer shades: #A9E995, #A3F38A and #9EFD80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9E995 shade: #A9E995, #AEDF9F, #B4D4A9, #B9CAB4 and #BEC0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9E995 shade: #D7E995, #C0E995, #AAE995, #95E996 and #95E9AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9E995 shade: #71DB50, #8DE272, #A9E995, #C4F0B7 and #E0F7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9E995 shade: #A9E995, #95E9E5 and #E995CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9E995 shade: #A9E995, #95AAE9 and #E995AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9E995 shade: #A9E995, #95E9E5, #D495E9 and #E99599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9E995 shade: #A9E995, #95D4E9, #D495E9 and #E9AA95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

Complementary color

CMYK 19 / 79 / 0 / 58

HEX #56166A

RGB 86 22 106

HSL 285.71, 0.66%, 0.25%

LAB 22.28, 41.83, -34.89

 

CMYK 25 / 0 / 38 / 9

HEX #AEE990

RGB 174 233 144

HSL 99.78, 0.67%, 0.74%

LAB 86.65, -34.48, 37.36

 

CMYK 24 / 0 / 35 / 2

HEX #BFFBA3

RGB 191 251 163

HSL 100.91, 0.92%, 0.81%

LAB 92.89, -34.34, 36.25

 

CMYK 18 / 0 / 29 / 0

HEX #D0FFB6

RGB 208 255 182

HSL 98.63, 1%, 0.86%

LAB 95.29, -27.7, 30.13

 

CMYK 12 / 0 / 21 / 0

HEX #E1FFC9

RGB 225 255 201

HSL 93.33, 1%, 0.89%

LAB 96.72, -19.02, 22.64

 

CMYK 5 / 0 / 14 / 0

HEX #F2FFDC

RGB 242 255 220

HSL 82.29, 1%, 0.93%

LAB 98.26, -10.21, 15.29

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 29 / 0 / 40 / 16

HEX #98D782

RGB 152 215 130

HSL 104.47, 0.52%, 0.68%

LAB 80.12, -35.65, 35.69

 

CMYK 31 / 0 / 44 / 23

HEX #87C56F

RGB 135 197 111

HSL 103.26, 0.43%, 0.6%

LAB 73.7, -35.81, 36.88

 

CMYK 34 / 0 / 49 / 30

HEX #76B35C

RGB 118 179 92

HSL 102.07, 0.36%, 0.53%

LAB 67.18, -35.94, 38.1

 

CMYK 37 / 0 / 55 / 37

HEX #65A149

RGB 101 161 73

HSL 100.91, 0.38%, 0.46%

LAB 60.55, -36, 39.31

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 18 / 0 / 36 / 9

HEX #BFE995

RGB 191 233 149

HSL 90, 0.66%, 0.75%

LAB 87.74, -27.86, 36.48

 

CMYK 8 / 0 / 36 / 9

HEX #D6E995

RGB 214 233 149

HSL 73.57, 0.66%, 0.75%

LAB 89.27, -19.44, 38.77

 

CMYK 0 / 2 / 36 / 9

HEX #E9E595

RGB 233 229 149

HSL 57.14, 0.66%, 0.75%

LAB 89.64, -10.26, 39.53

 

CMYK 0 / 12 / 36 / 9

HEX #E9CE95

RGB 233 206 149

HSL 40.71, 0.66%, 0.75%

LAB 83.78, 1.46, 31.84

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 36 / 0 / 35 / 9

HEX #95E997

RGB 149 233 151

HSL 121.43, 0.66%, 0.75%

LAB 85.45, -41.58, 32.03

 

CMYK 36 / 0 / 25 / 9

HEX #95E9AE

RGB 149 233 174

HSL 137.86, 0.66%, 0.75%

LAB 85.87, -37.7, 20.8

 

CMYK 36 / 0 / 15 / 9

HEX #95E9C5

RGB 149 233 197

HSL 154.29, 0.66%, 0.75%

LAB 86.35, -33.27, 9.5

 

CMYK 36 / 0 / 6 / 9

HEX #95E9DB

RGB 149 233 219

HSL 170, 0.66%, 0.75%

LAB 86.89, -28.56, -1.27

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 33 / 0 / 43 / 5

HEX #A3F38A

RGB 163 243 138

HSL 105.71, 0.81%, 0.75%

LAB 88.79, -43.42, 42.96

 

CMYK 38 / 0 / 49 / 1

HEX #9EFD80

RGB 158 253 128

HSL 105.6, 0.97%, 0.75%

LAB 91.27, -50.51, 50.76

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 22 / 0 / 29 / 13

HEX #AEDF9F

RGB 174 223 159

HSL 105.94, 0.5%, 0.75%

LAB 84.11, -27.61, 26.36

 

