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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9E665 it is the complementary color #56199A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9E665. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9E665 shade: #AEE660, #BFF873, #D0FF86, #E1FF99 and #F2FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9E665. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9E665 shade: #A9E665, #98D452, #87C23F, #76B02C and #659E19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9E665 shade: #A9E665, #CBE665, #E6DD65, #E6BA65 and #E69865

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9E665 shade: #A9E665, #86E665, #65E667, #65E689 and #65E6AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9E665 shade matches the following richer shades: #A9E665 and #AAF457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9E665 shade: #A9E665, #A8D773, #A7C982, #A6BA90 and #A6AC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9E665 shade: #E6DD65, #CCE665, #AAE665, #87E665 and #65E665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9E665 shade: #81D622, #95E042, #A9E665, #BDEB88 and #D0F1AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9E665 shade: #A9E665, #65E6BB and #E665DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9E665 shade: #A9E665, #65AAE6 and #E665AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9E665 shade: #A9E665, #65E6BB, #A165E6 and #E66590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9E665 shade: #A9E665, #65E6E1, #A165E6 and #E66569

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

Complementary color

CMYK 44 / 84 / 0 / 40

HEX #56199A

RGB 86 25 154

HSL 268.37, 0.72%, 0.35%

LAB 26.75, 51.9, -57.87

 

CMYK 24 / 0 / 58 / 10

HEX #AEE660

RGB 174 230 96

HSL 85.07, 0.73%, 0.64%

LAB 85.22, -38.49, 58.29

 

CMYK 23 / 0 / 54 / 3

HEX #BFF873

RGB 191 248 115

HSL 85.71, 0.9%, 0.71%

LAB 91.44, -38.63, 57.32

 

CMYK 18 / 0 / 47 / 0

HEX #D0FF86

RGB 208 255 134

HSL 83.31, 1%, 0.76%

LAB 94.59, -33.75, 52.64

 

CMYK 12 / 0 / 40 / 0

HEX #E1FF99

RGB 225 255 153

HSL 77.65, 1%, 0.8%

LAB 95.93, -25.46, 45.5

 

CMYK 5 / 0 / 33 / 0

HEX #F2FFAC

RGB 242 255 172

HSL 69.4, 1%, 0.84%

LAB 97.38, -16.97, 38.31

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 28 / 0 / 61 / 17

HEX #98D452

RGB 152 212 82

HSL 87.69, 0.6%, 0.58%

LAB 78.68, -39.7, 56.67

 

CMYK 30 / 0 / 68 / 24

HEX #87C23F

RGB 135 194 63

HSL 87.02, 0.52%, 0.5%

LAB 72.29, -39.45, 57.35

 

CMYK 33 / 0 / 75 / 31

HEX #76B02C

RGB 118 176 44

HSL 86.36, 0.6%, 0.43%

LAB 65.81, -39.04, 57.58

 

CMYK 36 / 0 / 84 / 38

HEX #659E19

RGB 101 158 25

HSL 85.71, 0.73%, 0.36%

LAB 59.24, -38.42, 56.93

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 12 / 0 / 56 / 10

HEX #CBE665

RGB 203 230 101

HSL 72.56, 0.72%, 0.65%

LAB 87.11, -27.09, 58.74

 

CMYK 0 / 4 / 56 / 10

HEX #E6DD65

RGB 230 221 101

HSL 55.81, 0.72%, 0.65%

LAB 86.74, -11.93, 58.87

 

CMYK 0 / 19 / 56 / 10

HEX #E6BA65

RGB 230 186 101

HSL 39.53, 0.72%, 0.65%

LAB 77.8, 6.02, 48.52

 

CMYK 0 / 34 / 56 / 10

HEX #E69865

RGB 230 152 101

HSL 23.72, 0.72%, 0.65%

LAB 69.63, 24.09, 38.6

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 42 / 0 / 56 / 10

HEX #86E665

RGB 134 230 101

HSL 104.65, 0.72%, 0.65%

LAB 83.23, -51.55, 53.27

 

CMYK 56 / 0 / 55 / 10

HEX #65E667

RGB 101 230 103

HSL 120.93, 0.72%, 0.65%

LAB 82.02, -60.37, 50.63

 

CMYK 56 / 0 / 40 / 10

HEX #65E689

RGB 101 230 137

HSL 136.74, 0.72%, 0.65%

LAB 82.47, -55.51, 34.81

 

CMYK 56 / 0 / 25 / 10

HEX #65E6AC

RGB 101 230 172

HSL 153.02, 0.72%, 0.65%

LAB 83.09, -49, 17.69

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 30 / 0 / 64 / 4

HEX #AAF457

RGB 170 244 87

HSL 88.28, 0.88%, 0.65%

LAB 88.89, -46.76, 66

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 22 / 0 / 47 / 16

HEX #A8D773

RGB 168 215 115

HSL 88.2, 0.56%, 0.65%

LAB 80.83, -31.92, 44.23

 

CMYK 17 / 0 / 35 / 21

HEX #A7C982

RGB 167 201 130

HSL 88.73, 0.4%, 0.65%

LAB 77.04, -23.7, 31.85

 

CMYK 11 / 0 / 23 / 27

HEX #A6BA90

RGB 166 186 144

HSL 88.57, 0.23%, 0.65%

LAB 73.05, -14.46, 19.06

 

CMYK 3 / 0 / 8 / 33

HEX #A6AC9F

RGB 166 172 159

HSL 87.69, 0.07%, 0.65%

LAB 69.55, -4.54, 5.94

 

CMYK 0 / 4 / 56 / 10

HEX #E6DD65

RGB 230 221 101

HSL 55.81, 0.72%, 0.65%

LAB 86.74, -11.93, 58.87

 

CMYK 11 / 0 / 56 / 10

HEX #CCE665

RGB 204 230 101

HSL 72.09, 0.72%, 0.65%

LAB 87.18, -26.7, 58.84

 

CMYK 26 / 0 / 56 / 10

HEX #AAE665

RGB 170 230 101

HSL 87.91, 0.72%, 0.65%

LAB 85.04, -39.49, 55.82

 

CMYK 41 / 0 / 56 / 10

HEX #87E665

RGB 135 230 101

HSL 104.19, 0.72%, 0.65%

LAB 83.28, -51.24, 53.33

 

CMYK 56 / 0 / 56 / 10

HEX #65E665

RGB 101 230 101

HSL 120, 0.72%, 0.65%

LAB 82, -60.61, 51.51

 

CMYK 40 / 0 / 84 / 16

HEX #81D622

RGB 129 214 34

HSL 88.33, 0.73%, 0.49%

LAB 77.8, -51.52, 71.61

 

CMYK 33 / 0 / 71 / 12

HEX #95E042

RGB 149 224 66

HSL 88.48, 0.72%, 0.57%

LAB 81.89, -47.14, 66.31

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 20 / 0 / 42 / 8

HEX #BDEB88

RGB 189 235 136

HSL 87.88, 0.71%, 0.73%

LAB 87.97, -31.16, 43.2

 

CMYK 14 / 0 / 29 / 5

HEX #D0F1AC

RGB 208 241 172

HSL 88.7, 0.71%, 0.81%

LAB 91.37, -22.48, 29.88

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 56 / 0 / 19 / 10

HEX #65E6BB

RGB 101 230 187

HSL 160, 0.72%, 0.65%

LAB 83.42, -45.77, 10.29

 

CMYK 0 / 56 / 4 / 10

HEX #E665DD

RGB 230 101 221

HSL 304.19, 0.72%, 0.65%

LAB 62.8, 64.87, -38.22

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 56 / 26 / 0 / 10

HEX #65AAE6

RGB 101 170 230

HSL 207.91, 0.72%, 0.65%

LAB 67.45, -4.67, -36.79

 

CMYK 0 / 56 / 26 / 10

HEX #E665AA

RGB 230 101 170

HSL 327.91, 0.72%, 0.65%

LAB 60.81, 57.29, -12.33

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 56 / 0 / 19 / 10

HEX #65E6BB

RGB 101 230 187

HSL 160, 0.72%, 0.65%

LAB 83.42, -45.77, 10.29

 

CMYK 30 / 56 / 0 / 10

HEX #A165E6

RGB 161 101 230

HSL 267.91, 0.72%, 0.65%

LAB 54.66, 49.11, -56.71

 

CMYK 0 / 56 / 37 / 10

HEX #E66590

RGB 230 101 144

HSL 340, 0.72%, 0.65%

LAB 60.02, 54.14, 1.52

 

CMYK 27 / 0 / 56 / 10

HEX #A9E665

RGB 169 230 101

HSL 88.37, 0.72%, 0.65%

LAB 84.98, -39.85, 55.74

 

CMYK 56 / 0 / 2 / 10

HEX #65E6E1

RGB 101 230 225

HSL 177.67, 0.72%, 0.65%

LAB 84.38, -36.57, -8.34

 

CMYK 30 / 56 / 0 / 10

HEX #A165E6

RGB 161 101 230

HSL 267.91, 0.72%, 0.65%

LAB 54.66, 49.11, -56.71

 

CMYK 0 / 56 / 54 / 10

HEX #E66569

RGB 230 101 105

HSL 358.14, 0.72%, 0.65%

LAB 59.11, 50.42, 22.87

 

Description

Color code: HEX #A9E665 | qconv.com Color code: HEX #A9E665 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 230 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 230 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 56 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 56% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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