CMYK 15 / 0 / 20 / 17

HEX #B4D4A9

RGB 180 212 169

HSL 104.65, 0.33%, 0.75%

LAB 81.65, -18.55, 17.81

 

CMYK 8 / 0 / 11 / 21

HEX #B9CAB4

RGB 185 202 180

HSL 106.36, 0.17%, 0.75%

LAB 79.53, -9.85, 9.02

 

CMYK 1 / 0 / 1 / 25

HEX #BEC0BE

RGB 190 192 190

HSL 120, 0.02%, 0.75%

LAB 77.5, -1.06, 0.75

 

CMYK 8 / 0 / 36 / 9

HEX #D7E995

RGB 215 233 149

HSL 72.86, 0.66%, 0.75%

LAB 89.34, -19.07, 38.88

 

CMYK 18 / 0 / 36 / 9

HEX #C0E995

RGB 192 233 149

HSL 89.29, 0.66%, 0.75%

LAB 87.8, -27.5, 36.57

 

CMYK 27 / 0 / 36 / 9

HEX #AAE995

RGB 170 233 149

HSL 105, 0.66%, 0.75%

LAB 86.5, -35.14, 34.62

 

CMYK 36 / 0 / 36 / 9

HEX #95E996

RGB 149 233 150

HSL 120.71, 0.66%, 0.75%

LAB 85.44, -41.74, 32.52

 

CMYK 36 / 0 / 26 / 9

HEX #95E9AD

RGB 149 233 173

HSL 137.14, 0.66%, 0.75%

LAB 85.85, -37.88, 21.29

 

CMYK 48 / 0 / 63 / 14

HEX #71DB50

RGB 113 219 80

HSL 105.76, 0.66%, 0.59%

LAB 78.9, -55.54, 57.23

 

CMYK 38 / 0 / 50 / 11

HEX #8DE272

RGB 141 226 114

HSL 105.54, 0.66%, 0.67%

LAB 82.52, -46.21, 46.47

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 18 / 0 / 24 / 6

HEX #C4F0B7

RGB 196 240 183

HSL 106.32, 0.66%, 0.83%

LAB 90.54, -24.49, 23.01

 

CMYK 9 / 0 / 12 / 3

HEX #E0F7D9

RGB 224 247 217

HSL 106, 0.65%, 0.91%

LAB 94.9, -12.86, 11.89

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 36 / 0 / 2 / 9

HEX #95E9E5

RGB 149 233 229

HSL 177.14, 0.66%, 0.75%

LAB 87.16, -26.28, -6.13

 

CMYK 0 / 36 / 13 / 9

HEX #E995CB

RGB 233 149 203

HSL 321.43, 0.66%, 0.75%

LAB 71.64, 39.21, -14.59

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 36 / 27 / 0 / 9

HEX #95AAE9

RGB 149 170 233

HSL 225, 0.66%, 0.75%

LAB 70.19, 7.74, -33.96

 

CMYK 0 / 36 / 27 / 9

HEX #E995AA

RGB 233 149 170

HSL 345, 0.66%, 0.75%

LAB 70.68, 34.29, 2.3

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 36 / 0 / 2 / 9

HEX #95E9E5

RGB 149 233 229

HSL 177.14, 0.66%, 0.75%

LAB 87.16, -26.28, -6.13

 

CMYK 9 / 36 / 0 / 9

HEX #D495E9

RGB 212 149 233

HSL 285, 0.66%, 0.75%

LAB 70.44, 37.95, -33.16

 

CMYK 0 / 36 / 34 / 9

HEX #E99599

RGB 233 149 153

HSL 357.14, 0.66%, 0.75%

LAB 70.26, 32.09, 11.16

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 36 / 9 / 0 / 9

HEX #95D4E9

RGB 149 212 233

HSL 195, 0.66%, 0.75%

LAB 81.49, -14.85, -16.7

 

CMYK 9 / 36 / 0 / 9

HEX #D495E9

RGB 212 149 233

HSL 285, 0.66%, 0.75%

LAB 70.44, 37.95, -33.16

 

CMYK 0 / 27 / 36 / 9

HEX #E9AA95

RGB 233 170 149

HSL 15, 0.66%, 0.75%

LAB 74.98, 20.44, 19.94

 

Description

Color code: HEX #A9E995 | qconv.com Color code: HEX #A9E995 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 233 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 233 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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